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Preisdatenbank abonnierenA small jug and triangular bowl in light gray, decorated in a geometric feather-like pattern painted with red, green, blue and yellow hues. Germany embossed on the underside of the basin. Pitcher: 4.5"L x 4.5"W x 6"H. Basin: 10"L x 9.5"W x 2.75"H. Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.
Original embroidered Chinese design with vibrant silk threads on a white cloth background featuring red and pink peonies with butterflies. On the upper right, the Chinese characters read: Prosperity and Wealth. Housed in a brown wood frame with a light hunter green mat. Sight size: 12.75"L x 16.50"H. Frame size: 20.50"L x 26.50"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear.
Rory Gallagher: A Fender Esquire Electric Guitar,1959,Serial no. 35849 stamped on neckplate, this also roughly engraved with what appears to read Property of Buzz Harding Greensburg Kansas, body refinished in black, volume/tone controls and three-way selector, non-original white pickguard, maple neck and fingerboard, black dot markers, re-fretted, in rectangular, plush-lined hardshell case with strap,guitar 38 1/4in (97cm) longFootnotes:The first known photographs of Rory playing this guitar were taken in Milwaukee on 20th October 1971 and then at the Beat Club appearance in December, so it is likely that he acquired the guitar sometime in summer/autumn that year. Although an Esquire model, Rory often called it a Telecaster as it was fitted with a neck pickup, thereby effectively converting it to a Telecaster. In an article entitled The Rory Story in Zigzag magazine, December 1971, Rory describes it thus: 'The Telecaster is a 1953 Esquire - a guy phoned me up and told me he had one, so I tried it out, and sure enough - one of the real McCoys. I had to have new machines on it and it needs a new scratchplate.' Rory's inaccurate dating of the guitar is confirmed in a later interview in Guitarist Magazine, June 1987, when he states that the guitar is a top-loader, with the strings being anchored at the bridge, instead of going through the body. This only featured on Esquire models between 1958-1959, therefore giving an accurate date for the guitar. When Rory first acquired the guitar it had a Blonde finish and a neck pickup already installed. Rory's first modification was to replace the tuners, installing a set of Kluson Deluxe tuners. The second modification occurred in a brief window in March 1972, between returning from a European tour early that month, and before starting a UK tour on the 8th March. Apparently, the guitar was run over by an airport trolley and was given to luthier Chris Eccleshall to affect some urgent repairs. He replaced the broken threaded thick bridge saddles with steel grooved saddles that Fender had introduced for the 1968/69 season and also replaced the old seven-screw, non-laminated decorated pickguard with a five-screw non-laminated white example. The upper bout of the guitar suffered damage, but Eccleshall was able to piece the body back cleanly as the breaks were clean, rather than crushed. There was no time for a proper refinish so he used a clear polyurethane lacquer which, however, appeared to have a greenish tinge when viewed at a certain angle.The next modification took place in mid to late 1972, as can be seen in photographs taken by Michael Putland during the Blueprint album sessions in December for what would be Rory's 4th solo album. The fingerboard appeared to be new, a result of the sanding/lacquering required after the frets and nut had been replaced. During this process, the fingerboard radius was increased from 7.25inches, since the nut appears higher than usual. Following his return from a US tour that year, the guitar went back to Eccleshall, when the clear finish he had previously applied was replaced by the black finish seen on the guitar today.The guitar became one of Rory's main instruments for live work, particularly for slide playing, and over the next five years or so underwent a number of pickup changes, reflecting Rory's continuing search for the 'perfect' sound. These included, in 1976, a Strat pickup in the neck position and another Strat pickup added to the middle position, with a five-way selector replacing a three-way. As Rory put it in International Musician And Recording World magazine in April 1977: '...it's grown from an Esquire to a Tele to a Tele-Strat.' The Esquire was eventually replaced by Rory's Gretsch Corvette in late 