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Los 220

Judge Anderson's (Oliva Thirlby) costume from Pete Travis' comic-book adaptation Dredd. The rookie Anderson wore her Judge uniform throughout the film, after being assigned to shadow the infamous Judge Dredd (Karl Urban). The costume consists of a black-and-red Judge helmet with an acrylic visor and foam lining; a black leather jacket with a metal zip and built-in green elbow pads; an armoured vest with Anderson's Judge badge affixed to the left breast (marked "Anderson 2"); a pair of shoulder pads featuring the Judge eagle emblem on the right pad; a pair of black leather gloves with rubber detailing and Velcro fasteners on the wrists (marked "Hero 2"); a leather belt carrying two faux grenades, four resin holstered Lawgiver pistol magazines, a leather medkit pouch and a rubber knife, all secured with a Judge emblem belt buckle; a resin Lawgiver pistol and holster, secured with nylon thigh straps; a pair of black leather trousers with zip fastenings and built-in rubber knee pads; and a pair of black leather motorcycle boots, altered with resin toe, heel and shin armour. The costume shows paint wear on the pistol and armoured components, including the helmet, shoulder pads and knee pads, and there is also light tarnishing of the leather throughout.Estimate: £15,000 - 20,000 Ω

Los 227

Galbatorix's (John Malkovich) hero sword from Stefen Fangmeier's fantasy film Eragon. King Galbatorix used his sword to slash a hanging map of AlagaÃÆ’«sia, which fell to reveal his black dragon, Shruikan.The sword comprises a blunted aluminum blade; an ornate faux-gold metal guard formed into the shape of a two-headed dragon; a dark wooden grip with incorporated gold-coloured banding; and a circular pommel decorated with a dragon emblem. The black textured leather scabbard features matching faux-gold detailing and decorative black leather thongs wrapped around the upper section. The weapon exhibits signs of production use, including minor scratches on the blade and light paint wear to the metal components, and the scabbard displays some signs of scuffing. Dimensions: 122 cm x 18 cm x 4 cm (48" x 7" x 1 1/2")Estimate: £4,000 - 6,000 †

Los 233

Ava's (Alicia Vikander) humanoid A.I. face display from Alex Garland's sci-fi thriller Ex Machina. Faces were among the many robotic components displayed in Nathan's (Oscar Issac) high-tech laboratory. Ava studied a version of her face mounted on a wall before sharing a secret conversation with Kyoko (Sonoya Mizuno). Closely resembling Vikander's character, the detailed face is made of silicone and shows Ava with a neutral expression and closed eyes. The lot has been expertly painted to produce a realistic skin tone, and hand-punched hair has been added to create the eyebrows. A white plastic support lining is adhered to the inside, allowing the face to maintain its shape. The lot exhibits light wear from use on production and is presented on a custom-made display. Dimensions (displayed): 15 cm x 16 cm x 34 cm (6" x 6 1/4" x 13 1/2")Estimate: £1,500 - 2,500 †

Los 235

A production-used clapperboard from Ridley Scott's biblical epic Exodus: Gods and Kings. The clapperboard consists of an acrylic slate with a wooden clapper fixed to the top. The production title "The Book Of Exodus" and the names of director Ridley Scott and director of photography Dariusz Wolski are all engraved on the clapperboard in black. Several fields on the piece have been filled in with black ink, including the slate "159K" and take "2C". The date is marked as "17th January '14". The clapperboard features wear from production use, including light surface scratches to the acrylic and marks on the arm. Dimensions: 3 cm x 28 cm x 23.5 cm (1 1/4" x 11" x 9 1/4")Estimate: £600 - 800 M

Los 237

A pair of light-up magnetic prisoner boots from John Woo's action film Face/Off. Sean Archer/Castor Troy (Nicolas Cage) and other prisoners wore magnetic boots in the high-security prison Erewhon.The boots - both right feet - are made predominantly of aluminium and edged with black rubber. They are covered in rivets and bolts, and feature a piston device on the right-hand sides. An LED is present on the clasp at the back of each boot; this lights up when powered using the attached wires. One boot features the raised prisoner number "21067" and the other "14865". Both have been intentionally distressed, with rust and faux-blood stains. One boot is missing part of its piston section, and some of its paint has worn away in places. Dimensions (each boot): 33 cm x 15 cm x 25 cm (13" x 6" x 9 3/4")Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £800 - 1,200 M

Los 241

The Kinsella family checkbook with Terence Mann's (James Earl Jones) watch from Phil Alden Robinson's sports drama Field of Dreams. In two deleted scenes, the Kinsellas wrote checks to purchase the supplies and sporting equipment needed to build their baseball diamond, while Mann wore his watch throughout the film.This lot consists of a book of light blue paper checks with the Kinsellas' information printed on it, as well as a silver-colour metal wristwatch. The lot is in good overall condition with some wear from production and age, including some of the adhesive binding of the checkbook coming apart and several checks missing from production. Dimensions (checkbook): 16 cm x 9.75 cm x 2.75 cm (6 1/4" x 3 3/4" x 1"); (watch): 8.25 cm x 4 cm x 1.5 cm (3 1/4" x 1 1/2" x 1/2")Contains mechanical components; see notice in the Buyer's Guide.Estimate: £1,500 - 2,000 ΩΔ

Los 249

Tyler Durden's (Brad Pitt) screen-matched bloodied "Sock it to Me" shirt from David Fincher's black comedy Fight Club. The shirt screen-matches to the scene where Durden purposely allowed Lou (Peter Iacangelo) to beat him for holding a fight club in the basement of Lou's Tavern without permission. This blood-stained, light beige cotton shirt features a blue and rust-coloured graphic on the chest. It is in excellent overall condition with significant staining from stage blood throughout and some deliberate wear on the stitching from production. A photo print of the screenshot the shirt matches to is included.Estimate: £5,000 - 7,000 Ω

Los 276

Don "Wardaddy" Collier's (Brad Pitt) M1917 revolver and holster from David Ayer's war drama Fury. Collier carried his revolver throughout the film and notably forced the pistol into Norman's (Logan Lerman) hands when he ordered the young private to kill a captured German soldier. Cast from rubber and finished in a dark metallic grey, the military-issue Smith & Wesson revolver features a half-moon front sight, a static six-round cylinder, custom plexiglass 'sweetheart' grips and a lanyard ring. The pistol sits in a brown leather holster which displays an additional long strap, allowing the piece to sit comfortably on the shoulder. Signs of production use include light scuffs on the grip and minor wear to the paint and leather. Dimensions (holstered): 51 cm x 29 cm x 9 cm (20" x 11 1/2" x 3 1/2") Restricted ownership; see replica firearm notice in the Buyer's GuideEstimate: £600 - 800 M

