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534297 Los(e)/Seite
Los 16
An early 19th century gold overlaid flintlock pistol, by Beckwith, London, the barrel overlaid with gold scrolling foliage and flowers, lock signed Beckwith, London, steel trigger guard engraved with scrolls, the stock with crested gold plaque, 47cm***CONDITION REPORT***Looks to be in very good condition the woodwork all in a fair state of polish and a good rich colour, one or two light surface scratches. The barrel in very good order with no faults noted, lock with slight oxidisation, signed in uppercase. cocks to one position, gold plaque to the butt with crest and later? Greek inscription ‘J.WANNHE, OPAANAOE’PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 170
A Chinese Longquan celadon barbed rim dish, Yuan-early Ming dynasty, 14th/15th century, the centre moulded with a lotus flower, within a foliate carved cavetto and barbed rim, fluting to the underside and burnt orange ring to base, some etching to the glaze possibly from a shipwreck,Provenance- collected by the vendor’s grandfather while working and travelling in South East Asia in the 1930s - 1960s. 22.5cm diameter***CONDITION REPORT***Typical glaze imperfections including some on glazed spurs to the interior of the dish, some crazing to the glaze on the underside of the barbed rim, some light scratching to the interior. Evidence of some etching to the glaze indicating the piece probably come from a shipwreck. Otherwise in good condition with no restoration, chips or cracks detected..PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 171
A Chinese late Ming blue and white ‘bird and lotus’ kendi, painted with wading birds amid lotus and water ripples in a pond, the neck with leaf lappets, mark to base ‘Da Ming Nian Zao’ (Made in the Ming dynasty),Provenance- collected by the vendor’s grandfather while working and travelling in South East Asia in the 1930s - 1960s. 16.5 cm high, areas of restoration***CONDITION REPORT***Old professional restoration around circumference of cylindrical neck, which has discoloured over the years; similar restoration to an area of the spout; minor chip to tip of spout; numerous light surface scratches throughout.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 172
A Chinese late Ming blue and white ewer, made for the Islamic market, Jiajing to Wanli period, painted with floral medallions and bands of foliage, the long scrolled spout with later mount and strut, later silver handle, mark to base ‘Da Ming Nian Zao’ (Made in the Great Ming dynasty),Provenance- collected by the vendor’s grandfather while working and travelling in South East Asia in the 1930s - 1960s. 21cm high, damage and later Islamic silver mounts***CONDITION REPORT***As catalogued, metal mounts later replacing the handle and strut, the handle joints crudely applied; a dark crack at shoulder, approx. 3cm, as shown; hairline crack around lower joint of spout; light surface scratches throughout and brown dis-colouration.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 2
A George V silver mounted photograph frame, Charles Henry Dumenil, London, 1924, containing a reprinted twin photograph of Louis and Edwina Mountbatten, bearing facsimile signatures and dated 1929, width 28.5cm height 23.5cm***CONDITION REPORT***Silver has oxidised and requires polishing, twin photograph slightly faded down to a light buff tone, green leather backing a little rubbed and worn.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 233
A late 19th century French engraved gilt brass gorge-cased repeating carriage clock with alarm, with scroll engraved case and enamelled Roman dial, unsigned movement number 5235, width 7.5cm depth 6.5cm height 11.5cm***CONDITION REPORT***Honest untouched condition, case has a good rich colour to the gilding with just a little light rubbing at the extremities and a few small scattered oxidisation marks, some light black sparkling to the dial which otherwise looks good, bevelled glazing all good, backplate instructions inscribed in English with just a number and no makers mark, movement runs but stops, repeat mechanism appears to be our repeating but is out of sync, comes with associated key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 241
A 19th century French Louis XVI style bronze and ormolu mantel clock, surmounted with figures of Apollo and Diana flanking the dial, silk suspension movement signed Nemon a Paris, width 42cm height 60cm***CONDITION REPORT***Looks to be an honest untouched condition, patination on the bronze is a dark chocolate colour with some light rubbing at the extremities, black numerals to the dial are rubbed and hands are bent out of shape, some oxidisation spotting to the gilding of the case and some rubbing around the feet, hinge to backdoor is at 7 o’clock but it does shot, movement has a plate just running over the beginning of the makers name, no pendulum or key, looks to be complete but not tested for timekeepingPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 243