1978/early 1979 and remained unseen until around the time of the release of the Defender album in 1987. Gone were the two Strat pickups and it sported its original configuration. It was also fitted with a new back loader bridge with six holes drilled into the body for the anchoring string ferrules. Furthermore, a new five-screw pickguard appeared, and the five-way selector replaced by a three-way. Defender was the 13th solo album by Rory released in 1987. Rory used the Esquire on Loanshark Blues for slide through the Fender Deluxe with a DOD Echo pedal. Rory recalled: 'I like using my own echo on overdubs - I prefer to use effects when I'm recording, rather than put them on afterwards, as any time you touch your guitar, you get an extra noise you can't get later on.'Rory can be seen playing this guitar in 1977 at Rockpalast, Essen, Germany, with three pickups, before the middle pickup was removed. This particular show was broadcast across Europe to over 50 million homes. The guitar also features in many photographs.'It's light, and I can see why Rory liked it... You can tell he wanted to play slide on it... He [Rory] was a working-class hero, that transcended just being Irish and transcended into a global thing...and that honesty and authenticity - you hear it in the music. He's an icon!'- Joe Bonamassa, Guitarist Magazine, July 2024.In July 2024, American guitarist and singer-songwriter Joe Bonamassa also played the guitar in an interview with Guitarist Magazine. To watch the full interview, view it here: www.youtube.com/watch?v=8nQlUUegxcgLive PerformanceRory Gallagher, Rockpalast, Essen, German, 1977, youtu.be/6qkr-XlNZKM?si=ZOe5d6IC28gzHMuF&t=2251.Exhibition'The UK Guitar Show', Olympia, London, UK, 2018.'Born To Rock', National Museum of Ireland in Dublin, Ireland; Harrods, London, UK, 2006-2007.Literature 'Gallagher', International Musician And Recording World, April 1977. Full chronological details of the various modifications to this guitar are at: www.rorygallagher.com/1959-esquire.For further information on this lot please visit Bonhams.com
Rory Gallagher: A Bjarton Acoustic Guitar,Early 1960s, Indistinct serial no. 8 164 stamped to top of headstock, labelled inside Tillverkare Bjarton Musikinstrumentfabrik Bjarnum - Sweden, natural finish, spruce top, mahogany sides and back, mahogany laminate inside, fingerboard with dot markers, solid headstock with logo and three-a-side tuners, in shaped, plush-lined Yamaha hardshell case (damaged), with transit labels/stickers,guitar 35 1/2in (90cm) longFootnotes:'I've got an old Bjarton guitar and it's beautiful.'- Rory GallagherRory bought this acoustic guitar in Copenhagen, Denmark, in 1967 and used it for recording the song 'Hail' for Taste's debut album in 1969. He said, 'I've got an old Bjarton guitar and it's beautiful. It's a very small guitar like the small Martins. Blind Blake used to use one - it's like a ragtime guitar. The neck joins the body at the 12th fret. I got that in a pawn shop in Denmark in about '67 for about £4. I've been playing that a lot lately, and that's got the light strings - being a small-scale guitar, the light strings don't buzz or anything - it's just right. I used it on the first Taste album and I used to use it on stage. In fact, I was thinking of pulling it out one night and sticking an Ibanez or something on it.' - Rory Gallagher, International Musician, 1977.Literature'Gallagher', International Musician Magazine, April 1977. www.roryon.com/collection.html.Bjärton:Bjärton Musical Instrument Factory was founded in 1946, in Bjärnum, Sweden. Originally the company specialised in double basses, but soon began producing guitars from 1952, until their closure in 1990. In their guitar design, the company focused on producing classical and steel-string acoustic guitars. These instruments are renowned for their high-quality construction, using premium European tonewoods that contribute to their rich sound. Though the company eventually ceased production, Bjärton guitars remain prized by collectors and musicians who appreciate their vintage charm and the legacy of traditional Swedish luthiery.For further information on this lot please visit Bonhams.com
American School (19th/20th century) Expansive Western scene with cowboys Unsigned, oil on board.28.5 x 38cm (framed 46.5 x 56cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and one or two spots of overpainting. The surface appears to be slightly grubby in areas. The painting is ornately reframed but not glazed.
