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534297 Los(e)/Seite
Los 54
Group of military badges including: West Kent Yeomanry, Engineers, Royal Jersey Light Infantry, King's Own Malta Reg't, Royal Navy Drake Battalion, Motor Machine Gun Corps, Artillery, Black Watch, Coldstream Guards, Royal Hussars, War Services, Yorkshire Hussars, Wiltshire Reg't, Chaplin's badge, Lothian & Border Horse Yeomanry, Artists Rifles, 19th Alexandra's Prince of Wales Own Hussars, No 2 Commando WW2 officer's badge, Royal Fusiliers x 2. (20)
Los 49
Quantity of military badges including: 26th Hussars, South Notts Hussars, Royal Wiltshire, Warwickshire Yeomanry, Queen's Own Cameron Highlanders, Tank Corps, Seaforth Highlanders, Lincolnshire Yeomanry, ARP, Highland light Inf, War Service, Fife & Forfar Yeomanry, Imperial Service, Gloucestershire Reg't, Leicestershire Reg't, Artillery, United Army & Navy Board, London Volunteers. (17)
Los 502
AN EDWARD VII SILVER CIGAR BOXby William Comyns, London 1911, of plain design, 6cm high x 20cm wide x 9.5cm deep, wood lined interior, 14 tr. ozs gross, the lid engraved 'Bath & County Harriers Point to Point / Hinton 1910 / Subscribers Light Weight Race / Won by Pady's Pride / R.G. Gordon Up'
Los 86
A pair of Chinese famille rose millefiori plates, 9 1/2" dia, a pair of blue and white ginger jars and covers, on stands, a similar polychrome ginger jar and cover, on stand, two egg cups and a satsuma circular vaseCondition:One of the blue and white jars has chips to the top rim and the covers finial has losses to the glaze.Other blue and white jar and cover are fine.Other jar and cover is fine.Egg cups are fine.Satsuma bowl/basket has a chip to the base.One of the pair of Millefiori dishes has shallow chips to the foot rim. Other dish is fine. Both dishes have some small decoration losses and light surface scratches.
Los 208
A 9ct gold diamond set ingot pendant, the rectangular yellow gold ingot set with eight round brilliant cut diamonds, with pendant bail, 32mm long (excluding bail), weight approx 15.3gCondition:Diamonds each measure approx 3.5mm, estimated total diamond weight approx 1.60cts, clarity range estimated approx VS2-SI2, colour range estimated approx I/J, some light scratches, general wear but no significant visible damage, refer to images
Los 90
A Victorian silver lidded hot water jug, W W Harrison & Co, Sheffield 1891, of tapered form with engraved decoration and crest the hinged cover with finial, 28.5cm high, weight approx 23.2ozCondition:Hallmarks reasonably clear, base sits flush with surface, general wear and light scratches commensurate with age, refer to images
Los 330
Omega: A gentleman's stainless steel wristwatch Model: Seamaster 600 Reference: 135.011 Date: 1965 Movement: 17-jewel Cal.601 manual wind Dial: Sunburst silver, applied polished Arabic hour markers, polished sword hands, centre seconds Case: Polished round form, pull-out logo crown, screw-down back with hipocampus Strap/Bracelet: Associated stainless steel expanding textured bracelet Size: 34mm Condition:Case and back: Scratches and micro-abrasions consistent with age and use.Crystal: Fine scratches overall and some deeper scratches.Dial: Some light spotting visible under magnification - not disfiguringHands: Some minor tarnishing.Strap: Minor signs of use.Movement: Winds and runs. When setting, the crown is not fully engaging with the minute hand.Accompaniments: None present.Unless otherwise stated, all watches are likely to have been serviced and/or repaired in their lifetime and may have had parts replaced. While a watch may be described as 'working' at the time of the report, they are not guaranteed for timekeeping, mechanical durability or waterproofing (where applicable) - it is advised that all watches are inspected and serviced by a qualified jeweller or horologist before full use. The cost of servicing can be significant and so we strongly advise obtaining a quote before placing your bid.
