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534297 Los(e)/Seite
A J. H. Dallmeyer f/3 12" Soft Focus Portrait Lens, brass, serial no. 158851, body, F, iris present but missing external control arm, soft focus component of the lens will not currently turn, elements, VG, some very light balsam separation to the perimeter of the front element, complete with flange
An Ihagee V.P. Exakta Model B 127 Film SLR Camera Outfit with 3 lenses, type 5.2, chrome body, 1938-39, serial no.543163, with back plate/cut film adapter, also with a Carl Zeiss Jena Tessar f/2.8 7.5cm lens, serial no.2215689, shutter not working, body G, lens F-G, haze, moderate fungus, also with a Meyer Görlitz Tele Megor f/5.5 15cm lens, body G, optics F, dust, light fungus, overall haze, a Dallmeyer Tele Anastigmat f/5.6 6in. lens, a Metropolitan-Vickers exposure meter, Ihagee extension tube set, a black metal tripod and various small accessories, some provenance, photographs and all in a James A. Sinclair & Co. Ltd. fitted leather outfit case
A Hugo Meyer Atelier-Schnellarbeiter No.6 f/3 400mm Portrait Lens, brass, serial no. 73467, body, G, elements, VG-E, some light internal haze, complete with flange and lens capNote: Sample images taken with this lens and lot 312, see our YouTube Video for us using this camera: https://www.youtube.com/watch?v=WgnuF138FLw
A Leica M3 Rangefinder Camera Outfit, 1955, chrome, serial no. 743296, with Leitz Summicron f/2 50mm lens, 1955, chrome, serial no. 1319744, body, G, shutter working, lens, G-VG, some light cleaning marks to the front element, together with Leitz Elmar f/4 90mm lens, 1954, chrome, serial no. 1212585, body, G, elements, VG, some light cleaning marks, and Leitz Hektor f/4.5 135mm lens, 1957, chrome, serial no. 1506689, body, G, elements, VG, some light internal haze, together with IROOA lens hood and meter MR
A Nikon F6 SLR Camera Outfit, 2004-2020, black, serial no. 0016353, with Nikon AF Nikkor D f/1.4 50mm lens, black, serial no. 634701, body, VG-E, shutter working, lens, VG-E, complete with Nikon AF Nikkor D f/2.8 20mm lens, black, serial no. 245839, body, VG, elements, VG, some very light internal haze, Nikon AF Nikkor D f/2.8 24mm lens, black, serial no. 460267, body, VG-E, elements, VG-E, some very light internal haze, and Nikon AF Nikkor D f/2 35mm lens, black, serial no. 581087, body, VG-E, elements, VG-E, Nikon F6, 24mm and 50mm in maker's original boxes
A Rollei Rolleiflex SL66 SE Medium Format Camera, 1986-1992, black, serial no. 510400003, with Rollei HFT Planar f/2.8 80mm lens, chrome, serial no. 8106843, body, VG, shutter working, leatherette lifting slightly and lost in two places, lens, VG, some very light internal haze, complete with five film backs, including a 645 example, together with 45 degree prism finder
KEISAI EISEN (1790-1848)Edo period (1615-1868), early to mid-19th centuryFour oban tate-e bijinga prints: the first of Fukuroi: Kuratayanai Enishi (Post Station Fukuroi: Enishi of the Kurataya) from the series Keisei dochu sugoroku/Mitate Yoshiwara gojusan tsui (A Tokaido Board Game of Courtesans: 53 Pairings in the Yoshiwara); the second titled Aki no hi no kosame (Light Rain on Autumn Day) from an untitled series; the third of Nihonzutsumi no rakugan/Tamayanai Tamagushi (Descending Geese on the Nihon Embankment/The Courtesan Tamagushi of the Tamaya) from the series Shin Yoshiwara hakkei (Eight Views of the New Yoshiwara); the last of Aoyama Sendagaya no Fuji (Mount Fuji from Sendagaya, Aoyama) from the series Fuji no yuki (Snow on Mount Fuji); all variously published and all signed Keisai Eisen ga; all moutned on card. The smallest: 35cm x 22.7cm (13¾in x 8 15/16in); the largest: 38.5cm x 26cm (15 1/8in x 10¼in). (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
SUZUKI HARUNOBU (1725-1770)Edo period (1615-1868), circa late 1760sA chuban yoko-e shunga print of Tenugui no kihan (Returning Sail at the Cotton Hand Towel Rack) from the series Furyu zashiki hakkei (Eight Fashionable Parlour Views), depicting a young girl and a man kissing in front of a mirror, a tenugui draped over a black-lacquered rack on the veranda, fluttering in the light breeze; unsigned. 