A Wedgwood "Florentine" Pattern Part Tea, Coffee and Dinner Service A Wedgwood "Florentine" Pattern Part Tea, Coffee and Dinner Service, comprising two tureens (lacking covers), four graduated oval platters, a single larger and a pair of medium-sized bowls, a single large dished serving plate, seventeen dinner plates, nine side plates, a sandwich plate, twenty-two saucers, eleven dished saucers (three larger sized), two pin dishes, a finger bowl, a rectangular serving tray, twelve teacups, four mugs, two soup bowls, and a sauce boat on stand; together with two further dinner plates, side plate, and a saucer without turquoise enamelling.Several saucers with crazing lines, two with single surface hairline, one with several hairlines, several with slight loss to enamelling; one mug with small fitting crack to rim; one cup with losses to inner turquoise banding, some crazing to exteriors; lozenge dish with crazing, some scratches and enamel losses; sauceboat with body hairline; large circular platter with some surface scratches; one of the pair of bowls cracked; both soup bowls with crazing; two side plates cracked, several others with crazing lines; generally light wear with minor sporadic scratches and minor sporadic rubbing to enamels; additional images available.
A Japanese Meiji Period Satsuma Vase by Kizan A Japanese Meiji Period Satsuma Vase by Kizan (Kore O Tsukuru), of hexagonal outline, decorated with vignettes of parading bijin and a lily pond against a mountainous river landscape with stippled gilt detail to ground, Shimazu crest and four-character mark to base.22cm highTightly crazed, some very light generalised wear and discolouration to gilt but no visible damage, good condition.
Continental School (20th century) A portrait of two gentlemen Indistinctly signed and dated '34 in pencil in the margin, etching.16.5 x 18.5cm (framed 38 x 44cm)The print is in very good, original condition. There is some time staining and light browning in the margins of the paper near the mount board, with one or two minor spots of foxing. The print is ornately reframed and glazed. The frame has some scuffs and knocks.
Charles Leslie (British 1835-1890) Moonlit lake scene Signed and dated 1875, oil on canvas.29 x 39.5cm (framed 47 x 57cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed in areas across the painting. There is craquelure across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some minor knocks and losses commensurate with age.
A Rolleicord Twin-Lens Camera A Rolleicord Twin-Lens Camera, serial no. 1558004, the upper lens Heiosmat 1:3,2/75, the lower lens Xenar 1:3,5/75, further marked Synchro-Compur Franke & Heidecke Braunschweig, in fitted leather case, with a Sangamo Weston light-meter, also cased.Not tested, light general wear to camera, case with a split to back and general wear.
John Moncreiff Ltd, Perth "Monart" Glass Vase Shape "MF", size code VI, speckled blue to light green with aventurine, ground pontil, bearing label.23.6cm highPrivate collection, Welsh Borders.Slightly smaller than published dimensions for size code, internal crack to underside across portion of pontil button and foot, not reaching to body or visible when displayed, vase is stable and otherwise intact, otherwise some light generalised wear but no damage or other issue to note.
A Chinese Famille Rose Relief Moulded Snuff Bottle A Chinese Famille Rose Relief Moulded Snuff Bottle, Qianlong mark but likely 19th century, with key fret and ruyi borders above three-claw dragon and phoenix set against stylised clouds, four character mark to base, with associated spoon bearing pink hardstone finial.8cm high excluding stopperSmall nick to foot rim, otherwise some rubbing to overglaze enamels and light generalised wear with dirt but no other visible damage.
G. Earp (British 19th century) Lake View with figures Signed, watercolour.23.5 x 32.5cm (framed 48 x 55.5cm)The painting is in good, original condition. The paper has browned slightly in areas and there are some minor spots of foxing across the sheet. There is some light time staining and browning around the edges of the paper near the mount board. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
A 19th Century Continental Porcelain Oval Plaque Attributed to Wagner for Hutschenreuther A 19th Century Continental Porcelain Oval Plaque Attributed to Wagner for Hutschenreuther, hand-painted with a portrait, "Erblüth", after Angelo Asti, signature "W[...]" lower-left partly obscured, bearing blank label verso and impressed no. 12, set in a mahogany frame.The plaque 12 x 9cm, the frame 32 x 21.5cmThe plaque in good condition with only very light surface wear, the frame with some nibbles and wear.