Los 143
Walter Langhammer, Austrian 1905-1977 - Temple in India; watercolour and pencil on paper, signed lower right 'W Langhammer' and dated in Devanagari, 36 x 47.5 cm (unframed) (ARR) Note: Austrian born Walter Langhammer was one of the foremost patrons and critics of the Bombay Progressive Artists’ Group. Born in Graz in 1905, Langhammer fled to India with his Jewish wife Käthe Urbach in 1938, shortly before the Second World War. Although their initial time in the country was turbulent, with the couple being arrested by the British and interned in different cities, they were released once their political leanings were confirmed through evidence in the form of Langhammer’s caricatures. Walter and Käthe set up a studio in their apartment at Nepean Sea Road in Bombay, and became an active part of the artistic community of the city. Langhammer secured a position at The Times of India as the newspaper’s first Art Director, and every Sunday, held an open salon for artists to discuss their work. He exposed the young Progressives to European and Indian art and encouraged them to examine and dissect these paintings. According to S H Raza, “He used to put in front of me paintings by Raphael, El Greco, Monet and Cezanne; paintings of the Persian, Rajput and Mughal miniatures and he would say, ‘Look at these paintings and tell me what is happening there.’ It was a tough job but it was an eminent awareness of form which started developing in me which I started to follow in time to come.” (Quoted in Yashodhara Dalmia, The Making of Modern Indian Art: The Progressives, New Delhi: Oxford University Press, 2001). Langhammer’s own artistic practice flourished in India, and he exhibited frequently at the Bombay Art Society. His fellow émigré and art critic Rudolf von Leyden, reviewing one of Langhammer’s exhibitions at the University Convocation Hall in Bombay in 1945, wrote, “The creative play on the sheer beauty of colour has been the preoccupation of many artists, past and present… for years he has struggled to break down the fence and reach the realm of pure colour… I would not be surprised if the impact of Indian light and colour on his artistic temperament has accelerated the process and will continue to influence it.” (Dalmia) Langhammer was also an influential member of the Bombay Art Society Committee, and collaborated with Kekoo Gandhi, who founded Chemould Art Gallery, to design frames of a superior quality for individual artworks. He maintained that modern Indian art had great potential and would continue to grow.As Langhammer’s health deteriorated, he returned to Europe with his wife. He died in 1977.
Los 243
Maud Sumner, South African/British 1902-1985 - Sunset; oil on canvas, signed lower right 'Sumner' and further inscribed on the reverse, 27 x 36 cm (ARR) Note: the artist lived between her native South Africa and London and Paris, exhibiting internationally since the 1930s. Exhibitions of note were at the Mayor Gallery in 1935 and the Leicester Galleries. She was particularly influenced by the Nabis and her teacher Maurice Denis and a similarly ethereal landscapes are now in the collection of the Ashmolean Museum in Oxford ('Land of Light' and 'Misty Evening').
Los 265
Paul Jenkins, American 1923-2012 - Phenomena Basalt Light, 1994; watercolour on paper, signed lower right 'Paul Jenkins', also signed, titled and dated on the reverse 'Paul Jenkins Phenomena Basalt Light 1994' and bears inscription '3J01127', 110 x 78 cm Provenance: the Estate of the Artist c/o The Redfern Gallery, London; the Estate of W. J. Erroll Note:Jenkins had a long artistic career, with his first New York solo exhibition at the Martha Jackson Gallery in 1956, the pre-eminent gallery at the time. The Whitney Museum of American Art purchased a work out of this exhibition.Since 1960, Jenkins has titled his paintings 'Phenomena' followed by a phrase or key words. According to Jenkins, this title captures "the reality in its perpetual metamorphoses, both the act of painting and its final result". Using thin layers of watercolour, he creates a prismatic effect. In 1994, the contemporary art museum in Angers, France organised a two year travelling exhibition of his watercolours.
Los 58
1977 Punk Rock Handbill - Elizabethan Room Bellevue Saturday July 9th 1977. Slaugher and the Dogs, Eater, X-Ray Spex, Johnny Moped. `Roxy Club Live Album Tour` also Recorded by Emi for the Live at the Roxy album. Plus 100 Roxy Live Albums to be given away free to the most outrageously Dressed ! It measures approx 16 x 21.5 cm. A little crease to the top left and a few light creases.
Los 87
RADIOHEAD - Crew only Original Tour Jacket. Ancorage Light Jacket in Red with embroidered detail bottom right of jacket - `RADIOHEAD` and bottom left `Sound Moves` given to crew only on tour Still with original tags, original Helly Hanson Tech Protection Jacket. Size Large. Radiohead british indie rock band. Crew Only Jacket.
