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534297 Los(e)/Seite
Los 84
Ca. 350 BC.A small cup from the Attic region, crafted with exquisite attention to detail. The hemispherical cup is seamlessly joined with a flared concave foot, and the walls of the cup gently curve inward. The entire surface, except for the interior of the foot, is adorned with a lustrous black glossy glaze that shimmers with the slightest hint of light. This cup is a prime example of the Attic black glaze ceramics that were widely used in domestic settings during the ancient Greek period. The Attic potters were known for their masterful use of black glaze, which was achieved by firing the clay at a high temperature in an oxygen-poor environment. The resulting glaze had a deep, lustrous black color and a smooth, glossy surface that was both durable and easy to clean. Domestic use of ceramics in ancient Greece was widespread, with cups and other vessels being used for a variety of purposes, from drinking and dining to storage and display. The Attic black glaze ceramics were particularly prized for their beauty and durability, and were often decorated with intricate patterns and designs that added to their aesthetic appeal.Size: L:50mm / W:80mm ; 60gProvenance: Private London collection, B.A.; formerly in pre-2000 European collection.
Los 100
Ca. AD 1 - 100.A terracotta oil lamp boasting a distinctive reddish hue and a charming, recessed tondo adorned with a dolphin in front of the rudder. The dolphin, a recurring motif in ancient Roman art, was often associated with Venus, the goddess of love and beauty, and represented good luck and protection during sea voyages. The lamp is equipped with a looped handle to the rear and a frontal round-tipped spout, allowing for easy handling and use. The flat base provides a sturdy foundation for the lamp, ensuring stability during use. In ancient Roman society, oil lamps were an essential source of artificial light and played a significant role in daily life. They were used for practical purposes, such as providing light for reading, writing, and cooking, as well as for decorative and symbolic purposes, such as funerary offerings and religious ceremonies. The use of oil lamps in ancient Rome extended beyond the practicalities of illumination, as they often served as a medium for artistic expression and cultural exchange. For a similar lamp, see the Richard and Carole Cocks Art Museum, item 2013.HB.62.Size: L:105mm / W:75mm ; 65gProvenance: Property of a London Ancient Art gallery, formerly acquired in Monaco.
Los 53
Late to Ptolemaic Period, Ca. 664 - 30 BC.A beautiful mummiform ushabti decorated with a light blue glaze and applied black pigment on the triparttite wig and Osiran false beard. There is also some remaining black pigment on the chest. This ushabti is flat-backed, resting against a pillar and standing atop a square base with crossed arms. Ushabti's were mummiform dolls buried with the deceased, often in great numbers. Their main function was to ensure the individual's comfort and freedom from daily labour in the next life.Size: 70mm x 20mm; Weight: 18gProvenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
Los 108
Ca. AD 100 - 300 .A carnelian necklace with tubular and bi-conical beads, featuring a mix of dark and light hues. Carnelian was valued in ancient Rome for its red-orange colour and believed protective properties.Size: L:235/470mm / W:4mm ; 6.84gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Los 87
Ca. 200 - 100 BC.A pottery unguentarium, a vessel that was specifically designed for holding unguent, a type of perfumed oil or balm used in ancient times. This container features an inverted piriform body with a small splayed foot, giving it a graceful and elegant form. The cylindrical neck of the vessel leads to an everted rim with a rounded lip, which is both functional and aesthetically pleasing. The exterior of the unguentarium is adorned with a rich black glaze that covers most of the body, creating a striking contrast with the unglazed bottom of the vessel. The glaze is expertly applied, creating a smooth and lustrous surface that enhances the beauty of the piece. The use of a black glaze on the unguentarium was not only decorative but also practical, as it would have protected the contents of the vessel from light and air, helping to preserve the unguent's fragrance and quality. Unguents were an essential part of daily life in the Hellenistic world, used for a variety of purposes, including personal hygiene, medical treatments, and religious rituals. They were often made from natural ingredients, such as olive oil, beeswax, and various herbs and spices, and were highly valued for their luxurious and therapeutic properties. The use of unguents was particularly popular among women, who would apply them to their hair and skin as part of their beauty regimen. Cf. The Princetown University Art Museum, Object Number y454.Size: L:75mm / W:40mm ; 50gProvenance: Private London collection, B.A.; formerly in pre-2000 European collection.
