534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren* Norman Ackroyd RA (b.1938)'Brancaster Roads - Ten Etchings of the North Norfolk Shore'a portfolio of ten etchings, each signed 'Norman Ackroyd', inscribed with title and numbered 30 of 90each sheet 25.5 x 39cm, in a slipcaseCondition ReportSize of case 29.5 x 41cmCase has a few light marks. The prints are in good condition.
* James Kidwell Popham (1884-1966)Sheep grazing in a meadowsigned 'J K Popham' l.l., oil on canvas35.5 x 46cmJames Popham was an Essex-based artist, mostly working near to Chelmsford. He exhibited widely including at the RA, ROI, RBA and Ridley Art Club.Condition ReportFramed size: 48 x 58cm.Has come loose in frame. Small pin hole upper left. Light surface dirt, minor cracks emerging in a couple of places but these are stable, otherwise in generally good order, not examined under uv light, please contact the department for a full report.
* Sir Quentin Blake (b.1932)From the series 'Life Under Water', 2011giclée print, signed and dated 'Quentin Blake 2011' in pencil l.r., and numbered 19/100 l.l.63.5 x 89cm, unframedThe original drawings were commissioned by the Nightingale Project for an adults' mental health ward in 2008. The series showed everyday happenings taking place under water. The 2011 prints were produced from these drawings.Condition ReportPreviously rolled in tube, causing some light creases, some creasing at corners/edges, also some dirt and marks along right hand side, please refer to images.
After Andy WarholMarilyn Monroelithograph in colours, numbered 831/2400 in pencil l.l., with printed signature l.r., 1986, published by the Carnegie Museum of Art, Pittsburgh, with 'CMOA' stamp verso60.2 x 60cm, unframedCondition ReportSmall crease lower right corner and very light crease top right edge, otherwise generally in good condition.
Aloi Pilioko (Polynesian, 1935-2020)Jungle florasigned 'Pilioko' u.r.,oil on panel47.5 x 56.5cmPilioko exhibited with Musee d'Art Moderne de Paris.Condition Reportframed size 58 x 67cmsurface dirt. Would benefit from a light clean. Not viewed under UV light, please contact the department for a full report.
* Robert Sadler (1909-2001)Suffolk landscapesigned 'Sadler' l.r., acrylic on board27.5 x 33.5cmCondition ReportFramed size: 39.5 x 44.5cmThe front board has come unstuck from the frame, however this could be fixed, the painting is attached to a larger board which has some dirt to it, the painting itself has some light surface dirt but generally appears to be in original condition.
* Derek Hare (b.1945)Sunset over a quay with mountains beyondsigned and dated 'HARE/1998' l.r., oil on canvas91.5 x 122cmCondition ReportFramed size: 105.6 x 136.5cm.A couple of light marks in the sky area, otherwise generally appears to be in good condition. Frame has lost gilt in a few places.
* David Jones (1895-1974)'The Crucifixion', 1927;'The Bride', two, wood engravingsblocks 16.3 x 11.5cm and 11.4 x 8.2cm (2)Provenance: With Wolseley Fine Arts, LondonCondition ReportIn matching frames, 43.2 x 33.2cm. Not viewed out of glazed frames, Crucifixion has some light time staining, foxing and a small crinkle to paper top right of crucifixion, please see images, Bride generally appears to be in good condition, both well presented.
* David Jones (1895-1974)'Sacrifice of Noah;The Drowning of the Wicked, from The Chester Play of the Deluge', 1926-7two, wood engravings, the first signed and dated 'David Jones/26' in pencil l.r., inscribed 'Oblation of Noa' l.l. and numbered 7/15, the second a proof with Wolseley Fine Art gallery label versoblocks 16.5 x 14.3cm (2)Condition ReportFramed size: Noah, 43.5 x 33cm. Wicked, 38 x 34cm. Noah: Not viewed out of glazed frame, possibly some light time staining but generally appears to be in good condition, well-presented.Wicked: Not viewed out of glazed frame, housed in an acidic mount that has stained edges a little, some rippling to the paper, otherwise appears to be generally good.
