534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenA YELLOW METAL BAR BROOCH, centring on a circular cut aquamarine, flanked with seed pearls, within an openwork marquise shape surround, to a plain polished openwork bar, stamped to the reverse '15ct', length 60mm, approximate gross weight 2.5 grams, fitted with a brooch pin together with a fitted case (condition report: general light wear, would benefit from a gentle clean, overall condition good)
A 9CT GOLD CUBIC ZIRCONIA THREE STONE RING, designed with three colourless, circular cut cubic zirconia, each four claw set, within cross over shoulders, to a plain polished band, the gallery pierced with the word 'Love', hallmarked 9ct gold Sheffield, ring size L, approximate gross weight 2.4 grams (condition report: general light wear, stones in good condition, would benefit from a gentle clean)
THREE EARLY 20TH CENTURY CHILDRENS STORY BOOKS, COMPRISING RIP VAN WINKLE BY WASHINGTON IRVING, a 1909 reprint with illustrations by Arthur Rackham, The Springtide Of Life by Algernon Charles Swinbourne, illustrations by Arthur Rackham, printed 1918 and The Japanese Fairy Book, translation by Yei Theodora Ozan, printed 1908, Condition: Rip Van Winkle is missing most of the spine, text pages have brown spotting, majority of illustrations are in good condition, Springtide has heavy spotting to the opening pages, light spotting elsewhere, page 60 illustration is torn to the edges, the other illustrations appear to be in good condition, all books have damaged covers and handwritten dedications
A COLLECTION OF EIGHT ROYAL DOULTON CHARACTER JUGS, comprising 'Capt. Ahab' D6500, 'Don Quixote' D6455, 'Mad Hatter' D6598, 'Beefeater' D6233, chipped to the edge and underside at the back, 'Porthos' D6453, 'Neptune' D6548, 'Robinson Crusoe' D6532, light scratches to the base, possibly a second and 'Lumberjack' D6610, chipped to back edge base of handle (8) (Condition report: specific damage mentioned within the description, otherwise a bit dusty)
A LATE VICTORIAN SILVER OPEN FACE POCKET WATCH, silver and gold detailed floral dial, Roman numerals, seconds subsidiary dial at the six o'clock position, blue hands, within an engine turned design case with a vacant cartouche, case back hallmarked 'Albert Curtis' London 1891, stamped 460, approximate case width 53.8mm, together with watch key, approximate gross weight 151.2 grams (condtion report: working at time of cataloguing, time keeping untested, moderate tarnishing all round, general light wear, some surface scratches to the glass, overall condition good)
SIX BOXES AND LOOSE METAL WARES, LIGHT FITTINGS, ELECTRICAL ITEMS, HANDBAGS AND SUNDRY ITEMS, to include four wall mountable light fittings, a large ceramic ceiling shade with fitting, boxed Cartex Zenith 20 x 50 binoculars, boxed metal snowflake, spiral and reindeer napkin rings, cast iron door furniture, champagne boxes and empty bottles, two twentieth century tennis racquets and a badminton racquet, a Homepride Fred figure, a wicker hamper, a small blue hard plastic suitcase, DVD and VHS players, a box of ring binders, various handbags etc (sd) (6 BOXES)
A PAIR OF AGATE DROP EARRINGS, tear drop polished agate earrings in a yellow metal setting, with round brilliant cut bezel set accent diamonds, post fixture with scroll backs, stamped 14k and 585, approximate gross weight 5.7 grams, approximate drop length 31mm (condition report: general light wear, would benefit from a gentle clean, one post slightly misshapen requires attention)
A 9CT GOLD DIAMOND CLUSTER RING, centring on a brown round brilliant cut diamond, within a surround of single cut diamonds leading onto further single cut diamond detailed shoulders, estimated total diamond weight 0.40cts, plain polished straight band, hallmarked 9ct gold Birmingham, ring size N, approximate gross weight 2.3 grams (condition report: general light wear, all diamonds are present and in good condition, overall condition good)
