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Preisdatenbank abonnierenKing (Stephen) - Salem's Lot, first edition, , first issue with code Q37 present, signed by the author on half-title, original cloth-backed boards, second issue dust-jacket price-clipped and re-priced at $7.95 with úther Cody' to upper flap, very light fading to spine, minor subtle repairs to head and foot, in effect an excellent copy, 8vo, New York, 1975.
Le Carré (John) - The Spy Who Came in the From the Cold, first edition, original boards, dust-jacket, price-clipped, spine slightly faded, spine ends and corners a little chipped, light surface soiling to lower panel, upper panel a litle spotted, 1963; and a first edition of The Looking-Glass War, 8vo (2)
Moore (Nicholas) - The Glass Tower, first edition , plates and illustrations by Lucian Freud, some colour, light spotting to endpapers, original cloth-backed pictorial boards, dust-jacket, spine browned, spine ends and corners a little chipped, spotted, 1944; and 2 others, illustrated, 8vo (3)
Theroux (Paul) - Murder in Mount Holly, ex-library copy, with light stamps to front endpaper and title page verso, front endpaper with tears and adhesion marks, small tape marks to pastedowns and covers, jacket rubbed at head and foot, 1969; Waldo, light spotting to endpapers, jacket spine faded, 1968, first or first English editions, original boards, dust-jackets ; and 2 others by the same, 8vo (4)
Wodehouse (P. G.) - The Gold Bat, first edition, first issue , 8 plates, school stamp and prize dedication to front free endpaper, occasional light spotting, original pictorial cloth, spine ends bumped, small split to upper and lower hinges, spine and head of upper cover slightly faded, otherwise a good copy, [McIlvane A4a], 8vo, 1904.
Rackham (Arthur).- - The Vicar of Wakefield, first trade edition, 12 colour illustrations original cloth, slightly worn, inscription to half-title , 1929 § Some British Ballads, first trade edition, 16 colour illustrations, some with creases, original cloth spine slightly worn and faded, [1919], Wagner (Richard) The Rhinegold & the Valkyrie, & Siegfried & the Twilight of the Gods, 2 vol., numerous colour illustrations, original light grey/beige cloth, one lower corner bumped, 1920 & 1924 § Ingoldsby (Thomas) The Ingoldsby Legends, second and best edition , 24 mounted coloured and 12 mounted tinted illustrations, numerous black and white illustrations in text, original cloth, rubbed at extremities , 1907 § Khayyam (Omar) Rubaiyat, illustrations by Herbert Cole, original silk embroidered binding, worn and rubbed at edges, 1928
[Combe (William)] - The Second Tour of Doctor Syntax, in Search oif Consolation, first edition , 24 hand-coloured aquating plates after Thomas Rowlandson, light marking and offsetting, contemporary marbled calf, gilt border, rubbed, rebacked, R. Ackermann, 1820 § Fellowes (W.D.) A Visit to the Monastery of La Trappe, in 1817, third edition, hand-coloured aquatint frontispiece and 11 plates, 3 plain plates, spotting, bookplate of Anthony Titley, contemporary black straight-grain morocco, gilt, rubbed, g.e., 1820 § Butler (Samuel) Hudibras, a Poem, 2 vol., 12 hand-coloured aquatint plates, light marking and offsetting, contempoorary half calf, 1822 § Bunyan (John) The Pilgrim's Progress, defective at end, hand-coloured engraved frontispiece (loose) and 16 plates (? only), 1 folding, contemporary half calf, worn, joints broken, n.d., [c. 1850], 8vo (5)
Bosschère (Jean de) - The Closed Door, translated by F.S.Flint, number 4 of 50 copies on handmade paper with hand-coloured plates and initialled by the author , plates and illustrations by Bosschère, the plates hand-coloured by the artist, some light foxing, original parchment-backed cloth, t.e.g., others uncut, spine rubbed, 1917 § Lytell Geste (A) of Robyn Hode and His Meiny, number 174 of 280 copies following the Wynkyn de Worde and William Copland texts, printed in orange and black, hand-coloured illustrations by Valenti Angelo, original morocco-backed patterned-paper boards, uncut, spine a little faded, San Francisco, Grabhorn Press, 1932, 8vo (2)