John Walker, South Milton St, London. An Edwardian oak cased drop dial wall timepiece with British Rail South inscription, the dial with Roman and read Arabic hours and initialled B.R.(S), single fusee a movement with rectangular backplate, width 37cm height 46cmThis clock was originally working at Edenbridge train station signal box, the clock is number 351, Suffix letter SE, type single dial, dial size 12" inch, original owning company SER, it is of the now rarer type 24 hour format as most are in 12 hour format. ***CONDITION REPORT***Looks to be in good restored condition, the case of a light reddish oak tone, the dial has signs of old dirt and paint splashes but will require inspection to ascertain originality, a small printed lion and wheel motif just above the centre which is lightly scratched through, small brass plaque inside the side door number 351 movement looks in good order comes with matching numbered brass pendulum and an associated winding keyPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 25
A late 19th century Swiss gilt metal mounted phenolic singing bird box, the lid decorated in relief with cherubs releasing a caged bird, front button operating the feathered singing bird automaton, with key, 10 x 7cm, 3cm high***CONDITION REPORT***Overall of a dull brownish tone, probably faded down from black with a little light surface scuffing, looks to be in full working order, gilding on the front button is a little rubbed, comes with what looks to be an original bird key although this does not fit within the back compartment.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 252
An important 18th century Lombardy ebony banded walnut and ivory inlaid twin pedestal desk, the top and sides inlaid with a scenes from Homer’s Iliad, after original drawings by John Flaxman RA (1755-1826), within moulded shaped ebony cartouches, fitted with three frieze drawers over hinged cupboards, inlaid with allegories representing Hope and Faith, on later castors.UK APHA Registration of an ivory item Submission reference: D99UXPKP width 118cm depth 61cm height 82.4cm LOT ESSAY BY DR. ARABELLA CIFANIThe scene is taken from a drawing that the English sculptor and draftsman, John Flaxman(1755–1826), made to illustrate the passages of Homer's Iliad, a commission proposed to him in 1791 by Georgiana Hare-Naylor while he was living in Rome. Here is represented a rare episode, with Polydamas, a character from Greek mythology soothsayer, adviser and valiant warrior, friend and lieutenant of Hector, who fought in the Trojan War and who, in the twelfth book of the Iliad, advises Hector not to cross a dangerous moat that was part of the defence at the Achaean port and also advises Hector not to continue the siege. Hector will not listen to him and will face death at the hands of Achilles (Homer Iliad 12.60).‘’Then verily Polydamus drew nigh to Hector, and spake, saying: “Hector, and ye other leaders of the Trojans and allies, it is but folly that we seek to drive across the trench our swift horses; hard in sooth is it to cross, for sharp stakes are set in it, and close anigh them is the wall of the Achaeans.’’ Homer - Iliad 12.60John Flaxman, sculptor and draftsman, a leading proponent of English neoclassicism, created 34 drawings for Homer's Iliad in Rome in 1793, which were engraved on copper for the first time in Rome by Tommaso Piroli in 1793 ("L'Iliade et the Odyssée d'Homère gravéepar Thomas Piroli d'après les desseins composés par John Flaxman. 94 gravures ", Francesco Romero publisher, Rome, 1793). The meeting Flaxman and Piroli was a happy union, sealed by a public success that also provoked real acts of editorial piracy. "The reprints followed one another in various original editions or copies of the branches in different European cities, attesting to the vast success achieved from Flaxman's inventions masterfully translated and propagated with the burin of Piroli. Two years later, the plates for "The Iliad" were republished in London. In 1805, publishers Longman, Hurst, Rees and Orme printed new editions of both series, including eleven extra illustrations commissioned from Flaxman (five for "The Iliad" and six for "The Odyssey").The style of the ivory inlay perfectly reflects the spirit of Flaxman's engraving, the figures in fact retain their taste for graffiti, which was an absolute novelty at the time. Flaxman avoided the background landscape, setting and detail, focusing on figures rendered with pure outlines. It has long been known that Flaxman drew on and synthesized a wide variety of visual sources in the development of his outline illustrations, combining classical figuration from "Etruscan" reliefs, sculptures, engravings and vases with forms derived from medieval and early Renaissance sources, life studies and observational sketches of daily Italian scenes and characters. Flaxman's style of illustration has been discussed and celebrated by a multitude of critics across Europe and has had a demonstrable influence on artists such as Ingres, Goya and Blake.The cabinet is also enriched with other ivory inlays, representing divinities and allegories, including the allegory of Hope and Faith.GORRINGE’S are grateful to Dr. Cifani, for her identification of John Flaxman’s designs, used in the ivory inlays on this desk.