A 9CT GOLD AQUAMARINE RING, centring on a four claw set, square cut aquamarine, to colourless spinel set shoulders, thin plain polished band, hallmarked 9ct gold Birmingham, ring size S, approximate gross weight 2.2 grams (condition report: general light wear, aquamarine in good condition, would benefit from a gentle clean, overall condition good)
A SILVER GILT 'CARTIER' QUARTZ WRISTWATCH, round cream dial signed 'Must De Cartier', Roman numerals, blue hands, within a plain polished case, case back signed 'Cartier Paris vermeil, Quartz Argent, plaque or G 20M Swiss made, stamped '925', 007376, 590003', with control marks, (non-running may require battery) approximate case width 29.9mm, fitted with an original brown strap with a yellow metal ardillon buckle, together with a fitted 'Cartier' box (condition report: general light wear, there is wear to the strap and buckle)
A GENTLEMENS 'TUDOR OYSTER PRINCE' WRISTWATCH, round silver dial signed 'Tudor Oyster Prince, Rotor Self-Winding', baton markers, silver luminescent hands, within a plain polished case, case back signed 'Original Oyster Case By Rolex Geneva', stamped to the lug '361', approximate case width 33.8mm, fitted with a brick link bracelet with a signed 'Rolex' fold over clasp, together with original fitted box and papers (condition report: working at time of cataloguing, time keeping untested, general light wear, scratches to the glass, general light wear to the case and strap)
A RADO DIASTAR WATCH, black ceramic and gold tone watch with a rectangular face, gold Arabic numerals at the four, eight and twelve o'clock position, gold baton markers at the remaining positions, date window above the three o'clock position, gold coloured hands, approximate case width 27mm, fitted with a butterfly clasp, model number 160.0282.3 10009576, also including box, warranty, gurantee card, wallet and additional links, (condition report: general light wear, not currently running)
A GENTLEMENS 'LONGINES' WRISTWATCH, round black textured dial signed 'Longines', Roman numerals, silver hands, plain polished case, all stainless steel case back signed 'Longines' L5.161.4.96.6, 29759834', approximate case width 34.8mm, fitted with a brick link bracelet with a hidden fold over clasp (condition report: general light wear, watch winds and sets but non-running, clasp in working consdition)
Star Wars - Darth Vader - Dave Prowse (1935-2020) and James Earl Jones - scarce large format dual autographed 16x12" colour photograph of Darth Vader from The Empire Strikes Back. Signed by both in blue ink to light areas, Prowse with character name added. High quality image. Supplied with ACOA authentication.
* IRENE HALLIDAY (SCOTTISH b. 1931),EVENING LIGHT, BLUE MOON, HARBOUR, STILL LIFE gouache on paper, signed, titled label versoimage size 64.5cm x 74.5cm, overall size 93cm x 104cm Mounted, framed and under glass. Handwritten artist's label verso, exhibition label verso; The Torrance Gallery.
* FRANK DOCHERTY RSW (SCOTTISH b. 1942),WEST HIGHLAND LANDSCAPEoil on board, signed and dated '92, titled verso image size 59cm x 59cm, overall size 77cm x 77cm Framed and under glass.Note: Frank Docherty was born in Glasgow and trained at Glasgow School of Art from 1960 - 1964. He was elected RSW in 1978. For more than a decade he has lived and worked in the South of France at Monfort Sur Argens where one of his neighbours and closest friends is Eric Idle of Monty Python fame. Docherty is something of a rebel of his generation of Scottish artists and he is not scared to express himself and have a light poke at life's comedies and tragedies. Frank's quirky paintings are suited to a mature art taste where the appreciation is in the narrative form, rather than the decorative. Frank Docherty’s paintings are represented in private collections in France, Brussels, London, Stockholm and Los Angeles and of course, Glasgow and all around Scotland.
ERNI UPTON,FAVOURITE VIEW, MULL FROM NORTH IONAoil on canvas, signed, further signed and titled versoimage size 51cm x 101cm, overall size 72cm x 122cmFramed. Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer).