Los 277

Don "Wardaddy" Collier's (Brad Pitt) tanker jacket from David Ayer's war drama Fury. The US Army sergeant wore his tanker jacket throughout the film as he led a Sherman tank crew on a destructive mission through Nazi Germany.The jacket is made from brown cotton with a woollen lining and knitted, ribbed collar, waistband and cuffs. Division and rank patches decorate both sleeves and a large repair patch adorns the right elbow. Marked as a size 40R, the jacket features two large pockets on the front and a zip fastening. Intentional distressing and stains have been applied all over to produce a battle-worn appearance. The lot exhibits signs of minor wear, including light plucks and a small rip on the top of the right pocket, while sections of the hand-stitching around the patches have become loose.Estimate: £2,000 - 3,000 M

Los 280

The Major's (Scarlett Johansson) recharge jumpsuit from Rupert Sanders' live-action sci-fi adaptation Ghost in the Shell. The Major wore her jumpsuit while she stood recharging in her apartment. The jumpsuit is made from yellow organza with decorative strips of plastic. A zip fastening adorns the front and the garment features off-white knitted cuffs on the wrists and ankles. A small label reading "Major c#28 â…â€" is adhered to the inside, and another label with the handwritten text "Major #2 Dodgy Neck" features in the left leg cuff. The underlayer comprises a long-sleeved peach-coloured Spandex bodysuit with a zip fastening running down the back and is labelled "Major DBL". The costume displays light wear, with dirt marks on the ankle cuffs and cracks on the plastic strips. The lot is accompanied by three production wardrobe tags.Estimate: £1,000 - 1,500 †Δ

Los 282

Batou's (Pilou Asbaek) SIX12 revolving shotgun and cylinder from Rupert Sanders' live-action sci-fi adaptation Ghost in the Shell. Batou used his shotgun in several scenes, most notably when he engaged in a shootout within the Yakuza nightclub where he and the Major (Scarlett Johansson) were lured into a trap. Made by Weta Workshop, the weapon is based on a Crye Precision SIX12, modified by the production with the addition of a Salvo 12 shotgun suppressor, an extended handguard and a cover over the top rail to produce a futuristic appearance. It is constructed from urethane and dense foam finished in black, and is accompanied by two removable six-round cylinders. The shotgun shows minor signs of production use, including light scuffing and minor paint wear, and a crack is present along the top edge. Small air bubbles are present on both of the cylinders. Dimensions (shotgun): 57 cm x 22.5 cm x 7 cm (22 1/2" x 8 3/4" x 2 3/4"); (each cylinder): 8 cm x 8 cm x 9.5 cm (3 1/4" x 3 1/4" x 3 3/4")Restricted ownership; see replica firearm notice in the Buyer's GuideEstimate: £2,000 - 3,000 M

Los 285

A collection of photographic slides, Polaroids, negatives and production photographs from Ivan Reitman's supernatural comedy Ghostbusters. This lot originally belonged to pyrotechnic supervisor Joe Viskocil. The set consists of 20 photographic 35mm slides showing miniature model buildings and pyrotechnic effects; 28 Polaroids attached to sheets of lined paper, with handwritten notes in black ink; seven negative strips featuring the Stay Puft Marshmallow Man and Slimer; and 24 colour photographs which were processed from original negatives. The Polaroids mainly show burning tests on various components of Stay Puft's costume. The majority of the collection is presented in protective plastic wallets and exhibits minor wear, including light scratches and tape residue on the Polaroids. Dimensions (each slide): 5 cm x 5 cm (2" x 2"); (each Polaroid): 11 cm x 9 cm (4 1/4" x 3 1/2"); (each negative strip): 3.5 cm x 15 cm (1 1/2" x 6"); (each photo): 10 cm x 15 cm (4" x 6")Sold without copyright; see copyright notice in the Buyer's GuideEstimate: £600 - 800 M

Los 287

A Terror Dog statue foot from Ivan Reitman's supernatural comedy Ghostbusters. The two loyal servants of Gozer (Slavitza Jovan) first appeared when they manifested inside a pair of dog-like statues sat atop Dana Barrett's (Sigourney Weaver) apartment building, the location of Gozer's temple later in the film. Sculpted in rigid foam, the large foot features an external layer of plaster, finished in a light grey to replicate the appearance of carved stone. A hole is present on the top of the foot, and sections of the plaster have flaked away exposing the foam core. The lot remains fragile and should be handled with care. Dimensions: 62 cm x 40 cm x 25 cm (24 1/2" x 15 3/4" x 10")Estimate: £1,200 - 1,500 M

Los 29

A light-up AR-2 rifle from Jean-Pierre Jeunet's sci-fi sequel Alien Resurrection. AR-2 rifles were carried by Marines aboard the USM Auriga, and then picked up by the crew of the Betty after the xenomorphs escaped. The rifle has three firing modes in the film: assault rifle, flamethrower and grenade launcher. Ripley (Sigourney Weaver) used the flamethrower function to destroy her seven previous failed clones.The weapon is predominantly made of resin and is painted faux-silver and black. It features a torch on the front, which is powered by three 3V batteries and illuminated by flicking the metal switch located in front of the magazine. It has two metal loops at the top for mounting a sling. The rifle has some wear from production use, with considerable scuffing and scratching to the paintwork and some denting to the resin. Dimensions: 98 cm x 6 cm x 31 cm (38 1/2" x 2 1/4" x 12 1/4") Contains electronics; see electronics notice in the Buyer's GuideEstimate: £3,000 - 5,000 M

Los 292

A set of chariot driver's golden armour from Ridley Scott's Oscar®-winning historical epic Gladiator. Chariot drivers wore their armour during the re-enactment of the famous Battle of Carthage, in which Maximus (Russell Crowe) rallied the desperate gladiators against the charioteers, overcoming all odds to achieve a glorious victory. The gold-coloured costume comprises a foam-latex cuirass decorated with raised patterns on the front, a pair of bracers, a metallic cingulum militare belt, two left leg greaves (labelled "L/L 132" and "L/L 19") and a pair of brown sandals (labelled "WCC 11"). Several of the costume components have Western Costume labels adhered to their interior. The armour exhibits signs of production use, including light cracking on the cuirass, as well as paint wear and scuffing, most notably on the bracers.Estimate: £800 - 1,200 †Δ

Los 294

Ridley Scott's chair back from the production of his Oscar®-winning historical epic Gladiator. Cast and crew use distinctive 'director's chairs' on set when resting between takes. Made from dark blue canvas, the chair back is embroidered in gold-coloured thread, with text reading "Ridley Scott" on one side, and the image of a Roman soldier on the reverse. A visible line of stitching runs along the bottom edge. The lot exhibits light wear from production use, with some minor stains, and retains a musty odour. Dimensions: 21 cm x 55.5 cm x 1 cm (8 1/4" x 22" x 1/2")Estimate: £400 - 600 †Δ

