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Preisdatenbank abonnierenExquisite pink jellyfish beautifully encapsulated within clear crystal, creating a mesmerizing display. Fluoresces brilliantly under blue light, adding a captivating glow. Unmarked. Issued: 20th centuryDimensions: 5.75''H x 3''diaManufacturer: SunriseCountry of Origin: United StatesCondition: Age related wear.
A modernist Lucite acrylic sculpture of two colored spies, yellow and light-brown, attached to a clear acrylic base. The spikes have smooth edges that gives the viewers different optical effects when observing through the spikes. Marked with an incised Shlomi Haziza signature and with a Haziza studio sticker. The dimensions are approximately: 13.5"L x 8.5"W x 35"H. Artist: Shlomi HazizaIssued: 20th - 21st centuryDimensions: See DescriptionManufacturer: HazizaCondition: Age related wear.
Stunning duo of clear crystal taper candle holders, expertly crafted in a sleek prism shape. These elegant holders capture and refract light beautifully, creating a dazzling display of reflections and adding a touch of sophistication to any setting. Signed Oleg Cassini. Artist: Oleg CassiniIssued: 20th centuryDimensions: 2.25''L x 2.25''W x 4''H, EachCondition: Age related wear. Minor chips.
GOTTLIB, Marcel and Rene Goscinny. Les Dingodossiers, Neuilly-sur-Seine: Dargaud 1980, original pictorial boards (light bumping, small tears at top joints), ink ownership inscription, good, 32cm x 24cm; and IDEM. Les Dingodossiers Tome 2, Ibid 1979, original pictorial boards, very good, 32cm x 24cm. (2)
Three 1980s - 1990s faux fur coats, all in good condition. A Astraka Made in England faux fur coat in short pile leopard colours gradating from white to tan with black-brown marks, being medium length finishing on or below the hips, with a wide flat laid collar and single hook-eye fastening, terracotta rayon lining, size 12. A Astraka Made in England faux fur coat in short pile leopard colours gradating from light tan to warm tan with black-brown markings, being medium length finishing on or below the hips, with a wide notch collar and single hook-eye fastening, terracotta rayon lining, size 12. A Nuage shawl coat in camel cashmere blend, featuring a chocolate brown faux fur panel around the neck and lapels continuing down to the hem, with faux fur inside turn-up cuffs, having hip pockets, lined with blush nude polyester, size 10.
A pair of rare cowboy boots in forest green genuine leather, subtly metallic, having emerald patent moc-croc leather trim at the upper and pull tabs, decorative stitch work typical of the garment running up the leg shaft, ornately worked silver chain and toe tip accessories attached, light signs of wear include natural creasing to the leather and wear to the soles. Measuring approximately 24cm from heel to where the pointed toe begins tapers off, and 8.5cm across the widest part of the ball. Condition report: Measurements - 11.2" in length, 3.75" across the widest part of the foot.
Two exquisite Escada shoulder bags in complementary shades of brown. Both bags feature a chic flap closure and are crafted from high-quality leather, making them the perfect blend of style and functionality. The light brown bag is a versatile and timeless piece, perfect for daytime outings or casual events. The dark brown bag, with its rich and luxurious hue, is ideal for more formal occasions or for adding a touch of sophistication to any outfit. Despite their different colours, both bags share the same elegant and practical design, featuring the iconic Escada logo and ample interior space with multiple pockets for organisation. Please refer to images.