* ALEXANDER CRESWELL (BRITISH b. 1957),MARIQUITA IN A SQUALL OFF FALMOUTHwatercolour on paper, signed, titled label versoimage size 37cm x 55cm, overall size 62cm x 79cm Mounted, framed and under glass.Label verso: Portland Gallery, London.Note 1: Alexander Creswell (born 1957) is an internationally celebrated artist known for his extraordinary fluency and technical skill in watercolour. He is largely self-taught. His distinctive style in watercolour combines subtle colouring and skilful draughtsmanship alongside a deep reverence for natural light. Creswell exhibits regularly to critical acclaim in New York, London and Dubai. Commissions include: HM The Queen, Lying in State of HM The Queen Mother, The House of Lords, Lying in State of HM The Queen Mother, The Royal Collection, Windsor Restored, Coutts Bank, 100th Birthday Gift to HM The Queen Mother, The Royal Collection, Windsor Castle after the fire of 1992, The Prince of Wales’ s Institute of Architecture, The Duchy of Cornwall, The Parliamentary Art Collection, Westminster, The Duchess of Northumberland, Alnwick Gardens Project, English Heritage, HSBC Middle East, Royal Bank of Scotland, The British School at Rome, The BBC, GNI Ltd, Chartered Association of Certified Accountants, The London Capital Club, Speyhawk plc, British & Commonwealth, Guinness Peat, Glaxochem, Wiggins Teape, Burmah Castrol, Cawdor Castle Tourism and many more. Very few of Creswell's pictures appear at auction but a watercolour of similar dimensions (37 x 55cm) to "Mariquita in a Squall Off Falmouth" was sold by Sotheby's London for £4080 (premium) - lot 147 25th May 2006.Note 2: The Yacht Mariquita was built by William Fife III and was launched at Fairlie on the Clyde in May 1911. She was part of a new generation of racing yachts, the new 19m Class which was a descendant of the historic Big Class racing and a precursor of the J-Class which arrived in the 1930s. In the early 1990s Mariquita went through major restoration (by Fairlie Restorations) and once re-built she set sale again taking part in countless regattas including Monaco Classic Week, Regates Royales Cannes and Les Voiles de Saint Tropez. In 2014 she was victorious, taking home the Big Boat Panerai Trophy. Mariquita's timeless elegance and incredible pedigree has contributed to her being widely regarded as one of the most beautiful historic racing yachts afloat today.
* MARY BATCHELOR (SCOTTISH 1944 - 2017),DINGHY AT IONAoil on board, signed; titled label versoimage size 24cm x 24cm, overall size 43.5cm x 43.5cmFramed and under glass.Artist's label verso.Note: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
* ETHEL WALKER (SCOTTISH b. 1941),THE LACE CLOTHoil on board, signed, titled label versoimage size 71cm x 87cm, overall size 94cm x 109cmFramed and under glass. Label verso: The Contemporary Fine Art Gallery, Eton.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a large mixed media by Ethel Walker sold for £2600 (hammer).
LEV MESHBERG (RUSSIAN 1933-2007)Egyptian Scene with Camel and Old Man ,2003oil on board affixed to board97 x 107 cm (38 1/4 x 42 1/8 in.) initialed and dated lower right; inventory number on verso PROVENANCEFamily of the artistCONDITIONObserved in frame, the painting appears in good condition. Inspection under UV light show no apparent sign of restoration.framed dimensions: 101 x 112 cm (39 3/4 x 44 1/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
LE PHO (VIETNAMESE-FRENCH 1907-2001)Fleurs,oil on canvas 63 x 39 cm (24 3/4 x 15 3/8 in.)signed lower rightPROVENANCEWally Findlay Gallery, Chicago inventory number 49979Purchased at the above by the present owner in 1974 (copy of invoice available upon request).CONDITIONObserved in frame, the painting appears in good condition. Very fine and stable craquelure, most notably to the areas of impasto. Minor surface soiling visible to the lower left and right edges. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 79 x 65.5 cm (31 1/8 x 25 3/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