Los 3

An ape mask from Stanley Kubrick's sci-fi film 2001: A Space Odyssey. A group of apes surrounded the Monolith during the "Dawn of Man" sequence which opened the movie.Created by renowned make-up and special effects technician Stuart Freeborn, the brown foam-latex prosthetic face features a pronounced brow ridge, eye holes, a detailed nose and a slightly opened mouth. The interior is labelled "Dan, ED6, C3", referring to credited ape performer Danny Grover, and the mask rests on a plastic face support. The lot comes with a custom-made display mount and base featuring the production title on the front and Freeborn's autograph on the back in silver-coloured ink. The foam latex of the mask has stiffened over time, becoming brittle near the edges, and there is some light cracking present. Dimensions (displayed): 28 cm x 19 cm x 36 cm (11" x 7 1/2" x 14")Estimate: £2,000 - 3,000 †

Los 303

Lyra's (Dakota Blue Richards) practical hero alethiometer from Chris Weitz's fantasy adventure The Golden Compass. The alethiometer is the "golden compass" of the film's title and was thus a key prop, which featured heavily throughout the movie. This spiritual device gave a true answer for any question asked, and was used by Lyra as she travelled north to rescue her best friend Roger (Ben Walker) and other kidnapped children from the Gobblers.There were numerous designs for the mystical artefact, before the final version was settled upon. In order to construct the compass in a quick time frame, a rapid prototyping machine was used to produce a 3D-printed model. The prop department then created the ornate outer shell with forged brass.Intricately engraved symbols and numbers decorate the outer shell, and the lid pops open when the device's square-shaped switch is pressed. An image of Prague's Church of Our Lady before TÃÆ’½n - the place where the alethiometer was supposedly invented - adorns the underside of the lid. Housed under a plastic cover, the compass face displays several decorative cog components at its centre, with four hands and a cream-coloured dial featuring 36 symbols expertly hand-painted by enamel artist Keith Seldon. Three of the hands are red, and are controlled via a trio of winding crowns; the fourth, larger hand is black, and moves with the twisting of a circular mechanism located at the base of the alethiometer.Accompanying the lot is a promotional photograph of Lyra holding the device, autographed by Dakota Blue Richards in black ink. The exterior casing was intentionally distressed for the production, and the photograph exhibits light surface scratches. Dimensions (alethiometer, closed): 10 cm x 8.5 cm x 3.5 cm (4" x 3 1/2" x 1 1/2"); (photo): 25.5 cm x 20.5 cm (10" x 8")Contains mechanical components; see mechanical components notice in the Buyer's Guide.Estimate: £10,000 - 15,000 M

Los 306

A set of hand-drawn storyboards from the production of Richard Donner's adventure film The Goonies. Hand-drawn by renowned art director and brand designer Mike Salisbury, the 22 storyboards are rendered in colour pencil and show an alternate ending to the teaser trailer, released to promote Donner and Steven Spielberg's collaboration on the film. The final teaser highlighted the first letter from seven film titles by both film-makers, then placed them together to spell out "Goonies". The artwork is drawn on black paper adhered to three foam boards. A Kaleidoscope Films Ltd. label with text reading "Goonies, Teaser, Storyboard "C" Alternate Ending, January 4, 1985" is adhered to the back of each board. The lot displays light edge wear, creasing in some corners and smudge marks. Dimensions (each board): 50 cm x 66 cm x 0.5 cm (19 3/4" x 26" x 1/4")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M

Los 314

An autographed poster from the promotion of Chris Columbus' fantasy-adventure film Harry Potter and the Philosopher's Stone. Designed by legendary poster artist Drew Struzan, the illustrated image depicts Harry (Daniel Radcliffe), Ron (Rupert Grint), Hermione (Emma Watson), Hagrid (Robbie Coltrane), Dumbledore (Richard Harris), the Gringotts Goblin (Warwick Davis), Hedwig, Hogwarts School, and Quidditch players astride brooms, all above the alternative US release title "Harry Potter and the Sorcerer's Stone".The poster is autographed in gold-coloured pen by Daniel Radcliffe, and in silver-coloured marker by Rupert Grint. It exhibits some minor wear to the corners and light creasing, and there is notable rip on the lower right edge. Dimensions: 69 cm x 101 cm (27" x 40")Estimate: £300 - 500 M

Los 315

A collection of crew gifts, an autographed copy of Harry Potter and the Philosopher's Stone, and screening tickets from various productions within the Harry Potter series. The crew gifts consist of a faux-gold-plated pocket watch presented in a black drawstring bag and box, a grey T-shirt (size L), a black cap featuring an attached "Happy Holidays" cream card tag, and a green backpack with "HP3 Crew" embroidered in silver. The paperback book is autographed by Daniel Radcliffe, Julie Walters and Chris Rankin. Completing the lot are eight screening tickets for The Philosopher's Stone, The Chamber of Secrets and The Prisoner of Azkaban. The items display light wear and the majority of the crew gifts remain in an unused condition. Dimensions: (backpack): 49 cm x 31 cm x 6 cm (19 1/4" x 12 1/4" x 2 1/2"); (pocket watch in box): 10.5 cm x 10.5 cm x 3.5 cm (4 1/4" x 4 1/4" x 1 1/2")Estimate: £600 - 800 M

Los 326

Hercules' (Dwayne Johnson) costume from Brett Ratner's mythological action film Hercules. After he slayed the Nemean Lion, the demi-god Hercules added its pelt to his armour, wearing it in battle throughout the film. This costume consists of a foam, urethane and faux-fur lion headdress, with a matching faux-fur lion pelt cape; a hardened brown leather cuirass with sculpted muscle detailing (labelled "Hercules, Hero #2"); a brown leather undervest; a thick red-brown leather belt with a metal loop (labelled "Stunt Dungeon") holding an intentionally distressed dark brown rubber dagger; a pair of bracers made of brown leather, metal and foam; a brown leather skirt (labelled "Hero, Dungeon"); a pair of dark brown leather briefs; and a pair of brown leather sandals with tall leather shin guards (labelled "#1 Hercules"). Completing the costume is a rubber club, finished to replicate a woodgrain texture. There are signs of light wear present on the leather components, tape remnants on the cuirass, and minor paint wear on the club. Dimensions (club): 108 cm x 29 cm x 5 cm (42 1/2" x 11 1/2" x 2")Estimate: £4,000 - 6,000 Ω