Los 6
STATUETTE D'AVALOKITESHVARA SAHASRABHUJA EKADASAMUKHA EN ALLIAGE DE CUIVRE DORÉTIBET CENTRAL, VERS XVE SIÈCLE Himalayan Art Resources item no. 1813 44 cm (17 1/4 in.) high Footnotes:A GILT COPPER ALLOY FIGURE OF AVALOKITESHVARA SAHASRABHUJA EKADASAMUKHA CENTRAL TIBET, CIRCA 15TH CENTURY Published Meinrad Maria Grewenig & Eberhard Rist (eds), Buddha: 2000 years of Buddhist Art, 232 Masterpieces, Völklingen, 2016, p. 423, no. 184. Exhibited Buddha: 2000 Years of Buddhist Art, 232 Masterpieces, Völklingen, 24 June 2016 —19 February 2017. This tall gilt bronze represents Avalokiteshvara Sahasrabhuja Ekadasamukha—the All Seeing, All Encompassing Lord with One Thousand Hands and Eleven Faces—whose compassionate gaze extends to every corner of the world. The figure's iconography traces as far back as to an Indian stone relief carved in the 5th or 6th century at the rock-cut Buddhist caves of Kanheri, India. Iconographic treatises translated from Sanskrit to Chinese around the 6th century indicate the early dissemination of this form into Kashmir, Central Asia, Tang China, and the Tibetan Empire. Since the reign of the first Dharma King of the Yarlung Dynasty, Songtsen Gampo (604-50), Avalokiteshvara has been the primary tutelary deity of Tibet. Drawing on an iconographic vocabulary of many heads and arms to confer cosmic supremacy on the Great Bodhisattva, this form of Avalokiteshvara was widely revered and further developed by the Palmo and Jowo traditions, modeling the deity with benign features except for the penultimate wrathful head. Retaining its original, gilded base plate, this image of Avalokiteshvara is executed in a refined 15th-century style emerging from a renaissance of Tibetan art, religion, and culture. Its facial modeling, together with the thin, incised lines of floral decoration with blackened silhouettes, nod to the work of Sonam Gyaltsen, a master artist active in Shigatse, c.1430, who contributed to, or perhaps created, one of Tibet's finest traditions in gilded sculpture. Also, the flowers gracing the lower garment, particularly the floral sprays gently floating in place, are nearly identical to the Chinese silk damasks gifted to Tibet during the early Ming dynasty. Rare examples include a Yongle period (1403-24) temple hanging of Shadakshari Lokeshvara in yellow silk that was sold at Bonhams, Hong Kong, 30 November 2022, lot 42, and another in red that was gifted by Sir Joseph Hotung to the Metropolitan Museum of Art, New York (fig.1; 2002.271). For examples of Tibetan gilt bronzes of similar quality depicting Avalokiteshvara with eleven faces, see a smaller figure published in, The Light of the Buddha: Buddhist Sculptures of the Palace Museum and Zhiguan Museum of Fine Art, 2019, pp. 402-3, no. 110. Also compare the Avalokiteshvara identified by inscription to have been made by Sonam Gyaltsen, sold at Bonhams, New York, 19 March 2018, lot 3033. For the figures listed in this essay, please refer to our printed or digital catalogue.