SOLOMON BOIM (RUSSIAN 1899-1978)Kolkhoz Cattle ,1936watercolor and gouache on paper 44 x 53 cm (17 1/4 x 20 7/8 in.)signed with initials lower right; signed, titled and dated on verso in pencil PROVENANCECollection of Viktor KholodkovLOT NOTESBoim Solomon Samsonovich was a well-known Soviet artist of Jewish origin, is known mostly for his works in graphic techniques: watercolor, gouache, drawing, engraving, book illustrations and posters ("Agitplakat"). He lived in Ukraine, Leningrad, and Moscow. Studied in VKhUTEMAS from Kupreyanov. From 1926 on Boim participated in hundreds of exhibitions at home and abroad. He exhibited with such prominent artists as N. Altman, S. Chekhonin, G. Klutsis, V. Lebedev, El Lissitzky, K. Malevich, L. Popova, A. Rodchenko, V. Tatlin, P. Filonov, Stenberg Brothers, and V. Stepanova. His favorite subjects included architecture and cityscapes (mostly Leningrad/St. Petersburg and Moscow), nautical themes and the Navy, and Great Patriotic War. Boim's paintings were influenced by Socialist Realism and Russian Impressionism. Boim's works are widely recognized. They may be seen in the former Soviet Union in the Tretyakov Gallery, the Russian Museum, the Pushkin Museum of Fine Arts, and other major museums.This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.CONDITIONUnframed, the painting appears in good condition. Minor wear and bumping to the perimeter. A crease to the lower right corner. Not inspected under UV light.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GROUP OF FOUR WORKS ON PAPER BY NIKOLAI TROSHIN (RUSSIAN 1897-1990)comprising:a)Red Square. Lenin's Mausoleum Covered in Frost,1946, graphite on paper, 44 x 60.5 cm (17 1/4 x 23 3/4 in.), signed and dated lower right in pencilb)Harnessing a Mare, 1931, gouache on paper, 62 x 44 cm(24 1/2 x 17 1/4 in.), signed with initials and dated lower left in pencilc)Portrait of a Woman,1931, gouache on paper, 64 x 44 cm (25 1/4 x 17 3/8 in.), signed and dated lower right in pencild) Portrait of a Woodworker, 1941, graphite on paper, 44 x 32 cm (17 1/4 x 12 5/8 in.), dated lower right in pencilCONDITIONa) Unframed, the paper appears in age-appropriate condition. A visible hard crease and tear to the upper left and right corners and along the lower edge. The largest tear measuring, 4 cm (1 5/8 in.)b) Unframed, the paper appears in age-appropriate condition. Scattered tearing visible to the perimeter, most notably along the top edge, a loss to the upper left corner. As apparent in photographs. Largest tear measuring, 4 cm (1 5/8 in.)c) Unframed, the paper appears in good condition. Pin holes visible to the corner of each. A light crease to the lower right corner. Scattering tearing along the top edge, a small tear to the lower left corner and a tear to the left edge, measuring 2.54 cm (1 in.) in length. As apparent in photographs.d) Unframed, the paper appears in good condition. Very minor scattering of fly specks, as apparent in photographs. With no significant issues to report otherwise.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
GASTON VEUVENOT LEROUX (FRENCH 1854-1942)Musicienne,circa 1890cold-painted spelteroverall height: 97 cm (38 1/4 in.)stamped with 'B in a vase' and GeschutztCONDITIONThe sculpture appears in good condition. Scattered losses of paint endemic to age. Light surface scratches visible to the woman's front right arm. Visible crack to the back right of base.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF ENAMELLED METAL KHODYNKA "CUPS OF SORROW"each cylindrical, enamelled with neo-Russian geometric designs, centered on the recto with the Imperial double-headed eagle, on the verso with the crowned Imperial cyphers of Nicholas II and Alexandra Feodorovna, and the coronation year 1896; height of each: 10.5 cm (4 1/8 in.) CONDITIONThe pair are in overall fair condition. Scattered scuffing and losses to the enamel. Inspection under UV light shows fill-in medium residue to the bumps along the rims.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
SACHA MOLDOVAN (RUSSIAN 1901-1982)L'etreinte,oil canvas mounted on board 61 x 29 cm (24 x 11 3/8 in.) signed on verso; inscribed with inventory on verso PROVENANCEFamily of the artistCONDITIONObserved in frame, the painting appears in age-appropriate condition. Overall craquelure visible to the naked eye. Flaking along the upper edge. A loss to the upper left corner and to the woman's hat standing to the left. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 75 x 43 cm (29 1/2 x 16 7/8 in.) Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
SACHA MOLDOVAN (RUSSIAN 1901-1982)Still Life with House Plant,1962oil on canvas65 x 81 cm (25 5/8 x 31 7/8 in.)signed upper left, signed and dated on versoPROVENANCEFamily of the artistCONDITIONObserved in frame, the painting appears in age-appropriate condition. Inspection under UV light shows no sign of restoration.framed dimensions: 83.5 x 100 cm (32 7/8 x 39 3/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