Los 328

A set of three concept drawings by production designer Allan Cameron and a collection of photos from the production of Russell Mulcahy's fantasy action-adventure Highlander. The detailed pencil drawings depict the interior and exterior of Connor (Christopher Lambert) and Heather MacLeod's (Beatie Edney) castle, with one showing the castle in a damaged state after The Kurgan (Clancy Brown) and Ramirez's (Sean Connery) battle. Accompanying the artwork are nine behind-the-scenes photographs showing the set for the castle, which was built on location in Glencoe, Scotland. The exterior castle drawing and four of the photographs are adhered to a sheet of black paper. Signs of production use include minor marks on one drawing and light creasing, while some of the items stuck to the paper have begun to peel. Dimensions (large sheet): 42 cm x 59.5 cm (16 1/2" x 23 1/2"); (each drawing): 41.5 cm x 29.5 cm (16 1/4" x 11 1/2")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £300 - 500 M

Los 329

A hand-painted concept from the production of Russell Mulcahy's fantasy action-adventure Highlander. Created by production designer Allan Cameron, the artwork depicts the moment The Kurgan (Clancy Brown) raised his sword while experiencing a powerful surge of energy known as the Quickening, moments after beheading Ramirez (Sean Connery). The concept piece is rendered in acrylic paint and coloured pencil, with black marker used for the border. Cameron's signature and the production title are situated beneath the image. The lot displays light creasing, small rips along the right edge, minor marks, and curled edges from previous storage. Dimensions: 77 cm x 47 cm (30 1/4" x 18 1/2")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M

Los 330

The Kurgan's (Clancy Brown) costume display from Russell Mulcahy's fantasy adventure Highlander. The immortal barbarian known only as The Kurgan wore his armour while in battle with a group of Scottish warriors including Connor MacLeod (Christopher Lambert) in 1536. The costume consists of body armour, shoulder guards, a right leg greave, a leather belt, a black faux-fur sporran and completed with a replica helmet, Each armour piece has been cast in fibreglass and resin and styled to resemble animal bones. The replica helmet is made from the original production mould and features a brown and black faux fur plume styled to match the sporran with a buckled leather chinstrap. Formed as a bony muscled torso, the body armour fastens with six brown leather straps and features a high cowl inlaid with black faux fur. The shoulder guards both feature leather straps and chain mail. Made to match the armour, the leg greave fastens with three leather straps. The leather belt is inlaid with plastic plates styled to look like metal, while the sporran features long, black faux-fur tails. It is in good overall condition with signs of wear deliberately added by production as well as some cracking and missing pieces on the shoulder guards and helmet and signs of aging on the faux fur. The costume is mounted on a custom mannequin display with a light-up base featuring the Highlander logo and artificial rock detail. Dimensions (displayed): 73.75 cm x 44.5 cm x 185.5 cm (29" x 17" x 73") Special shipping required; see special shipping notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £10,000 - 15,000 US

Los 332

Duncan MacLeod's (Adrian Paul) hero katana from Doug Aarniokoski's fantasy-adventure sequel Highlander: Endgame. MacLeod wielded his katana throughout his modern-day adventures, using it to decapitate the reborn Immortal Jacob Kell (Bruce Payne), before absorbing his power through The Quickening.The sword comprises a polished aluminium blade with a high-impact plastic grip, which is finished to replicate the appearance of fashioned ivory. The grip features ornate carvings depicting tableaux from rural life, and the handle tip is carved into a dragon's snarling face. Between the handle and blade is a copper-coloured metal tsuba, engraved with images of birds of prey. Completing the lot is a black metal scabbard with black thread around the top. The blade and scabbard display light scratching and scuffs, and the lot is accompanied by a letter of authenticity. Dimensions (in scabbard): 107 cm x 8 cm x 8 cm (42" x 3 1/4" x 3 1/4")Estimate: £2,000 - 3,000 M

Los 350

A set of crew items from the production of Steven Spielberg's first three Indiana Jones films. The lot consists of a denim jacket with "Indiana Jones and the Temple of Doom" embroidered on the back (size M); a light blue "Indy 2 Fantasy Unit" T-shirt (size M 38-40); a white "Stunts Incorporated, Indy III" T-shirt (size XL); a blue Temple of Doom cap; a black Last Crusade cap; a white "Stunts Incorporated, Indy III" cap; and a press kit. The set displays light wear from use, including minor scuffs and rips to the press kit's card cover, and the inside band on the blue cap displays discolouration. Dimensions (press kit): 30.5 cm x 22.5 cm x 0.5 cm (12" x 9" x 1/4")Estimate: £400 - 600 M

Los 351

A set of three autographed photographs from Steven Spielberg's Indiana Jones trilogy. The black-and-white stills include headshots of Harrison Ford and Kate Capshaw from Indiana Jones and the Temple of Doom, while the third still shows director Steven Spielberg on the set of Indiana Jones and the Last Crusade. Each image is autographed with black marker pen, and a label crediting the photographer is adhered to the back of all three. The set exhibits minimal wear, with light surface scratching and a small stain on the image of Capshaw. Dimensions (largest still): 20.5 cm x 25.5 cm (8" x 10")Estimate: £400 - 600 M

Los 354

A Nazi soldier cap from Steven Spielberg's action adventure Raiders of the Lost Ark. Nazi soldiers wore their caps throughout the movie as they sought to obtain the legendary Ark of the Covenant, while under the command of Oberst Herman Dietrich (Wolf Kahler). This particular lot was obtained from renowned stuntman Paul Weston who wore it on screen during the truck chase scene, when Indiana Jones (Harrison Ford) fought off several soldiers to retrieve the Ark. The brown cotton peaked cap displays a triangular embroidered Nazi emblem featuring a grey eagle stitched on the front. The cap is lined with black fabric and "7 â…œ" is stamped on its interior. The cap exhibits signs of production use, including several marks, loose threads and light plucks to the fabric.Estimate: £500 - 700 M

Los 355

A crew cap autographed by Steven Spielberg, a collector's album, a call sheet and a screening ticket from the production and promotion of Steven Spielberg's action adventure Raiders of the Lost Ark. Manufactured by The Thinking Cap Co., the beige cotton cap features mesh panels and a Raiders of the Lost Ark embroidered patch. Its peak is autographed by Spielberg in blue marker. The collector's album comprises 64 pages of behind-the-scenes material; the call sheet is production-used and dated "Tuesday, 5th August, 1980", covering scenes set in the Raven bar; and the ticket is for a special preview screening, which was held at Leicester Square. There are minor signs of wear, including light creases, fold lines from storage and pin holes, on the album cover, and the autograph ink has bled slightly on the cap. Dimensions (album): 27.5 cm x 21 cm x 0.5 cm (10 3/4" x 8 1/4" x 1/4"); (call sheet): 33 cm x 20.5 cm (13" x 8"); (ticket): 9.5 cm x 17 cm (3 3/4" x 6 3/4")Estimate: £800 - 1,200 M