* Elyse Ashe Lord (1900-1971)Still life of flowers in a vasetwo, etching and aquatint in colours, both signed 'Elyse Ashe Lord' in pencil, one inscribed 'K o ssu' the other numbered 53/75 plate mark 37 x 29cm and 36 x 25cm, framed as a pair (2)Condition ReportNot viewed out of glazed frames.Yellow vase - overall discolourd paper, a few light spots of staining.Black vase - staining seen in print and also margin.
* Patricia Preece (1894-1966)'Old Woman Knitting'signed 'R Preece' l.l., inscribed as titled, also signed 'PATRICIA PREECE. HOOKHATCH/COOKHAM BERKS' verso, oil on canvas61 x 51cm, unframed. Condition ReportUnder UV light there is some retouching apparent, mainly to the extreme left and right edges, with further spots elsewhere. This may be due to some flaking in the past. The conservation has been well executed and with the addition of a frame, it would be ready to hang in a stable condition.
* CHRIS BUSHE RSW (SCOTTISH b. 1958),THE BLUE DOORoil on canvasimage size 59cm x 41cm, overall size 74cm x 56cm Framed and under glass.Note: Born in Perthshire, Chris Bushe is one of Scotland’s greatest living landscape painters. Initially he studied Archaeology and Ancient History at Edinburgh but from his earliest years he has responded to his fascination with the landscape around rural Aberdeenshire. He was accepted at Gray’s School of Art in the 1980s and forged a career painting landscapes very much in his own style and at odds with the fashionable conceptualism of the day. His paintings have won him a plethora of awards at national exhibitions. His work can be found in the corporate collections of Murray International Metals, Premier Property Group, Aberdeen Hospitals Trust, Grampian Regional Council, Edinburgh Hospitals Trust, Scottish Life, the Royal Bank of Scotland, Scottish & Newcastle, Dundee City Council, Bulthaup, University of Stirling, Turnberry Hotel and Centrica. His many awards include the Morton Fraser Milligan, Russell Flint Trust, Glasgow Arts Club Fellowship, Scottish Arts Club Awards, the RSW Council Award, the RSW McManus Galleries Purchase Prize, the RSW Fotheringham Gallery Award and the RSW The Walter Scott Award. Most recently, Chris has had considerable success at The Discerning Eye winning both the Founder’s £2500 Purchase Prize in 2015 and ING £5,000 Purchase Prize in 2016. In Scotland, his principal gallery is the prestigious Open Eye Gallery (Edinburgh) where, at the time of writing, he is enjoying his most recent solo show "Chasing Light" (4th - 25th June 2022).
* JANE CORSELLIS RWS RCA NEAC (BRITISH b. 1940),UNTITLED watercolour on paper, signedimage size 37cm x 52cm, overall size 63cm x 75cm Mounted, framed and under glass.Note: Jane Corsellis has been a member of the New English Art Club for almost 50 years and a member of the Royal Watercolour Society since 1985. She was a member of the Royal Cambrian Academy and the Royal West of England Academy. Jane is a passionate supporter of figurative painting. To observe closely and record everyday subjects in her own way is the essence of her paintings. Her oils and watercolours and her prints reflect her response to the quality and surprises of light and colour. She constructs her painting with much thought, building a composition which steers towards the abstract but never foregoing the figurative tradition. Sir Kenneth Clark said that “above all else art must be life enhancing” and Jane’s work reveals and celebrates that. Jane has a studio at her home on the River Thames at Chiswick and another in Wales at her house near Newport Pembrokeshire. She has had solo exhibitions in Hong Kong, Kuala Lumpur and Singapore, Ottawa, New York and Cardiff as well as in London galleries including Messums, Pattersons, the New Academy Gallery, The Russell Gallery, The Richmond Hill Gallery and Thompson's Gallery.
