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Preisdatenbank abonnierenEliot (George). Adam Bede, London: William Blackwood and Sons, 1901, Novels of George Eliot, volumes 2,3, 5-8, new edition, London: William Blackwood and Sons, circa 1890, (7 volumes in total), some light spotting to the text-blocks, top edges gilt, contemporary uniform gilt decorated blue half calf b7ound by Riviere & Son, some very minor fading & rubbing to the spines, 8voQTY: (7)
Aesop. The Fables of Aesop, with a Life of the Author, 2 volumes, London: John Stockdale, 1793, engraved title to each with vignette illustration, 100 engraved plates only (of 110, lacking plates for fables 3, 22, 34, 36, 44, 47, 69, 82, 88, 110), with tissue guard to each, armorial bookplate of Knightley Rainald of Fawsley to upper pastedown of each, contemporary calf gilt with contrasting morocco labels to spines (volume 2 without oval volume number label), joints cracked, rubbed, light wear to extremities, some fading to covers, large 8vo, together with:Fielding (Henry). The Works..., with the Life of the Author, 8 volumes, new edition, London: W. Strahan, J. & F. Rivington, L. Hawes & Co., R. Horsfield [et al.], 1771, initial volume with engraved portrait frontispiece after William Hogarth, armorial bookplate of Knightley Rainald of Fawsley to upper pastedown of each, contemporary calf, gilt decorated spines with green morocco labels, some joints cracked, extremities rubbed, 8vo QTY: (2)
Bindings. A large collection of mostly 19th-century leather bindings, comprising literature, history and reference, including Strutt (Joseph). Glic Gamena Angel-Deod, or The Sports and Pastimes of the People of England: Including the Rural and Domestic Recreations, May-Games, Mummeries, Pageants, Processions, and Pompous Spectacles, from the Earliest Period to the Present Time..., London: J. White, 1801, hand-coloured etched frontispiece and plates, toning and occasional scattered spotting, contemporary marbled calf, gilt decorated spine with contrasting morocco labels, gilt decorated border to boards, joints cracked, 4to, Doré (Gustave). The Doré Gallery: containing Two Hundred and Fifty Beautiful Engravings, selected from the Doré Bible, Milton, Dante's Inferno..., with Memoir of Doré, Critical Essay, and Descriptive Letterpress by Edmund Oliver, 2 volumes, London: Cassell & Company, Limited, c.1880, 250 engraved plates with printed tissue guards, contemporary half morocco with gilt decorated spines, light damp mottling to cloth sides, large 4to, Archer (Thomas). Pictures and Royal Portraits illustrative of English and Scottish History..., with Descriptive Historical Sketches, 2 volumes, London: Blackie & Son, 1883, numerous engraved plates, all edges gilt, contemporary morocco with elaborate decoration in gilt, blind and black, large 8vo, Pugin (Augustus). Specimens of Gothic Architecture; selected from various Antient Edifices in England, 2 volumes in one, 2nd edition, London: J. Taylor, A. Pugin and J. Britton, 1823, additional engraved titles and numerous plates, small hole to initial engraved title, top edge gilt, contemporary maroon half morocco, extremities lightly rubbed, 4to QTY: (5 shelves)
Hooke (Nathaniel). The Roman History, from the Building of Rome to the Ruin of the Commonwealth, 4 volumes, 4th edition, London: J. and R. Tonson, G. Hawkins and T. Longman, 1766-71, 14 engraved plates including frontispieces (3 plates folding) and 18 folding engraved maps and plans, short worm trail to lower margins of initial leaves of volume 2, contemporary calf with contrasting morocco labels, light wear at head and foot of some spines, few joints lightly cracked, 4to, together with:Mavor (William). Historical Account of the most celebrated Voyages, Travels, and Discoveries, from the time of Columbus to the present Period, 8 volumes only (comprising vols. 11-13, 15-18 & 20), London: E. Newbery, 1797, several engraved plates, some worming to volumes 17 and 20, upper pastedowns with armorial bookplate of S. Brodhurst and bearing the inscription 'Eliza Vaughan, The Gift of her Father Charles Vaughan, Feb 12th 1833', contemporary calf, gilt decorated spines with red morocco labels, few joints cracked and some wear to extremities, lower board of volume 20 detached, 12mo,Knapp (Andrew and Baldwin, William). The Newgate Calendar; comprising interesting Memoirs of the Most Notorious Characters..., 4 volumes, London: J. Robins and Co., 1824-28, engraved frontispiece to each, wood-engraved illustrations, edges untrimmed, original cloth-backed boards, remnants of printed paper labels to spines, 8voQTY: (16)