English School (19th century) Portrait of a seated gentleman Unsigned, oil on canvas.94.5 x 86.5cm (framed 119.5 x 111.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is extensive craquelure and some cracking across the surface of the painting. There are one or two subtle protrusions and dents in the canvas, and a fleck of paint loss towards the upper left-hand corner. The painting is ornately framed but not glazed. The frame has some knocks and losses.
George Augustus Williams (British 1824-1901) River scene with figures Unsigned, oil on canvas.29 x 49.5cm (framed 44 x 64.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure and one or two minor marks found across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some very minor scuffs and knocks commensurate with age.
A Chocolate Cup with Cover and Stand in the Style of Sevres And a Meissen Teapot A Chocolate Cup with Cover and Stand in the Style of Sevres, late 19th/early 20th century, painted with a vignette of lovers exchanging flowers (signed Max) to one side and a river landscape to the other, the stand painted with two river landscape vignettes, all within gilt scroll borders and further gilt highlights against navy ground, unmarked; together with a Meissen teapot decorated with floral sprays, the cover with moulded floral finial, bearing underglaze blue crossed swords mark.The cup 13cm high, the stand 17cm diameter, the teapot 19.5cm longThe cup cover, cup and stand all with some lost gilt 'jewels', some rubbing to gilt (most notably to the centre of the stand) and light surface pitting but without damage; the teapot finial with some small losses, body with small surface chip to rim, some glaze losses to decoration and rubbing to gilt but first quality and inside decorated.
Caroline Fanny Williams (British 1836-1921) "Cows Watering" Unsigned, titled on gallery label attached to verso, oil on canvas.29.5 x 24cm (framed 41 x 35cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed slightly in areas across the painting. There is craquelure across the surface of the painting and one or two minor surface scuffs. The painting is ornately reframed but not glazed. The frame has some very minor scuffs and knocks commensurate with age.
An Early 20th Century Crystal "Mushroom" Table Lamp An Early 20th Century Crystal "Mushroom" Table Lamp, twin bayonet fixtures, with chromed mounts and deeply cut decoration throughout on waisted column to spreading circular base.50cm high, the shade 30cm diameterA few of the points between the oval recesses to the very base of the shade rim have been chipped to exposed edges but this is only noticeable when very closely examined; a flea bite to one of the edges of the column; otherwise very light generalised surface wear but without any major or additional issues to note with some pitting to chroming.
A Chinese Famille Rose Relief Moulded Snuff Bottle A Chinese Famille Rose Relief Moulded Snuff Bottle, Qianlong mark but likely 19th century, with key fret and ruyi bands above guardian lions playing with the embroidered ball (xiù qiú) to each side against further scrolls and ribbons, six-character iron red mark to base, with associated spoon bearing green hardstone finial.6.5cm high excluding stopperTwo small nicks to raised parts, otherwise light general wear, stopper and spoon associated, cork stuck in neck.
Three Chinese Snuff Bottles Three Chinese Snuff Bottles, late Qing, comprising a Peking-type yellow glass bottle bearing taotie masks with rings to shoulders, a ruby glass bottle bearing stylised masks and recesses to sides and a smoked grey hardstone bottle, the latter two with spoons and stoppers, one likely agate, the other likely ceramic simulating agate, this further set with bone, all unmarked.The first 6cm highThe yellow bottle with broken off cork in neck, otherwise general surface wear commensurate with age and use, the latter two more prominently, the third with small chip to rim and some visible internal flaws, some general fleabites.Additional images under natural light now available.
Hubert Thornley (British fl. 1859-1898) Coastal view with fishing boats in choppy waters Signed, oil on canvas.23.5 x 39.5cm (38.5 x 54cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
A Miniature Japanese Meiji Period Ginbari and Cloisonne Enamel Vase by Ota Jinnoei A Miniature Japanese Meiji Period Ginbari and Cloisonne Enamel Vase by Ota Jinnoei, circa 1890-1900, featuring white egrets against a graduated light orange to scarlet ground with a band of blue above the foot representing water, stamped mark to base.6.3cm highA few fleabites around rim, a few very small instances of surface pitting or scratches, some small faults or slight deterioration to the foil, please refer to illustrations for further detail.Additional images under natural light now available.
