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Winifred Griffen (early 20th Century) The Cenotaph, Hong Kong; The Peak, Hong Kong Two, both watercolour, on on paper, one on linen 22 x 28cm and 21 x 36cm (2) ++Cenotaph - a little fading and light time-staining, one or two minor blemishes; 2. Some discolouration and fading, mainly in sky, two fox marks right margin, one or two minor blemishes
AMENDED - A. Popov (Russian, early 20th Century)Scene from the Russian occupation of Northern Manchuria in the early 20th Century following the Boxer Rebellion with a parade of Cossacks and a Manchurian waving a horses tail, the symbol of the Cossacks, outside a temple Signed and dated 1907 Oil on canvas 81 x 135cm Provenance: From the collection of John Newall Esq. Sotheby's, 14.11.88, Lot 72 ++Unlined, restored, two small repairs upper right near margin and upper centre, one or two light pushes lower margin, some large areas of retouching visible in sky under u.v. light around repairs and other areas, some scattered smaller retouchings elsewhere visible under u.v. light
‡ Ernest Howard Shepard (1879-1976) Baby face; A gentleman of fashion Two, both pencil with sketches verso, mounted, unframed 29 x 22cm and 23 x 16.75cm (2) Provenance: Both from the artist's sketchbooks W9598 ++Both with verso images visible through recto and both with a little light mount-staining, 1. with one fox mark; 2. one or two minor marks
‡ Ralph Adron (b.1937) Black and white; Gouache Hands Hexagonal; Gouache Hands; Untitled, c.1965 Four, all signed (one with initials) and three dated 1965, two also dated verso All gouache on coloured papers, unframed 32.5 x 50cm (2 of 4); 35 x 49cm and 22 x 28cm (sheet sizes) (4) ++Papers with uneven margins, some light creasing, scuffs and rubbing to gouache to two, other two good condition
A Waltham rolled gold full hunter pocket watch, circa 1901, with signed white enamel dial, black Roman numerals, blued steel spade hands, and subsidiary seconds dial, the signed 15 jewel Swiss lever movement no. 10789545, keyless wound, 50mm diameter movement currently functioning, dial without issue, case with light scuffs
Judaica:- a Continental silver Hannukah lamp, unmarked but tests silver, late 19th or early 20th century, central section applied with floral motif and surmounted by the Tablets of the Law, the openwork frame applied with decorative foliate straps and chased with birds, ribbons and flowers, detachable oil jug to top left, the floral-chased rectangular base applied with eight oil containers, 23.5 cm.long, 21 cm. highSlight distortion to bottom edge of front of base, generally in good condition but fairly crudely soldered together at back, lacks auxiliary light which would have sat at opposite end to oil jug
A nickel Goliath pocket watch with light fitting, circa 1920, the white enamel dial signed 'MM & Co Patent', with large black Roman numerals, blued steel spade hands, subsidiary seconds dial, and small bulb at 12 o'clock, the case with extension for battery fitting, keyless wound 15 jewel straight line lever movement with engraved balance, 66mm diameter Movement functioning, and in good clean consition overall, no apparent damage to the dial.
O'Flaherty, Tom [Tomas Ó Flaitheartaigh] An Archive including:-Copy TLS, 2 pp, to Frank Gallagher, Editor, Irish Press, February 1934, seeking employment as a journalist, with details of his experience, unsigned but evidently from TOF, with a second similar letter to a Mr. Quilty [while his experience was excellent, we suspect that his background was too far to the left for the Irish Press];-Correspondence about TOF's book Cliffmen of the West;-Three TLS from TOF to his sister Lil, 1932 and 1933, one from America and two from Aran, interesting letters with much family and other news;-About 20pp carbon copy manuscript, apparently drafts of stories in Irish;-An extensive bundle (over 100 pp) of typescript in English, apparently drafts of TOF's life story (possibly including drafts of 'Cliffmen of the West');-A bundle of manuscript in English and Irish, evidently drafts of TOF's writings, about 100 pp in a clear hand in both languages.In need of further study, but a significant collection, which may cast light on his brother Liam's work as well as his own. In a blue plastic case. (1)
Signed by Seamus HeaneyHeaney (Seamus) trans. The Burial at Thebes - Sophocles Antigone, 8vo L. (Faber & Faber) 2004, Signed Ltd. Edn., 20 (250), cloth backed boards, slip case; Electric Light, 8vo L. (Faber & Faber) 2001, Signed Ltd. Edn. 115 (300), cloth backed boards, slip case, clean copies. (2)
Plantin Press: Tacitus - Lipsius (J.)ed. C. Cornelii Taciti Opera Quae Exstant, 8vo Antwerp (Apud Christ. Plantium) 1588. Printers device on title, [16], 718, [1], [22]; Bound with ... Curae Secundae, Ex Officiana Plantiniana (Apud Franciscum Raphelengium) 1588. Device on title, [16], 160pp some mispagination, text throughout within light ruled red borders, commentary at side, wd. cut initials and a few text illus., one leaf with slight repair in upr. corner, otherwise a very clean copy. Binding dam. (1)
Conrad (Joseph) Lord Jim. A Tale, Edin. & L. 1900. First Edn. hf. title, some spotting, decor. light green cloth; du Maurier (George) Trilby, A Novel. L. (Osgood Mc Ilvaine & Co.) 1895. hf. title, frontis, vign. title & illus. thro-out by author, adverts at end, orig. gilt decor cloth; Buchan (John) The Long Traverse, L. 1941. First, illus. cloth; Hardy (Thos.) Tess of the D'Urbervilles. A Pure Woman L. (James P. Osgood, Mc Ilvaine & Co.) 1893. Hf. title, port. frontis, cloth. (4)