Lawrence (T. E.). Revolt in the dessert, fifth impression, London: Jonathan Cape, 1927, 16 monochrome illustration, ex lib’s bookplates to front and rear pastedown, occasional light spotting, endpapers slightly toned, original cloth in dust jacket, price clipped, covers with occasional minor marked and rubbed to head and foot of spine, 8vo, together with other travel reference including works by Freya Stark, Sacheverell Sitwell, Evelyn Waugh and Vivian Fuchs, mostly original cloth in dust jackets, G/VG, 8vo QTY: (6 shelves )
Hein (Jorgen). The Treasure Collection at Rosenborg Castle..., 3 volumes, 1st edition, Copenhagen: Museum Tusculanum Press, 2009, numerous colour illustrations, original uniform cloth in dust jackets & slipcase, large 4to, together with:Vroom (N. R. A.), A Modest Message as intimated by the painters of the 'Monochrome Banketje', 2 volumes, 1st edition, Schiedam: Interbook International B.V., 1980, numerous colour & monochrome illustrations, original uniform green cloth in slipcase, square 4to, plusDomján (Joseph), J. Domján, 32 farbholzschnitte, 1st edition, Budapest: Corvina, 1957, 32 tipped in colour plates, some light toning throughout, original cloth, boards slightly marked, spine slightly rubbed to head & foot, folio, and other art reference & related, mostly original cloth, some in dust jackets, G/VG, 8vo/folioQTY: (6 shelves)
Bible [English]. The Holy Bible, containing the Old Testament and the New. Newly translated out of the original tongues..., Appointed to be read in Churches, London: Printed by Robert Barker, Printer to the Kings most excellent Majestie, and by the Assignes of John Bill, 1634, general and New Testament titles present (New Testament title with imprint dated 1636, with torn fore-margin and lower outer corner with loss and repaired), Apocrypha present, colophon dated 1634, black letter text throughout, genealogical and ownership entries to verso of general title, both sides of A3, verso of 2Y7 at foot and verso of New Testament title for several members of the Kates or Keats family (mostly dating from the 18th century, including Richard Kates, 1768, Joseph Kates), initial leaf of 'The Translators to the Reader' (leaf A4) torn with some text loss and repaired and repaired closed tear to following leaf (A5), partially repaired closed tear to M8, single wormhole to initial few leaves, Q1 torn to lower outer corner with text loss, bound with A Concordance to the Bible of the last translation... Alphabetically Digested..., London: printed by the Assignes of Clement Cotton, [1634?], woodcut royal arms to title with manuscript entries relating to the Kates family including 'Joseph Kates's book gave to him by his father Richard Kates the 25 day of June in 1760', further manuscript entries to verso of final leaf at foot, occasional light dust-soiling and few minor marks, early 18th-century marbled calf, rebacked, morocco title label to spine, extremities slightly rubbed, 4to (22.3 x 16.5 cm)QTY: (1)NOTE:Darlow and Moule 390; Herbert 502. The general title is like that in Herbert 488; Gen. i. 4, darknesse; p. 3 headline Adams genealogie; and the New Testament title ... Of our... is like Herbert 489.
Todd (James Henthorn). Descriptive Remarks on Illuminations in Certain Irish Manuscripts, 1st edition, London: printed by Nichols and Sons, 1869, 4 mounted chromolithograph plates, a little light offsetting and spotting, original wrappers, a few small chips and tears to edges, folio, together with The Luttrell Psalter... with introduction by Eric George Millar, London: printed for the Trustees, 1932, 2 colour and 183 monochrome facsimile plates, light offsetting to endpapers, bookplate of John Raymond Danson, original buckram gilt, light spotting along upper joint, folio, plus The St. Albans Psalter (Albani Psalter), London: Warburg Institute/University of London, 1960, monochrome illustrations, original buckram, slight toning to spine, one or two small stains, 4to, with 4 others including English Illuminated Manuscripts from the Xth to the XIIIth Century, by Eric G. Millar, volume I, 1926, English Uncial, by E. A. Lowe, Clarendon Press, Oxford, 1960and The Winchester Psalter, by Francis Wormald, 1973QTY: (7)