***CONDITION REPORT***Overall a little evenly faded to a light walnut tone with old dents, small losses and splits throughout commensurate with age, ivory inlay looks to be mostly complete but some small losses notably to the right side of the top, the doors to the drawers are fitted with English locks but no escutcheons suggesting the later addition of the veneers, cupboard doors have Italian locks but no key, lower front right corner is broken with the foot now come loose, minor dents and scuffing elsewhere around the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 254
A pair of 18th century Dutch mahogany and oak torchere stands, with piecrust tops and fluted baluster stems on scroll carved tripods with claw and ball feet, width of tops 24cm height 69cm***CONDITION REPORT***Both of a rich dark mahogany tone with light surface dirt and some blooming in the varnish. One top has a section of piecrust moulding broken away and a further section missing. Both tripods have mould and water staining, each has a reverse finialPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 258
A George III carved giltwood landscape wall mirror, of oval foliate scrolling cartouche shape with later oval plate, width 72cm height 59cm***CONDITION REPORT***Looks to have the original light golden gilt finish, the top section has been broken away at some point and is now reattached with the break still showing, otherwise minor chipping and flaking scattered throughout the frame, plate is old but not original.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 259
A George III brass bound mahogany cellaret, of octagonal form, with loop handles and lead lined five section interior, on stand with outswept moulded legs, fitted brass castors, width 39cm depth 38cm height 70cm***CONDITION REPORT***Overall of a good rich reddish brown mahogany tone and fair state of polish, some light surface scuffing and a little rubbing on the front left corner, brass banding a little oxidised but otherwise good, comes with original lock and working key, stand has seen reconstruction or replacement parts with one of the scroll angles being replaced and reinforcing screws and plate added to the top, minor dents and scuffing to the legs and feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 263
An early Victorian rosewood folio stand, with ratcheting mechanism adjusting to seven different positions, turned stretches and pad feet fitted brass castors, width 72cm height 112cm***CONDITION REPORT***Honest condition, a little faded at the very top and to one side. Some light scuffing and dirt marks to the frame, one round button missing from the end of the main central stretcher, scuffing around the feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 266
A Victorian style brass club fender, with buttoned brown leather seats and foliate motifs to the columns, width 190cm depth 66cm height 53cm***CONDITION REPORT***Some small paint splash marks to the top and some light scuffing to the leather, brass on the frame is oxidised to a dull finish with some light scuffing but essentially this is in good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 268
A 19th century French red boulle semanier/escritoire, with serpentine front and ormolu mounts, fitted seven drawers, width 66cm depth 37cm height 122cm***CONDITION REPORT***Overall fair condition but for some brass inlay springing out from the bottom drawer. Ebonised top has some scratching, scuffing and ring marks, plain interior with original lock but no key, some light scratching running down the left side, some scuffing to the sides and base, right side has lost a strip of brass at the top, left side has the brass springing out at the bottomPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 269
A Victorian giltwood and gesso overmantel mirror, of oval form with ribbon and flowers crest, beaded border and lower marginal plates flanked by putti, width 176cm height 122cm***CONDITION REPORT***Looks to have the original light gilt finish. Old cracks and breaks running through various places of the gesso most notably near the crest and at the base, several sections of ribbon twist moulding missing from around the plate, other small scattered losses elsewhere most notably the tip of the right side flower crest. Putto on the right has lost an arm. Glass plates probably originalPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 27