Conolly of Castletown Letters11 Letters Relating to Patrick & William Conolly,Brother and Nephew of "Speaker" Conolly, 1713 - 1714 & 1720 - 1721Conolly (Patrick & William) A rare collection of eleven original Letters relating to the Conolly family, c. 1713-1714 and 1720-1721, approx. 14pp in all, postally used, some with markings. As m/ss, w.a.f. (1)* Patrick Conolly was the younger brother of William Conolly of Castletown, Speaker of the Irish House of Commons. The family's origins are obscure: their father, Patrick Conolly of Ballyshannon, co Donegal, was formerly said to have been either an innkeeper or a blacksmith, but is now thought to have been either a miller (ODNB) or a minor landowner (DIB). The brothers fled to England in 1688 following the Jacobite takeover, but whereas William returned to Ireland and eventually achieved wealth and fame, Patrick remained in England, where he married Frances Hewett, the daughter of a Leicestershire squire, and lived at Dunton (between Leicester and Lutterworth).In the first letter, Patrick tells his brother of the death of his wife. In the ensuing letters, the Rev Thomas Seagrave, rector of Leir near Lutterworth, recounts Patrick's own death and his attempts over the next year to settle his estate and arrange for the care of his two teenage children, William and Frances, despite the unhelpful attitude of the Hewetts.In three letters dated 1720-21, William thanks his uncle for the kindness he has shown; the final item is a list of expenses incurred by the Speaker in setting up his nephew as a cursitor in the Court of Chancery.William succeeded to Castletown on the death of his aunt, the Speaker's widow, in 1752, but died only two years later. His brief tenure has been overshadowed by the more spectacular careers of his uncle the Speaker and his son, "Squire" Thomas Conolly. These letters - always informative and at times poignant or amusing - cast new light on the lives of two little-known members of one of Ireland's most famous 18th-century families. As manuscripts, w.a.f.
Inscribed Presentation CopySomerville (E.O.E.) & Ross (M.) Further Experiences of an Irish R.M., L. (Longmans) 1908. First Edn., hf. title, illus. frontis & 19 plts. plus 15 text illus., VIII, [316]pp. 3pp adverts, light green cloth with white band, black lettering, gilt spine lettering. (1)* Signed by Author on title & with presentation inscription on front loose end, "Hildegarde with love from Edith:/ August 29, 1908.'
Some Interesting Insights into the Artists MindGalbally (Cecil) Artist, R.H.A. [1911-1995] A good collection of fifteen ALS to his friend Rose Gonley, 1945-47, also with a postcard, an inscribed copy of his 1947 Waddington catalogue with sold items marked, and a number of related envelopes. Two of the letters have attractive ink drawings of the artist at work, the entire almost 80pp in all.The two appear to have met in Aran, where Galbally went to paint, and where Rose apparently became engaged to a local man (there are hints that Galbally may also have had romantic ideas about her). Some of the letters are written from Cork, where Galbally stayed for a time. Galbally does not write directly about his painting - he says he cannot write about it - but he gives much information about his circumstances and plans. He describes the paintings in his Waddington show, and says (12 March 1947) 'I had hopes to amass enough wealth to cover my (proposed) trip to Spain and I'm delighted to say that the hopes were more than realised. I'm longing to go where the sun is hot & the skies are blue all over, & stay blue for days & days & days! (Every Irish person hopes for these things but an Irish artist .. words won't express the urge!).'On 16 September (no year), writing from Galway, he describes a visit to Carraroe. 'Before I left Carraroe this afternoon, I thought I'd say “au revoir” to her [Aran] and went down to the shore and looked out at her grey form above the white tipped waves. She looked back coyly at me from her grey rain-cloud shawl ..'Galbally went to Spain about 1950, and stayed there for most of the rest of his life. He taught English there, and gave up painting altogether for many years. He died in Santander in 1995.A useful collection, which casts light on the painter's character and motivations.As a collection of manuscripts, w.a.f. (1)
Bielfeld (Baron) The Elements of Universal Erudition, containing An Analytical Abridgement of the Sciences, Polite Arts and Belles Letters, Trans. by W. Hooper, 3 vols. 8vo L. 1770. First English Edn., hf. title Vol. I, plt. of Music, & advert leaf at end Vol. II, light L.S. on verso of titles Vols. I & II, cont. sprinkled calf, gilt fillet borders, mor. labels. V. good. (3)* 'E. Libris Jac. Butler.'
A pair of Victorian, light brown, woven hair, crimped pippin drop earrings, HBto plain gold caps with replacement base metal hook fittings,together with a dark brown, woven hair, spiral twist bracelet,with gold end caps and barrel clasp, anda light brown, three-row woven hair bracelet,threaded through gilt metal hand engraved beads (4)

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