Pennell (Alice M.). Pennell of the Afghan Frontier, the life of Theodore Leighton Pennell, 1st edition, London: Seeley, Service & Co., 1914, 20 monochrome illustrations & maps, period school presentation inscription to the front pastedown, some minor toning & light spotting, original red cloth, boards & spine lightly faded & rubbed to head & foot, 8vo, together with:Sharrock (J. A.), South Indian Missions containing glimpses into the life and customs of the Tamil people, 1st edition, Westminster: Society for the Propagation of the Gospel in Foreign Parts, 1910, monochrome illustrations, period inscription to the front endpaper, some light toning, original gilt decorated blue cloth, spine lightly faded & rubbed to head & foot, 8vo, plusChalmers (James & W. Wyatt Gill), Work and Adventure in New Guinea 1877 to 1885, special presentation volume, London: The Religious Tract Society, circa 1985, monochrome illustrations & maps, some light toning & spotting, original decorated brown cloth, some minor rubbing, 8vo, and other late 19th & early 20th Century Christian missionary reference & related, including Memoir of Henry Venn, B.D., by William Knight, new edition, London: Seeley, Jackson, and Halliday, 1882, signed & inscribed by the author to the front endpaper, original blue cloth, 8vo, & others similar, many original cloth, some paperbacks, G, 8voQTY: (3 shelves)
* Prints & Engravings. A collection of approximately 48 prints, 18th & 19th century, engravings, lithographs and etchings, including sporting scenes, classical, natural history, fashion and costume, genre, topographical views, heraldry, portraits and a 'Protean, or Hold to Light' view of the Eddystone lighthouse, with examples by or after John Harris, Boilly, Hollar, Kauffman, Bartolozzi, Le Blond, Delacroix, Stadler, Wallis, Lewis Baumer, W. P. Frith, Cochin, Bunbury, G. W. Giles, H. Alken, Dawe and Donovan, various sizes and condition, including approximately 25 framed and glazedQTY: (approx.48)
Kipling (Rudyard). The Jungle Book, reprinted, London: Macmillan and Co., 1896, monochrome illustrations, some minor toning, all edges gilt, original gilt decorated blue cloth, some very minor rubbing to the head & foot of the spine, a very good copy in bright condition, 8vo, together with:Milne (A. A.), Winnie-The-Pooh, 4th edition, London: Methuen & Co., 1927, monochrome illustrations by E. H. Shepard, 'To Her' signed by the author Theon Wilkinson and dated 1927, tears to pp.3, pp.31, pp.95, & pp.117, rear gutter cracked, slightly loose binding, some light toning, top edge gilt, original gilt decorated green cloth, boards & spine slightly marked & rubbed, 8vo, plusRowlandson (Thomas, illustrator), The Grand Master or Adventures of Qui Hi in Hindustan. A Hudibrastic Poem in Eight Cantos, by Quiz, London: printed by Thomas Jegg, 1816, illustrated title page & 22 monochrome plates, lacking endpapers, water marks from pp.11-17, light marginal toning, bound in later grey paper & blue cloth slipcase, 8vo, and other late 19th Century to modern fiction & illustrated literature, including works by Arthur Rackham, W. Heath Robinson, Andrew Lang, H. G. Wells, mostly original cloth, some in dust jackets, G/VG, 8voQTY: (6 shelves)
* Osaka. Kaisei zoÌ„ho KokuhoÌ„ ÅŒsaka zenzu; 改æ£å¢—補國寶大阪全圖, ÅŒsaka: Kawachiya Tasuke and Itamiya ZenbeÌ„, 文久 (BunkyuÌ„), 1863, Japanese woodblock map of Osaka on 5 conjoined sheets, printed in black & blue with red identifiers, blocks of descriptive text in Japanese, very light toning to lower edge, 1140 x 455 mm, framed and glazed, contemporary printed paper label to verso of frame QTY: (1)
Humphreys (Henry Noel). The Coinage of the British Empire: An Outline of the Progress of the Coinage in Great Britain and Her Dependencies, from the Earliest Period to the Present Time, 1854, 1st edition, London: Nathaniel Cooke, 1854, twelve chromolithograph plates including frontispiece (plates with some offsetting to facing leaf of text), and twelve uncoloured lithograph plates at rear, marbled endpapers, all edges gilt, original publisher's black papier-maché binding, both sides pierced, showing a red silk background, outer corners minimally chipped with very slight loss to upper outer corners, one or two marks elsewhere, together with The Origin and Progress of the Art of Writing: a connected narrative of the development of the art...and its subsequent progress to the present day, 2nd edition, London: Day and Son, 1855, chromolithograph frontispiece and twelve chromolithograph plates, fifteen uncoloured lithograph plates, some woodcut illustrations to text, occasional, mostly light, spotting, all edges gilt, original publisher's papier-maché binding, both sides pierced showing a red silk background, leather spine lettered in gilt (some light stains), a few cracks, small chip to lower outer corner of upper cover, both volumes generally in good condition, large 8vo (27 x 18cm and similar) QTY: (2)NOTE:McLean, Victorian Book Design & Colour Printing (1972), pp.210-13 (both works illustrated): 'Supreme examples of Victorian Gothic and perhaps the biggest triumph of all the ingenuities of Victorian commercial book-binding'.