20.6cm x 26.9cm (8 1/8in x 10 9/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1933An oban tate-e print, titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting a night-time winter scene showing two maiko walking past a teahouse, their highly colourful kimono and elaborate obi trailing behind them, illuminated by the light streaming from an open door, shadows of figures discernible in the distance, in the foreground a couple walking closely together in the chilly night, dated Showa hachinen shigatsu saku (Work of April, Showa 8 [1933]), but probably a post-war printing, published by Watanabe Shozaburo, with a round Watanabe seal at bottom left; signed Hasui with Kawase seal. 39cm x 26.5cm (15 3/8in x 10½in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), circa 1940sAn oban tate-e print, titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting a nocturnal winter scene showing two maiko walking past a teahouse, their highly colourful kimono and elaborate obi trailing behind them, illuminated by light streaming from an open door, shadows of figures discernible in the distance, in the foreground a couple walking closely together in the chilly night, published by Watanabe Shozaburo, with a Watanabe mokuhan bijutsu gaho kosaku seal along the right margin above the printer's seal Surishi Ono Gintaro; signed Hasui with Kawase seal. 39cm x 26.3cm (15 3/8in x 10 5/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1930An oban tate-e print, titled along the left margin Magome no tsuki (Moon at Magome) from the series Tokyo nijukkei (20 Views of Tokyo), depicting a clear full moon seen through pine branches, a light shining from the window of a thatched farmhouse in the lower foreground, dated Showa gonen saku (Work of Showa 5 [1930]), published by Watanabe Shozaburo, with a Hanken shoyu fukyo mosha Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 39.2cm x 25.5cm (15 3/8in x 10in).For further information on this lot please visit Bonhams.com
TAKAHASHI SHOTEI/HIROAKI (1871-1945)Showa era (1926-1989), circa 1930sAn otanzakuban yoko-e print of Tsuki no yoru (Starlit Night), depicting a night scene of a mother and child returning home, walking along an embankment, guided by the light of their lanterns, published by Watanabe Shozaburo, signed with a gourd-shaped red seal Shotei; mounted on card. 17.5cm x 38cm (6 7/8in x 15in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A calligraphic album page copied for Abu'l Hasan Mirza, perhaps a grandson of Fath 'Ali Shah Persia, 19th CenturyPersian manuscript on paper, two couplets written diagonally in nasta'liq script in black ink, laid down on a 19th Century album page with gold-decorated coloured inner borders, one with panels of small nasta'liq script, rectangular panel above text containing a naturalistic depiction of a bird amidst flowers and foliage, wide outer borders with stylised floral motifs in gold on a light pink ground text panel 145 x 70 mm.; album page 455 x 310 mm.Footnotes:ProvenancePrivate collection, London. The quatrain in the centre is attributed to Ibn Sina (Avicenna) by Shaykh Baha'i in his Kashkul (but is otherwise unidentified). In the inner borders are the opening couplets from Sa'di's Bustan. Abu'l-Hasan Mirza (d. 1334/1915-16) is likely to be a son of Muhammad Taqi Hisam al-Saltanah and a grandson of Fath 'Ali Shah Qajar.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Two woven silk fragments Middle East, 11th/ 12th Centuryeach of irregular form, woven in blue and polychrome silks with a repeat design of baluster-like motifs, the borders with a band of panels filled with abstract vegetal motifs, above bands of circle motifs, one with a band of inscriptions in kufic the larger 58.5 cm. max.(2)Footnotes:Inscriptions: repeat of al-mulk in both positive and negative.Two fragments attributed to the 11th or 12th Century woven in similar colours and bearing the inscription al-mulk li'-llah , 'kingdom is God's', are in the David Collection, Copenhagen (25/1992). Possible places of manufacture, in light of the kufic inscriptions, are thought to be Persia, Iraq, Syria or Egypt.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A large illuminated album page with verses from Sa'di's Bustan, written in nasta'liq script Persia, late 16th CenturyPersian manuscript on paper, recto text written diagonally in couplets in nasta'liq script on cream paper decorated with lattice work in gold, central column with further text written in small nasta'liq script, outer border with floral motifs in gold on a blue ground; verso, text written horizontally and diagonally in nasta'liq script within separate panels on cream paper decorated with floral motifs in gold, inner margins ruled in colours and gold, outer border with floral motifs in gold on a light pink ground text area 243 x 135 mm.; album page 295 x 185 mm. (visible); 360 x 240 mm. (total size)Footnotes:ProvenanceAdrienne Minassian, New York, 1955.Stuart Cary Welch (1928-2008).Sotheby's, The Stuart Cary Welch Collection, Part I: Arts of the Islamic World, 6th April 2011, lot 43.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
A Tartar warrior, holding a musical instrument, a spear and a bottle Persia, 18th-19th Centurypen and ink with use of gold on paper, laid down within the illuminated borders of a large album page, 19th Century, above the drawing a rectangular panel containing a bird perched amidst flowering branches, inner border with stylised floral motifs in gold on a brown ground, wide outer borders with naturalistic flowers and birds in gold on a light pink ground drawing 207 x 115 mm.; album page 455 x 295 mm.Footnotes:ProvenancePrivate collection, London.For the same figure (this time facing left), see Sotheby's, Fine Oriental Manuscripts and Miniatures, 20th November 1986, lot 187 (illustrated, dated probably to the 18th Century).This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