Los 27
Beatles - From Then to You Fan Club LP `Sincere Good Wishes for Christmas and New Year from John, Paul, George and Ringo. Original Vinyl Record Pressed in 1970 ... Non music with interviews from 1963 to 1969 - Cat no LYN 2154 - VINYL in excellent plus to near mint - sleeve very good with light creases and a stain on the reverse. A rare survivor.
Los 39
KATE BUSH 1979 Original Tour Poster - Framed In very good condition with just light creases from this now 45 year old poster. It measures approx 17.5 x 24 inches. Official Promotional Tour Poster. The Tour of Life (originally known as the "Lionheart Tour", and also officially referred to as the Kate Bush Tour was the first concert tour by English singer-songwriter and musician Kate Bush. Starting in April 1979, the tour lasted just over six weeks. The tour was acclaimed for its incorporation of mime, magic, and readings during costume changes The show contained 24 performances from Bush's first two albums The Kick Inside and Lionheart (both 1978), and new songs "Violin" and "Egypt" which would subsequently appear on Bush's third album Never for Ever (1980).
Los 691
A George III mahogany chest on chest, the moulded Greek key pattern cornice over an arrangement of two short and three graduated, cock beaded and oak lined drawers, applied with oval brass back plates and swing handles, all flanked by canted and fluted corners, upon the lower chest formed with three graduated conforming drawers and ogee bracket feet, 184cm H x 110cm W x 59cm DCondition reportMinor chips to the veneer on the RHS, further minor losses to the beading on the drawers.All locks present and all drawers run smoothly, back boards appear to be later.General light wear commensurate with age and use.
Los 728
A Louis XVI style walnut and satinwood marble top credenza, late 19th century/early 20th century, of typical bowfront form, the shaped and inset white marble top enclosed by gilt metal banding over an openwork scrolling foliate frieze, the single door inlaid with a depiction of 'The Swing' after Jean-Honoré Fragonard, also stamped with the serial number '5557', opening to a pair of shelves, flanked by tapering freestanding pillars extending to gilt metal female bust terminals, with convex simulated lattice work panels to the sides, all upon tapering vase shaped feet applied with gilt metal mounts, 122cm H x 150cm W x 45cm DCondition reportSome minor blemishes to the marble, with a very minor hairline crack.Very minor scuff to the RH lattice panel, please see additional images.Otherwise wear appears to be very light with no obvious faults, damage or repair
Los 742
A Victorian burr walnut cylinder bureau bookcase, the moulded and rounded cornice over a pair of glazed doors enclosing three adjustable shelves, upon the cylinder roll front opening to an arrangement of maple lined drawers, pigeon holes and faux drawers, and a skiver inset sliding top, above a pair of beaded and panelled cupboard doors, all upon a plinth base, 229cm H x 124cm W x 60cm DCondition reportVery minor split to the veneer on the cylinder front, very light fading to the desk interior with splits to the skivers, please see additional images.Otherwise condition is commensurate with light use only, no major faults, damage or repairs.
Los 666
A George III mahogany cased eight day longcase clock by Thomas Brown, Chester, the arched hood with twin swan neck pediment and verre eglomise panels over a pair of fluted freestanding pillars flanking the 33cm break arch brass and silvered dial, with painted moon phase and calendar, signed with the makers name above a subsidiary seconds dial, enclosing the four pillar two train movement striking on a saucer bell, the trunk with a nulled frieze over a shaped, moulded and crossbanded flame mahogany door enclosed by conforming quarter fluted columns, above a bead moulded lower panel, upon ogee bracket feet, 235cm high, two weights and pendulumCondition reportAdded blocks and screw to the cheek pieces, please see additional images.Tarnishing and rubbing wear to the dial, movement un-tested but appears not to have run for some time.Some cracks and wear to the eglomise panels.General light wear to the case but no major visible damage or woodworm, structurally sound.
Los 768
An Edwardian inlaid mahogany gentleman’s compactum wardrobe, by Hampton & Sons, London, of breakfront form, the moulded cornice over a central mirrored door and single drawer, flanked by a pair of linen press doors and three drawers to each side, all inlaid with foliate detail and stringing, upon a plinth base with integral bracket feet, 222cm H x 260cm W x 60cm DCondition reportAll locks are present, general overall minor fading and minor general wear commensurate with very light use.All drawers run smoothly, well constructed with no obvious faults or damage.