Framjee (Dosabhoy). The Parsees: their History, Manners, Customs and Religion, 1st edition, London: Smith, Elder and Co., 1858, advertisement leaf at front and publisher's catalogue at rear, occasional light spotting and toning, wormtracks to inner margins of endpapers, original cloth, some fading, small tear at head of spine, a few small stains, 8vo, together with Yule (Colonel Henry and A. C. Burnell). Hobson-Jobson. a Glossary of Colloquial Anglo-Indian Words and Phrases, and of Kindred Terms, Etymological, Historical, Geographical and Discursive, new edition edited by William Crooke, London: John Murray, 1903, previous owner signature of Dunlop Smith to half-title, later owner inscription and provenance to front endpaper verso, top edge gilt, original morocco-backed boards, spine rubbed, lower joint splitting, 8vo, plus Wilson (H. H.) A Glossary of Judicial and Revenue Terms, and of Useful Words Occurring in Official Documents Relating to the Administration of the Government of British India, from the Arabic, Persian, Hindustani, Sanskrit, Hindi, Bengali, Uriya, Marathi, Guzarathi, Telugu, Karnata, Tamil, Malayalam, and Other Languages, 2nd edition, London: W. H. Allen, 1855, some light toning, library ink stamps, City of Westminster Public Libraries label, top edge gilt, contemporary half morocco, spine darkened, shelf number in gilt at foot, joints and edges rubbed, 4to, with others related including Indian India as Seen by a Guest in Rajasthan, by C. W. Waddington, 1933, The Three Presidencies of India, by John Capper, 1853, The Historical Record of the Imperial Visit to India 1911, 1914, The Naulahka. A Story of West and East, by Rudyard Kipling and Wolcott Balestier, 1st edition, 1892, Tea and Tea Dealing, by F. W. F. Staveacre, 1929, Burma. A Handbook of Practical Information, by Sir J. G. Scott, 3rd edition revised, circa 1910, and Indian Tea... by Claud Bald, 4th edition, 1922 QTY: (17)
Miscellaneous Literature. A large collection of modern miscellaneous literature, including The Lord of the Rings, by J. R. R. Tolkien, 3rd impression of the 1st single volume edition, London: George Allen & Unwin, 1968, previous owner inscription to the inside front cover, some light wear, original covers, spine faded, 8vo, & other reference including green & orange Penguin paperbacks, history, art, biography, mostly original cloth in dust jackets, G/VG, 8vo/4toQTY: (6 shelves)
Beckett (Samuel). Waiting for Godot, 1st U.K. edition, London: Faber and Faber, 1956, publishers note tipped into the publication page, bookplate to the front pastedown, some minor marginal toning, original yellow cloth in dust jacket, some small worming to the rear cover, covers & spine lightly rubbed with some minor loss to head & foot, slim 8vo, together with:Addison (Joseph), The Miscellaneous Works in Verse and Prose , 4 volumes, London: printed for J. and R. Tonson, 1765, engraved frontispieces to volumes 1 & 2, bookplates to the front pastedowns, some toning & spotting, contemporary uniform gilt decorated full calf with red & green morocco spine labels, spines slightly rubbed, 80, plusCervantes (Miguel de), The History of the Ingenious Gentleman Don Quixote of La Mancha, 5 volumes, new edition, Edinburgh: printed for Hurst, Robinson, and Co., 1822, bookplates to the front pastedowns, some light toning & spotting, contemporary uniform gilt decorated half calf to marbled boards bound by Henderson & Bisset, 8vo, and other 18th Century to modern miscellaneous literature, including works by T. S. Eliot, Osbert Sitwell, Alfred Tennyson, The Folio Society, some leather bindings, some original cloth in dust jackets, G/VG, 8vo/4to QTY: (5 shelves)
Birch (Thomas). The Heads of Illustrious Persons of Great Britain, engraved by Mr. Houbraken and Mr. Vertue. With their Lives and Characters, new edition, London: William Baynes, 1813, title with engraved illustration, 108 engraved plates, some light offsetting from plates to facing text leaf, occasional minor marginal spotting, marbled endpapers with later cloth hinges, upper pastedown with ownership label of Selina Mary Knightley and armorial bookplate of Knightley Rainald of Fawsley, contemporary calf, gilt and blind decorated spine, gilt and blind decorated roll-work border to boards, upper joint split and board loose, lower board detached (with final plate and text leaf), rubbed and some wear, large folio (51.5 x 32 cm)QTY: (1)
A pair of 20th century, 19th century style lamp bases, with bronzed metal campana shaped urn with twin handles and figures and cart relief design, upon an alabaster and marble type stone columned base, with ball feet, wiring through centre of both lamps, leading to light fitting and bulb, with shades, each approx. 34.7cm high (to top of urns). (2) Further details: untested, will need re-wired and tested, some chips and nibbles to alabaster and marbled areas; loss to bronzed areas to both with wear; surface scratches and general wear.
Three late 19th century Volkstedt allegorical figures: the Artist representing painting, the Sculptor representing sculpture, the Musician representing music. Circa late 19th century, blue mark, size 16cm, 17cm, 17cm high. Condition: scuffs and nibbles to all foot rims. No restoration visible under UV light.
A pair of late 19th / early 20th century Japanese cloisonné small vases, of hexagonal shape with light blue enamelled ground decorated with a bird within foliage and shrubbery, each signed to bases, each approx. 15cm high; a single early 20th century Japanese enamelled baluster shaped vase, of light green colourway decorated with white flowers on vines, unmarked, approx. 6cm high, and a larger Eastern globular bowl / vase, with elaborate cloisonné enamel side decorated with flowers and foliage, unmarked, approx. 11.5cm high x 12.5cm top rim diameter. (4) Further details: some small loss to enamel on blue vases; wear to all items; larger bowl with more loss to enamel and dents / scratches, pitting; part to base rim repaired.