銅鎏金十一面千手觀音像藏中 約十五世紀 著錄 Meinrad Maria Grewenig 及 Eberhard Rist 編，《Buddha: 2000 Years of Buddhist Art, 232 Masterpieces》，弗爾克林根，2016年，第423頁，編號184展覽「Buddha：2000 Years of Buddhist Art, 232 Masterpieces 」, 弗爾克林根，2016年6月24日至2017年2月19日這尊頎長的銅鎏金造像呈現十一面千手觀音——梵文意為「十一面千手、全知全能的救主」，其慈悲目光視及世間每一角落。這一形象最早可追溯到印度甘赫裡岩窟之公元五或六世紀所刻石浮雕。圖像學文本於六世紀時期自梵文翻譯成中文，證明這種形象於喀什米爾、中亞、唐代漢地和西藏王朝的早期傳播。自雅礱王朝第一位法王松贊幹布（604-50年）統治以來，觀音一直是藏地主要的守護神。以多面以及多臂之形象彰顯此菩薩遍及宇宙之至高地位，十一面觀音之形象在帕爾莫和覺沃傳統中廣受敬拜，並進一步發展，塑造了這位神祇的慈愛特徵，唯有上數第二層之忿怒面表現其作為至高神明的無盡神通。此尊觀音像仍保留鎏金封底原作，以十五世紀西藏藝術、宗教以及文化之文藝復興時期間形成之精緻風格而造。其面部塑造，以及花卉裝飾的纖細雕刻線條和填黑處理，折射出索南堅贊之傳統。索南堅贊為一位約1430年前後活躍於日喀則地區的工匠大師，西藏最精美的鎏金造像傳統之一，便由其創立或推動。同樣，點綴衣物下擺的花卉，尤其是輕柔飄動的飛花，與明初賞賜藏地的漢地絲綢織錦幾乎完全相同。稀有珍品包括一幅永樂年間（1403-24年）黃底暗花緞織四臂觀音寺廟掛畫（邦瀚斯，香港，2022年11月30日，拍品42），以及由何鴻卿爵士贈予紐約大都會藝術博物館之紅暗花綾四臂觀音像（圖1；2002.271）。至於同樣品質的藏地十一面觀音鎏金銅像，請參見《佛陀之光：故宮博物院與止觀美術館佛教造像》，2019年，頁402-3，編號110。亦可參考另一尊銘文記載為索南堅贊製作的觀音造像，於2018年3月19日在紐約邦瀚斯售出，拍品3033。關於文中所提及之參考圖，請參閱此場拍賣之電子或紙質圖錄。This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Los 144
An 18ct gold sapphire and diamond cluster ring, the large oval mixed-cut sapphire claw-set within a surround of brilliant-cut diamonds, Birmingham hallmark, total diamond weight approximately 0.60 carat, ring size K½. £300-£500 --- Condition Report General light surface wear commensurate with use. The sapphire is a very dark greenish-blue colour, with some inclusions typical to the nature of the stone observed under 10x magnification. The diamonds bright and lively. Gross weight 8.0gm.
Los 247
A turquoise and diamond ring and earring suite, the ring set with a turquoise cabochon within whorl surround of single-cut diamonds, to a basket mount with brush finished band, the earrings en suite, (turquoise untested), stamped ‘585’, total diamond weight approximately 0.70 carat, ring size N-O. £500-£700 --- Condition Report General light surface wear commensurate with use. The turquoise with mottled colouring and untested for treatments / natural versus synthetic. Gross weight 24.7gm.
Los 354
An antique gem-set portrait miniature, the glazed miniature depicting a bust length portrait of a lady in late 18th century dress, mounted in gold and centred within a vari gem-set surround, closed back settings, later adapted with brooch fitting, length 30mm. £150-£200 --- Provenance: Please refer to Department for Ivory Submission Reference number. According to a PMI test on an XRF Analyzer, the mount is testing as 18ct gold and the later brooch fitting is testing as 13ct gold. Condition Report General light surface wear commensurate with age and use. The gemstones too small to be accurately identified, some minor abrasion to the facets observed under 10x magnification. Gross weight 7gm.
Los 158
A mid 20th century gem-set bird brooch, realistically modelled as a bird perched on a branch, the back pavé-set with circular-cut citrines and with a similarly-cut emerald eye, length 40mm. £440-£500 --- According to a PMI test on an XRF Analyzer, the brooch is testing as 18ct gold. Condition Report General light surface wear commensurate with age and use. The golden yellow gemstones in varied hues. Some abrasion and small nicks observed under 10x magnification. Solder seam to the reverse from repair / re-backed. Gross weight 11.25gm.
