534297 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534297 Los(e)/Seite
Los 1
William Moorcroft (1872-1945), a Moonlit Blue pattern ceramic vase, c.1925, signed W Moorcroft in green, impressed Moorcroft Made in England, with indistinct three impressed numbers,The oviform with everted neck tube-lined with stylised trees, coloured and glazed,25 cm high There is a hairline on the underside of the foot rim that has just crept into the side of the vase. Crazing to the glaze. The occasional speck inclusion and bubble in the glaze but this is from the making process. Light natural wear.
Los 102
René Lalique (French 1860-1945), 'Ondine’, No.380, an opalescent glass bowl, Designed 1921, wheel engraved R. Lalique France,Moulded in relief with mermaids,20.7 cm diameterThe neck rim is flat and there are some small chips and nicks. A few small scratches in the bottom, some light wear to the base.
Los 107
René Lalique (French 1860-1945), ‘Poissons No1’, No.3211, a pair of opalescent bowls, Designed 1921, moulded R. Lalique,Moulded with fish and a bubble suffused centre,23.8 cm diameter Rounded rim with a few minute nicks and some minor polishing. One with a scratch in the centre of the bowl. Some light natural wear.
Los 108
René Lalique (French 1860-1945), ‘Gui No1’, No.3223, an opalescent bowl, Designed 1921, acid-etched mark R. Lalique France,Moulded with leafy, berried branches of mistletoe,23.7 cm diameter Rounded rim, some minor polishing on the inner edge, probably from the glassworks. Light wear – overall good condition.
Los 112
Marc Lalique (French 1900-1977), a Lalique ‘Champs Elysees’, clear and frosted glass bowl, Designed 1951, engraved Lalique France with copyright symbol, K302, and removable Lalique Paris label, Moulded double leaf form, 45 cm wide Some sticky residue to interior and base and light natural wear.
Los 116
Venini an 'Opalino' vase for Venini, originally designed by Paolo Venini,2012, inscribed to underside - 'Venini 2012' and with applied manufacturer's label,A taupe cased opaline vase, of baluster form with flared neck, on raised black ring,36cm high very light commensurate surface wear, in generally good clean overall condition
Los 119
Attributed to Carlo Scarpa (Italian 1906–1978), a model '11009' vase for Venini, c.1932-1934,A 'Sommerso a Bollicine' green glass vase with gold inclusions on applied clear disc foot,18cm high,Property from a Private Collection,Literature: Marino Barovier, 'Carlo Scarpa: Venini 1932-1947', Skira, 2012, pg. 143 (see similar example illustrated)vase is unsigned, only very minor/light surface wear to exterior commensurate with age, interior with an accumulation of dust and some small black marks
Los 12
An Art Nouveau Continental porcelain vase decorated with silver overlay, c.1900, signed with monogram,The baluster form covered with a shaded glaze and decorated in silver appliqué with flowers on sinuous stems, with silver collar on the neck and foot,12.5 cm highProperty from a Private Collection.Hairline on the neck, seen from the top, and one on underside of the base, both amidst crazing to glaze. Light wear. Silver appliqué in good condition. Wear to silver covered underside of base.
Los 120
Paolo Venini (Italian 1895-1959), a 'Puntini' murrine glass bowl,c.1965, acid etched mark to base - 'Venini, Murano, Italia',Of round tapered form, comprising dotted 'talpa' (mole grey) and 'lattimo' (milk white) murrine decoration,12.5cm high, 21cm diameterLiterature: Anna Venini Diaz de Santillana, 'Venini Catalogo Ragionato 1921-1986', Skira, 2000, p.110, cat n.87, (see similar bowl illustrated)Some light surface wear, in generally good overall condition
Los 121
Murano glass fruit and vegetables,Second half twentieth Century,Hand blown, comprising eight pieces, an apple, a lemon, an orange, a pepper, grapes etc,Largest 16cm wide (8)General light surface wear, to include faint scratches, dirt and dust throughout, the lemon with missing section (leaf together with lot), the yellow squash with losses to top
Los 122
An Italian mottled glass aventurine table lamp,Second half 20th Century,The removeable domed shade on waisted stand with flared circular base,28cm high Overall general light surface wear throughout, there is a small blemish to glass on top of the shade. There is a small chip to the band of glass around the electrical aperture to base.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 123
Michael & Frances Higgins (American), a near pair of decorative fused glass serving dishes for Higgins Studio,c.1965, both with printed gilt signature 'Higgins',Each of circular form, with recessed sections highlighted with gilt decoration, Larger 34cm diameter, smaller 33.5cm diameter (2) Some small areas of rubbing to gilding, otherwise only light surface wear throughout, in generally good overall condition.