Los 358

A mine cart model miniature from Steven Spielberg's action-adventure sequel Indiana Jones and the Temple of Doom. Mola Ram's (Amrish Puri) Thuggee cult chased Indy (Harrison Ford), Short Round (Ke Huy Quan), and Willie Scott (Kate Capshaw) through an underground mine on rickety carts. The sequence was achieved with a combination of stop-motion animation, model miniatures, and live-action shooting.This mine cart miniature, built by the Industrial Light & Magic (ILM) model shop, is constructed of resin painted green and mounted with four wheels. The model is in good overall condition with visible signs of use by production, including scuffed paint on the wheels, adhesive residue, and discolouration throughout. Dimensions: 37 cm x 30 cm x 26.25 cm (14 1/2" x 11 3/4" x 10 1/4")Estimate: £2,500 - 3,500 ΩΔ

Los 360

An autographed Club Obi Wan menu from the production of Steven Spielberg's action-adventure sequel Indiana Jones and the Temple of Doom. Menus were created for use in Club Obi Wan, the setting for the film's opening dance sequence and where Indiana Jones (Harrison Ford) encountered Chinese gang boss Lao Che (Roy Chiao).Made of card, the menu's black front cover features a tipped cocktail glass and the name of the club in both English and Chinese. A range of meal options are printed in French within. The back of the menu displays six autographs written in blue ink, some of which are dedicated to prop man Joe Dipple. The autographs are from Harrison Ford, Kate Capshaw, Ke Huy Quan, Steven Spielberg, executive producer George Lucas and producer Robert Watts. The menu displays light marks, with creases along the spine and around the edges. Dimensions: 33 cm x 21cm (13" x 8 1/4")Estimate: £3,000 - 5,000 M

Los 363

An autographed one-sheet poster from the promotion of Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. Printed on glossy paper, this original one-sheet displays artwork by renowned poster artist Drew Struzan and features Indiana Jones (Harrison Ford), Professor Henry Jones (Sean Connery), Sallah (John Rhys-Davies), Marcus Brody (Denholm Elliott), Walter Donovan (Julian Glover) and Elsa (Alison Doody). Above the title artwork, Indy is depicted aiming a pistol while riding a horse, pursued by a plane, tanks and several assassins on horseback. The poster is autographed in blue and black ink by Ford, Rhys-Davies and Glover. The lot displays a small fold in one corner, light creasing and minimal wear. Dimensions: 101.5 cm x 68.5 cm (40" x 27")Estimate: £1,000 - 1,500 M

Los 365

Two Michael Jackson autographs obtained from a crew member on the set of Steven Spielberg's Indiana Jones and the Last Crusade. Jackson visited Elstree Studios during filming in 1988 while he was in London for the European leg of his "BAD" world concert tour. The two white A4 sheets are autographed by the one-time "King of Pop" in black ballpoint pen and are inscribed to "Natasha" and "Tracy". The lot displays light creasing and one sheet shows slight water damage. Dimensions (each sheet): 29.5 cm x 21 cm (11 1/2" x 8 1/4")Estimate: £400 - 600 M

Los 367

Indiana Jones' (Harrison Ford) Venice suit from Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. Indy wore his suit when he ventured to Venice alongside Marcus Brody (Denholm Elliott) to locate his vanished father Professor Henry Jones (Sean Connery). He later wore it when, with Elsa Schneider (Alison Doody), he discovered the catacombs beneath the Venice Library which contained the tomb of First Crusade knight Sir Richard. The suit consists of a single-breasted jacket and trousers, both made from a grey-and-brown textured cotton-polyester blend. Three pockets adorn the front of the jacket, and it is lined with a light brown silk. The trousers feature zip flies and turned up hems, and multiple buttons are sewn inside the waistband where braces would have been attached. A Bermans & Nathans label is located in the right interior jacket pocket, displaying printed text which reads "Harrison Ford 9296, Indiana Jones, Indiana Jones III". A Royal Shakespeare Company label is also sewn into the garment, suggesting that this jacket was used for a different production after filming was completed. The costume shows signs of wear and age, notably on the jacket lining, which displays several stains and holes on the right side, with stitching that has come undone around the armpits. Several small holes are present on the crotch area and the back of the trousers.Estimate: £10,000 - 15,000 M

Los 369

Fredrick Zoller's (Daniel Bruhl) evening Wehrmacht jacket from Quentin Tarantino's black-comedy war film Inglourious Basterds. Zoller wore his evening jacket while persuading Joseph Goebbels (Sylvester Groth) to hold the premiere of Stolz der Nation at Shosanna's (Melanie Laurent) Parisian cinema.Custom-made for the production, the field grey jacket is lined with grey synthetic fabric and features several dark green components embellished with metallic silver-embroidered stripes. The garment is decorated with a German eagle insignia, a commemorative Sniper's Badge, a round Oberschutze rank patch on the left sleeve, and a thin armband with embroidered German text on the lower right sleeve. A handwritten label on the inside of the neckline reads "Zoller, 180-100-8b" in blue ink. The jacket exhibits a light stain on the right sleeve and thread is present on the left breast where medals were previously attached.Estimate: £2,000 - 3,000 M

Los 373

Tony Stark's (Robert Downey Jr) light-up repulsor technology unit from Jon Favreau's superhero adventure Iron Man. Brilliant inventor Stark created modifications to his iron battle suit, including a repulsor technology unit for the palm of his hand which could be used to assist in flight or for offensive purposes. This lot consists of a battery-operated circular metal-coloured device with a white translucent plastic face which can be illuminated. It is in excellent overall condition with minor signs of wear throughout from production. Also included is a display case (not shown in photos). Dimensions: 8.5 cm x 8.5 cm x 6 cm (3 1/2'' x 3 1/2'' x 2 1/2'')Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £6,000 - 8,000 Ω

Los 382

Honey Ryder's (Ursula Andress) conch shell and a set of black-and-white photographs from the production of Terence Young's Bond movie Dr. No. Honey first appeared when she emerged from the ocean dressed in her iconic white bikini, collecting conch shells in a netting bag while singing "Underneath the Mango Tree". This scene is considered one of the most popular in film history.Obtained from the collection of the production's prop master Patrick Weymouth, the conch shell features a beige textured exterior with a protruding spire, and the underside reveals a glossy, light pink interior. The three behind-the-scenes shots show Sean Connery, Ursula Andress and various crew members filming in Jamaica. The shell displays a small hole and a large crack on the spire, while light creasing is present on the photographs. The new custodian of this lot will receive a letter of authenticity from a member of Weymouth's family. Dimensions (shell): 21 cm x 16 cm x 15 cm (8 1/4" x 6 1/4" x 6"); (largest photo): 12 cm x 10 cm (4 3/4" x 4")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M