A late 19th / early 20th century oak walking cane, with white metal and citrine style glass top, probably Scottish with cast thistle design, approx. 88.1cm long, together with an early 20th century light wood, horn topped walking cane, having Continental 800 silver collar, and horn tip, approx. 87cm long. (2) Further details: silver collar to horn cane loose but attached; dents to same collar; crackles and wear to light wood stick, other cane with nicks and nibbles, wear to wood, glass top with very minor nibbles. General wear and tarnish etc to both.
This remarkable vehicle 2017 BMW M2 Competition has been completely transformed by its current owner. In the past year, it has only travelled 207 miles since its last MOT. The interior features an upgraded carbon fibre aesthetic, including a carbon gear knob, carbon handbrake, and a carbon LED steering wheel with paddle shifters. The striking red M2 "M" power button adds a stylish touch. On the exterior, notable upgrades include a carbon fibre ducktail spoiler, a personalised number plate (M20 NYO, reading as M2 ON YOU), and brand-new genuine BMW vented brakes with discs and pads replaced last year. Additional enhancements consist of carbon fibre side skirts, wing mirrors, a rear F1 splitter with brake light, and custom LED brake lights with an optional display. The front is equipped with a carbon fibre splitter and canards for improved aerodynamics, along with adjustable BC springs all around. The car sits on genuine BMW alloys, finished in gloss black and includes locking wheel nuts. Under the hood, a strut brace has been fitted for better handling, alongside a performance air filter and intake, stage 2 remap, and an upgraded Airtec intercooler. New Michelin provide maximum grip, and a custom racing exhaust enhances performance. All these upgrades were completed in the last year, with the car covering just 207 miles since then. Mileage: 40750 Paperwork and owners manual included Note: Commission Rate on this lot is 10% + VAT plus The Saleroom fees as normal.
This retro set includes a film projector for Super 8 and 16mm films, featuring a high-quality optical system, user-friendly design, and adjustable speed settings. It comes with an attached case and carrying handle, along with a movie camera light designed to mount on the side of the Bolex 155 Movie Camera, complete with its own carrying case. Bolex-Paillard branding. Light dimensions: 4.5"L x 4.5"W x 3.25"H (Plus cord). Light case dimensions: 9"L x 5"W x 4"H. Projector: 9.5"L x 5.75"W x 8.5"H. Issued: c. 1960Dimensions: See DescriptionManufacturer: Bolex-PaillardCountry of Origin: SwitzerlandCondition: Age related wear. Movie light needs light bulb replaced. Functionality not guaranteed.
Accent lamp, modeled in the form of a rocket, with a pointed, smooth, and oval-shaped light cover. Completed by a has a round, metallic base, connected to the main body by a curved metal stem, adding fluidity to the design. Original manufacturers tag on base. Issued: 20th centuryDimensions: 6.5''L x 4.5''W x 12.5''HCondition: Age related wear. Tested, functionality not guaranteed.
Original oil pastel on beige paper by American artist Chris Billis who drew a splendidly realistic black German Shepherd female named Luna. Signature on lower center: Chris Billis. Housed in a gilt and wooden frame with a light grey mat. Artwork dimensions: 11"L x 14.50"H. Frame size: 18.50"L x 21.50"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Chris Billis (American 20th-21st century)Issued: c. 1990Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Rubber hand puppet colored in brown and green (5.5"L x 4.5"W x 8.5"H). New in box-unopened, Yoda ornament holding his light saber (4.5"L x 3.75"W x 6.5"H). HHK Trading Co. backstamp. Largest piece: 5.5"L x 4.5"W x 8.5"H. Issued: c. 2007Dimensions: See DescriptionManufacturer: HHK Trading Co. Country of Origin: ChinaCondition: Age related wear. Marks on puppet.
This light blue Lions jersey with white and grey lettering is signed by the famous running back Barry Sanders. Marked XL, measures pit to pit 24.5"W and from top of shoulder to bottom 33.25"L. Certificate of Authenticity from PAAS included. Dimensions: See DescriptionCondition: Age related wear.
Large original oil on canvas by seascape artist W. Hayward who represents fishing boats moored in a misty harbor. The paint is applied in thick impasto from a palette of whites, mauves, light blues, baby pinks and browns. Signature on lower right: W. Hayward. Housed in a light blue frame with an off-white border. Artwork dimensions: 19.50"L x 23.75"H. Frame size: 25.50"L x 29.25"H x 1.50"W. Artist: W. Hayward (American 20th-21st century)Issued: c. 1970Country of Origin: United StatesCondition: Age related wear.
