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Preisdatenbank abonnierenA GOOD FLINTLOCK OFFICER'S PISTOL, barrel with original twist, rounded muzzle, octagonal breech with London proof marks and inscribed London, tang with foliate decoration, stepped lock with incised decoration, signed John Gill, swan neck cock, full length stock with flat grips, original ramrod, engraved iron furniture, the trigger guard with pineapple finial. 14.75ins. Late 18th Century. Lock with light pitting.
VICTORIAN CRAVEN DUNNILL & CO TILE PANEL, designed by G.Harold Elphick, shaped topped, glazed and decorated in relief with a stylised pattern in tones of yellow, within a wooden frame, REG No 241168, 71cm high x 61cm width The pattern was originally taken directly from a decorative plaster motif in the Alhambra Palace in Granada Spain. This tile panel was removed from the Nevills New Turkish Bath, Old Broad Street, London Condition Report: Some light surface age and use wear; small nicks to high points and edges, typical glaze crazing; nothing further found
GALILEO CHINI (1873 - 1956) FOR ARTE DELLA CERAMICA: A LUSTREWARE FAIENCE BOWL, circular form, the centre decorated with a pair of phoenix amongst trailing vines and stylised flowers, painted in polychrome, stamped Fontebuoni Firenze , painted marks, 36.5cm Condition Report: Few chips to border, surface scratches and some signs of wear to interior of bowl, crazing and light staining to underneath.
•TRISTAN TZARA (1896-1963) 'Excursions & Visites Dada 1ère visite: Église Saint Julien le Pauvre' Jeudi 14 Avril a 3 h, (Paris, 1921), original printed broadside, with text printed in black and blue, 27.5cm x 22cm (unframed) This rare Dada publicity broadside features the names of the Dada group at the foot: Buffet, Aragon, Arp, Breton, Eluard, Fraenkel, Hussar, Peret, Picabia, Ribemont-Dessaignes, Rigaut, Soupault and Tzara. The typography was designed by Tristan Tzara. This was the first and only public gathering of the Paris Dadaists. The text, attributed to Andre Breton, invites the reader on a visit to the church of St Julien le Pauvre, being one of "a series of visits to selected spots, particularly those which really have no reason for existing... " Condition Report: some light tonal discolouration, otherwise in very good condition
•RONALD 'CARL' GILES (1916-1995) 'To my dear Wife' a cartoon study of a couple in bed on Christmas Eve, signed lower left, pen and ink with colour, 31.5cm x 42cm Condition Report: framed but without glass, some light discolouration and foxing spots. Original and not a print. 41.5cm length x 32cm high
CURT SCHLEVOGT: AN ART DECO FROSTED AND CLEAR VASE, oviform with raised collar, moulded in relief and decorated with a frieze of female figures between clear bar windows, 23.5cm high Condition Report: Heavy stand wear to the under-base; light surface wear; nothing further found; mould definition good
ALEXANDRE KELETY (1880 - 1940): AN ART DECO BRONZE SCULPTURE, modelled as a female hoop dancer with outstretched arms and legs, on a polished black marble base, signed to the base 'A Van Kote', 36cm long x 12cm deep x 36cm high Literature, Art Deco and Other Figures, by Bryan Catley, pg no. 227 for comparable. Condition Report: Item appears to be in good overall condition, some light rubbing to bronze, few surface marks. Good patina.
LEGRAS: AN ART DECO "NEPTUNE" GLASS VASE, tapered cylindrical form, acid-etched and cut with stylised decoration on an olive green ground, impressed marks, 44.5cm high Condition Report: Surface wear to the under-base; light surface age and use wear; natural bubbles within the glass; nothing further found
•RADEK SZWED (RADOSLAW SZWED) : A CONTEMPORARY SILVER AND ROSEWOOD BANGLE, circular ribboned form, impressed marks, 4.5cm RadoslawSzwed was born in Warsaw, Poland and established his workshop in 1989. In 1993, he gained membership to the Association of Forum Creators Goldsmith and has since exhibited at exhibitions and galleries across Europe. Condition Report: Item appears to be in good overall condition, some wear to sides of rosewood and light condition issues to those parts.
ARTS AND CRAFTS OAK CORNER CUPBOARD, the two doors decorated with four carved vine leaf panels, the top with a freize of carved leaves, fitted with two shelves, 40cm deep x 57cm long x 89.5cm highProvenance: Agatha Walker and thence by descent Condition Report: Item appears to be in good overall condition, few light surface and age related marks
•ALESSANDRO BECCHI FOR GIOVANNI COLLEZIONI: AN "ANFIBIO" SOFA BED, fold out front, curved arms, brown leather upholstered cushioned seats, 240cm long x 65 cm high x 98 cm deep Condition Report: Item appears to be in good overall condition with some signs of wear and a few light marks. No visible tears to leather.
WILLIAM MOORCROFT: A "HIBISCUS" VASE, shouldered form, decorated with flowers on a blue and green ground, signed and impressed markings, 25cm high Condition Report: Item appears to be in good overall condition with no visible damage or restoration. Crazing to flowers and top section of vase close to rim. White patch in photograph simply a glaze reflection from light box.
WILLIAM MOORCROFT FOR JAMES MACINTYRE & CO: A "ROSE GARLAND" VASE, trumpet form, decorated with roses and leaves on a white ground with gilt highlights, no. M2837/3, signed and printed marks, 29cm high Condition Report: Item appears to be in good overall condition with no visible damage or restoration. Some light gilding loss.