Los 389

Sir Christopher Lee's personal annotated first draft script from the production of Guy Hamilton's Bond movie The Man With The Golden Gun. This lot comes from the personal collection of legendary actor Sir Christopher Lee. Bound in a yellow, windowed card cover with metal split pins, the first draft screenplay is credited to Richard Maibaum and is dated "January 7, 1974". The cover page features the production title and is autographed by Christopher Lee in black ink. The script consists of 152 pages printed single-sided on light blue US Letter paper, with additional white and bright orange revision pages. "Chris Lee" is written in pencil in the top-right corner of the first page and there are detailed annotations written by Lee throughout in blue and red ink, including notes to change some of Scaramanga's dialogue. Accompanying the script is a 12-page shooting schedule dated "March 19, 1974". The cover page details the locations and a total amount of days they expected filming to take. The script and shooting schedule exhibit signs of production use and age, including folded corners, light creasing, wear around the page edges and several marks, notably on the script's card cover. Dimensions (script): 28 cm x 22 cm x 2.5 cm (11" x 8 1/2" x 1"); (shooting schedule): 33 cm x 21.5 cm x 0.5 cm (13" x 8 1/2" x 1/4")Estimate: £8,000 - 10,000 M

Los 393

A script, collection of storyboards and assorted ephemera from the production of John Glen's Bond movie For Your Eyes Only. Bound in a yellow card cover, the revised script is labelled "9", dated "12 August 1980", and consists of 129 annotated pages printed single-sided on US Letter paper. A majority of the printed storyboards are bound within two folders and show several scenes from the film, including the sequence in which Bond (Roger Moore) and Melina (Carole Bouquet) explored the shipwrecked St Georges and discovered the ATAC. The lot also contains assorted ephemera, including call sheets, shooting schedules, travel documents, a map of Italy, and a brochure for the Royal World Charity Premiere event, which took place at the Odeon, Leicester Square on 24 June 1981. The lot shows signs of production use, including creasing, folded corners, dirt marks, light discolouration from age, and minor water damage on the script cover. Dimensions (script): 28.5 cm x 22 cm x 2 cm (11 1/4" x 8 3/4" x 3/4"); (largest storyboard folder): 31 cm x 24.5 cm x 2 cm (12 1/4" x 9 1/2" x 3/4"); (brochure): 29.5 cm x 21 cm x 0.5 cm (11 1/2" x 8 1/4" x 1/4")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M

Los 394

Rublevich's (Eva Reuber-Staier) blouse from John Glen's Bond movie For Your Eyes Only. Rublevich wore her blouse in General Gogol's (Walter Gotell) office and sat on his desk as he spoke on the phone to the Comrade Secretary about retrieving the ATAC transmitter. Made from cream silk-blend fabric, the Harrods blouse features a stand-up collar, sewn-in shoulder pads and dark grey piping, which adorns the collar, shoulder seams and left breast pocket. The opening of the blouse is off-centre and eight pearlescent white buttons are attached down the front. Labelled as a European size 42, the blouse displays minor signs of wear, light creasing and some small trailing threads.Estimate: £400 - 600 M

Los 398

James Bond's (Timothy Dalton) passport photos and a crew T-shirt from the production of John Glen''s Bond movie Licence to Kill. Bond was carrying his passport in the airport when he learned of Franz Sanchez's (Robert Davi) liberation. The photos were made for the production but not ultimately seen on screen.The photo set features two identical headshots of Dalton in the role of Bond, dressed in a suit. The blue cotton-polyester blend T-shirt features printed text reading "007 License Revoked" (the film's original title), with a pistol representing the seven, in the classic logo style. A black Panavision camera adorns the back and the garment is marked as a size L. The lot displays light wear, minor scratches on the photo and cracking on the T-shirt. Dimensions (photo): 8.5 cm x 10.5 cm (3 1/4" x 4 1/4")Estimate: £200 - 300 †Δ

Los 40

A collection of 22 hand-painted and printed Allan Cameron concepts from the production of Ron Howard's thriller sequel Angels & Demons. The lot consists of artwork showing several locations around Vatican City and Rome, including the Church of Illumination, the Vatican Necropolis, Castel Sant'Angelo, the Pantheon, and the Santa Maria della Vittoria church. The latter image features the figure of Cardinal Guidera (Bob Yerkes) burning at the stake. The drawings are rendered in pencil, ink, watercolour, charcoal, oil pastel and acrylic paint on a mix of media, including paper, card and tracing paper. Several pieces are printed with detailing applied over the top. The lot displays some wear from production use, including light creasing, smudging, water marks and curled edges from storage. Dimensions (largest artwork): 49 cm x 86 cm (19 1/4" x 33 3/4")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £400 - 600 M

Los 401

Caroline's (Serena Gordon) jacket from Martin Campbell's Bond movie GoldenEye. Psychiatric evaluator Caroline wore her jacket in Bond's (Pierce Brosnan) Aston Martin DB5 as he raced with assassin Xenia Onatopp (Famke Janssen).The Pied a Terre jacket is made from a brown cotton-linen blend and features a subtle check pattern all over. Lined in brown viscose, the garment displays two welt pockets and four intricately patterned buttons and multiple buttonholes, a majority of which are not functional. The jacket displays minor wear from production use, including light plucks to the fabric and signs of verdigris patina on the buttons.Estimate: £400 - 600 M

Los 408

A $1,000,000 poker chip from Martin Campbell's Bond movie Casino Royale. James Bond (Daniel Craig), Le Chiffre (Mads Mikkelsen) and their fellow poker players used betting chips during the high-stakes game at the Casino Royale in Montenegro. The plaque is made of blue pearlescent plastic, and has a translucent red-and-yellow centre. "Casino Royale $1,000,000 Montenegro" is printed on both sides in a gold-and-black font. The chip displays light scratches. Dimensions: 11.5 cm x 8 cm x 0.5 cm (4 1/2" x 3 1/4" x 1/4")Estimate: £800 - 1,200 M

Los 409

A $500,000 poker chip from Martin Campbell's Bond movie Casino Royale. James Bond (Daniel Craig), Le Chiffre (Mads Mikkelsen) and their fellow poker players used betting chips during the high-stakes game at the Casino Royale in Montenegro. The chip is made of red pearlescent plastic and has a translucent green centre. "Casino Royale $500,000 Montenegro" is printed on both sides in a gold-and-black font. The chip displays light scratches. Dimensions: 10.5 cm x 7.5 cm x 0.5 cm (4 1/4" x 3" x 1/4")Estimate: £800 - 1,200 M