44/4c Operation Overland The Armies Signed Richard Todd Parachute Regt, Pegasus Bridge. 6 Jun 1994 Douglas IOM FDI Postmark 20p Montgomery Isle of Man Stamp. Operation Overland-The Armies Flown in Hercules over drop zones. Personally Signed by Richard Todd Parachute Regiment, Parachuted from 400ft over designated dropping zone as a member of the 6th Airborne Division early in the morning of 6th June 1944. Certified Copy No 265 of 831 Signed W S O Randle WW11 Wellington Pilot Shot down and made in back to UK. Details enclosed. Parachuted into France landing at 0040 in Normandy on 6 44 I jumped No1 out of the First Aircraft. Richard Todd portrayed Guy Gibson in the Film The Dam Busters. And during the War Captain Richard Todd was with 6th Airborne Pegasus Bridge 6th June 1944. During the Second World War, Todd joined the British Army, receiving a commission in 1941. Initially, he served in the King's Own Yorkshire Light Infantry before joining the Parachute Regiment and being assigned to the 7th (Light Infantry) Parachute Battalion as part of the British 6th Airborne Division. On 6 June 1944, as a captain, he participated in the British Airborne Operation Tonga during the D-Day landings. Todd was among the first British officers to land in Normandy as part of Operation Overlord. His battalion were reinforcements that parachuted in after glider forces had landed and completed the main assault against Pegasus Bridge near Caen. He later met up with Major John Howard on Pegasus Bridge and helped repel several German counterattacks. As an actor, Todd would later play Howard in the 1962 film The Longest Day, while Todd himself was played by another actor. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
ES24cC Escape from Yugoslavia Signed 1 Resistance General Nadi and 3 Escapers. 10 11 78 Belgrad Escape from Yugoslavia Red Flown cachet. 150 copies of this special version of the cover have been Personally signed by General Kosta Nadj, President of the Federal Committee of the SUNBOR of Yugosiavia, General of the Army, National Hero, Legendary War Commander and bearer of the Highest Yugoslav and Peace time decorations further signed by members of the Escaping Society who successfully evaded capture only with the help of the Partisans. Lawrence Taylor member of 37 Sqn RAF at Foggia in Italy. On 23 November 1944 he was briefed to bomb German troops and transport on the road south of Belgrade, a mission which had been successfully completed on several occasions in daylight early that month. This time his Wellington was hit by light flak over the targe. There was just enough time to head the damaged aircraft into a valley which was known to be controlled by the Partisans before all the crew baled out to safely. William Goodbrand navigator in a Wellington of No 40 Sqn shot down a few miles south of Belgrade escaped to Italy. Alan Day flying Spitfires Mk 9 of No 253 ( Hyderabad) Squadron 26th Feb 1945 in the Bos Novi area when he was hit by small - arms fire whilst attacking a German transport column. He had time to pull out of a mountain gorge and gain sufficient height before his engine stopped and he bales out. For 4 days he moved during the dark and on the fifth day was awaken to find a tommy gun pointed at him by a partisan. After 4 further days on the march including some time on horseback he arrived at the No 37 Military Mission south of the River Sana. His unit was informed by radio of his safety, He waited keeping under cover by day until a Dakota flew in to the minute airstrip and took him back to Bari Italy, escorted by pilots from his squadron. Pilot Officer Day was back on operations on 20th March. Full details enclosed. Certified Copy of 999 Only 150 Special Signed by General Nadj. see insert card. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
DM2 Award of the Distinguished Flying Cross Signed by 5 DFC Holders. 12 Jun 84 The Award of DFC Flown in Victor from RAF Marham to Goose Bay Canada Personally Signed Sqn Ldr C N McDougall DFC Victor pilot who flew Vulcan bombers during the Falklands conflict and took part in Operation Black Buck Six., and Signed by Flt Lt E W Cranwell 610 Sqn Battle of Britain Fighter pilot. Died 1993 One of the few pilots to fly Spitfires, 4 engined bombers and Hurricanes in WW11. Lewis Brandon Author flew Beaufighter of 141 Sqn and Mosquitoes of Nos 157 and 488 NZ Sqns all which carried airborne radar one of the best kept secrets of the war. J. A. Haden pilot 162 Sqn 8 group flew Mosquito aircraft member of light night striking force awarded immediate DFC. Wg Cdr J. B. Wray DFC, OC 122 Wing 1944 - 45. He was the only Allied or Commonwealth pilot to destroy two German Jets. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Robert Dowling (British), 'Momentary Lapse Of Reason, Beds, Pink Floyd', 1987, archival pigment print on Fuji Crystal Clear Photographic Paper, signed and numbered from an edition of 15; sheet: 119 x 82cmARR sheet: 119 x 82cm In very good condition No knocks or tears to the sheet Minor handling creases can be seen across the sheet, visible in raking light and upon very close inspection This work has been stored rolled and has not been framed.
Yayoi Kusama (Japanese 1929-), ‘Red Pumpkin Naoshima', 2019, painted cast resin sculpture, stamped with the Artists name and Naoshima under, published by Benesse Holdings, Japan, with original presentation box; 8.9 x 14 x 14cm8.9 x 14 x 14cmIn very good condition No knocks, chips or cracks to the sculpture Some very light markings, visible upon close inspection Stored inside original packaging.