MOORCROFT: A "SPRIRAXIA" LIMITED EDITION VASE, c. 1998, cylindrical form with raised collar, tubeline decorated and painted in polychrome with flowers, designed by Emma Bossons, no. 149/300, signed, painted and impressed markings, 28cm high Condition Report: Item appears good overall, few minor light scratches to glaze, no restoration or visible damage or crazing.
MOORCROFT: A " SCOTCH ROSE" PLAQUE, c. 2016, circular form, tubeline decorated and painted in polychrome, designed by Nicola Slaney for the Royal Horticultural Society, impressed and painted marks, set in a light oak frame, paper label to verso, 31cm inc frame Condition Report: Item appears to be in very good overall condition with no visible damage, restoration or crazing.
POOLE POTTERY CARTER STABLER ADAMS CHARGER, decagon form, decorated in the BB pattern, shape no. 117, the centre painted in polychrome within a stylised border, by Winifred Rose, impressed and painted marks, 30.5cm Condition Report: Item appears to be in good overall condition with no visible restoration or damage. Some light crazing, red bodied ware.
A French Green Onyx Clock Garniture comprising central portico clock, ormolu mounted, with white enamel dial and Arabic numerals, the backplate marked 'A D Mougin', listed as working in Herimoncourt in the Montbeliard region of France circa 1880's. Together with two matching, four branch, five light candelabra, height 17.5 inches. Missing pendulum, please see image
Roland G-70 Music Workstation & Corresponding Parameter Reference Manual. Includes Manual, Cables, Volume Pedal, Metal Keyboard Stand (adjustable and foldable), metal framed light carry case (wheelie type). Roland PK-6 Dynamic Mid Pedal Keyboard & Corresponding owner's manual with metal framed flight carry case. Padded metal Piano Stool (adjustable & Foldable). Used - in good condition. Please see accompanying photographs.
Russian Enameled Coronation Cup The Khodynka "Cup Of Sorrows" features the Imperial double headed dragon crest and the crowned cyrillic cyphers representing the last Tsar, Nicholas II and the Tsarina Alexandra above the date 1896, surrounded by strap work below a gilt band, 4 1/2 inches in height. Together with a 1910 Russian 100 Ruble Note - Allegorical man with sword, Catherine II at left. Dark brown on light brown and multicolor underprintNOTE: These enameled tumblers were distributed along with food and commemorative scarves to the citizens of Moscow on May 18, 1896 to commemorate the coronation of Tsar Nicholas II. Rumors that the cups contained a gold coin caused a panic and stampede which resulted in over one thousand casualties being trampled to death. This became known as the "Khodynka Tragedy", the Tsarina, Alexandra gave this cup its name "Cup of Sorrows'
An Early 20th Century American Patchwork Quilt Hand stitched in polychrome printed patches and light blue diamond patches - the centre with compass star design in white running stitch. The whole, in tumbling blocks and star arrangement. Finished with scalloped edge. Purchased in Indiana Ohio, good overall condition, some slight staining/discolouration to hems, mild fraying to some patches. 83 x 94 inches.
Swiss Blue Topaz Pendant Earrings, pear cut Swiss Blue topaz solitaires, totalling 2.5cts, set in silver milgrain frames, suspended from similar open hearts with post and push back fittings; Swiss Blue is the bright shade of topaz between the light, sparkling Sky Blue and the deep teal hued, moody London Blue
A Victorian silver open faced pocket watch from William Wilson of Maryport, engraved to Mark Sanderson on the dust cover, AF, together with a gold plated pocket watch and a modern gilt example, an Oxford & Bucks Light Infantry cloth badge, and several war time and later booklets, in a cigar box (parcel)
A modern and fine Italian silver desk lamp from De Vecchi, the limited edition numbered 14 of 19 from 2010 after the original 1970s by Corinna Morandi and Gabriele De Vecchi, in the form of a cut circle, with halogen bulb fitting, small dent to underside, light scratching, 30cm high, in De Vecchi box and sold with a copy La Lingua Degli Specchi published by Electa
A mid to late 19th Century continental silver miniature bureau bookcase jewellery box, having pierced opening doors over slope and opening double drawers, decorated with figures in landscapes, four strike marks to base, possibly Dutch, 15cm high the silver is slightly misshapen in places, light surface scratches, otherwise generally good condition, no obvious signs of significant damage or repair
A pair of George III silver basting spoons by William Eley & William Fearn, London 1820, with initials engraved to terminals of old English pattern spoons, 9.7ozt (2)some light wear to the hallmarks, light scratches all over, some deeper scratches, minor discolouration to the bowls and handles, otherwise generally good condition, no obvious signs of significant damage or repair
A Regency period silver tea caddy spoon, in the manner of William Burwash & Richard Sibley, with engraved family crest to undersidethe bowl is very slightly bent out of shape, couple of bigger scratches to the outer and the inner of the bowl, light scratches all over, otherwise generally good condition, no obvious signs of significant damage or repair
A set of four George V silver menu holders by G.B & Co Ltd, oval bases with an otter, squirrel, small dog and a rabbit supporting two discs, London 1912 (4)light scratches all over, minor discolouration, a few deeper scratches to the bases, otherwise generally good condition, no obvious signs of significant damage or repair
A modern Italian silver circular box by Fratelli Cacchione of Milan, plain polished hinged form with strike marks to underside, 30ozthinge is ok, slightly woblly meaning the lid moves slightly from side to side, some light scratches all over, with some deeper one, minor discolouration, otherwise generally good condition, no obvious signs of significant damage or repair
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