* ETHEL WALKER (SCOTTISH b. 1941),WINTER SUNoil on board, signed, titled label versoimage size 54cm x 46cm, overall size 70cm x 63cm Framed and under glass.Label verso: The Stenton Gallery, Stenton.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. Ethel Walker's work has been exhibited widely over many years in Scotland, London and around the UK. In The Scottish Contemporary Art Auction of 5th December 2021 "The Lace Cloth" (lot 594) by Ethel Walker sold for £3000 (hammer).
* PETER FOYLE,IN THE SHADEoil on canvas, signed, titled versoimage size 36cm x 46cm, overall size 49cm x 59cm Framed.Note: Peter graduated from St. Martin’s School of Art in London in 1986 when he was a finalist in the prestigious ‘Readers Digest Young Illustrators Award.’ After graduating, he practised as a freelance artist and illustrator until 1990 when he and his wife opened the Framework Gallery in Troon in Ayrshire. Peter shows his work in several galleries and exhibitions in Scotland and also recently in China. In recent years he has won several awards including the Royal College of Surgeons and Physicians Award at the Royal Glasgow Institute. Peter was brought up in Dorset where, as a teenager, he could be seen cycling around the country lanes with his easel and paints strapped to his bicycle as he sought out interesting subjects to paint “en plein air.” He won a few awards and sold a number of paintings and completed several commissions while still at school. Much of Peter’s work now depicts the sparkling light of Venice and the sun-dappled cafes of Provence but he is also inspired by the Scottish Coast where they live. Cityscapes of Glasgow and Edinburgh as well as rural landscapes and harbours are all subjects he enjoys painting. Still Life painting has also been a source of inspiration, especially during the recent covid lockdowns. Whereas some artists concentrate on one subject throughout their painting career, Peter prefers to paint whatever gives him a sense of visual excitement, usually because of a special quality of light. He paints almost entirely in oil on Belgian linen but occasionally produces watercolours, especially as sketches when travelling.
* SHEILA MACLEOD ROBERTSON RSMA (BRITISH 1927 - 2020),SKYE HILLS FROM DRUMBUIEoil on board, signed; titled versoimage size 28cm x 39cm, overall size 43cm x 54cm Framed.Note: Born to Scottish parents in London, Sheila Macleod Robertson was a noted painter in oils of marines, seascapes and coastal scenes. Trained at Watford and the Central School of Art & Design, London. She quickly developed a particular interest in the light and mood of sea, coast and landscape. Held many successful solo shows in London and Scotland, including at The McEwan Gallery. Elected member, Royal Society of Marine Artists 1969, also professional member, St Ives Society of Artists. To increase her knowledge of weather and sea conditions of the western seaboard she cruised as a crew member on an ocean yacht. Her work, produced mainly with a palette knife, was regularly exhibited at the RI, ROI & RSMA. When not sailing, she lived in Edinburgh before retiring to Hertfordshire.
* ETHEL WALKER (SCOTTISH b. 1941),PATTERNS OF BLUEoil on board, signed, titled and dated 1996 label versoimage size 63cm x 58cm, overall size 82cm x 77cm Framed and under glass.Label verso: The Gatehouse Gallery, Glasgow.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. Ethel Walker's work has been exhibited widely over many years in Scotland, London and around the UK. In The Scottish Contemporary Art Auction of 5th December 2021 "The Lace Cloth" (lot 594) by Ethel Walker sold for £3000 (hammer).
* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006),EVENING LIGHT, GUBBIO (UMBRIA, ITALY)oil on board, signed and dated '93, titled label versoimage size 101cm x 44cm, overall size 117cm x 62cm Framed. Label verso: Roger BIllcliffe Fine Art, Glasgow.Comment: Like many great Scottish artists before him, Bill Birnie often painted the relationship between human architecture and monumental nature. "Evening Light, Gubbio" is an outstanding late example and the profile and physical dimensions of the picture emphasise the significance of the tree. Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.