Los 124
Tapio Wirkkala (Finnish 1915-1985), a large '3433 Miracus' bowl for Iittala, c.1970, incised signature to base "Tapio Wirkkala 3433",In thick-walled clear glass, with heavily textured surface,17.5cm high, 30cm widesmall chip to rim, otherwise only light general surface wear, in good overall condition.
Los 135
David Marshall (British b.1942), a brutalist aluminium and brass tray, c.1970, manufacturer's marks to underside and cast 'dm' monogram to top surface,Of canted rectangular form, with pierced handles, the recess decorated with brass abstract design,44.5cm x 26cm general surface wear to include light scratches, marks and patination throughout
Los 146
Attributed to W.A.S Benson (British 1854-1924), an Arts and Crafts copper and brass chamber stick (hand candlestick),c.1899, unmarked,The brass sconce centred in a circular drip pan, with brass handle, having shaped copper reflective screen embellished with leaf decoration, 22.6 cm highProvenance: Herbert Kennard Collection.Literature: Edited by Ian Hamerton, W.A.S Benson – Arts and Crafts Luminary and Pioneer of Modern Design, Antique Collectors Club, 2005, p.125, Plates 101 and 101A (two views of a similar 'hand candlestick' illustrated); and page 253, Pl 23, a similar stick shown as No.39A on a page from a Benson trade catalogue dating from 1899-1900. Construction sound, elements fixed with brass screws. Some old marks and smudges to copper. Overall light general wear in keeping with age and use. Base slightly uneven - wear to base.
Los 158
An Art Nouveau silver-coloured-metal with gilt finish coffee set, probably American, with a pair of Gorham (American) silver-gilt sugar tongs, all inscribed 'Anoakia' except the tray, c.1914-1939, the sugar tongs are stamped with marks for Gorham Manufacturing Company, Sterling, I V M, everything else is unmarked,Comprising:- a coffee pot, milk jug, sugar bowl, six cups and a twin-handled tray with recessed circles for the receptacles, each piece fashioned with overlapping petals of the 'California Poppy', the handles and tongs and bases of the vessels embellished with leaves and hammered texturing, the bases with a ribbon motif engraved 'ANOAKIA', (the silver-coloured metal handles and bases test as 925 standard and the metal beneath the gilded parts tests as 800 standard),Tray 49.8 cm wide, coffee pot 23 cm high, milk 10.7 cm high, sugar 11.2 cm high, coffee 9 cm high, tongs 11.5 cm long (10) (VAT charged on hammer price)Anita Baldwin hired the architect Arthur Benton to design and build her new home 'ANOAKIA' (1913/1914) and it boasted fifty rooms and murals painted by the American artist Maynard Dixon. The name Anoakia was created from the first two letters of Anita, the oak trees on the land, and the last two letters of Arcadia.Anita Baldwin (1876-1939) was the daughter of Elias Jackson ‘Lucky’ Baldwin (1828-1909) and both were significant figures in the history and development of Southern California. Not least in establishing Arcadia as a City and Lucky Baldwin became its first Mayor. Anita was an independent and philanthropic woman who inherited a love of animals from her father and when she built her home she also established a breeding farm for livestock and purebred horses. She also established the Anoakia kennels. The California Poppy is the State flower of California and an article in the Pasadena Star News, dated April 5th 1916, has the headline “California Poppy is used as a trophy Design by Mrs Anita Baldwin. Granted copyright by U.S Government to owner of Anokia (sic) Kennels.” The article goes on to say: “The California poppy is the design of the trophy, the flower forming the bowl, while the stem is in the shape of the leaves. The design is one that has been greatly admired and for that reason Mrs Baldwin had it copyrighted.”Sotheby’s Paris, April 15 2010, sold an American punch bowl, without hallmarks and makers marks “..in form of the Californian poppy, comprising large punch bowl and stand, 12 cups and a punch ladle, engraved ANOAKIA”. The Roseberys coffee set shows similarities to the Sotheby’s punch set. (Sadly, preservationists were unable to save the Anoakia mansion and it was demolished in 2000, the site is now a gated community known as Anoakia Estates.)(112 ozs). Some tarnishing to all surfaces, with light wear, some old marks and rubbing. Normal wear to bases and underside of tray and some stains to top of the bases of the receptacles.Only the sugar tongs are marked with maker's marks and 'Sterling', all other parts of the set anonymous without any guarantee marks. Metals tested - the silver-coloured metal handles and bases test as 925 standard and the metal beneath the gilt as 800 standard. Presumed American because of the 'Anoakia' inscription.