An angel dispensing justice to other winged figures and a div Oudh, Lucknow or Murshidabad, late 18th Century-19th Centurygouache and gold on paper, laid down on an album page with a light pink border and margins ruled in colours and gold; verso, a leaf from a manuscript of Persian poetry copied in fine nasta'liq script, Persia, 17th Century, Persian manuscript on paper, two columns of text written in black ink, heading written in red, intercolumnar and inner margins ruled in gold, red inner border, wide blue outer album page borders painting 233 x 150 mm.; manuscript leaf 122 x 55 mm.; album page 347 x 258 mm.Footnotes:ProvenanceSir Charles Forbes of Newe and Edinglassie, 1st Baronet (1774–1849): probably acquired during his time in Bombay, or by one of his family.In the collection at Castle Newe, Scotland, by the early/mid 19th Century, the Baronial seat of the Forbes, amongst an extensive collection of Indian art, antiques, weapons and armour.Sir John Stewart Forbes, 6th Baronet, (1901-1984), the vendor's great-great uncle, who sold the Forbes collection of Indian paintings at Sotheby's in the 1960s (date unknown).Mr J P Foster OBE, Emeritus Surveyor of the Fabric of Westminster Abbey, the vendor's grandfather, who bought the painting back from the Sotheby's sale (and whose mother was Sir Charles Forbes, the 5th Baronet's daughter Evelyn Marjorie Forbes).Thence to the seller's mother, who presented the painting to him in 2010.John Forbes (1743-1821) known as 'Bombay Jock', made a fortune in India from trading, shipping, and banking with his firm Forbes & Company, Ltd., after serving in the East India Company for three years from the age of 21. In 1796, he returned to Britain and bought the estates of Newe. The company had, amongst other things, been appointed banker to the Government of Bombay. His nephew, Charles Forbes, the 1st Baronet, also went to India and joined the company, returning in 1810The subject of the painting is not clear: one possibility is the wisdom of King Solomon (Suleyman), who is often shown with attendant figures, sometimes winged, as well as divs (though the other beasts who normally surround him are absent here. Solomon himself is not usually winged, but on the other hand is usually bearded. Alternatively, in some respects it comprises elements of Shahnama illustrations of the court of Gayumarth, in which the first of the Persian kings sits elevated on a throne-like rock, dispensing wisdom, often with an assortment of human courtiers and divs or demons, as seen here (see for example a Mughal or Deccani depiction of the subject, dated circa 1600-10, Christie's, Islamic Art and Manuscripts, 14th October 2003, lot 148; subsequently with Francesca Galloway, Indian Miniatures, 2005, pp. 14-15, no. 5). However, the elevated figure in our painting has both wings, and is beardless and perhaps female; in addition, Gayumarth is usually shown seated on a tiger skin.The calligraphy on the reverse is from a manuscript of poetry with the unidentified text in mathnavi form. The passage relates to the reply of the beloved to the lover, with the heading in red reading, 'The reply from the lips of the beloved'.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
A PAIR OF GREY SUEDE COVERED BEDSIDE TRUNKS BY GUINEVEREEach with glass inset tops above two drawers, strap handles and silver coloured metal mounts 69.5cm high, 51.5cm wide, 52cm deepCondition Report: Modern decorative. In good condition. Some light markings to the suede.Please see additional images for visual references to condition which form part of this condition report.Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY).The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). Condition Report Disclaimer
A GOOD PAIR OF NEOCLASSICAL SIX LIGHT GLASS AND GILT BRONZE FLOOR STANDING CANDELABRA CIRCA 1900, POSSIBLY BY CALDWELL NEW YORK The twisted arms and crystal drops supported by fine gilt bronze mounts, with an ebonised column and white marble base with gilt bronze paw feet, UK wiring 215cm high overall, bases 45cm across the paws Provenance: From the private collection of Nancy Audesse, New England Condition Report: mild signs of repair/minor damage as per age and use. One glass branch with metal sleeve repair, several replaced. both bases with edge chips or knocks and with collar below knop restored. The pole stems are ebonised wood- and may be later replacements. Some rubbing to gilding- some wear and small edge wear/loss to glass sections- both finial tops, lotus cupped sleeve to one- UK electrical wiring Please see additional images for visual references to condition which form part of this condition report.Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