Los 274
Creech (Thomas), T. LUCRETIUS CARUS. THE EPICUREAN PHILOSOPHER, HIS SIX BOOKS De Natura Rerum Done Into English Verse, With Notes, second edition, full leather, laid paper, engraved portrait frontispiece by M. Burghers, printed by L. Lichfield for Anthony Stephens, Oxford 1683 (at fault) CONDITION REPORT:Shelf wear throughout, including scuffs and scratches to boards. Spine shows loss to lower section and shows wear through to the raised bands. Applied title label shows splits and losses. front board hinge leather split all the way down, but cover held in place by top three raised bands. Back board hinge also split, but board held fairly securely by all four raised bands. Bumps to all corners. Handwritten text in brown ink to front and back free endpaper, worn through on hinge side in places. Brown ink inscription to title page. All pages show some age related darkening, with further darkening and light staining to page edges, but minimal foxing. Some pages show pencil annotations. Binding partially open between pp88-89.
Los 735
A Scottish baronial oak hall cupboard, late 19th century, the castellated cornice and Gothic spire finials centred with a circular heraldic crest for the Carmichael family, above the three doors all applied with moulded Gothic tracery entwined with vinery and enclosing an individual openwork heraldic emblem, flanked by conforming freestanding pillars and opening to later hooks, hanging rails and shelves, over a pair of long drawers similarly detailed, upon a plinth base with integral drawer, with conforming Gothic and foliate detail to the sides, 264cm H x 165cm W x 65cm D Provenance; Made for Peter Carmichael of Arthurstone by Andrew Reckie circa 1870.Condition reportOne castellation detached but present, locks present but the door locks appear to be later associated.Slight warp in the middle door which has rubbed the base slightly where it opens and closes.Some beading loose to the rear left hand side.Otherwise wear and fading is very minor commensurate with very light use.
Los 535
An Arts and Crafts embossed copper covered wooden coal box/stool, in the manner of Archibald Knox, for Liberty, early 20th century, the hinged cover applied with a padded Rexine seat over an arcaded and riveted front panel, each archway centred with a stylised tulip inset with a turquoise enamelled oval, with applied side loop handles and conforming detail to the sides, all upon pointed spade feet, 36cm H x 70cm W x 37cm DCondition reportGeneral overall light tarnishing with oxidation to the back panel.Joint split to the underside of the cover with two screw holes either side of the split, a further split to the base of the box.Very minor play in one of the rear feet, the Rexine cover possibly later along with the hinges, please see additional images.
Los 743
A French walnut super king-size bed, early 20th century, constructed as two single beds, the headboard with architectural pediments and spindle gallery over moulded panels, punctuated with turned columns and finials, the footboard similarly constructed, 236cm wide Please note: Excludes all soft furnishings - bed frame onlyCondition reportBed has been dismantled into a pair of single bed bases,twin head and foot boards, a pair of wooden side rails, a pair of wooden centre rails and a pair of bed irons, please see additional images.Originally supplied by 'Seventh Heaven'Some minor fading to the footboards and side rails minor marks, scuffs and chips commensurate with very light usage.No obvious major faults or damage.Headboard height 143cm, footboard 99cm high
Los 769
An Edwardian satinwood breakfront wardrobe by Maple & Co, London, the moulded cornice over a frieze inlaid with urn and foliate detail, above a pair of panelled linen press doors opening to three sliding trays, with two further conforming drawers below, all enclosed by a pair of mirrored wardrobe doors and canted corners applied with leaf carved corbels, all set upon a three drawer base, stepped moulded plinth and compressed bun feet, makers label to the linen press door interior, 220cm H x 235cm W x 71cm D (separates into cornice, three sections and base)Condition reportVery minor fading and wear only commensurate with very light usage, all drawers run smoothly with all locks present.Very minor speckling faults to the silvering in one mirror, otherwise no obvious faults or damage, well constructed with no play in the structure.