A Late Victorian or Edwardian Doll's House, with four rooms and central staircase, removeable fireplaces and stairwell, together with various light fittings, doors and other appointments.79cm x 80cm x 57cm.In need of some restoration, roof quite warped; additional images available via this link: https://we.tl/t-et07mFvU42
Charles Euphrasie Kuwasseg (1838–1904) "Environs de Grenoble" II Signed and dated 1874, titled on artist's label verso, oil on canvas.55 x 45cm (framed 65 x 55cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally. There are a few fine cracks found across the painting and stretcher marks are visible. There is a fleck of paint loss towards the top of the canvas, and some other minor surface marks. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
A Pair of Japanese Lacquered Wood Hibachi A Pair of Japanese Lacquered Wood Hibachi, a device for heating food (lit. fire-bowl), with metal liners and inlaid maki-e type decoration to the wooden bodies above lacquered bases, both boxed.26.5cm diameter, 23cm highLight general surface wear including some small scratches and nicks.
A Noritake "Arabian" or "Desert" Pattern Four-Setting Tea Service A Noritake "Arabian" or "Desert" Pattern Four-Setting Tea Service, early 20th century, comprising teapot with cover, sugar bowl with cover, cream jug, four teacups and four saucers, all except saucers and two teacups bearing printed Noritake mark and logo (the teacups bearing printed A within flag mark, the saucers unmarked).The teapot 20.5cm longSmall chip to teapout spout tip, fleabite to teapot cover interior rim, otherwise some light rubbing to gilt and sporadic minor surface marks but no other damage or issues to note.
J. H. G. de Haag (19th/20th century) Rural scene with cattle Signed, oil on canvas.34 x 49.5cm (framed 47 x 62cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and the surface appears to be dirty. There is craquelure in areas across the surface of the painting and some stretcher marks are visible. The painting is ornately reframed but not glazed. The frame has some minor knocks and losses commensurate with age.
A Late 19th Century French Five-Glass Brass Cased Carriage Clock A Late 19th Century French Five-Glass Brass Cased Carriage Clock, with repeat and alarm functions, the dial set with Roman numerals and subsidiary alarm, the twin drum eight-day movement striking on a coil above five holes drilled to the base, the backplate faintly engraved Leroy & Fils 211 Regent Street and no. 2247.14cm high excluding swing handleNot tested and without any guarantee of working order or accurate timekeeping, no key, dial with several hairlines left side, light generalised wear to case with nicks, tarnish and discolouration,
Frederick Clive Newcome (British 1847-1894) "Derwentwater" Signed and dated 18/8, titled on mount board, oil on canvas.49.5 x 75cm (framed 79.5 x 104cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of extensive cleaning and overpainting. The varnish has yellowed slightly in some areas and the surface appears to be a little grubby. There is craquelure and cracking across the surface of the painting. There is some bitumen deformation towards the lower edge of the canvas and some small areas of paint loss. The painting is ornately framed but not glazed. The original mount has some minor cracking and the frame has some minor knocks and losses commensurate with age.
A Late 19th / Early 20th Century Vienna-Type Cabinet Plate A Late 19th / Early 20th Century Vienna-Type German Cabinet Plate, titled "Psyche. Wagner" in gilt to reverse, the central scene signed Kunze and set within a gilt and enamelled border against a dark green ground, underglaze blue "beehive" or shield mark to reverse.24cm diameterRings, no chips or cracks, some rubbing to gilt at rim and very light generalised wear but overall good condition.
An Early 20th Century Japanese Carved and Pierced Hardwood Desktop Cabinet An Early 20th Century Japanese Carved and Pierced Hardwood Desktop Cabinet, the gallery featuring a gilt dragon amongst clouds and chrysanthemum flowers above pigeon holes, recess, single drawer and two cupboards, one flanked by gilt dragons, all profusely carved with floral sprays including further chrysanthemums and lillies in low relief above a moulded base further detailed with clouds101.5cm wide, 24.5cm deep, 61cm highNo particular damage or other serious issues to note, expected general but light surface wear commensurate with age and use, some surface putting and indents, some rubbing to gilding, some nicks to corners and edges, additional images detailing general condition added.