* JULIAN BARROW (BRITISH 1939-2013),TOWER OF LETHENDYoil on canvas, signed and dated 1977, titled versoimage size 46cm x 62cm, overall size 61cm x 76cmFramed.Provenance: Private Edinburgh collection.Note: The Tower of Lethendy is a Scottish Baronial style house in Perthshire which has been the subject of media interest in 2022. It was widely reported in the Scottish press that the current owner is a Russian Oligarch albeit one who was among the first to openly and strongly condemn the war in Ukraine. The property boasts a heated swimming pool, two tennis courts and an 18 hole golf course. The press and media also reported that The Tower of Lethendy was acquired by the current owner in 2016.Note 2: Julian Barrow was a painter, adept at catching the spirit of a place, who travelled widely. He was born in Longtown, Cumberland, and studied at RWA and Signorina Simi’s Academy in Florence, Italy. He was a full member of Chelsea Arts Club, living nearby, and from 1988 for 23 years was President of Chelsea Art Society. Group shows included RA Summer Exhibition, 1961–99; Paris Salon, 1965; and NEAC, 2002. He had solo exhibitions at Hazlitt, Gooden and Fox 1972–74–77; Morton Morris & Co, 1982–85; Leger Gallery, 1989–92–95; and Fine Art Society 1999–05, plus many others in America and the Middle East. For decades he lived, with his wife Serena, in a magnificent studio on Tite Street in Chelsea (London) in the building formerly occupied at various times by Sargent, Whistler, Glyn Philpot and Augustus John. Julian Barrow was described by James Lees-Milne as “a country house painter par excellence” and his commissions for interiors and exteriors of country estates took him all over England, Scotland, Ireland, and America. He also painted many of the private clubs in London and New York. John Julius Norwich, in his introduction to the catalogue of a one-man show at the Fine Art Society in London in 2005, notes that Barrow’s pictures “radiate a love of life, a joy in light and shade and colour, a grateful appreciation of all the blessedness that lies around us if we can only make the effort to see it. They warm us; they cheer us; they convince us that whatever terrible things happen in the world, there is a beauty there a-plenty for the asking – and for the taking.” Barrow was commissioned to paint "Her Majesty the Queen Addressing Both Houses of Parliament on the Occasion of Her Golden Jubilee in Westminster Hall" (2002) having previously been commissioned to paint "HM The Queen in Westminster Hall Receiving the Jubilee Address on the 25th Anniversary of Her Accession to The Throne" (1977). Both held in the UK Parliament Art Collection. Julian Barrow's paintings are held in large numbers of prestigious private, corporate and public collections in the UK, US, Middle East, India and the Far East.Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website.
* PAM CARTER DA PAI (SCOTTISH 1952 - 2022),GABLES, GEARY (ISLE OF SKYE)oil on canvas, signed, titled label versoimage size 77cm x 77cm, overall size 97cm x 97cm Framed.Label verso: The Braemar Gallery, Braemar.(The typical gallery price for a 77 x 77cm Pam Carter oil would be a little over £6000) Note 1: It was with great sadness that we learnt of the passing of Pam Carter in May after an illness which she wrote about to her database of buyers on 24th June 2021: "I feel at last I am retiring somewhat due to ill health. I am not painting very much these days as I am struggling with the daily regime of chemo tablets; it’s hard getting the balance of effective medication and quality of life". Note 2: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. In The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil (smaller than half the size of "Gables Geary") by Pam Carter sold for £2000 (hammer). Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.Condition is good overall, with no visible signs of restoration, damage, or known issues.