Los 412
Chronograph Suisse. A gold chronograph wristwatch, Antimagnetic, circa 1950. Movement: manual winding, 17 jewels. Dial: silvered, gilt Arabic and dot indexes, subsidiary dials for constant seconds and 30-minute register. Case: 18ct gold, metal cuvette, snap-on back, no. 842503 23. Signed: dial. Dimensions: diameter 36.5mm. £340-£400 --- Condition Report Movement: running and chronograph operating at the time of cataloguing. Dial: refinished, slight mark at 6 o’clock. Case: light scuffs, indentations to the band and back, cuvette stamped 23. Gross weight: 44.5gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
Los 284
A diamond necklace, later adapted from a bracelet, composed of polished lozenge-shaped links spaced by brilliant-cut diamonds, the whole suspended by a fancy-link chain, total diamond weight approximately 1.35 carats, length 39cm. £700-£900 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Gross weight 22.2gm.
Los 171
A pair of diamond ear clips by Vourakis, of stylised trefoil design, with textured finish and set with brilliant-cut diamonds, signed ‘VOURAKIS’, numbered, stamped ‘750’, total diamond weight approximately 1.65 carats, length 27mm. £1,000-£1,500 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Gross weight 23.6gm.
Los 206
An emerald and diamond three stone ring, the step-cut emerald between two old brilliant-cut diamonds, stamped ‘18’, total diamond weight approximately 1.60 carats, ring size Q. £1,500-£2,000 --- According to a verbal report from GCS the emerald is of Colombian origin with indications of moderate clarity enhancement. Verbal report number 5784-2450. Condition Report General light surface wear to the mount and settings commensurate with use. The emerald is a vibrant green hue, with typical inclusions evident under close inspection - overall good transparency. Some scuffs and scratches to emerald - would benefit from repolish. The diamonds bright and lively. Settings may need attention as stones sound slightly loose. Replacement hoop. Gross weight 3.7gm.
Los 30
A pair of early 20th century sapphire and diamond cufflinks, each oval panel set with an old brilliant-cut diamond within a surround of vari-cut sapphires and diamonds, mounted in platinum and gold, stamped ‘18ct’, indistinct maker’s mark, total diamond weight approximately 1.40 carats, panel length 17mm. £1,000-£1,500 --- Condition Report General light surface wear commensurate with age and use. The sapphires are a greyish-blue hue and well matched, with some light abrasion and colour zoning, and the diamonds bright and lively with some nicks to the smaller stones. Observed under 10x magnification. Gross weight 10.6gm.
Los 233
A diamond eternity ring, set throughout with old brilliant-cut diamonds, engraved decoration to the band, total diamond weight approximately 1.20 carats, ring size M-N. £400-£600 --- Condition Report General light surface wear to the mount and settings. One diamond significantly chipped and anther with a small nick. The remaining diamonds bright and lively with typical inclusions. Metal unmarked and untested. Gross weight 2.8gm.
Los 256
A diamond eternity ring, set throughout with single-cut diamonds, total diamond weight approximately 0.70 carat, ring size M. £200-£300 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Shank extended. Metal unmarked and untested. Gross weight 2.4gm.
Los 79
A mid to late 19th century locket, the central panel with engraved foliate decoration and opening to reveal a glazed compartment, to a stylised laurel wreath surround and graduated beadwork border, glazed verso and with inscription, semi-bloomed finish, mounted in gold, length 45mm. £300-£400 --- Condition Report General light surface wear commensurate with age and use. The inscription reads ‘THE AFFECTIONATE GIFT OF COUSIN JULIA PANNELL’. Gross weight 15.1gm.
Los 135
A citrine and diamond set heart pendant, the heart-shaped citrine below a brilliant-cut diamond surmount and similarly-set detachable bale, mounted in 18ct white gold, stamped ‘750’ and with Italian assay marks, the whole suspended an unassociated brick-link chain stamped ‘14K’, chain length approximately 45cm, pendant length 5.5cm (including bale). £600-£800 --- Condition Report General light surface wear commensurate with use. The citrine is a brownish-orange colour with good saturation and excellent transparency. Polishing lines observed at the back facets. The diamonds bright and lively. Gross weight 42.2gm.