A 19th century Russian icon of St. George with silver oklad, dated 181?, extensively inscribed around the edges with the date 1871, with loose enamelled title plaque, 29 x 24cm***CONDITION REPORT***Some light rubbing to the oklad, the edges slightly bent out of shape but overall fair to good condition, title plaque is loose, not framedPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 270
A 19th century French ormolu mounted figured walnut pier cabinet, with single glazed door and plinth foot, width 90cm depth 40cm height 114cm***CONDITION REPORT***Overall of an even mid to light walnut tone, some old spots of damage to the veneer at the top along with fading around a central darker middle, ormolu mounts all present but a little oxidised, door has original lock and a working key, internally lined in old pale green velvet with original shelves, minor scuffing to the basePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 271
Francois Linke. A Louis XVI style gilt bronze mounted mahogany bureau plat, Linke Index number: 118 Linke title: 'Table Louis XVI, bois d'acajou bronze dorés.'with tooled gilt green skiver, acanthus leaf border, vineous scroll frieze enhanced with Bacchic masks, goats and squirrels and central drawer, on squared tapered legs with vine motif mounts and foliate toupie feet, width 129cm depth 66cm height 74cm***CONDITION REPORT***Overall looks to be in good honest condition, the skiver has extensive scuffing scratching and patches of damage with areas of the gilding now missing. Some light surface scratching in the wooden edges of the top which is a little lighter in colour than the underframe. Ormolu mounts with an attractive slightly matted finish and all look to be in good order but for some oxidisation to the lower legs and feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 284
A Philippe Starck Caadre wall mirror, of square form, signed lower right, 105 x 105cm***CONDITION REPORT***Needs a light clean otherwise good orderPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 285
A Philippe Starck gilt metal kalashnikov table lamp, with gothic inscription happiness is a hot gun to the base and original black shades, height overall 93cm***CONDITION REPORT***Light oxidisation to the upper surface of the base otherwise good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 288
A Philippe Starck gilt metal Kalashnikov table lamp, with gothic inscription happiness is a hot gun to the base, height overall 93cm***CONDITION REPORT***Light oxidisation to the upper surface of the base and a few nicks to the edge of the shade otherwise good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 29
An 18th century German boxwood figure of St Sebastian bound to a tree trunk, height 22cm***CONDITION REPORT***Fingertips to his right hand are broken away and missing, otherwise looks to be in very good condition but for light traces of glue around the base.Provenance - Ken Paul who collected Asian and European antiques from the 1950s to 1980s for hire as props in movies and television, thence by family descent.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 296
Manner of Melchior d'Hondecoeter (Dutch, c.1636-1695) A cockerel, chickens and chicks in a farmyardoil on canvas70 x 86cm***CONDITION REPORT***Oil on canvas relined many years ago, canvas remains tight, paint looks a little dirty, apparently unsigned, some light scuffing near the top margin and some small white paint splashes, period giltwood frame now rather tatty, Christie's stencil number KP663 on the stretcher along with a green sale label and further auctioneers chalk marks.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 30
Two pairs of Robert Thompson Mouseman Thompson oak bookends, each carved with a mouse, width 9.5cm depth 9.5cm height 15cm***CONDITION REPORT***Of an even light to mid brown tone and slightly dull state of polish, one with a few splash marks otherwise condition looks good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 310
Follower of John Linnell (British, 1792-1882) 'Returning Home'oil on canvassigned and dated 186030 x 40cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, probably needs a light clean, housed in the original gold and painted frame, no labels but the title is inscribed on the stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 313