ERNI UPTON FRSA,SANNA BAY, WEST ARDNAMURCHAN, SMALL ISLE DISTANToil on canvas, signed, titled versoimage size 76cm x 102cm, overall size 100cm x 125cm Framed. Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 17th April 2022 auction lot 198 "Blaishie Day,Turnberry" (a 51 x 101cm oil) sold for £2000 (hammer).
ERNI UPTON FRSA,IN FROM THE DEEP, PORT SETON, FIRTH OF FORTHoil on canvas, signed, titled versoimage size 50cm x 50cm, overall size 75cm x 75cm Framed.Artist's label verso.Note 1: Port Seton was the home and inspiration for John Bellany CBE RA.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 17th April 2022 auction lot 198 "Blaishie Day,Turnberry" (a 51 x 101cm oil) sold for £2000 (hammer).
ERNI UPTON FRSA,IN FROM THE DEEP, CRINANoil on canvas, signed, titled versoimage size 42cm x 52cm, overall size 66cm x 76cm Framed.Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 17th April 2022 auction lot 198 "Blaishie Day,Turnberry" (a 51 x 101cm oil) sold for £2000 (hammer).
ERNI UPTON FRSA,OLD GAFFERS, ELIE SANDS, FIFEoil on board, signed, titled versoimage size 41cm x 41cm, overall size 62cm x 62cm Framed.Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 17th April 2022 auction lot 198 "Blaishie Day,Turnberry" (a 51 x 101cm oil) sold for £2000 (hammer).
* PETER KING (SCOTTISH b. 1953),WINTER LANDSCAPEoil on canvas, signedimage size 69cm x 69cm, overall size 84cm x 84cm Framed and under glass.Note: Peter King was born in Glasgow in 1953. He studied art at The Glasgow School of Art under the tutelage of David Donaldson RSA and Duncan Shanks RSA. He taught Art and Design in Scottish schools for over 30 years and holds a senior marker's position with S.Q.A. In 2010 he retired from teaching to focus entirely on painting professionally. Peter exhibits regularly at the Royal Scottish Academy and The Royal Glasgow Institute. His work is represented in collections across the UK, Europe, North America and Japan. The Sunday Times Magazine (April Edition 2000) featured his painting in an article on contemporary British Landscape Painting. In 2010, Peter was awarded the coveted House for an Art Lover Award by the RGI. The light, colour and weathered landscape of Kintyre, The Clyde Valley and the vast panorama of land and sky dominated by Tinto Hill and the Scottish Borders are a constant source of ideas and inspiration. He has developed his paintings from a range of motifs, which he constantly returns to and reinterprets, focusing on aspects of changing moods of light, weather and seasons. The sources of his ideas are the seasonal effects of nature on the surrounding environment. Colour and the tactile qualities of paint are essential to his painting style; the marks, free paint and the textured shapes become field, wood and sky. Peter King's paintings are exhibited widely in galleries including: The Lime Tree Gallery (Long Melford & Bristol), Red Rag Gallery (Cotswolds), Morningside Gallery (Edinburgh), ARTeries Gallery (Glasgow), Annan Gallery (Glasgow), Greens & Blues Gallery (North Berwick), Strathearn Gallery (Crieff), Thompson's Gallery (London & Aldeburgh), Walker Gallery (Harrogate) and Lemond Gallery (Glasgow).
* CLAIRE HARKESS RSW (SCOTTISH b. 1970),ROO IIwatercolour on paper, signed, titled versoimage size 26cm x 15cm, overall size 47cm x 35cm Mounted, framed and under glass.Note: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in March 2022, and at other prestigious galleries around the UK.
