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Americana. Thomas Worth (1834-1917) - The Darktown Tall Ho, - Tangled Up, coaching print with black passengers, signed within the plate, New York: Published by Currier & Ives, n.d. [c. 1899], chromolithograph, 29 x 38.5cm Good condition. Marginal toning, some light foxing and minor toning. Unexamined out of frame.
Early 20th century German School Leisure boats on a lakeoil on canvasindistinctly signed74 x 84cm Oil on original canvas in good untouched condition, perhaps needs a light clean, later gilt frame with some dents and chipsPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Edward Wolfe (South African, 1897-1982) Design for a screen, c.1918ink and oil on paper18 x 20cmThe vendor acquired this work from an art historian who - while a student at Sussex University in the 1960s - became a friend of Duncan Grant. (The art historian has written books about Grant and the Bloomsbury Set and was a trustee of Charleston for some years). Wolfe made the design for Omega Workshops around 1919.Honest untouched condition, unpainted paper is evenly discoloured with some darker staining across the top and a tab mark, vertical creases running through the work along with other light creasing elsewhere and some foxing, under glass with a clean card mount and typed label of attribution verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Margaret Barnard (British, 1900-1992) The Oarsmen Positano, c.1930linoleum cut printed in colours on tissue-thin oriental laid paper34 x 26cm. Original uncropped and unmounted example, colours good, margins uneven, sheet 44 x 30cm at largest, some fine light creases in the paper.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Antoine Blanchard (French, 1910-1988) Boulevard de la Madeleine, Parisoil on canvassigned60 x 90cm Oil on original canvas in good untouched condition, possibly needs a light clean but no real faults noted, housed in the ornate gilt and cream scroll frame which is in fair order, comes with original bill of sale from 1966, sold by W. Cutler Fine Art Dealer of Bournemouth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Llewellyn Petley-Jones (1908-1986) River in Autumn, Richmondoil on canvasdated 1965 and inscribed verso46 x 65cm Honest untouched condition, perhaps slightly dirty with some light rubbing around the margins, not framed, artist inscription verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Igor Talwinski (Polish, 1907-1983) Nude studyoil on canvassigned55 x 46cm In good untouched condition, possibly needing a light clean but no real faults noted, housed in the original gilt frame with 1980 Stacy-Marks label verso from whom it was purchased by the vendors family.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James McIntyre (Scottish, fl.1880-1909) Harvest at Muirton, near Perthoil on canvassigned, with Fine Art Exhibition label verso26 x 36cm Good original condition, possibly needing a very light clean but no real faults noted, housed in a later scrollf frame which is in good orderPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Harold Mockford (English, 1932-2023) 'Yellow Tree'oil on boardsigned and titled verso121 x 91cm Oil on board in honest untouched condition, possibly needing a light clean but no real faults noticed, title and artist signature verso along with a date with has been covered by a reinforcing board, inscription relating to the picture Lending library verso, plain painted framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Alexandre Nickolaevich Benois (Russian/French, 1870-1960) Costume designed for Diaghilev's Ballet Russes - Le Rossignol - Chinese Womanpainted silk jacketThis ballet jacket is accompanied with a published book by Alexander Schouvaloff 'The Art of Ballets Russes' where the design for the item is featured within the section for and confirmed as being designed by Benois and used in the production's of Le Rossignol on paragraph 50 page 131 .The design for the costume was given by Benois to Madame Misia Edwards, patron of the Ballets Russes and wife of her then husband the owner of Le MatinThe item also has the benefit of a cotton label sewn into the neck section confirming it was a part of this production106cm long Provenance; purchased at auction after if featured in 'The Antiques Gazette ' and Westmorland publication 'Cumbria Crack 'Prior to that the item was obtained from friends in the wardrobe department at Covent Garden Ballet by the vendor who was a collector of ballet memorabilia and was a dancer/stage producer in his younger years.In good untouched original condition, some dirt marking, light creasing and fraying of the edges, elsewhere some scattered brown stains particularly in the white banding, original inscribed label inside the collar, right hand side of the main body has some tears, a small section missing and loose white stitching holding it in place, further stitched repairs elsewhere. See further photographs at www.gorringes.co.ukPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Bramley (English, fl.1900-1932) 'The Pet Bird'oil on canvassigned24 x 34cm Oil on original canvas in honest untouched condition, perhaps needs a very light clean but no real faults