David Shrigley (British 1968-), 'Old Cat', 2022, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated, and inscribed ARC 1/1 in pencil verso, the regular edition was 125, published by Jealous Gallery; sheet: 76 x 56cmARR sheet: 76 x 56cm In Good Condition No knocks or tears to the sheet One soft crease running down the upper left-hand edge of the sheet, only visible in raking light The work has been stored flat and never been framed In Good Condition
Mehdi Ghadyanloo (Iranian 1981-), 'Counting Down', 2015, hand-embellished screenprint in colours on wove paper, signed and inscribed AP in pencil, the regular edition of 25, published by Howard Griffin Gallery; sheet: 68.2 x 68.2cmsheet: 68.2 x 68.2cmIn very good condition No knocks, tears or creases to the sheet Minor markings to the left hand side of the sheet verso, this is not visible rectoThere is some light wear to the extreme edges of the sheet, this is commonly seen on full bleed prints This work has been stored flat and has not been framed.
Stik (British 1979-), 'Holding Hands (Orange)', 2020, offset lithograph in colours on wove paper, signed in black ink; sheet: 50 x 50cmARR sheet: 50 x 50cm In very good condition No knocks or tears to the sheet There are some light handling creases to the sheet, visible in raking light Some minor markings to the sheet verso, potentially from time of production One horizontal and one vertical fold to the sheet, as originally issued Stored flat, not framed.
Bridget Riley (British 1931-), 'Bagatelle 2', 2015, screenprint on wove paper, signed, titled, dated, and numbered from an edition of 75 in pencil, published by Karsten Schubert Gallery, London; 60 x 89.5cm inc frameARR 60 x 89.5cm inc frame In very good condition No visible knocks or tears to the sheet Framed to a high standard in a white frame by Pauli, using Ultraviolet Protection Plexiglass Minor undulation to the left and right edges of the sheet, due to work being mounted. This is not considered damage. One minor handling crease to the centre of the right hand edge of the sheet, visible in raking light. This work is float mounted, leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.
David Shrigley (British 1968-), 'Untitled (Shit)', 2012, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 100 in pencil, published by Schaefer Grafik; sheet: 70 x 50cm ARR sheet: 70 x 50cm In very good condition No knocks or tears to the sheet There are some light handling creases to the sheet, visible in raking light Minor imperfection to extreme upper right hand corner and minor marking verso, visible upon close inspection This work has been stored flat and has not been framed.
Alec Monopoly (American 1986-), 'Monaco Grand Prix', 2024, screenprint in colours on Coventry Rag paper, signed and numbered from an edition of 150 in pencil; sheet: 76.2 × 101.6cmsheet: 76.2 × 101.6cmIn very good conditionNo knocks or tears to the sheetOne horizontal crease/indentation to the top left section of the sheet, visible in raking lightDeckled edges in good conditionThis work has been stored flat and has not been framed.
Martin Whatson (Norwegian 1984-), 'Lighthouse', 2023, hand-embellished screenprint and archival pigment print with flood varnish on 300gsm Somerset paper, signed, dated, and numbered from an edition of 50 in pencil, published by Harman Projects; sheet: 41.9 x 49.8cmsheet: 41.9 x 49.8cmIn good conditionNo knocks or tears to the sheet Vertical creasing down the left hand section of the sheet, mainly visible in raking light Minor markings to the sheet verso, potentially from the time of productionThis work has been stored flat and has not been framed.
Genieve Figgis (Irish 1972-), 'Marie Antoinette's Cakes', 2024, archival pigment print on cotton paper, signed and numbered from an edition of 80, published by Almine Rech Editions; sheet: 37 x 45.5cmARR sheet: 37 x 45.5cm In very good condition No knocks or tears to the sheet Light crease to the left hand side of the sheet, visible verso in raking light This work has been stored flat and has not been framed.
Connor Brothers (British Duo), 'Truth Is Weirder Than Any Fiction I've Seen', 2015, giclee with silkscreen varnish on wove paper, signed, dated and numbered from an edition of 35; 141.5 x 94cm inc frameARR In very good condition No visible knocks or tears to the sheet Light waving to the lower left hand edge of the sheet, visible in raking light Some extremely minor imperfections around the sheets white border, visible in raking light Deckled edges in good condition This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
David Shrigley (British 1968-), 'To Hell With Zoos', 2021, screenprint in colours on 410gsm Somerset Satin Tub sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Nicolai Wallner; sheet: 76 x 56cmARR sheet: 76 x 56cm In good condition No knocks or tears to the sheet Light horizontal waving to the sheet, visible in raking light Minor wear to left and right hand edges of sheet and very minor imperfections to corners Some light markings recto and verso, visible upon close inspection This work has been stored flat and has not been framed.
Thierry Noir (French 1958-), 'Mini Canvas (Light Blue)', 2020, unique acrylic on canvas from the Thierry Noir 'Mini' Series, signed front, 16 x 13 cm inc frameARR 16 x 13 cm inc frame In very good condition/artist's condition No tears or holes to the canvas Minor black paint markings to the canvas, this is from time of production and not damage Framed in a white frame, this work has not been examined outside of the frame.