Southey (R.), The Life of Nelson & Rose (J. H.), The Life of Napoleon I Two vols., printed for John Murray, London 1813, in gilt tooled navy calf boards; and The Life of Napoleon I by Rose (J. H.), two vols., pub. G. Bell and Sons Ltd, London 1912, in half red calf boards. Both Southey volumes covers in good condition with only some minor bumps to corners and very minor bumps to spine, some browning to portrait frontispiece and isolated browning/spotting to text, binding secure, no owner's names. Rose volumes displaying more exterior wear with scuffs, nicks and fading to boards, vol ii with deterioration to upper spine, bindings have a little movement but still secure. Page edges foxed. Vol I briefly inscribed to front paper, engraved frontispiece with light spotting, both volumes displaying spotting to text throughout. Plate illustrations and folding map present, generally clean, occasional minor spotting.
Charles Euphrasie Kuwasseg (1838–1904) "Environs de Grenoble" I Signed and dated 1874, titled on verso, oil on canvas.55 x 45cm (framed 65 x 55cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally. There are areas of craquelure across the surface of the painting and some stretcher marks are visible. There are two small protrusions found near the centre of the canvas, and one or two flecks of paint loss. There are also a number of minor surface marks across the painting. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
An Edwardian Mahogany Framed Parlour Settee An Edwardian Mahogany Framed Parlour Settee, upholstered in floral fabric, with pierced foliate panels to back and swept arms, raised on cabriole front supports terminating in castors.149cm wide, 67cm deep, 79cm highLight general wear to frame including some small knocks.
A Large Royal Doulton HN 3718 "Charge of the Light Brigade" Prestige Series Figure Group A Large Royal Doulton HN 3718 "Charge of the Light Brigade" Prestige Series Figure Group, modelled by Alan Maslankowski, printed gold marks and dated April '96 to base (af).43.5cm high, 30cm longThe tail is off, it has been reglued in the past, piece present, the sword is also either a replacement or restored, somewhat crudely glued to the figure, the spur of the left boot likely also replaced/restored, the bridle strap likely reglued to left side of horse's head, the tassle leading from the top of the headgear also likely a replacement or restored, joint between that and headgear quite crude; no further obvious damages or restorations, kindly refer to illustrations and request additional images if required to satisfy before bidding.
Three Chinese Snuff Bottles Three Chinese Snuff Bottles, late Qing, the first carved rock crystal, lacking stopper, the second likely glass imitating rock crystal bearing taotie masks to shoulders, lacking stopper, the second ceramic imitating jade, this with associated stopper bearing jade cabochon finial, both unmarked, together with additional spoons and finials, one set with agate (several af).Both 5.5cm highThe crystal bottle with one small polished chip and further nibbles to rim with internal hairlines and additional internal imperfections as well as light general wear, the second with internal imperfections (possibly deliberately contrived) and fleabites to rim, the third noticeably scratched to body, stopper does not fully enter.Images under natural light now available.
Circle of William Havell (British 1782-1857) "Bay of Naples" Bears signature, titled and dated 1831 on gilt nameplate, oil on canvas.44.5 x 59.5cm (framed 63 x 78cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and the surface appears to be dirty. There is extensive craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has some knocks and losses commensurate with age.
Sidney Richard Percy (British 1821-1886) "Borrowdale" Signed and dated 1852, title on artist's label verso, oil on canvas.29 x 45cm (framed 41 x 57cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and the surface appears to be dirty. There are areas of craquelure across the surface of the painting and a few flecks of paint loss. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
A Late 19th / Early 20th Century Vienna-Type Cabinet Plate A Late 19th / Early 20th Century Vienna-Type German Cabinet Plate, titled "Lisette" to reverse, the central decoration signed Franz in gilt and set within gilt borders featuring three vignettes of cherubs against navy ground, "beehive" or shield mark in underglaze blue to reverse.24.5cm diameterRings, no cracks or chips, there is a small indent to her right elbow which is from manufacture and is only particularly noticeable under direct light, some rubbing to the gilt at the edge and some very light generalised wear including pitting but overall good, without restoration and hand-painted, additional images added.