noted, under glass in the original restored gesso frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Ethelbert White (English, 1891-1972) English church from the greenoil on canvassigned50 x 60cm Oil on original canvas in honest untouched condition, one small puncture hole near 9 o'clock, otherwise would benefit from a light clean, housed in probably the original oak frame, a part sketch of a lady's skirt and parasol verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Anne Isabella Brooke (British, 1916-2002) Castle Bolton, Wenseydaleoil on canvassigned35 x 55cm Good original untouched condition, possibly needs a light clean but no real faults noted, original stained wooden frame with a dent at the top, artist's label verso inscribed 'do not varnish before February 1985'PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Giuseppe Bortignoni (Italian, 1778-1860) Interior with two ladiesoil on panelsigned28 x 20cm Very good untouched condition, possibly needing a light clean but no real faults noted, under glass in the highly ornate gilt scroll frame which has some losses, old label verso for Frank Hall of CardiffPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Georges Croegaert (Belgian, 1848-1923) Portrait of a brideoil on panelsigned and dated Paris 188527 x 21.5cm Untouched condition, some light surface scuffing running over her face but does not seem to go deeply into the paint, a few scattered dirt specks and slight rubbing around the edges, not framed, old Sotheby's chalk marks verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Sir Peter Lely (1618-1680) Portrait of daughter of the Earl of Clarendon, Anne (Hyde), Duchess of York. Wife of James, Duke of York, wearing a pale blue dress and pearl jewelleryoil on canvas68 x 52cm Oil on canvas relined 20 to 30 years ago or so, canvas remains tight, paint fairly clean with a fine but stable craquelure through the lighter and flesh tones, some suggestions of retouching particularly in the drapery and hair particularly the ringlets, a fine hairline scratch at 12 o'clock and other light scuffing elsewhere, housed in an old gesso and carved wood frame, remnants of labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Margaret Helen Barnard (British, 1900-1992) Night Fishinglinoleum cut printed in colours on tissue-thin oriental laid papersigned in pencil and numbered 27/5022 x 27cm Essentially good condition, strong colours, sheet 26 x 32cm, a few light vertical creases to the right of centre, margins a little creased, slight discolouration across the top margin.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sherree Valentine Daines (English, b.1959) Figures in the parkoil on boardinitialled24 x 33cm Honest untouched condition, possibly needing a light clean but no real faults noted, housed under glass in a later inappropriate gilt framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Harold Mockford (English, 1932-2023) 'Birling Gap II'oil on boardsigned verso, dated '71 and titled91 x 122cm Oil on hard board in original slightly neglected condition, paint a little dirty, with some light scuffing and would benefit from a clean, slim aluminium frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Abbott McNeill Whistler RBA (American, 1834-1903) 'Drouet (Sculpteur)'drypoint etchingsigned and dated 1859 in the plate15 x 22cm Honest untouched condition, even light buff tone to the paper, slight undulation showing, plain card mount and gilt glazed framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Patrick Proctor R.A. (English, 1936-2003) 'The Oasis'oil on canvas108 x 43cm Honest untouched condition, perhaps a little dirty with some light scuffing in the green to the left of the tree, old typed label verso giving details of the work, a date of January 1965 and saying 'Collection Mr & Mrs A Bland', plain white painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A mahogany waterfall bookcase, 19th century, with recessed brass handles, a secret cupboard to the reverse accessed from the right-hand side, over three drawers to the base, raised on bun feet,97cm wide39cm deep132cm highCondition Reportlight knocks and dents throughout, the lock to the secret cupboard damaged, polished in scratches and marks, faded to one end
A Victorian silver Armada pattern claret jug, by Martin, Hall & Co., Sheffield 1893, of typical form with a trigger-action lid with an ivory insulator, with all-over repoussé and relief decoration, detailed with floral and foliate scrolls, putti and a leopard head, with a vacant cartouche to each side,15cm diameter32cm high, 30oztIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportOne or two very small dents. General light surface wear and scratches. Some small cracks to Ivory insulators. One or two very minor misshapen areas. Sits flat. Hinge ok. Overall appears in good order.
A pair of Baccarat glass candelabra, 20th century, each with a pair of candle arms supporting wrythen sconces with prismatic drops, over a wrythen moulded column, acid marked, 25cm wide13cm deep31.5cm high (2)Condition ReportOverall the candelabra are in good condition with light traces of wear. Some of the lustres are chipped/stunted to the tips. Only one is acid marked underneath.