ITEM: Bread stamp with inscription 'L SEB I... / EVPHROS T...'MATERIAL: BronzeCULTURE: RomanPERIOD: 2nd - 3rd Century A.DDIMENSIONS: 27 mm x 54 mm x 25 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired between 1990 - 2000Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman bread stamps in bronze are fascinating artifacts that shed light on the intricacies of daily life in ancient Rome, particularly in the context of bread production and commerce. These stamps were used to imprint distinctive marks or logos onto loaves of bread, which served multiple purposes. Primarily, they helped identify the bakery that produced the bread, ensuring quality and authenticity. Such stamps often featured symbols, names, or even intricate designs that could indicate the baker’s identity, the type of bread, or specific characteristics of the bakery, providing both a practical and branding function.The use of bronze for these stamps reflects the material's durability and the value placed on precision in bread-making. Roman bakers would press these stamps into the dough before baking, leaving a permanent imprint that survived the baking process. This not only helped in differentiating between various types of bread but also acted as a form of quality control. The presence of these stamps on bread loaves was particularly important in bustling urban centers like Rome, where standardization and traceability were crucial due to the high volume of production and consumption.Archaeological finds of Roman bread stamps reveal a great deal about the economic and social aspects of Roman life. These stamps have been discovered in various regions of the empire, indicating a widespread and standardized practice. They provide insights into the organization of Roman bakeries and the role of bread in daily sustenance, as well as the administrative and regulatory aspects of Roman commerce. Additionally, the decorative and inscriptive elements on these stamps offer valuable information about Roman art, typography, and the symbolic meanings associated with different designs. Through these artifacts, we gain a deeper understanding of how the Romans managed food production and the significance of bread in their society.
ITEM: Factory oil lamp with makers mark, Type Buchi X aMATERIAL: PotteryCULTURE: RomanPERIOD: 1st - 2nd Century A.DDIMENSIONS: 35 mm x 74 mm x 106 mmCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice. Roman oil lamps were essential household items in ancient Rome, providing illumination during the evening hours in both private residences and public spaces. These lamps typically consisted of a shallow, bowl-shaped reservoir for holding olive oil, which served as the fuel source, and a central spout or nozzle through which a wick could be inserted. The design of Roman oil lamps evolved over time, with variations in shape, size, and decorative motifs reflecting changes in fashion, technology, and cultural influences.Roman oil lamps were often made from clay, although examples crafted from bronze, glass, or other materials also exist. Clay lamps were mass-produced in pottery workshops using molds, allowing for efficient production and distribution throughout the Roman Empire. These lamps were frequently decorated with relief designs, incised motifs, or painted decorations, ranging from simple geometric patterns to elaborate scenes from mythology, daily life, or religious rituals.The use of oil lamps in ancient Rome extended beyond mere illumination, serving as important symbols of domestic life, social customs, and religious practices. Oil lamps were commonly used in religious ceremonies and funerary rituals, where they were lit as offerings to the gods or placed in tombs to guide the souls of the deceased to the afterlife. In domestic settings, oil lamps played a central role in daily life, providing light for cooking, eating, and socializing after dark.
ITEM: Papyrus fragment with demotic scriptMATERIAL: PapyrusCULTURE: EgyptianPERIOD: 3rd - 4th Century A.DDIMENSIONS: 40 mm x 55 mm (without stand), 230 mm x 91 mm (with stand)CONDITION: Good condition. Includes standPROVENANCE: Ex English private collection, acquired before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Papyrus fragments with Demotic script are important artifacts in the study of ancient Egyptian culture, providing valuable insights into the language, administration, and daily life of the people during the Greco-Roman period (circa 332 BCE to 395 CE). Demotic is a cursive script that evolved from northern forms of the Egyptian hieratic script. It was widely used for administrative and legal documents, as well as literary and religious texts during the later periods of ancient Egypt. The use of Demotic became more prominent following the conquest of Egypt by Alexander the Great and the establishment of the Ptolemaic Dynasty.These papyrus fragments cover a diverse range of topics, including legal contracts, administrative records, literary texts, and religious manuscripts. They offer glimpses into the economic transactions, legal agreements, and social customs of the time. Legal documents often include details about land transactions, inheritance, and contracts, shedding light on the legal and economic structure of ancient Egyptian society during the Hellenistic and Roman periods.The decipherment of Demotic script has been instrumental in understanding the cultural and linguistic shifts that occurred during this era. Scholars have made significant progress in translating and interpreting these papyrus fragments, contributing to a more comprehensive understanding of the multifaceted nature of ancient Egyptian culture in its later phases.