Los 161
Harri Koskinen (Finnish b.1970), a 'Vakio' series stainless steal wristwatch for Issey Miyake, produced by Seiko Instruments Inc,c.2003, manufacturer's marks to reverse,The brushed steel case with off white dial and black leather straps,Case: 3.8cm x 3.5cmCase surface with small scratch marks and signs of light wear, otherwise in generally good condition.
Los 164
Kolzoff, a gilt bronze figure of Diana,c.1900, signed in the bronze 'Kolzoff',Cast from a model as the partially draped, statuesque figure of Diana, with a quiver of arrows on her hip and holding a bow in one hand, integral bronze base,32.5 cm highA few old marks and spotting, some light natural wear in keeping with age. The bow is made to be loose in her hand and it moves/position can be adjusted but not removed.
Los 176
A patinated bronze bust of a woman, possibly Italian,c.1920, indistinct signature to the bronze and impressed foundry seal,Cast from a model and depicting a young woman with her hair blown off her face, raised on a black slate base, 29.5 cm highThe signature is hard to read, but maybe something like 'l. Giovanni'. Some light natural wear, with a few old marks and rubbing to high points - all in keeping with age. A few small chips to the slate base.
Los 178
An Art Deco patinated and gilt-bronze figural table lamp,c.1930, unsigned,Cast with the bronze figure of a bare-breasted young woman crouching before the lamp with its frosted glass flower-like shade, mounted on a marble base,20 cm high, base 34.5 cm longBronze with light natural wear and some rubbing to high point. No damages detected on the shade. Some small chips on the marble base and on the feet.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 183
A mounted bronze panel,Inscribed 'L.P' and dated ‘76',The rectangular bronze panel modelled in relief, decorated with rows of abstract facial features and set within a hardwood mount,Bronze: 24cm x 20cm, frame: 29cm x 40.5cmbronze panel with even patination throughout and general light surface wear. The mount with surface wear to include scratches, scuffs, age related splits, old saw marks.
Los 184
Sergio Bustamente (Mexican b.1949), a brass and copper hanging sculpture of a pair of parrots,c.1960, Modelled as two parrots perched on a heart shaped stand,55cm high, 99cm high including chain, 47cm wide patination throughout, with some areas of darker tarnishing, general surface wear to include light scratches, some small visible dents. A length of brass wrapped around the stand has come loose from the frame at one end
Los 186
Curtis Jeré (American), a brass table sculpture,c.1980,Of curved radial design, comprising welded brass rods, raised on a circular grey marble plinth base,85cm high Brass with general surface wear to include light scratches, marks, areas of tarnishing/oxidisation throughout, marble with some very minor flea bite nibbles and light surface wear
Los 188
Mark Richards FRSS (British), a bronze torso,Late 20th Century, signed 'MR, 2/9',Modelled as an impressionistic female torso, with arched back and leaning to one side,49cm high (ARR)Even patination throughout, light surface wear commensurate with handling, otherwise in generally good condition.