JAMES GALE TYLER (AMERICAN 1855-1931)Landscape,1921oil on canvas36 x 51 cm (14 1/8 x 20 1/8 in.)signed and dated lower right, inscribed on versoCONDITIONObserved in frame, the painting appears in age-appropriate condition. Inspection under UV light shows overpainting less than 50% of the canvas, most notably to the dune, sky and sand.framed dimensions: 44 x 59 cm (17 3/8 x 23 1/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF MOORCROFT FRUITS OF THE EARTH VASESthe pair one featuring Blueberries the other Acorns and Mushrooms, the vases of various shapes and sizes, each with impressed factory mark and MADE IN ENGLAND underglaze, the Blueberries vase signed with full signature in blue underglaze by Walter Moorcroft, dating circa 1947-1953, with possible date cypher impressed underglaze, the Acorns and Mushrooms vase initialed WM for Walter Moorcroft in brown underglaze, dated with copyright in brown underglaze, impressed date cypher for 1999, all marked under base; tallest measuring: 27cm (10 5/8 in.); shortest measuring: 22 cm (8 5/8 in.)CONDITIONThe pair appears in good condition. Overall crazing visible to the body of the Blueberries vase. Otherwise no significant issues to report. Each inspected under UV light showing no apparent sign of restoration.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A TOWLE 100-PIECE STERLING SILVER FLATWARE SERVICEcomprising 100 pieces in the "King Richard" design (conceived 1932, the pattern is inspired by the architectural decoration of old English mansions), with a central ornamental knight's shield with pointed top, the neck framed by curling leaves, each piece stamped with STERLING SILVER standard and maker's mark to the underside; housed in a felt cloth, measuring 30 x 48 cm (11 3/4 x 18 7/8 in.), gross weight: 6.35 kg (223.98 oz), including:one pie knife; 17 cm (6 3/4 in.)one serving fork; 20 cm (7 7/8 in.)one serving spoon; 21.5 cm (8 1/2 in.)twelve dinner forks; 19 cm (7 1/2 in.)twelve cocktail forks; 14.5 cm (5 3/4 in.)twelve side forks; 16 cm (6 1/4 in.)twenty-five dinner spoons; 15 cm (6 in.)twelve soup spoons; 15 cm (6 in.)twelve dinner knives; 24.5 cm (9 5/8 in.) twelve butter spreads; 14 cm (5 1/2 in.)CONDITIONOverall, the service appears in good condition. Very light surface scratches, consistent with age and use. No significant issues otherwise apparent to the naked eye.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
DAVID BURLIUK (RUSSIAN 1882-1967)Snow Bound,oil and collage on burlap127 x 99 cm (50 x 39 in.)signed and titled lower left PROVENANCEAcquired directly from the artist's familySotheby's New York, 11 October 2011, lot 184Acquired at the above by the present ownerCONDITIONObserved in frame, the painting appears in good condition. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 152 x 123.5 cm (59 7/8 x 48 5/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
EMILE ALBERT GRUPPE (AMERICAN 1896-1978)Autumn Forest,oil on board30 x 40 cm (11 3/4 x 15 3/4 in.)signed lower rightCONDITIONObserved in frame, the painting appears in good condition. Inspection under UV light shows no apparent sign of restoration.framed dimensions: 47 x 46.5 cm (18 1/2 x 18 1/4 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF CHINESE XIANFENG PORCELAIN PLATESeach circular with lifted edges, the rim featuring a lattice motif with a cloud cartouche with naturalistic designs, the interior featuring a garden scene, all in blue against a stark white ground, the exterior with a naturalistic motif in blue Xianfeng marks blue underglaze underside; height of each: 4 cm (1 5/8 in.), diameter: 26 cm (10 1/4 in.)CONDITIONThe pair appears in good condition. Scattering firing imperfections visible to each. A small crack visible to the underside of one the other with a small crack to the exterior. Scattering chipping to the rim of one. Inspection under UV light shows an overall even layer of varnish to each.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
MYKOLA BABAK AND EVGENY MATVEEV (UKRAINIAN B. 1954 AND 1950)I'll Be Back from the "Time Capsule" Series,2018oil on canvas 135 x 200 cm (53 1/8 x 78 3/4 in.)initialed and dated lower right; signed, dated and titled on verso PROVENANCEAcquired directly from the artist by the present ownerPrivate Collection, New YorkCONDITIONUnframed, the painting appears in good condition. No apparent issues visible to the naked eye, with no significant issues to report otherwise. Not inspected under UV light.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Loading...