Mid 19th century English School Portrait of two children seated with their King Charles Spanielsoil on canvas91 x 74cm***CONDITION REPORT***Oil on original canvas which is slightly saggy and showing stretcher marks around the edges, some light but stable craquelure throughout the work, not signed, a little light rubbing near the lower right corner and down the right side, housed in what looks to be the original stained wood frame, one small patched repair above the girl in blue dress.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 315
Henry Campotosto (Belgian, 1833-1910) Young girls in summer and winterpair of oils on wooden panelssigned38 x 26cm***CONDITION REPORT***Both oils on original mahogany panels in good untouched condition, may require a light clean but no further faults noted, under glass and housed in the original heavy gilt gesso frames which are starting to separate at the joints but otherwise in fair condition but for a few chips to the corners, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 317
Julius Olsson RA, RBA, PROI, RWA, NEAC (British 1864-1942) 'Sunset off the Cornish coast'oil on canvassigned with label remnant verso60 x 74cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, may need a light clean but no real faults noted, housed in the original gilt frame which is a little split and rubbed at the corners, original label verso from Charles Nicholls & Son verso which is now rather tatty, further old paper label on the lower stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 319
Lord Frederic Leighton, P.R.A. (British, 1830-1896) Studies for Romolapencil and white chalk on light grey papersold together with Eliot, G. Romola, 1880, numbered 527 from the edition of 1000 (2 vols)24 x 40.5cm Provenance: Ex Handley-Read Collection, Fine Art Society Catalogue 69 (as Shannon)***CONDITION REPORT***Good clean condition, perhaps the slightest hint of acid staining around the mount and one or two tiny fox marks, oldish washline mount and glazed gilt frame, auctioneers chalk verso for a sale 17 7 89 Lot 135Provenance: Ex Handley-Read Collection, Fine Art Society Catalogue 69 (as Shannon). Illustrations for George Eliot's Romola (title page and p56 of the 1880 edition, 2 vols). Purchased from Abbot & Holder.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 321
Lord Frederic Leighton, P.R.A. (British, 1830-1896) Study for the Wise and Foolish Angels, Lyndhurst Church, drapery for figure lower rightblack and white chalk on light grey paperRoyal Academy Exhibition label verso25 x 42cm***CONDITION REPORT***Image remains strong but the ground paper has some discolouration from damp together with fox marks and other spotting, oldish card mount and slim gilt frame. Royal Academy Winter 1897 Exhibition label verso wear near illegible inscription, further label from Maas & Co, together with a print of the finished work for which this is a study and a typed label giving further details of the work completed in 1864 ex. Collection Hamilton Aidé close friend of the artist, furthermore it says See Life Letters and Work of Frederic Leighton, Mrs Russell Barrington 1906, vol.2 107-14,.Provenance: Ex collection Hamilton Aide. Exhibited RA, Winter 1897. Purchased from Abbot & HolderPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 324
James Baker Pyne (1800-1870) and Thomas Sidney Cooper CVO RA (1803-1902) 'Tullina Mill at Penmacho, North Wales'oil on canvassigned, JB Pyne and dated (18)4054.5 x 72cm***CONDITION REPORT***Oil on original canvas which remains in good tight condition but would benefit from a light clean, signed and dated lower left, housed in the original gilt gesso frame which has a few old cracks and minor losses, inscribed verso with the title.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 329
Oliver Clare (British, 1853-1927) Still life of grapes, white currants, raspberries and plumsoil on canvassigned30 x 22cm***CONDITION REPORT***Oil on canvas relined some years ago, canvas remains tight, paint might need a light clean but no real faults noted, housed in a later gilt scroll frame which is in good order but has its inner velvet liner lifting away, label verso for N.R. Omell of Duke Street.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 334
Circle of Henri de Toulouse-Lautrec (French, 1864-1901) Gentleman wearing a top hatblack chalk21.5 x 15 cm.***CONDITION REPORT***Black chalk on light buff toned paper which is evenly discoloured. A little dirty with scattered fox marks. Later washline mount and glazed gilt frame. Christie's stencil number ERS24 versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 335
Lewis Baumer (British, 1870-1963) Portrait of the ballet dancer, Elizabeth Caterina Geltzer, London 1910conté crayon and chalk on light grey papersigned, label verso30 x 25cm***CONDITION REPORT***Good clean condition, some black dirt marking on the glass near the top right corner but not the work itself, washline mount and slim glazed gilt frame with labels for Cromer Antique Gallery and the Leigh Underhill Gallery.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 339