A MODERN HARDWOOD SIDE CABINET With metal bound edges, the pair of cupboard doors enclosing a fitted interior 82cm H x 104cm W x 59cm D Condition: Condition Report Generally good condition; minor chips to interiors of drawers; light marks to top This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AN ORIENTAL CARPET With a design of boteh motifs within multiple borders on a dark ground 173 long x 90 width cm Condition: Some light signs of age and use. A few small areas where the pile is lacking. the leather stitched to underside of sides cioming loose in places. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CONTEMPORARY WOOL RUG The central field of scrolling foliate design within further foliate borders 283cm x 185cm Condition: Light signs of use and occasional minor marks. A change of colour to the wool at one end, possibly fading and/or dye change. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
TWO 'TARIFA' OUTDOOR/INDOOR CHAIRS BY ISI DESIGN GROUP Coated steel in yellow and blue 79cm high x 47.5cm wide x 50cm deep Condition: Some light signs of wear and use, occasioanl marks, generaly good order. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AN INDIAN SIDE TABLE WITH OCTAGONAL MARBLE TOP The marble top decorated with scrolling foliate centre and border, with interior light up mechanism (not in working order), on cabriole supports 43 diameter x 52cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF CHINESE ROSEWOOD SIDE TABLES The supports with moulded edge and joined by an under tier 51cm high x 56 cm wide x 46cm deep Condition: Condition Report Some general light scuffing around the legs and minor fading to the tops; one joint to the undertier slightly loose to one example; otherwise good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A TILE INSET LOW COFFEE TABLE Rectangular with foliate tiles to the sides, on bun feet 22cm high x 108cm wide x 50cm deep Condition: Condition Report Two of the tiles with chips, some light fading and minor wear to the top This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF UPHOLSTERED ACCENT CHAIRS With button tufting to the seat cushions, upholstered in a plush light olive green 77cm high x 61cm wide x 59cm deep Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF INDIAN CARVED HARDWOOD ARMCHAIRS Elaborately carved with birds amongst flowering foliage, with beige upholstery 92cm H x 73cm W x 65cm D Condition: Condition Report Some light general wear to both, visible on the arm rests, but overall in good condition, structures sound This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF CHINESE ELM SQUARE SIDE TABLES The square tapering supports joined by humpback stretcher rails, on hoof feet, with glass tops 84cm high, 39cm square Condition: Condition Report Some scuffing and light wear to the feet, some fading to the tops but generally in good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Provenance: Purchased from Altfield, Hong Kong
A QUANTITY OF SWATCH WATCHES Including a Citibank London limited edition watch, seven Chrono Swatch watches, a World Map Swatch watch, a 1992 Swatch Steam watch, a Swatch Wild Card watch, a Swatch Chrono Riding Star watch, two Singapore Airlines Swatch watches, a 1993 Scuba 200 Swiss Swatch watch, a Scuba 200 Mint Swatch watch, a 1994 Marechal automatic swatch watch etc. Dials measuring approximately 35mm -40mm Condition: Msot examples with signs of light use, one or two with signs of regular use to the straps. The majority with the rubber straps have some discolouration etc in places. One with black rubber strap, the strap has perished (as per extra image). The Citibank exmaple the strap is worn and sticky. Another luminous example with damage to strap. Of the three Automatic examples in the lot two appear to run, but the last does not appear to start running, these not checked for time keeping. The quartz examples are not currently running and have not been tested. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF MEXICAN STERLING SILVER CANDLESTICKS By Avalos, of bowl form on three ball feet, with central nozzle, marked to base 12cm diameter 355g Condition: Condition Report Generally in good condition, some tarnish and light scratching This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
DOM PERIGNON VINTAGE CHAMPAGNE 1988 Two bottles (2 x 750ml) With wood case to fit three bottles Condition: Some light scuffing to the foils at neck, two wood batons from the interior of the box are loose. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
MYLON Brille "GUARD ONE DUO SET", akt. NP.: 299,-€. Multifunktionale Mehrwegschutzbrille aus MYLON® , sehr leicht, belastbar und mit speziellem Schutz vor Beschlag. Mit Wechselshields in Clear und Medi Grey. Neu. | MYLON glasses "GUARD ONE DUO SET", retail price: 299,-€. Multifunctional reusable safety goggles made of MYLON® , very light, resilient and with special protection against fogging. With interchangeable shields in Clear and Medi Grey. New.