ITEM: Painted jugMATERIAL: PotteryCULTURE: Early Bronze AgePERIOD: 3500 - 2000 B.CDIMENSIONS: 145 mm x 148 mmCONDITION: Good condition, repaired PROVENANCE: Ex Museum Exhibiton of the Arbeitsgruppe für Biblische Archäologie, Germany (Deaccession)Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.During the Early Bronze Age, pottery vessels played a crucial role in daily life, serving various functions such as storage, cooking, and ritualistic purposes. These vessels were typically handmade using clay, which was readily available in many regions. The pottery of this period exhibits a wide range of shapes, sizes, and decorative styles, reflecting the diversity of cultures and traditions across different regions.One of the distinguishing features of Early Bronze Age pottery is the development of new ceramic techniques and styles. As societies transitioned from the Neolithic to the Bronze Age, pottery production became more sophisticated. Potters began using potter's wheels to create vessels with more uniform shapes and sizes. Additionally, advancements in firing techniques led to the production of pottery with improved durability and strength. Surface decorations, such as incised patterns, impressed designs, and painted motifs, became more elaborate, showcasing the artistic skills of ancient craftsmen.The vessels pottery of the Early Bronze Age also provides valuable insights into the socio-economic dynamics of ancient societies. The distribution of pottery styles and types across different archaeological sites can reveal patterns of trade and exchange networks, as well as variations in cultural practices and social structures. Moreover, the presence of specific types of pottery, such as cooking pots, storage jars, and ceremonial vessels, can shed light on the domestic activities, foodways, and religious beliefs of ancient communities.
ITEM: Pendant with HeliosMATERIAL: Gold and silverCULTURE: RomanPERIOD: 2nd - 3rd Century A.DDIMENSIONS: 25 mm x 18 mmCONDITION: Good conditionPROVENANCE: Ex German private collection, acquired before 2000sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Helios was a prominent deity in both Greek and Roman mythology, representing the personification of the sun. In Greek mythology, Helios was often depicted as a handsome and radiant god driving a chariot across the sky each day, bringing light and warmth to the world. He was the son of the Titans Hyperion and Theia and was revered as one of the Titans himself. Helios was associated with various aspects of the sun, including its daily journey, its life-giving energy, and its ability to illuminate the heavens and the earth.In Roman mythology, Helios was known as Sol, and his attributes and characteristics closely mirrored those of his Greek counterpart. As Sol Invictus, the "Unconquered Sun," he was worshipped as a powerful and invincible deity, particularly during the Roman Empire. The cult of Sol Invictus gained prominence during the late Roman Republic and reached its zenith under Emperor Aurelian in the 3rd century AD, when Sol became an official state god and was celebrated with lavish festivals and ceremonies.Helios/Sol was often depicted in art and literature as a majestic figure crowned with a radiant halo or aureole, riding a chariot pulled by fiery steeds across the sky. He was sometimes portrayed with a golden sun disc or a radiant solar crown, symbolizing his divine power and authority over the sun. Temples and shrines dedicated to Helios/Sol were erected throughout the Greco-Roman world, where worshippers paid homage to the sun god through prayers, offerings, and rituals.