James Ferrier Pryde (Scottish, 1866-1941) 'The Bed'gouache on papersigned14 x 10cm Provenance: Ex Peter Nahum Gallery***CONDITION REPORT***Gouache on paper showing some light crease marks and a little even discolouration of the unpainted paper, looks to be laid down onto a paper backing, signed lower right, under glass in a later gilt frame, labels verso for the Redfern Gallery dated July 10th 1946 and Peter Nahum.Provenance: Exhibited Peter Nahum "British Art from the 20th Century - 7th Exhibition, No. 2. Provenance The Redfern Gallery, London: Mrs Llewellyn Morgan, 1946. Purchased from Peter Nahum GalleryPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 343
Margaret Fisher Prout (1875-1963) Portrait of Ursula Moreton OBE FRAD, picnickers in a landscape versooil on boardsigned50 x 37cm***CONDITION REPORT***Oil on board in slightly neglected condition, looks to be some damage running down the length of her neck which has been retouched, further light scratching running vertically to the left, signed lower left, housed in a period gesso frame which has numerous small losses, a sketch verso with paint and dirt specking and some scratchingPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 344
Eduard Ameseder (Austrian, 1856-1938) 'Steirischer Bauernhof c.1913'oil on canvassigned44 x 58cm***CONDITION REPORT***Oil on original canvas in honest clean condition, some light painted flaking of the paint just above 6 o'clock and slightly to the left of that, otherwise good, plain painted frame, small patched hole just above and to the left of the signature.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 346
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Farm in a landscapeoil on wooden panelsigned lower right, with Cooling Galleries label verso30 x 40cm***CONDITION REPORT***Oil on panel in good condition, possibly needs a light clean, signature slightly erased on the lower right side with for some reason a small brown unpainted section showing in that lower right corner. Cooling Galleries Exhibition label verso along with oval stamp JHRPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 347
§ § Henry Lamb R.A. (British, 1883-1960) Geraniums and Antirrhinumsoil on boardsigned, 1929 Leicester Galleries Exhibition label, a sketch of figures taking tea verso43 x 32cm***CONDITION REPORT***Slight outward bulge to the board, paint a little dirty and a light diagonal scuff mark running across the work through the main body of the vase, housed in a gold overpainted rather tatty wooden frame, sketch of figures at tea verso along with exhibition label.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 348
Roger Fry N.E.A.C. (British, 1866-1934) 'The Downs near Guildford'oil on wooden panelsigned40 x 52cm***CONDITION REPORT***Oil on a fairly rough plywood panel in untouched condition, will need a light clean, signed lower left, slightly slipped in the frame towards the right, plain pine frame, oval stamp JHR verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 352
§ § Bertram Nicholls (British, 1883-1974) 'The Palace of the Seven Ah's'watercolour on papersigned and dated 193637 x 55cm***CONDITION REPORT***Overall looks to be in good untouched condition, probably some slight fading but colours still fair, some light dirt marks but nothing of note, signature lower right a little hard to read, old washline mount and glazed oak frame with a letter from the artist relating to the work retained verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 355
Walter Ernest Spradbery (British, 1889-1969) 'Boxhill by Motor Bus'original gouache for London Transport postersigned49 x 45cm***CONDITION REPORT***Looks to be mostly gouache but possibly also some oil across the bottom on a thick card backing, colours remain mostly strong but the colours in the sky have perhaps discoloured a little and there is some fine but stable craquelure running through the main body of the road, otherwise some light scattered dirt marks, under glass in an old period oak frame, hand inscribed label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 363
§ § Oliver Messel (British, 1904-1978) Portrait of a black man in military uniformoil on boardProvenance: ex collection Thomas Baptise who was good friends with Oliver and Thomas Messel. He was godfather to Linley Lewis, Thomas Messel's nephew.53 x 39cm***CONDITION REPORT***Oil thinly painted onto hardboard base, now rather dirty with various dents and scuffs throughout, notably some dents near the top left and right corners, some light surface scratches through above the forehead and near the ear and elsewhere and some slight rubs into the paint running across the lower margin, housed in a gilt frame with the artist obituary verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 375