Los 121
A vari gem-set bracelet, the articulated bracelet channel-set with combination of calibré-cut sapphires, rubies and emeralds spaced by brilliant-cut diamond collets, stamped ‘750’, total diamond weight approximately 0.20 carat, length 19cm. £300-£500 --- Condition Report General light surface are commensurate with use. The gemstones well matched and diamonds bright and lively. Gross weight 11.6gm.
Los 243
A cultured pearl bracelet, the rotating cultured pearls within interlocking wirework links, stamped ‘14K’, length 18cm. £100-£200 --- Condition Report General light surface wear commensurate with use. The pearls with good lustre and pinkish overtones, surface blemishes throughout. Gross weight 15.7gm.
Los 258
A diamond ring, the central brilliant-cut diamond set between staggered baguette-cut diamonds, principal diamond approximately 0.60 carat, ring size I-J. £400-£600 --- Condition Report Principal diamond graded in setting as approximately H/I colour, VS2/SI1 clarity. Light wear to hoop, slight discolouration. Metal unmarked and untested. Overall good condition. Gross weight 3.6gm.
Los 112
A diamond dress ring, the bombé ring of bicolour basket weave design, with a pavé-set diamond scroll to the centre, indistinct assay marks, stamped ‘18K’, total diamond weight approximately 0.40 carat, ring size approximately K (with sizing clip). £300-£400 --- Condition Report General light surface wear commensurate with age and use. The diamonds bright and lively. Gross weight 12gm.
Los 399
International Watch Co. A stainless steel wristwatch, circa 1945. Movement: cal. 83, manual winding, no. 1072555. Dial: black, Arabic and dot indexes, engine-turned subsidiary seconds. Case: stainless steel, snap-on back, no. 1100047. Signed: case, dial and movement. Dimensions: diameter 34mm. £200-£300 --- Condition Report Movement: running at the time of cataloguing. Dial: very slight spotting. Case: light scuffs. Gross weight: 29.1gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
Los 128
A pink tourmaline dress ring by Verdura, the oval-cut pink tourmaline to a tapered woven wirework mount, signed ‘VEDURA’ and stamped ‘PLAT’, ring size L. £800-£1,200 --- Condition Report General light surface wear commensurate with use. The tourmaline is a vibrant medium pink hue, with inclusions typical to the nature of the stone.
Los 525
A set of 12 silver sporting beakers, the tapered stacking beakers each engraved with a game bird or animal, individually numbered 1 to 12 to the inside base, maker’s mark ‘M H’,. Sheffield 1988, contained in cylindrical black leather travelling case initialled ‘CMW’, beaker height 8cm. £1,200-£1,500 --- Condition Report Light surface wear particularly to the bases. Overall good condition. Gross weight 148.27gm.
Los 372
A small collection of jewellery, comprising two shell cameos, a diamond bar brooch, two diamond stickpins, and a cased set of six enamel and mother-of-pearl dress buttons, first cameo length 5cm. (6) £200-£300 --- Condition Report General light surface wear commensurate with age and use. One of the stick pins additionally set with a half-pearl, untested. Viewing is advised on group lots.
Los 3
A small collection of antique seed pearl and turquoise jewellery, comprising a bracelet, two brooches and a locket, all mounted in gold, bracelet and bar brooch stamped ‘15CT’, bracelet length 18.5cm. (4) £500-£700 --- Condition Report General light surface wear commensurate with age and use. Viewing advised on group lots. Gross weight 34.3gm.
Los 257
A black opal and diamond cluster ring, the opal cabochon claw-set within a surround of brilliant-cut diamonds, the shank stamped ‘18ct’, total diamond weight approximately 1.15 carats, ring size M½. £1,000-£1,500 --- Condition Report General light wear to the mount and settings commensurate with use. The opal has a blueish grey body colour with flashes of green, red and yellow, with some slight crazing and minor abrasion to the opal cabochon. The diamonds bright and lively, with inclusions typical to the nature of the stone observed under 10x magnification. Ring size leading edge M½. Gross weight 6.0gm.