A LARGE TENT FORM BEADED GLASS AND GILT AND CHASED BRONZE 18 LIGHT CHANDELIER FRENCH, CIRCA 1880 the six lights alternating with glass spires and a central beaded column, with internal lily shaped supports for nine further lights inside in two tiers- and three further lights to the corona154cm high Condition Report: PLEASE NOTE THIS IS AN 18 light CHANDELIER- 6 external lights to main frame, with internal lily shaped supports for 9 further inside in two tiers- and three further to the coronaWired for UK electricity- sympathetically and unobtrusively- some repairs and replacements to drops (the terminal drop probably replaced) and very minor typical small damages to glass- several drops missing. The gilded surface with some wear, minor rubbing and probably with some restoration. Generally in good presentable condition ready for domestic use Please see additional images for visual references to condition which form part of this condition report. Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
AN ITALIAN BEADED GLASS AND GILTWOOD TEN LIGHT CHANDELIER CIRCA 1930 With gilt Tole leaves to the stem 97cm high, 84cm diameter Condition Report: Wired for UK electricity- sympathetically and unobtrusively- some repairs and replacements to drops and very minor typical small damages to glass- several drops missing. The gilded surface with some wear, minor rubbing and probably with some restoration. Generally in good presentable condition ready for domestic use Please see additional images for visual references to condition which form part of this condition report. Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
AN ORNATE LOUIS XV STYLE ORMOLU ROCOCO TWELVE LIGHT CHANDELIER FRENCH, CIRCA 1900, IN THE MANNER OF CAFFIERI With all-over richly detailed foliate scrollwork , unwired 95cm high, 72cm diameter Condition Report: Some mild rubbing to surface consistent with age and use. Formerly wired. Nozzles retains some fitments.Some screws lacking. Drip pans are possibly later associated. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A SET OF SIX SINGLE LIGHT BRONZE BARONIAL STYLE WALL LIGHTS FRENCH, MID 20TH CENTURY Each with 'stick barometer' style backplate 66cm high, 19cm protuberance Condition Report: With varying levels of applied Verdigris decoration- some edge wear from use. The stems below sconces look to be white metal- ebonised- some are showing paint loss Please see additional images for visual references to condition which form part of this condition report. Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
A SET OF FOUR EN-GRISAILLE OIL PAINTINGS OF WINGED PUTTI EMBLEMATIC OF THE ARTS CIRCA 1830 IN THE MANNER OF PIAT JOSEPH SAUVAGE Representative of Painting, Sculpture, Music and Literature, in cream and dark ochre frames canvasses approximately 60 by 100cm, frames 69 by 109.5cmPiat Joseph Sauvage (Flemish, 1744-1818) was a painter and sculptor from the Southern Netherlands. Trained under Martin Joseph Geeraerts, an expert in grisaille and history paintings, he went on to forge a career producing highly decorative paintings of interiors, grisailles and miniatures using trompe l'oeil effects and was a court painter to the governor of the Southern Netherlands, the Prince de Condé and Louis XVI. A comparable set of overdoors painted en grisaille with amorini/putti at play and attributed to Sauvage are held in The Metropolitan Museum (Gift of J. Pierpont Morgan, 1906 Accession Number: 07.225.315b) Condition Report: later frames, relined, cleaned lightly- sympathetic restoration and retouching to areas of loss mainly only visible under very strong light or UV. Some retouching visible under raking light- shows slightly matt surface. We've tried to show main examples of this on attached images- currently hanging and photograph of reverse not possiblePlease see additional images for visual references to condition which form part of this condition report.Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
AN UNUSUAL BALTIC OR FRENCH EMPIRE STYLE GILT BRONZE AND BURR WALNUT SIX LIGHT CHANDELIER CIRCA 1900 The scrolling arms around central urn shaped centre, richly decorated chains and mounts, unwired 103cm high, 68cm diameter Condition Report: Surface of wood element likely has been cleaned at some point. Overall the chandelier is in good condition.Unwired. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A LARGE EMPIRE GILT AND TOLE PEINTE TENT FORM TEN LIGHT CHANDELIER FRENCH, CIRCA 1810 With crystal drops and the stiff leaf coronet, unwired approximately 140cm high, 100cm diameter Condition Report: Wired for UK electricity- sympathetically and unobtrusively- some repairs and minor replacements to drops and very minor typical small damages to glass. The painted surface with some wear, minor rubbing and probably with some restoration. Generally in good presentable condition ready for domestic use Please see additional images for visual references to condition which form part of this condition report. Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