ITEM: Oil lamp with inscription 'The light of Christ shines for all'MATERIAL: PotteryCULTURE: ByzantinePERIOD: 4th - 5th Century A.DDIMENSIONS: 30 mm x 59 mm x 85 mmCONDITION: Good conditionPROVENANCE: Ex Palestine private collection, acquired in the 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.A Byzantine oil lamp inscribed with the phrase "The light of Christ shines for all" is a remarkable artifact that reflects the deep spiritual and theological beliefs of the Byzantine Empire. This inscription emphasizes the central role of Christianity in daily life and religious practices during the Byzantine period. Oil lamps were essential for both practical illumination and religious rituals, and incorporating a Christian message into their design highlights the integration of faith into everyday objects. The inscription serves as both a devotional statement and a reminder of the divine presence in the lives of believers, making the lamp a significant symbol of Christian piety and enlightenment.The design and craftsmanship of Byzantine oil lamps were highly refined, often made from materials such as clay, metal, or glass. These lamps frequently featured intricate decorations, including religious symbols, motifs, and inscriptions. The inclusion of the inscription "The light of Christ shines for all" on the lamp would have been achieved through engraving or molding, demonstrating the skill of Byzantine artisans. This inscription not only personalized the lamp but also reinforced the idea that light, both physical and spiritual, is a manifestation of Christ's presence and guidance in the world. The lamp's practical function as a source of light was thus imbued with deep religious significance.In addition to its spiritual message, the Byzantine oil lamp with this inscription provides valuable insights into the religious and cultural practices of the period. The lamp would have been used in private homes, churches, or during religious ceremonies, emphasizing the importance of maintaining a connection with the divine in various aspects of life. The presence of such an inscription also reflects the broader trend of incorporating Christian themes into art and everyday objects, illustrating how Byzantine art and material culture were deeply intertwined with religious beliefs.
AN AUDEMARS PIGUET WHITE GOLD DIAMOND BRACELET WATCH Circa 1960s, Case no. 82639 Oval jade dial with diamond set hands, 20 jewel manual wind movement signed, interior of case further signed and marked 18k 750, diamond set bezel, integral gold bracelet strap, signed and hallmarked for 18k gold to clasp, with box, the interior length of the bracelet when the clasp is closed (as in wrist circumference) is 142mm/146mm/150mm (adjustable). 27 x 20mm Condition: Condition Report Movement in going order, hands setting correctly, light signs of wear, overall very good vintage condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property from the estate of Lie Ee Hooi, Grace aka Lee Ee Hooi
A ROLEX GOLD LADIES PRECISION BRACELET WATCH Ref. 9168, case no. 196378, circa 1960s Circular 9k gold case, cream dial with baton hour markers, signed Rolex Precision, signed 17 ruby manual wind movement, on an imitation Rolex gold bracelet strap marked 18k to clasp 20mm Condition: Condition Report Movement not currently running and in need of service. Some general signs of light use and surface scratching This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property from the estate of Lie Ee Hooi, Grace aka Lee Ee Hooi
A PIAGET GOLD AND DIAMOND WRISTWATCH Case no. 71740 370976 Rectangular gold case with crown on case back, Swiss hallmarks for 18k gold, with an upper and lower row of diamonds, gilt dial with dot hour markers, quartz movement, Piaget black leather strap with 18k gold buckle 23 x 27mm Condition: Condition Report Not currently running, will been replacement battery and/or service, some light scratching and tarnish to case. Strap with wear and peeling. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property from the estate of Lie Ee Hooi, Grace aka Lee Ee Hooi