Los 94
A sapphire and diamond bar brooch, circa 1900, the cushion-shaped mixed-cut sapphire between two old brilliant-cut diamonds, to a polished and tapered bar brooch, mounted in gold, length 7cm. £300-£400 --- Condition Report The sapphire is pale lilacy blue in colour, clean and bright. The diamonds weight approximately 0.1 carats each. The mount shows general light wear. Gross weight 5.2gm, including safety chain.
Los 126
A rose-quartz pendant by H. Stern, the cushion-shaped rose-quartz claw-set beneath a trio of brilliant-cut diamonds, stamped ‘750’, maker’s mark, French assay mark, total diamond weight approximately 0.10 carat, length 35mm. £200-£300 --- Condition Report General light surface wear commensurate with use. The rose quartz is a pale pink hue with excellent transparency. The diamonds are bright with good scintillation. Gross weight 11.2gm.
Los 107
An 18ct gold bracelet wristwatch and cufflink suite by Alan Martin Gard, 1973, the watch with central square dial, baton hour markers and hands, dial and 21 jewel movement signed ‘Rotary’, to a bracelet strap of foliate rectangular panels, the cufflinks of en suite, with swivel T-bar fittings, both with London hallmark and maker’s marks ‘AMG, bracelet length 16cm, cufflink panels 26 x 21mm. £2,600-£3,000 --- Alan Martin Gard is a London-based jeweller who formed part of the renaissance of Modern British Jewellery Design that occurred in the second half of the 20th century. After long apprenticeships at both Combies of Bond Street, and under Andrew Grima, Gard set out on his own in 1966. He has exhibited at both Goldsmiths’ Hall and the London Design Centre and has won various prizes including the De Beers Engagement Ring Design contest. He is still based at St Cross Street in Hatton Garden. Literature: Wingfield, Mary Ann, Modern British Jewellery Designers 1960-1980: A Collector’s Guide, pub. ACC Art Books, 2021. ---- Alan Martin Gard is a London-based jeweller who formed part of the renaissance of Modern British Jewellery Design that occurred in the second half of the 20th century. After long apprenticeships at both Combies of Bond Street, and under Andrew Grima, Gard set out on his own in 1966. He has exhibited at both Goldsmiths Hall and the London Design Centre and has won various prizes including the De Beers Engagement ring design contest. He is still based at St Cross Street in Hatton Garden. See: www.alangard.com Literature: Wingfield, Mary Ann, Modern British Jewellery Designers 1960-1980: A Collector’s Guide, pub. ACC Art Books, 2021. Condition Report The bracelet in good condition, light wear only. Bracelet width 21mm. Gross weight 74.7gm. Cufflinks - good condition. Both fully hallmarked. Weight 22.8gm.
Los 59
A gold posy ring, circa 1660-1680, the D-shaped band inscribed to the interior in italics ‘in thee my choice I do rejoice’, maker’s mark ‘TS’, diameter 21mm, band width 4mm, ring size Q½. £600-£800 --- Provenance: Ex UK collection. According to a PMI test on the XRF analyzer, the gold is testing as purity 91.46%. This was a popular posy - it can be seen on various other posy rings including examples in the British Museum (ref. 1961,1202.40, 1961,1202.42, AF.1298, AF.1299), the Griffin Collection (Inv. no. 05079), the Ashmolean Museum, Oxford (ref. AN1933.1593) and on the Portable Antiquities Scheme. Condition Report Minor surface wear, some light marks to the interior. Weight 3.99gm.
Los 96
An 18ct white gold and diamond ring, set throughout with brilliant-cut diamonds, Birmingham hallmark for 2011, ring size Q. £200-£260 --- Condition Report General light surface wear commensurate with age and use. Gold yellowing slightly and would benefit from rhodium plating. Gross weight 3.9gm.
Los 209
A ruby and diamond ring, the oval ruby cabochon set between stepped brilliant-cut diamond shoulders, stamped ‘18K’, ring size K. £300-£500 --- Condition Report Ruby with inclusions typical to nature of stone, some surface reaching. Diamonds bright. One diamond with chip, another slightly tilted in setting. Light wear, overall good condition. Gross weight 5.8gm.