Los 41

An ancient Vatican "Bernini" ledger from Ron Howard's thriller sequel Angels & Demons. Robert Langdon (Tom Hanks) studied the pages of an ancient ledger containing information about sculptor Gian Lorenzo Bernini. Langdon engaged Chartrand (Thure Lindhardt) to translate the Latin writing and believed he found a clue relating to the sculpture The Ecstasy of St. Theresa.Illustrator Andrea Dopaso undertook extensive research at the J. Paul Getty Museum to produce this detailed ledger. The cover of the book is made from thick yellow card covered in a wax-like film, and is distressed to appear aged and mouldy. Every interior page features Latin calligraphy accounting the many pieces created by Bernini, with highly detailed watercolor illustrations of various sculptures throughout. Exhibiting signs of intentional distressing all over, the book displays light creasing down the spine and minor edge wear. Dimensions: 38.5 cm x 27 cm x 5 cm (15 1/4" x 10 1/2" x 2")Estimate: £1,000 - 1,500 M

Los 410

James Bond's (Daniel Craig) tuxedo from Sam Mendes' Bond movie Skyfall. Bond wore his tuxedo in Macau, when he encountered SÃÆ’©vÃÆ’©rine (BÃÆ’©rÃÆ’©nice Marlohe) at the Golden Dragon Casino, and the next morning when he was taken to a deserted island and forced to try and shoot a whiskey glass off her head by ex-MI6 agent and cyberterrorist Raoul Silva (Javier Bardem).Made from midnight blue wool, which appears black in certain lighting, the custom-made Tom Ford tuxedo consists of a matching dinner jacket and trousers. The jacket features black satin lapels, an angled pocket on the left breast, and two welt pockets situated at the hips. Three small covered buttons are adhered to each cuff, and a larger matching button is sewn on the front. A strip of black satin runs down the trouser seams and the waist is fitted with adjusters with small metal buckles. The jacket lining is autographed by Craig in silver-coloured ink. A Tom Ford label with the text "Daniel Craig, Bond 23" embroidered in white is located within the jacket's interior right chest pocket. The interior of each garment displays large maker labels displaying several fields, including multiple bespoke measurements; the box titled "cliente" reads "INC DCraig". The tuxedo displays signs of production use, including light plucks and minor marks on the jacket, while some stitching on the trousers' left-side seam has come undone, creating a small hole. The lot is accompanied by an EON Productions certificate of authenticity.Estimate: £10,000 - 15,000 M

Los 42

Daddy Warbucks' (Albert Finney) tuxedo jacket from John Huston's 1982 film adaptation of the Broadway Musical Annie. Billionaire Warbucks wore his tuxedo jacket while he and Annie (Aileen Quinn) sang 'I Don't Need Anything But You' and celebrated during the film's finale.Custom-made for the production, the jacket is made of off-white wool and displays a single button fastening. Four small pearlescent white buttons adorn each cuff and two pockets feature on the front of the garment. A Barbara Matera Ltd. costumier label is sewn to the lining and displays typed text reading "Mr. A. Finney". Some loose threads and light creasing are present on the lining and the jacket shows minor stains from production use. The lot is accompanied by two black-and-white promotional stills.Estimate: £1,000 - 1,500 M

Los 424

Judge Fargo's (Max von Sydow) screen-matched shotgun components from Danny Cannon's sci-fi adventure Judge Dredd. These components screen-match to the scene where Judge Dredd (Sylvester Stallone) first took up Fargo's shotgun after his mentor was killed.During filming, a real shotgun capable of firing blanks was dressed with new components to appear futuristic. This set of components consists of a black resin Lawgiver pump shotgun piece consisting of a front muzzle, barrel, receiver, and ejection port, as well as a black rubber and metal pistol grip with a metal trigger guard and a dark grey rubber forestock with a metal interior. The shotgun piece features a leather strap and a non-functional, battery-operated interior light. The lot is in good overall condition with cracked resin and rubber throughout from production, as well as some glue remnants and Velcro® patches on the strap and barrel. Dimensions (largest): 75 cm x 12.75 cm x 9 cm (29 1/2" x 5" x 3 1/2"); (smallest): 20.5 cm x 6.5 cm x 2.5 cm (8" x 2 1/2" x 1")Contains electronics; see notice in the Buyer's Guide.Contains mechanical components; see notice in the Buyer's Guide.Estimate: £1,500 - 2,500 ΩΔ

Los 425

Judge Dredd's (Sylvester Stallone) badge and ID card from Danny Cannon's comic-book adaptation Judge Dredd. Dredd wore his badge throughout the film as he served justice on the streets of Mega City One, and his ID card was included among the contents of his locker when Judge Hershey (Diane Lane) began to investigate Dredd's conviction.The gold-plated metal badge consists of an eagle above the Hall of Justice crest, the name "Dredd" emblazoned across the centre, and a screw fitting on the back. The transparent plastic ID shows an image of Stallone in the role of Dredd, his name, the Judges' insignia in the top right, and further information printed below. Accompanying the card is a detachable metal clip. Signs of production use include minor paint wear on the badge, light scratches and areas of bubbling on the plastic. Dimensions (badge): 9 cm x 6.5 cm x 3.5 cm (3 1/2" x 2 1/2" x 1 1/2"); (ID): 7.5 cm x 10.5 cm x 0.1 cm (3" x 4 1/4" x 1/4")Estimate: £1,000 - 1,500 M

Los 426

A stunt Lawgiver Mark II pistol from Danny Cannon's sci-fi adventure Judge Dredd. The Lawgiver, the signature weapon of Judge Dredd (Sylvester Stallone) and the Street Judges who patrolled Mega-City One, only operated when its rightful owner wielded it.This Lawgiver is made of resin with an aluminium barrel. Vented detailing runs along its sides, with a secondary barrel below featuring a transparent, lens-like accent. The light panels running along the sides of the futuristic firearm are finished in metallic red paint with silvertone paint on the magazine, grip, and trigger housing. The pistol is in good overall condition with signs of wear from production, including a small corner missing on the front of the barrel and a crack on the bottom section of the trigger guard. Dimensions: 28 cm x 17.75 cm x 5 cm (11 1/2" x 7" x 2")Estimate: £3,000 - 5,000 Ω

Los 429

A giant spider from Joe Johnston's adventure film Jumanji. A group of large spiders attacked the players of the Jumanji board game in the Parrish Mansion's attic and were eventually scared off by an earthquake caused by Sarah's (Bonnie Hunt) last dice roll.Custom-made for the production, the main body of the spider is made of foam urethane and the eight legs contain metal armatures. Painted in varying shades of orange and brown, the large arachnid is sculpted with highly detailed features, including an abdomen, cephalothorax, chelicera, and a pair of fangs. The spider shows signs of production use, including light paint wear and visible glue remnants, and the metal skeleton has become exposed in some areas, notably where the legs join the body. One of the legs is quite loose and the lot should be handled with care. Dimensions: 39 cm x 71 cm x 34 cm (15 1/4" x 28" x 13 1/2")Estimate: £1,000 - 1,500 M