NEW ERA Cap Konvolut, Gr. 7,5. Fünf Modelle. Chicago White Sox in Schwarz mit gelbem Logo. Pitsburg Penguins in Hellblau. Chicago White Sox in Schwarz mit weißem Schild und Logo. Chicago White Sox in Pink mit weißem Logo. Brooklyn Dodgers in Blau und Grau. Tragespuren vorhanden.| NEW ERA cap convolute, size 7.5. Five models. Chicago White Sox in black with yellow logo. Pitsburg Penguins in light blue. Chicago White Sox in black with white shield and logo. Chicago White Sox in pink with white logo. Brooklyn Dodgers in blue and grey. Traces of wear present.
RIMOWA Handgepäck-Trolley. Hartschalenkoffer in DUnkelgrau mit zwei Rollen und ausziehbarem Griff. Hauptfach unterteilt in mehrere kleine Fächer. Guter Erhaltungszustand, leichte Reisespuren vorhanden. 18x38x40cm.| RIMOWA trolley. Hard case in dark gray with two wheels and retractable handle. Main compartment divided into several small compartments. Good condition, light travel marks present. 18x38x40cm.
3 BERTH & 1 BUNK - CHASSIS NO: L74/1048 - LENGTH 4943MM, WIDTH 1979MM, MAX PERMITTED WEIGHT 646KGS, TYPE OF THERMAL INSULATION 25MM FIBREGLASS.EQUIPPED WITH TOILET, COOKER, STORAGE CUPBOARDS, SOFA/BED, SINK, FRIDGE, SKY LIGHT. COMES WITH ORIGINAL BILL OF SALE. PRESENTS WELL FOR IT'S AGE, VIEWING HIGHLY RECOMMENDED TO GAUGE WHAT THE CONDITION IS LIKE.
DESCRIPTION FROM VENDOR - EX LONDON TRANSPORT FOR SW1, FINISHED IN ITS ORIGINAL COMER BLUE PAINT , WITH ORIGINAL LIVERY, ALSO HAS ORIGINAL CARPETED BACK AND RETAINS THE SPECIAL ORDER DAY AND NIGHT LIGHTING IN BACK. SHOWING JUST 71,044 MILES, RECENTLY USED BY A REPUTABLE ANTIQUE DEALER FOR LIGHT DELIVERY'S, THIS IS SURE TO ATTRACT ATTENTION DESCRIBED BY THE VENDOR AS STILL DRIVING REMARKABLY TIGHT, CLEARLY BEEN EXCEPTIONALLY WELL LOOKED AFTER, AND ABSOLUTELY NO KNOWN ISSUES OR FAULTS - COMPLETE WITH RECENT MOT TOO. COMES WITH CURRENT V5.
THIS LOVELY MINI COOPER SPORT WITH DESIRABLE ROLL TOP ROOF IN GOOD WORKING ORDER HAS BEEN SAT SINCE IT WAS LAST MOT'D IN 2014, SHOWING JUST 75,911 MILES AND ONLY 1 FORMER KEEPER, IT WILL REQUIRE LIGHT RECOMMISSIONING GO THROUGH THE MOT BUT IT STARTS AND RUNS WELL AND WILL NOT TAKE MUCH TO GET IT MOT'D, ITS GOT LOTS OF INVOICES FOR SERVICING, MAINTENANCE AND PARTS OVER THE YEARS, PLENTY FOF MOT'S, CURRENT V5 AND THE ORIGINAL BOOK PACK AND SPARE KEY.
A mixed lot of jewellery and watches including an 1884 silver open faced pocket watch, measures 5cm diameter, a yellow metal ladies wrist watch and gilt metal Tissot ladies wrist watch, bar brooch marked 15ct & PT with light blue stone, a badge with the initials G and E 1937 and a brooch with hair to interior (6)
Loading...