Burgundy Red Garnet Large Cluster Pendant, 23 oval cut deep, rich red garnets, with flashes of purple and deep pink when viewed against light, totalling 25cts, set in a lozenge shape, in 14ct gold vermeil and silver, creating an impressive, large, three dimensional pendant; 1.75 inches high x 1.25 wide
Moorcroft 'Clematis' Pattern Powder Bowl, the cover decorated with three clematis flowers of pink, mixed darker pink and purple, with leaves, against a veridian to mint ground with a blue knop; the bowl, a typical Moorcroft deep blue to the exterior and a similar blue, merging into a band of veridian and thence to mint just below the blue rim, with no floral decoration; 6 inches in diameter x 2.25 high to rim; impressed script, Potter to H M The Queen and Made in England marks (restoration to bowl rim, firing faults throughout the bowl with pitting to the interior; upper surface of the cover, light crazing only, small firing cracked clay marks to underside; a good 'display' piece)
Phonograph: an early wax cylinder phonograph mechanism, of lacquered brass and iron or steel construction, with reproducer arm pivoted to the rear guide, incorporating a simple shaving device and angled for an audience in front of the machine, lever-operated rising straight-edge, coarse feedscrew friction driven from the mandrel shaft, governor in wrought iron frame and oak baseboard – 19 x 7½ in (no reproducer or motor, lacking centre bearing for mandrel shaft) There are several interesting differences from the standard Edison design which clearly inspired this phonograph; the long mandrel arm is rendered redundant by the use of a separate feedscrew, driven by friction and geared down from the mandrel shaft. The feed nut is adjustable, and can be disengaged independently of the carrier arm. The arm itself face to what would normally be the rear (i.e. away from the operator), and is set very high above the mandrel, with a recess for a reproducer with three projections to its circumference. The ingeniuos lift mechanism also operates what appears to be an electrical switch, although there is no sign of any electrical connection to it front the two terminals at one end of the board. The motor must have been separate, presumably connected by a conventional flat belt to the mandrel pulley, but with a separate cord drive to the governor. Overall condition is good, unrestored, with light surface corrosion to the ferrous parts and much of the lacquer missing from the brass.
Jimi Hendrix: Crosstown Traffic rare UK official MCA/Wrangler promotional-only, limited Wrangler light blue large denim jacket with purple Hendrix portrait print on the back with pink embroidered artist text, few were ever produced and each were individually numbered this one being number 379, overall in very good condition no rips or tears (in need of a clean)
PRS Electric Guitar: Paul Reed Smith SE Custom 22 El, right-hand model serial No. G00638, solid mahogany body in gloss grey/black, 25-inch neck with 22 frets and rosewood fret-board, 2-PRS designed pick-ups, 3-way pick-up selector, PRS chrome tuners, overall in very good condition with usual signs of light use, tremolo arm missing: sold with a semi-rigid padded Road-Runner soft gig bag.
MILITARY, odds, inc. Hill Naval Series (5), Lambert & Butler Admirals (Bainbridge, Adeane & Campion), Morris Boer War Celebrities PAM (Brabant), Phillips Territorial Series (No. 68), Mason Colonial Troops (Imperial Light Horse), Muratti Boer War Generals CLAM (Knox), Tetley War Portraits (No. 4), FR to VG, 13
Plated wares, comprising; a shaped circular salver, with a shell and scrolling rim, otherwise with foliate engraved decoration and raised on four pierced feet, a pair of Victorian table candlesticks, a three light table candelabra and a rectangular twin compartment tea caddy, raised on four legs.
GHP or GHL, mid-18th century English School, portrait miniature on ivory of a young girl wearing a blue dress with a pearl choker around her neck, numbered 9 on the reverse and with inscription, signed with initials GHP 1759, the image 2.8cm high, together with another mid 18th century English School portrait miniature on ivory of a lady, the sister of the above, wearing a light-coloured dress and a pearl choker around her neck, numbered 17 on the reverse, indistinctly signed, the image 2.7cm high (2).
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