Los 431

A set of four game piece prototypes from the production of Joe Johnston's family adventure film Jumanji. Shoemaking heir Alan Parrish (Robin Williams) was sucked into the magical survivalist board game Jumanji and later freed by Peter Shepherd (Bradley Pierce), only to be forced to continue playing his game from 26 years before.Differing in colour and texture from the final game pieces seen in the film, this lot consists of four resin game piece prototypes in the shapes of a dark green elephant, a light green monkey, a dark grey rhinoceros, and a light brown crocodile. They are in excellent overall condition with minimal wear from production and handling. Dimensions (each): 7 cm x 2.75 cm x 3.25 cm (2 3/4" x 1" x 1 1/4")Estimate: £3,000 - 5,000 Ω

Los 438

A velociraptor nest egg from Steven Spielberg's Academy Award®-winning sci-fi adventure Jurassic Park. Several eggs were seen in an incubator when Alan Grant (Sam Neill), Ellie Sattler (Laura Dern), Ian Malcolm (Jeff Goldblum) and John Hammond (Richard Attenborough) witnessed the hatching of a baby velociraptor. Created by Stan Winston Studio, the static hollow egg is made of textured resin and painted in shades of grey, with cream and light brown patternings all over. An intentional hole is present on one end of the egg, to allow the piece to stand upright with the aid of a rod. The lot is accompanied by a colour still from the scene and shows the four characters studying an egg before it begins to hatch. There are minimal signs of wear from production use, with small cracks present near the hole. Dimensions: 11 cm x 11 cm x 19 cm (4 1/4" x 4 1/4" x 7 1/2")Estimate: £2,000 - 3,000 M

Los 442

Steven Spielberg and Chris Pratt's chair backs from the production of Colin Trevorrow's action-adventure sequel Jurassic World. Cast and crew use distinctive 'director's chairs' on set when resting between takes.Made from thick black canvas fabric, the two chair backs display Spielberg and Pratt's names printed in white, with the production artwork featuring a silhouette of a dinosaur skeleton situated behind. The opposite side displays the same emblem, with the production title also printed in white. The lot displays light marks from production use and some of the lines of stitching exhibit minor plucks. Dimensions (Spielberg's chair back): 55 cm x 17 cm x 0.2 cm (21 3/4" x 6 3/4" x 1/4")Estimate: £1,000 - 1,500 M

Los 454

Jareth's (David Bowie) crystal ball, autographed photos, a collection of tickets and a card from the production of Jim Henson's fantasy film Labyrinth. Crystal balls were used by the Goblin King throughout the film, their mystical powers allowing him to change form and conjure illusions. Jareth twirled crystal balls in his hands as he attempted to distract Sarah (Jennifer Connelly) from rescuing her baby brother Toby (Toby Froud). These complex flourishes were achieved by contact juggler Michael Moschen, who had to kneel behind Bowie and perform blind. This crystal ball was obtained after filming by a senior crew member. Made of transparent resin, it comes with a ring-shaped holder. The lot is accompanied by a promotional still of David Bowie autographed in green ink; a still of Connelly in the role of Sarah, autographed in gold-coloured ink; one screening ticket featuring director Jim Henson's autograph on the back; a signed "Season's Greetings" card; and three wrap party tickets. The crystal ball displays minor scuffs from production use, and the photographs exhibit light scratching. Dimensions (ball, displayed): 8 cm x 8 cm x 10 cm (3 1/4" x 3 1/4" x 4"); (larger still): 20.5 cm x 25.5 cm (8" x 10")Estimate: £10,000 - 15,000 M

Los 456

Lara Croft's (Angelina Jolie) stunt Heckler & Koch USP Match pistols and a henchman SWAT mask from Simon West's action adventure Lara Croft: Tomb Raider. Lara used her iconic Heckler & Koch USP Match pistols in numerous scenes throughout the film, and masks were worn by the armed henchmen who broke into her home and stole the clock for Manfred Powell (Iain Glen).Made of foam rubber, the two right-handed pistols are cast from real H&K USP Match pistols and are finished in black and faux-silver paint. One of the pistols features an additional safety switch on the left side of the body, located under the rear sight. The black full-face SWAT mask features a clear plastic visor, small night vision-style lenses, circular rubber filters and two elastic straps, attached at the top for easy removal. The lot exhibits signs of production use, including light paint wear, scuffing on the mask visor and breakage to one of the pistol's triggers. Dimensions (each pistol): 25 cm x 3.5 cm x 15 cm (9 3/4" x 1 1/4" x 6"); (mask): 25 cm x 24 cm x 15 cm (9 3/4" x 9 1/2" x 6")Restricted ownership; see replica firearm notice in the Buyer's Guide.Estimate: £1,500 - 2,500 M

Los 46

Ash's (Bruce Campbell) mechanical hand from the comedy-horror TV show Ash vs Evil Dead. Ash's new hand was built by Pablo (Ray Santiago) and given to him at the end of Episode 5, after Ash supposedly defeated the demon-possessed Kelly (Dana DeLorenzo). Ash wore the hand throughout the rest of the series, often interchanging it with his iconic chainsaw. The hand comprises a black leather glove with faux-silver-painted rubber mechanical finger detailing; red resin panels on the back of the hand and forearm; and a series of springs and steel cables connecting to a faux control unit. A nylon strap with a plastic fastening clip and a functional activation button are affixed towards the left of the forearm. The hand shows intentional distress to look weathered and battle-worn, as well as additional paint wear to the edges of the resin pieces and a light accumulation of grime from use during production. Dimensions: 36 cm x 15 cm x 14 cm (14 1/4" x 6" x 5 1/2")Estimate: £4,000 - 6,000 Ω

Los 461

A set of Katsumoto army samurai's red armour from Edward Zwick's historical war epic The Last Samurai. Led by Katsumoto (Ken Watanabe), the samurai warriors wore their armour in multiple scenes, most notably as they prepared for battle against the Imperial Army.Made of durable vinyl with incorporated cotton straps, the armour components consist of a do torso piece (labelled "Daryl, GN"), two kote sleeves with patches of metal chain mail (labelled "Steve R.") and a pair of suneate shin guards (labelled "E16"). The costume also includes a blue cotton wrap top (labelled "#5 Kimono"), a pair of grey cotton trousers (labelled "Ninja Hakama #23"), two forearm covers (labelled "Ninja Mitaine #4"), a red fabric sash obi belt, a grey skirt decorated with panels of floral embroidered material, and a pair of black tabi cotton socks with a double toe (size XL). Signs of wear include several marks, a hole in the front of the torso armour, light scratching, and stage blood remnants on the trousers.Estimate: £1,000 - 1,500 M

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