A Minton Parian ware group, 19th century, of Ariadne and the Panther,30cm wide17cm deep37cm highCondition ReportSome firing cracks to figures, drapery and base. Crack to the base appears to have been filled. No other breaks or repairs evident under UV. Some small black flecks to back of hair. Other light surface wear and dirt. Printed with ermine cypher and incised numbers beneath. Please see photos.
Two pairs of crewelwork panels, the crewelwork 19th/20th century, worked in polychrome wool threads in predominantly satin, long and short stitch with French knots, on a cotton twill ground, each panel hand-embroidered with a 17th century-style tree of life design, figures in a landscape, animals and exotic birds,each length 167 x 122cm (4)Condition ReportOverall the panels are in very good condition with only minor signs of age. Some small pulls to the wool. One small darning repair to one panel - see images. Light water marks to one. A few small holes to the one edge of one panel. Slight musty smell. Please see additional images for reference.
After Frederic Remington, 'The Bronco Buster', bronze, mounted on an oval green marble plinth, impressed signature and titled plaque to the base,41cm wide24cm deep60cm highCondition ReportWhip missing from the right hand. The reins slightly misshapen. A few light chips to the marble base. Otherwise good condition and ready for placement.
After Isidore-Jules Bonheur, a charging bull, patinated bronze, on a naturalistic base inscribed 'BONHEUR',52cm wide18cm deep 31cm highProvenance: The selected contents of The Old House, Aspley Guise, Bedfordshire.Condition ReportGood condition overall, no large dents/cracks. Some light rubbing and surface scratches commensurate with age.
An extensive Rosenthal for Versace porcelain ‘Medusa Red’ dinner service, late 20th century, decorated with baroque-style scrolls, strapwork and Medusa masks, black and gilt printed marks, comprising twenty-four dinner plates, twenty-four chargers, twenty-four coffee cans, etc.,dinner plates 27cm diameter (180)Provenance: The property of a European collector.Condition ReportOverall the service is in very good condition and looks barely used. There are some very light surface scratches to the plates. No marks to indicate second-rate quality.24 dinner plates 24 side plates 24 chargers 24 bread plates 24 soup saucers 12 teacup saucers 12 coffee saucers 24 coffee cans 12 teacups
A pair of bronze and glass 'Mott' globe lanterns by Jamb London, of recent manufacture, each with a single light and hanging chain,30cm diameter,38cm high including bail,each with a ceiling canopy (4)Condition ReportThe lights have likely been manufactured in the last 5-10 years. Both lights appear in very good order, with very minor surface wear to glass and frames. The glass panes are a little rough to each edge, and each light is currently sitting without one pane of glass, although both are present and intact. Professional installation required.
A pair of Flight, Barr and Barr Worcester porcelain urns, early 19th century, each with a detachable lid over a body painted with panels enclosing topographical scenes, with a beaded rim and raised on an integral plinth similarly decorated, with descriptive inscriptions underside in red, 13cm wide10cm deep24cm high,together with a pair of Barr, Flight and Barr Worcester spill vases,each painted with shells to a pink ground, with a beaded band and gilt-heightened decoration, inscribed and signed in red to the underside, impressed 'BFB' crown mark,8cm diameter9cm high (6)Condition ReportPaint flaking and evidence of over-painting and restoration to the two covers. Repair to one example where urn circular base meets square plinth. The smaller pair appear in good order with light wear.
A George II mahogany side table, 18th century and later, Irish, the grey marble top inset with a Florentine pietra dura panel of a bird on a branch, above a shell-carved apron and cabriole supports, terminating in ball and claw feet, 81.5cm wide 58.5cm deep 68cm highProvenance: The selected contents of The Old House, Aspley Guise, Bedfordshire.Condition ReportSome historic breaks and repairs to the marble top. The pietra dura panel possibly later inset. General light surface wear and scratches to top. The base with several later elements, including much or all of the apron. Splice repairs to legs. General knocks and wear. The table is sturdy, structurally sound and appears in good cosmetic condition in its current restored state. Ready for use.
A Victorian steel club fender, second half of the 19th century, the buttoned brown leather seat raised on knopped uprights and a plinth base, 187cm wide 57cm deep 56.5cm high Provenance: The selected contents of The Old House, Aspley Guise, Bedfordshire. Condition ReportSome light wear and marks to leather, which has a pleasantly aged appearance. General knocks and surface wear to metal. One or two very small misshapen elements. Some rust and tarnish. Joints sound, solid and weight bearing. Overall appears in fairly good order and ready for use. Internally: 148cm wide 38cm deep at seat. 156cm wide 41cm deep at base.