Los 389
After John Frederick Herring Senior (British, 1795-1865),Four prints from the 'Fores's Stable Scenes' series, comprising: 'The Mail Change', 'The Hunting Stud', 'The Team', and 'Thorough Breds',Hand coloured aquatints on paper, engraved by John Harris, published by Messrs Fores, London 1844-1846,Each 51cm x 72cm,In matching glazed maple frames (4) CONDITION REPORT:Frame size 85cm x 105.5cmThe prints are framed under glass and have not been removed for inspection. All four prints show age related darkening to the paper. On plates 1, 3 and 4 this darkening is fairly even, however on plate 2 (The Hunting Stud), there is a variation in darkened shade across the top edge, including some relatively light patches, and some small fox marks visible in the lighters areas of the print itself. Despite the darkening, the colours of all the prints remain reasonably strong, but are likely to have faded somewhat over time. The frames are all structurally sound.
Los 534
A pair of George II style carved giltwood wall brackets, 19th century, each with a scalloped moulded shelf over an eagle perched upon Rococo foliate scrolls and hanging fruit, 51cm high (2)Condition reportGeneral light rubbing wear with some very minor chips, please see additional images.No obvious damage or losses, no evidence of repairs when looking at the rear of the brackets.
Los 605
A pair of French ormolu and bronze wall light sconces, each surmounted with the figure of a bronze cherub upon a backplate cast with drapery, eagles and ribbon bows, extending to the pair of scrolled acanthus arms, 50cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Los 165
A diamond solitaire necklace, the round cut diamond within white metal claw setting, with yellow metal to the reverse, upon an associated yellow metal curb link chain, stamped '750' gross weight 2.5gms, total diamond weight estimated 0.70ct Condition report: No certificate with the stone. Diamond is bright and lively, appears eye clean. Small draw of colour to the diamond. Diamond shows fluorescence under UV light Inclusions are present under x10 loupe.
Los 746
A 19th century style French walnut and kingwood jardiniere stand, inlaid with foliate and scroll motifs and applied with gilt metal banding and beading (some detached), the bowl shaped stand supported on three slender uprights below cast gilt metal cherub figural terminals, extending to a triform plinth base united by an under tier, similarly applied with gilt metal detail, all upon three bun feet, 109cm H x 40cm DCondition reportSome of the gilt beading is detached or loose, several minor chips to the veneer, minor veneer split to the plinth base, general light tarnishing to the gilt metal mounts, please see additional images
Los 745
A Victorian walnut framed double spoon back sofa, in green velour, the pair of oval button back rests united by a scrolling openwork frame over the serpentine sprung seat, enclosed by the padded and carved open arm rests, upon French style cabriole fore legs, 94cm H x 180cm W x 75cm DCondition reportMinor fading to the rear of the chair, edging has become detached in places.A small patch of rubbing/discolouration to the rear carving, please see additional image.Minor play in the rear spoon back joints, otherwise general light wear commensurate with age and use.
Los 787
A mid 20th century G Plan teak dining table with six chairs, the circular table with fold out leaf and makers label to the underside, 72cm H x 124cm D, along with a set of six G-Plan lath back dining chairs, each with a later upholstered seat upon tapering legs, makers label to the underside, 91cm/44cm high (7) (at fault)Condition reportFading and extensive light scratches to the table top, please see additional images, although the table appears to be structurally sound.Three of the chairs have some play in the joints.
Los 603
An early 20th century brass hexagonal hall lantern, the central boss extending to six curved supports and a central rod supporting three light fittings, enclosed by the six bevelled glass panels, 62cm H x 37cm D (62cm to the bottom of the ring, 64cm to the top of the ring)Condition reportGeneral light speckled tarnishing to the brass frame, no visible cracks or chips to the glass panels, although possible very minor nibbles to the panel edges.
Los 631
A Sarab hand knotted wool rug, the central field with alternating red, green, blue and white diagonal bands, enclosed by a mushroom coloured ground punctuated with zoomorphic motifs, 198cm x 108cmCondition reportGeneral light wear to the pile, although no obvious holes or stains.Some minor 'lifting' to the edges of the rug, please see additional images.
Los 477
A Chinese porcelain plaque, possibly Republic Period, of square section and painted with two birds perched upon a branch of prunus blossom, signed and framed, 27cm x 22.3cm overallCondition report; No obvious signs of restoration, overall condition is good. Some areas surface staining can be seen and light surface scratching.N.B. The tile has not been removed from the frame for inspection, therefore, we cannot guarantee there will be no damage to the rim or rear side of the plaque.
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534297 Los(e)/Seite