A DIAMOND SOLITAIRE RING Featuring a cushion brilliant cut diamond weighing approximately 3.2 Cts, mounted in a Chinese marked yellow gold ring setting. Accompanied with Nan Yang Gemological Institute report no. 32883455 dated May 31, 2024, stating that the natural cushion brilliant cut diamond is of a light yellow color, with VS1 clarity. US Size 5.5 3.97g Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property from the estate of Lie Ee Hooi, Grace aka Lee Ee Hooi
Artist: Chikanobu Yoshu (1838-1912)Title: Cherry Blossom Viewing at UenoSeries title: High-Ranking Ladies of the Tokugawa EraPublisher: Hasegawa TsunejiroDate: 1897Size: (L) 35.3 x 24.9, (C) 35.3 x 24.9, (R) 35.2 x 24.8 cmCondition: Light margin wear and water stains, some pinholes.Ref: JG0923YA01-9
Artist: Kuniyoshi Utagawa (1798-1861) Title: Empress Jingu Series title: Stories of a Hundred Heroes of High Renown Publisher: Izumiya Ichibei Date: 1843-1844 Size: 35.8 x 24.6 cm Condition: Light creases, binding holes and wormholes, partially restored, light soiling around edges. Ref: JG112301
Artist: Yoshitoshi Tsukioka (1839-1892)Title: 'Omoshirosou' A castle ancilla of the Bunsei era (1818-1830) looks having a fanSeries: Thirty-two Aspects of Customs and MannersPublisher: Tsunashima KamekichiDate: 1888Size: 37.3 x 25.6 cmCondition: Some margin wear, stains, pinholes, horizontal centrefold, light foxing.Ref: CMAG209
Set of 2:Artist: Yoshiharu Utagawa (1828-1888) / Chikanobu Yoshu (1838-1912)Title: Illustration of Sericulture / Making Silk No.5Publisher: Arakawa Tobei / Tsujioka BunsukeDate: 1876 / 1884 (Meiji)Size: 35.4 x 24.5 cm / 35.1 x 24.5 cmCondition: Slightly trimmed, some margin wear, horizontal centre crease, light stains. / Slightly trimmed, ink transfer, right margin fold, thinned spots.Ref: JG052417-69 / JG052417-51
Artist: Chikanobu Yoshu (1838-1912)Title: Enjoying BoatSeries: Court Ladies of the Chiyoda PalacePublisher: Fukuda HatsujiroDate: 1896 (Meiji)Size: (L) 35.5 x 24.4, (C) 35.5 x 23.6, (R) 35.5 x 24.3 cmCondition: Light soiling and stains, some vertical margin folds, minor binding holes.Ref: JG012301-18
Artist: Toshimasa Eda (a.c. 1880s-1890s) Title: Diplomat Ohtori Entering the Castle, Guarding Heungseon Daewongun Series title: The First Sino and Japanese War Publisher: No seal Date: 1894 Size: (L) 35.4 x 23.1 (C) 35.3 x 23.1 (R) 35.4 x 23.1 Condition: Slightly trimmed, light soiling, small hole and thinning on the left panel. Ref: JG1222YA01-2
Artist: Toshimasa Eda (Active in Meiji)Title: Portraits of Nobles and Royals of Japan and KoreaPublisher: Kimizu YasugoroDate: 1894Size: (L) 35.4 x 23.8, (C) 35.4 x 24.5, (R) 35.4 x 24 cmCondition: Slightly trimmed, light mount marks, stains and foxing, some pinholes and thinned spots.Ref: JG072425-4
Artist: Yoshitoshi Tsukioka (1839-1892)Title: The Tale of Okoma of ShirakiyaSeries: A New Selection of Eastern Brocade PicturesPublisher: Tsunajima KamekichiDate: 1886Size: L: 25.3 x 37.1, R: 23.8 x 37.2 cmCondition: Joined panels with a split in the middle, creases, light soiling, minor spots, small tears on the edges, pinholes on the top margins.Ref: CMMA234
Artist: Chikanobu Yoshu (1838-1912)Title: Sarugaku-Kyogen PlaySeries: The Inner Palace of ChiyodaPublisher: Fukuda HatsujiroDate: 1895Size: (L) 35.9 x 24.0, (C) 35.9 x 24.0, (R) 35.9 x 24.1 cmCondition: Wormholes on the edge of the centre and left panels, red colour oxidisation, light brown stains.Ref: CMWA71
Set of 2 prints:Artist: Yoshitsuya Utagawa(1822-1866) / Kunichika Toyohara(1835-1900)Title: Gion Festival / MinakuchiSeries: The Fifty-three Stations of Tokaido / The Fifty-three Stations of TokaidoPublisher: Sanoya TomigoroDate: 1863Size: 36.2 x 24.9 cm / 35.7 x 24.7 cmCondition: Margin wear, wormholes and pinholes, some restorations, light stains and creases. / Trimmed, restored margins and binding holes, thinned areas.Ref: CMAG293 / CMAG294
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