Los 190
Livio De Marchi (Italian b.1943), a pine carving of a hanging jacket,c.1990, signed in pencil to reverse and numbered '19/20',Carved in solid pine, modelled as a hanging jacket, with applied carved buttons, 90cm high, 54cm wide (ARR)Overall general surface wear throughout to include light scratches, minor indentations and marks, missing two buttons.
Los 191
Livio De Marchi (Italian b.1943), a pine carving of a hat,c.1990, hand worked signature to reverse,Carved in solid pine, modelled as a Fedora hat,15cm high, 33cm long, 30cm wide (ARR)Overall general surface wear throughout to include light scratches and marks. There is an fine age related split to back of brim and a damaged area that has been re-glued to the front of the brim
Los 192
Livio De Marchi (Italian b.1943), a pine carving of a pair of shoes,c.1990, each with hand worked signature to underside,Carved in solid pine, modelled as a pair of Brogue shoes with buckles,each 12cm high, 10cm wide, 29cm long (2) (ARR)Overall general surface wear throughout to include light scratches, scuffs and some marks/ stains
Los 193
Livio De Marchi (Italian b.1943), a pine carving of a pair of stockings,c.1990, each with hand worked signature to reverse,Carved in solid pine, modelled as a pair of hanging stockings, suspended from a looped piece of rope with a clothes peg,each approximately 52cm long (2) (ARR)Only light general surface wear throughout to include light scratches and marks
Los 20
Nils Thorsson (Danish 1898-1975), a group of four 'Alumnia' earthenware vases for Royal Copenhagen,c.1930-1960, printed manufacturer's marks to underside of each,Comprising : a footed vase, of flared and tapered form, with light green glaze and impressed decoration, 10cm high; a tapering cylindrical vase, in light brown glaze with impressed decoration, 23.7cm high; an ovoid footed vase with flared neck, in light brown glaze with impressed decoration, 18cm high; and an ovoid footed vase, in light brown glaze with impressed decoration, 12.5cm high (4)green vase with fine craquelure to glaze throughout, otherwise all vases with minor signs of surface wear, all in generally good clean condition.
Los 21
Alfred Burgess Read (British 1898-1973), a 'PLC' pattern pottery bowl for Poole,c.1955, printed manufacturer's mark to underside,A freeform form footed bowl with painted geometric decoration,6.8cm high, 24.7cm diameterOverall light general surface wear, no chips or cracks, in generally good clean overall condition.
Los 22
Troika, a rectangular ceramic vase decorated by Marilyn Pascoe,c.1960-1974, hand painted to base 'Troika, St Ives, England' and initialled 'MP',With incised decoration to each side, in a brown wash glaze,22.5cm high light surface wear throughout commensurate with age, small to chip to underside of one corner (barely visible unless looking at underside), would benefit from cleaning
Los 23
Troika, a 'Chimney' ceramic vase decorated by Marilyn Pascoe,c.1960-1974, hand painted to base 'Troika, St Ives, England' and initialled 'MP',With incised and raised decoration to each side, in a blue, orange and cream glaze,20cm high light surface wear throughout commensurate with age,very light crazing to top of left and right side, would benefit from cleaning
Los 244
Peter Nelson (British 1928-2009), a model 'FA2' floor lamp for Architectural Lighting,c.1967,An Aluminium two light floor lamp with adjustable shades, on circular base,138cm highElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 252
Ole Wanscher (Danish 1903-1985), a pair of model 'PJ 412' armchairs for Poul Jeppesen,Each with applied metal manufacturer's plaques to underside,The stained mahogany frames with tapered uprights and supports, having green wool upholstered seats,Each 86cm high, 63cm wide (2)Both chairs structurally sound and sturdy, upholstery to both chairs with some faint stains. The frames with light scuffs and scratches commensurate with age and use. One chair with visible restoration to one leg.