A VICTORIAN SILVER PLATE NOVELTY CRUETGOTSCHER & CO BIRMINGHAM, DESIGN REGISTERED 1886 In the form of a peaked capContaining a salt, pepper, mustard, and an oil bottle 14cm diameterCondition Report: Stands wellSome very minor nibbling to the glass facets Light scratches and wear commensurate with age and useCondition Report Disclaimer
A LARGE AND ORNATE IRON, BRASS AND PAINTED WOOD LANTERN BELGIUM, CIRCA 1900 The moulded wood top and base decorated red above spiral twist angles around two branch light fitting, unwired 200cm high overall, 65cm wide, 40cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe metal with patina, some spotting and pitting, some dirt and discolourationAlmost certainly this has been glazed at some point, there are screw-hole elements where this has secured glass panels - these have never been present and if wished new glass would need to be sourced and secured by the purchaserAs catalogued this is not wired, if wished it would need to be wired by a professional electrician at time of installation Please see additional images for visual reference to condition Condition Report Disclaimer
An impressive set of twelve Victorian farmhouse kitchen chromolithography poultry related framed book plates from Wright (Lewis). The Illustrated Book of Poultry, London: Cassell Petter and Galpin, circa 1875, each with matching scumbled light oak frames, bold sage border with gilded details, each measures 41cm x 35cm
Harlequin set of six Royal Worcester fruit painted cups and saucers, various artists including Austin, Rushton, Hale, saucers diameter 9.5cm.Qty: 12Condition report:One Rushton signed saucer - two hairlines from the rim evident to both upper and underside.One Harper signed saucer - a faint scratch across one of the cherries to the right of the central well.Townsend cup - scratch to the bottom of the bowl, approximately 1.5cm.Austin saucer with pears - crazing to underside and upper side - some lines may be considered hairlines.Austin saucer with apples - a small scratch just below the apple, approximately 2mm.All other items with varying moderate degrees of crazing and light surface wear.All pieces are signed. Harlequin means the set is not all by the same artist nor bearing the same date ciphers, they are a mixed set of cups and saucers by differing hands and dates.
Late 18th/ early 19th century glass hipflask in stitched-leather case, the glass bottle with original cork stopper with silver-plated finial, 17.5cm high.Condition report:The leather is in good condition, a nice rich patina, no evident issues, just some light marks to the cover section. The glass is free from damage, and is seemingly stuck into the base section of the leather holder. It retains a cork stopper which fits well, the cork is perishing a little but it appears stable at present.
After John Maggs,pair of coaching scenes,watercolours,41x66.5cm,framed and glazed.Qty: 2Condition report:One very dark and the other faded light, foxing and spotting to both, perhaps evidence of old restoration.An additional image of the pictures showing mounts and frames has been uploaded to the lot page on our website for you to view.
French gilt metal five light candelabra, decorated with naturalistic fruiting vines, an ear of corn, and a flowering lily on scrolled branches, with leaf-shaped drip pans and a foliate central base, 42cm.Condition report:Height - 42cm. Width - 28cm. The top sconce appears to be at a slight angle compared to the others. The item was converted for use with electricity at some point as the sconces have been drilled and there is a grounding cable connector to the back of the base. Please see additional uploaded images.
Victorian walnut chest of drawers, the top with moulded edge, two short and two long graduating drawers, plinth base, width 108cm, depth 52cm, height 82cm.Condition report:The lower drawer has splits to the right hand panel of the lining, but it appears stable enough to use. That particular drawer doesn't open very smoothly. The middle drawer is clearly lacking any pulls/ handles so proves difficult to open with them but it does slide open/ close quite freely. The two short drawers and middle drawer lining are structurally ok, some light staining to the interior. Some veneer loss to the middle drawer. Colour variation on the middle drawer to the rest of the chest. Old marks, scuffs and notches through use.

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534297 Los(e)/Seite