A late Victorian walnut stool by Howard & Sons, c.1890, the deep, buttoned, brown leather seat, raised on bulbous turned supports terminating in brass caps and castors, stamped beneath with remnants of a paper label to the stretcher, 142cm wide 68cm deep 31cm highProvenance: The selected contents of The Old House, Aspley Guise, Bedfordshire.Condition ReportThe leather is replaced, with a few light marks, scuffs and scrapes, but free from tears. Some knocks to supports, general tarnish and discolouration to castors. Castors wheel freely. Joints sound and solid. Overall appears in good order and ready for use. Please see additional photos.
An oak chest of drawers, late 17th century, fitted with four long drawers and panelled sides, raised on bun feet,97cm wide53cm deep104cm highCondition ReportOne handle detached but present, appears to be missing one bracket. Drawers run a little stiff. Re-polished. Overall wear, scratches and polished in dents. Locks may have been altered. Panels and drawer liners appear consistent. Some evidence of old worm to the backboards, none that currently appear active. Overall the chest is in moderate condition and is ready for use with some light attention.
Pierre Lenordez (French, 1814-1892), a standing racehorse, bronze with brown patina, signed to the base and inscribed 'Gladiateur né en 1862. Par Monarque et Miss Gladiator. Gagnant en 1864 du Clearwell à Newmarket, en 1865 des 2000 guinées du Derby d'Epsom, du Grand Prix de Paris...',42cm wide12cm deep32cm highCondition ReportOverall the horse is in very good condition with only minor traces of age abd wear. Some light surface scratches and light manufacturing flaws. No crackking, in stable condition and ready for placement.
A pair of bronze, gilt-brass and glass 'Original' globe lanterns by Jamb London, of recent manufacture, each with foliate finial, guilloché detail and four lights, with a hanging chain,40cm diameter55cm high excluding bail,each with a ceiling canopy (4)Condition ReportBoth appear in good structural and cosmetic condition overall, with very light wear. One with the glass bulbs broken within the sconces, which require removing. Ready to install by a professional.
A small ebonised octagonal mirror, late 17th/early 18th century, Dutch, the mirror plate surrounded by a moulded frame, 20cm wide22cm highCondition ReportA few small knocks, losses and areas of light cosmetic repair. Backboard possibly replaced, with later pins. Some light foxing to the plate. Some separation to the joints, however generally structurally stable and ready to hang.
Two pairs of yellow glazed cotton curtains, 20th century, each drop 220cm long72cm wide at pleated edge (4)Condition ReportOverall the curtains are in good condition. No obvious holes, tears or frays. There are a few light marks - see photos. Please also note these are not silk - they are glazed cotton.
A two-seater sofa in the Howard & Sons style, of recent manufacture, raised on turned supports, terminating in brass caps and castors,210cm wide110cm deep88cm highCondition ReportOverall the sofa is in very good condition with only minor traces of age and use. Yes the cushions come off, there are 2 x seat and 2 x back. The seat cushions are filled with feather-wrapped foam and the back are feather and fibre. There are a few light marks to the velvet, feet and castors. Structurally sound but with very small movement to the back. Ready for use.
An imitation rosso antico scagliola column, 19th century, of cylindrical form and raised on an ebonised stepped base,35cm diameter113cm highProvenance: The selected contents of The Old House, Aspley Guise, Bedfordshire.Condition ReportPlease note diameter should read 35cm. The majority of the chips, knocks and surface wear are simulated. Otherwise minor surface wear and light scratches. Some light wear to base.
A Victorian carved giltwood and gesso overmantel mirror, mid-19th century, the frame decorated in the rococo taste, bearing a label for 'W. Spriggs & Co.' to the reverse,156cm wide 159cm highCondition ReportSome losses, cracks, breaks and repairs, with some re-gilding. Dirt and dust. Some light scratches and minor wear to glass plate. Overall appears structurally stable and in fairly good cosmetic condition. Ready to hang.
After Frederic Remington, 'The Mountain Man', bronze, impressed 'copyright Frederic Remington', mounted on a black marble base with a titled plaque, 28cm wide 26cm deep 72cm high Condition ReportVery light surface wear. One or two very slightly misshapen elements, such as gun and reins. Overall appears in good order.
A large Regency-style carved giltwood mirror, of recent manufacture, with a bold foliate frame surrounding a rectangular glass plate, 140cm wide200cm highCondition ReportOverall appears structurally sound and in good order. Light wear to frame and plate. Not currently with hanging attachments, other than small plates which have been used to hang the piece in the saleroom.

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