Los 299
A cast iron 'X' table lamp after a design by Jean Michel Frank for the Hotel Horizonte, Mar del Plata,Second half 20th Century,The X-shape frame surmount with light fixture, together with another cast iron table lamp after Jean Michel Frank, of double panelled form, and two modernist cast iron candle holders,X shaped lamp - 30.5cm high,Double Panelled lamp - 28cm high,Candle holders - 10.5cm high (4)Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be neededall parts with overall general surface wear to include light scratches and scuffs and signs of oxidisation to surfaces throughout
Los 3
William Moorcroft (1872-1945), a Fresia pattern ceramic vase, c.1935, signed WM, impressed Moorcroft Made in England,The oviform with everted neck tube-lined with flowers and leaves, coloured and glazed,18.5 cm high Some light general wear, including some scratches on the sides. Crazing to the glaze and wear to underside base rim. Some speck inclusions in the glaze, but this is how it was made.
Los 300
A French brass and black enamelled five light chandelier,c.1950,The central brass and black enamelled stem with curved arms terminating in brass sconce style lights, with later shades,69cm high, 45cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 301
Attributed to Jacques Adnet (French 1900-1984), a six light brass and gunmetal chandelier,c.1960, With six upward curved brass arms mounted with Lucite sections,72cm high, 79cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 306
In the manner of Adrien Audoux & Frida Minet (French), a pair of rope wall lights,c.1960,Each with shaped white glass shades, on rope and wire armature wall mounts,Each 27cm high (2)Both shades in generally good clean condition with only minimal light surface wear, one shade with very small air bubble from manufacturing process. Both with oxidisation to thin metal rod shade supports. Rope fittings with light general wear, both with some minor marks/stains. Both wall lights have been re-wired and the light fittings replaced.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 307
In the manner of Adrien Audoux & Frida Minet (French), a rope ceiling light,c.1960,The light fitting with yellow crackle glass shade on rope and wire armature frame,56cm high shade with small chip to top edge. Rope with light general wear, with some patination from age. This ceiling light has been re-wired and the light fitting replaced.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 308
In the manner of Adrien Audoux & Frida Minet (French), a rope ceiling light,c.1960,With shaped white glass shade on rope and wire armature frame,65cm high Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 314
Maison Jansen (French), a pair of brass and bamboo palm tree wall lights,c.1970,Each with two light fixtures, modelled as palm trees with brass leaves and bamboo trunk,Each 61cm high (2)Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 326
Gio Ponti (Italian 1891-1979), a pair of 'fire side' chairs, c.1960, The beech frames with shaped ladderbacks above rush seat, on tapered cylindrical supports united by stretchers, 104cm high, 44cm wide (2) Condition ReportChairs are structurally sound and sturdy, overall light surface wear throughout to include minor scratches and scuffs, rush seats are intact. There are signs of old wood worm holes to front right leg of one chair and two visible holes to the back left leg. On the second chair the there are signs of old wood worm holes to the back left leg.
Los 34
Peter Starkey (British b.1945), three stoneware lidded jars,c.1980, each impressed with potter's seal,Each of tapered cylindrical form decorated with combed bands, in salt glazed finish,Largest : 26cm highMiddle : 21cm highSmallest : 20cm high (3) (ARR)Largest : firing cracks to lid from manufacturing process- cracks overglazed, very minor chip to glaze on rim of jar, light general surface wear throughout, would benefit from cleaning.Middle : small chip to rim of jar, light general surface wear throughout, with some surface blemishes from manufacturing process, would benefit from cleaning.Smallest : Chip to inner rim on underside of lid (not visible when lid is on), light general surface wear throughout, would benefit from cleaning.
Los 344
Lamter (Italian), a brass and chromed five light pendant light in the manner of Gaetano Sciolari,c.1970, with applied metal label - 'Industria Lampadari Lamter Milano, Made in Italy',The cylindrical brass shaft and brushed steel square section arms with clear glass shades,75cm high, 65cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 345
A steel and pierced four light ceiling light,c.1970,Of oval cylindrical form, with pierced sides, mounted with purple cabochons and applied brass and copper work decoration, Total height: 130cm high, Shade height: 44cm Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Los 346
A rock floor light in the manner of Andre Cazenave,c.1970,Of ovoid form, in fibreglass reinforced polyester, with marble dust finish.27cm high, 33cm wide Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Loading...-
534297 Los(e)/Seite