Banksy (British 1974-), 'Queen Victoria', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No knocks or tears to the sheet There is some light horizontal creasing shown to the upper and lower sections of the sheet. This is mainly visible verso in raking light Minor scratching to the upper right section of the sheets background and some minor imperfections to lower section, visible upon close inspection Very minor imperfection to the lower right hand edge of the sheet, and some potential very minor marks to the white border This work has been stored flat and is not currently framed.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Keith Haring (American 1958-1990), 'Naples Suite (Six Plates)', 1983, 6 lithographs in black on wove paper, from an unknown edition size, published by La Galerie de Poche, Paris, for the exhibition 'Keith Haring 1983', 15-30 January 1990; 40 x 32cm inc frame each (6)40 x 32cm inc frame each (6)In very good condition No visible knocks, tears or creases to any of the sheets Some light markings/rubbing to the white sections of the sheets, likely from the time of productionThese works have been framed in individual black framed with white mounts These works have not been examined outside of the frames.
David Shrigley (British 1968-), 'The Elephant', 2022, screenprint in colours on Somerset Tub Sized 410gsm Paper, signed and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cmARR sheet: 76 x 56cm In very good condition No knocks, tears or creases to the sheet Very light marking to upper right hand corner, visible upon close inspection This work has been stored flat and has not been framed.
Banksy (British 1974-), 'Laugh Now', 2004, screenprint in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No knocks, tears or creases to the sheet Minor smudging to the lower edge of the sheets border, likely from the time of production and commonly seen on these works Minor rubbing/light marking around the edges of the sheet verso, this is not visible recto Minor marks shown to black sections of sheet, visible upon close inspection and in raking light This work has been stored flat and is not currently framed.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Tracey Emin (British 1963-), 'She Lay Down Beneath The Sea', 2012, Turner Contemporary 2012 signed poster, sheet; 80 x 60cmARR sheet; 80 x 60cm In good condition No knocks or tears to the sheet Minor wears/creasing to upper left hand and lower right hand edge/corner of the sheet, visible upon close inspection Very light handling creases to lower section, visible in raking light This work has been stored flat and has not been framed.
Javier Calleja (Spanish 1971-), 'Frances', 2017, unique graphite and crayon on paper, signed in pencil, titled to the image; sheet: 30 x 24cm (framed)ARR sheet: 30 x 24cm (framed) In very good/artists condition No visible knocks, tears or creases to the sheet Some very light marks to background, likely from time of production/due to artists condition This work has been framed in a wooden frame with a white mount leaving the signature visible This work has not been examined outside of the frame.
Javier Calleja (Spanish 1971-), 'Haden', 2017, unique graphite and crayon on paper, signed in pencil, titled to the image; sheet: 30 x 24cm (framed)ARR sheet: 30 x 24cm (framed) In very good/artists condition No visible knocks, tears or creases to the sheet Some very light marks to background, likely from time of production/due to artists condition This work has been framed in a wooden frame with a white mount leaving the signature visible This work has not been examined outside of the frame.
Jean-Michel Basquiat (American 1960-1988), 'Supercomb', 1988, offset lithographic poster on wove paper, from an un-numbered edition of 1000, published by Yvon Lambert Gallery; sheet: 73 x 52cmsheet: 73 x 52cmIn overall good condition No tears to the sheet There is some light creases shown to the sheet, these are most visible versoMinor crease to lower left hand corner and some wear to left hand/lower edge of the sheet, visible upon close inspectionThere is some curvature to the sheet, due to previous rolling This work is currently stored flat and has not been framed.
Mr Doodle (British 1994-), 'London', 2017, digital print on paper, signed and numbered from an edition of 400 in gold ink; sheet: 42 x 29.7cmARR sheet: 42 x 29.7cm In good condition No knocks or tears to the sheet Minor crease to lower right hand edge of the sheet and a few light handling creases, visible in raking light Some very light markings to the black lettering, visible upon close inspection Light markings to the sheet verso, these are not visible recto This work has been stored flat and has not been framed.
Mehdi Ghadyanloo (Iranian 1981-), 'Future Intuition', 2015, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Howard Griffin; sheet: 68 x 68cmsheet: 68 x 68cmIn very good condition No knocks or tears to the sheet There are some light handling creases to the sheet and a minor to the lower edge of the sheet versoSome minor wear around the extreme edges of the sheet, this is commonly seen on full bleed prints This work has been stored flat and has not been framed.
Banksy (British 1974-), 'Morons', 2006, screenprint in colours on Arches paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm, 106 x 89cm inc frameARR sheet: 56 x 76cm, 106 x 89cm inc frame Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No visible knocks or tears to the sheet There are some light handling creases/waving shown to the sheet, most prominent in raking light There are some very light markings to the upper right hand section of the sheet and a very minor indentation to the lower left hand corner, visible upon close inspection Light mark to the lower right hand of the sheets white border, likely from time of production This work has been framed in a black frame with a white/black layered mount This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
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