Los 103
An 18ct gold and gem-set novelty dog brooch, circa 1960, with wirework coat, sapphire cabochon nose, ruby cabochon eyes and singe-cut diamond eyebrows, the box-link safety chain with diamond terminal, stamped 750, Italian assay marks, length 35mm. £500-£700 --- Condition Report General light surface wear commensurate with age and use. The gold with some tarnish / discolouration to the top of the dog’s head. Gross weight 12gm.
Los 473
A Victorian silver postal scale, the weighted cylindrical base supporting a square section column calibrated with pence per ounce for foreign letters, having an adjustable collar and a tweezer action letter holder suspended from a loop by Henry Williams Dee, London 1868, the base engraved with the retailer Rodrigues, 42 Piccadilly, cased, height (excluding tweezers) 11.5cm. £180-£220 --- Condition Report Column fully marked, collar with maker’s initials only. Case: light rubbing and small tear in leather.
Los 462
Jaeger-LeCoultre. A lady’s white gold and diamond-set bracelet watch lapis lazuli dial, circa 1970. Movement: manual winding, 17 jewels. Dial: lapis lazuli. Case: 18ct white gold, snap-on back, diamond-set bezel, sapphire cabochon-set winding crown, no. 16314 22 1555028, integral textured bracelet. Signed: case, dial, movement and bracelet. Dimensions: length 20mm, width 17mm, bracelet circumference approximately 145mm. £800-£1,200 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: light scuffs, protective sticker to the back. Gross weight: 36.6gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
Los 214
A mid 20th century gem-set bracelet, the articulated strap formed as a series of overlapping and pierced panels set with circular-cut rubies and emeralds, stamped ‘18C’, length 19cm. £3,000-£4,000 --- Condition Report General light surface wear commensurate with age and use. The gemstones with inclusions typical to the nature of the stone, some surface reaching when observed under 10x magnification. Gross weight 77.6gm.
Los 237
A pink sapphire and diamond dress ring, of flowerhead design, set with brilliant-cut diamonds and calibré-cut pink sapphires, mounted in 18ct gold, Birmingham hallmark, total diamond weight approximately 0.45 carat, ring size N. £200-£300 --- Condition Report General light surface wear commensurate with use. The pink sapphires are a pale purple-pink hue and well matched. The diamonds bright and lively. Gross weight 3.9gm.
Los 353
A pair of late 19th century diamond ear pendants, each set with an old brilliant-cut diamond within a pierced star surround set with vari-cut diamonds and suspending an old pear-shaped diamond drop, mounted in silver and gold, (later hook fittings), cased, total weight of four principal diamonds approximately 1.70 carats, length 45mm. £2,800-£3,400 --- Condition Report General light surface wear commensurate with age and use. The diamonds bright and lively, some smaller stones with nicks and abrasion observed under 10x magnification. Total diamond weight includes the two principal old cuts diamonds and two pear-shaped diamonds only.
Los 368
Three gem-set rings, comprising a cultured pearl and diamond triple stack ring, a 9ct gold and lapis lazuli dress ring, together with a late 19th century turquoise and diamond ring, mounted in gold, ring sizes I, N, and J½ respectively. £400-£500 --- Condition Report General light surface wear commensurate with use. Viewing is advised on group lots. All three rings show evidence of sizing alteration. Gross weight 17.7gm.
Los 425
Omega. A stainless steel rectangular wristwatch, circa 1935. Movement: manual winding, 15 jewels, no. 9146589. Dial: silvered two-tone, Arabic numerals, subsidiary seconds. Case: stainless steel, movement cap, snap-on back, no. 8331711. Signed: case, dial and movement. Dimensions: length 38mm, width 24mm. £200-£300 --- Condition Report Movement: Dial: refinished and in good condition. Case: light scuffs throughout. Gross weight: 27.9gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
Los 166
A diamond cluster ring, set throughout with brilliant-cut diamonds, stamped ‘18CT’, total diamond weight approximately 4.50 carats, ring size M-N. £1,200-£1,500 --- Condition Report Diamonds graded in settings as approximately I1 and SI2 clarity, ranging from I-M+ colour. Some stones not sitting flush in settings. Light wear - hoop yellowed and would benefit from rhodium plating. Overall good condition. Gross weight 11.8gm.