§ § Cecil Rochfort D'Oyly-John (British, 1906-1993) 'Near the Flower Market, Cannes, S of France'oil on canvassigned25 x 35cm***CONDITION REPORT***Oil on canvas in good original condition, possibly needs a light clean as there are a few dirt specks, signature a little weak in the lower right corner, original cloth and gilt frame with artist label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 381
§ § Cecil Rochfort D'Oyly-John (British, 1906-1993) 'Off the Grand Canal, near Place Masco, Venice, Italy'oil on canvassigned60 x 49cm***CONDITION REPORT***An unusual size and composition for the artist, oil on original canvas, in untouched condition, might benefit from a light clean, inscribed verso by the artist. In original canvas covered frame. Comes for sale with a receipt from Gallery Laraine of Eastbourne dated 1987.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 391
Konstantin Razumov (Russian, b.1974) Classical beauties reading booksoil on canvassigned and inscribed verso56 x 73cm***CONDITION REPORT***Good original condition possibly needs a light clean but no faults noted, apparently unsigned to the front but fully signed and inscribed verso, in a modern giltwood frame with details of the artist and a letter from Mulgrave Galleries.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 401
§ § James Beattie Michie (1891-1960) Mediterranean viewed from a balconyoil on boardsigned51 x 60cm***CONDITION REPORT***Oil on board in honest untouched condition, very slight outward bowing of the paint, possibly a tiny dent and retouch dead centre in the rails of the balcony, would benefit from a light clean, looks to have the original silvered wood frame, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 404
§ § Marcel Dyf (French, 1899-1985) 'Le Potager au Ruault'oil on canvassigned60 x 73cm***CONDITION REPORT***Oil on original canvas in good untouched condition, canvas remains tight, paint possibly in need of a very light clean but no real faults noted, hosued in the original gilt cream scroll frame with Stacy Marks label verso dated 1977.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 405
Kenneth Bone (British, 20th C.) 'The Intruder'oil on canvassigned and dated '8676 x 102cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, would benefit from a light clean but no other faults noted, housed in its original gold frame with Exhibition number 6 and title on a label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 406
§ § Gwilym Prichard (Welsh, 1931-2015) 'Brittany - Summer'oil on canvassigned, with artist inscription versp44 x 53cm***CONDITION REPORT***Oil on original canvas which remains tight, a little light but stable craquelure in some of the paint, looks rather dirty and would benefit from a clean, housed in a painted wood frame with artist inscription verso and 'Place de l'Eglise, Rochefort en Terre, France'.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 411
James Lawrence Isherwood (British, 1917- 1989) 'Welsh nude'oil on canvassigned and dated ’77, inscribed verso with price 52gns45 x 35cm***CONDITION REPORT***Good untouched condition, may need a light clean, modern gold painted wood frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 420
James Lawrence Isherwood (British, 1917-1989) 'Miner Wigan'oil on boardsigned and titled verso44 x 34cm***CONDITION REPORT***Honest untouched condition, might benefit from a light clean, slim wooden frame, artist inscription verso with Dee Cees Framers labels.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 427
James Lawrence Isherwood (British, 1917- 1989) 'Light Miner'oil on boardsigned and titled verso, with price 41gns39 x 28cm***CONDITION REPORT***Good untouched condition, modern gilt frame with protective corners still in place.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 433
James Lawrence Isherwood (British, 1917- 1989) 'You are naughty but I like you / Thatcher Kissinger'oil on boardsigned, inscribed and dated '75 verso44 x 59cm***CONDITION REPORT***In honest untouched condition, one or two surface rubs including a light scratch running near the top left corner, later gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 438
Edward Brian Seago R.B.A, R.S.W.A (British, 1910-1974) Norfolk landscape with sail bargeink and watercolour on papersigned26 x 40cm***CONDITION REPORT***Possibly some slight discolouration to the ground paper where it is unpainted, a number of light fox marks showing scattered across the work notably top left corner and running down below it, a hint of acid staining showing around the mount, under glass in a washline mount and silvered wood frame, comes for sale from a deceased estate.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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