Los 239
A sapphire and diamond ring, the pierced cartouche set with a quatrefoil of brilliant-cut diamonds within a surround of calibré-cut sapphires, total diamond weight approximately 0.40 carat, ring size Q. £500-£700 --- Condition Report General light surface wear commensurate with age and use. The sapphires with some light abrasion. The diamonds bright and lively. Gross weight 4.2gm.
Los 127
A star sapphire and diamond cluster ring, the sugarloaf star sapphire set within a surround of single-cut diamonds, mounted in 18ct gold, later London hallmarks, total diamond weight approximately 0.50 carat, ring size K½. £800-£1,000 --- Condition Report General light surface wear commensurate with use. The sapphire of greyish blue hue, good transparency with eye visible inclusions, typical for the gemstone. Faint six ray asterism under direct light. Sapphire rubbed and with light abrasions. The diamond bright and lively. Gross weight 8.8gm.
Los 298
A mid 20th century cultured pearl and diamond ring, the baroque-shaped cultured pearl to a single-cut diamond-set foliate mount and wirework band, ring size K-L. £200-£300 --- Condition Report General light surface wear commensurate with age and use. Adhesive visible to where the pearl joins the mount. The tapered end of the pearl drilled. One of the diamonds with a small nick to the table observed under magnification. Viewing advised. Gross weight 8.0gm.
Los 139
An emerald dress ring, of textured bombé form, collet-set throughout with step-cut emeralds, stamped ‘18K’, ring size N. £300-£400 --- Condition Report General light wear commensurate with age and use. The emeralds of varying medium to pale green hue, with some light abrasion and inclusions observed typical to the nature of the stone.
Los 498
A Victoria silver large goblet, the body engraved with laurel swags beneath a border of lunettes, on knopped stem, the foot also engraved with a band of lunettes, by Messrs. Henry and John Lias, London 1874, height 24cm. £200-£300 --- Condition Report Indentations to foot, perhaps suggesting a repair to straighten out a bend or dent. Light rubbing to engraving and to hallmark. Weight: 16oz.
Los 34
A pair of cultured pearl cufflinks, the cut-cornered panels centred with a cultured pearl on a lozenge-shaped mother-of-pearl ground, with reeded decoration, T-bar terminals, stamped ‘K14’, panel width 13mm. £150-£200 --- Condition Report General light surface wear commensurate with use. The pearls with good lustre and pink and green overtones. Gross weight 9.8gm.
Los 192
A pair of cultured pearl and diamond ear clips, the cultured pearls, measuring approximately 13.5mm, set within an asymmetric surround of brilliant-cut diamonds, total diamond weight approximately 1.50 carats, length 22mm. £800-£1,200 --- Condition Report General light surface wear commensurate with use. The pearls with good lustre, circular growth marks and other minor surface blemishes observed. The diamonds bright and lively. Metal unmarked and untested. Gross weight approximately 15.8gm.
Los 218
An emerald and diamond ring, of foliate design, set with circular-cut emeralds and brilliant-cut diamonds, Portuguese assay mark, ring size O½. £200-£300 --- Condition Report General light surface wear commensurate with use. The emeralds are a pale green hue and well matched, with inclusions typical to the nature of the stone observed under 10x magnification. The diamonds are bright and lively. Assay mark for 800 standard gold fineness. Gross weight 6.8gm.
Los 117
A ruby and diamond pendant and a pair of gem-set earrings, the pierced cartouche pendant set with an oval mixed-cut ruby within a surround of brilliant-cut diamonds, the whole suspending a ruby bead and diamond drop, stamped ‘14K’, the earrings each set with brilliant-cut diamonds and calibré-cut orange gemstones, total diamond weight approximately 1.75 carats, pendant length 45mm. £600-£800 --- Condition Report General light surface wear commensurate with use. The principal ruby is a vibrant pink hue with typical inclusions. The ruby bead heavily included. The diamonds bright and lively. The principal brilliant-cut cloudy. The earring mounts unmarked and untested. The orange gemstones too small to accurately identity. Gross weight 12.4gm.
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534297 Los(e)/Seite