Two 19th Century Chinese Porcelain Snuff Bottles Two 19th Century Chinese Porcelain Snuff Bottles, the first painted with a winged horse (longma), fish and water buffalo against incised ground, the second with an official or scholar accompanied by a bat (fu) in iron-red to each side, both unmarked.Both 6.6cm highBoth with broken off cork to neck, overall light surface wear and dirt, some fleabites and rubbing but free from damage.
Anthony Vandyke Copley Fielding (British 1787-1855) "Penrhyn Castle, North Wales" Signed, titled on the mount board, watercolour.17 x 23.5cm (framed 34.5 x 40cm)The painting is in good, original condition. There are a few minor spots of foxing and the paper has yellowed slightly. There is some light browning around the edge of the painting near the mount board. The painting is ornately reframed and glazed. The mount board is discoloured and the frame has some very minor scuffs and knocks commensurate with age.
HERMÈS, EARLY AMERICA, A SILK SCARF The blue ground with light beige foliate borders, with red and purple figural and fauna detail, designed by Françoise de la Perriere, signed Hermès, hand rolled edges, in an orange card Hermès box Dimensions: 89 x 89cm Condition Report: Some slight marks to the scarf, but only really noticeable under close inspection. The card box has damage Condition Report Disclaimer
BAUME & MERCIER, REF. 65310 A STAINLESS STEEL BRACELET WATCH, NO. 3171109 Movement: Cal. BM 10163, quartz, 15 jewels Case: Stainless steel case, screwed down case back with eight screws Dial: Silvered Bracelet: Baume & Mercier stainless steel bracelet with concealed clasp Size: 26mm, bracelet 20cm Signed: Case, dial, movement, crown, clasp Accessories: None Condition Report: Movement is currently functioning. Movement appears to be in a generally good condition with little sign of previous intervention when viewed under a 4x loupe. Dial appears to be in a generally good condition with no marks visible when viewed under a 4x loupe. Hands appear to be in a generally good condition. Glass appears free of significant scratches or marks when viewed under a 4x loupe. Case appears to be in good condition with minor scratches and marks. Crown has light scratches when viewed under a 4x loupe. Bracelet appears to be in a generally good condition, with light scratches and no signs of significant stretching, twisting or distortion of the links. Clasp is currently functioning and appears to be in good condition. Bracelet measures approximately 20cm including case. This lot does not come with box or papers. Dreweatts 1759 do not guarantee the working order or accuracy of any lots sold. Due to opening of the case back we recommend this watch is re-sealed by a qualified technician to ensure any stated water resistance is achieved. If you should have any further questions regarding this lot, please contact the Watch Department on 01635 553 553 or at watches@dreweatts.com Condition Report Disclaimer
HERMÈS, L'ARBRE DE SOIE, A SILK SCARF The white ground with a dark blue border, with blue tone leaves and red berries and beige moths and birds, designed by Antoine de Jacquelo, signed Hermès, hand rolled edges, in an orange card Hermès box Dimensions: 89 x 89cm Condition Report: A few light marks visible under close inspection, it will benefit from a dry clean. The box has damage Condition Report Disclaimer
RECORD WATCH CO. A MILITARY WRISTWATCH, D 438985 H Movement: Cal. 002K, manual wind Case: Steel case, fixed bars, screw down case back Dial: Black Strap: Unsigned black leather NATO strap with stainless steel pin buckle Size: 33mm Signed: Dial, movement Accessories: None Condition Report: Movement is currently functioning. Movement has scratches, marks and tarnishing commensurate with general wear visible when viewed under a 4x loupe. Dial appears to be in an average condition with some light marks and scratches when viewed under a 4x loupe. Hands show marks and tarnishing when viewed under a x4 loupe. Glass has some scratches and marks when viewed under a 4x loupe. Case appears to be in good condition with minor scratches and marks. Crown has light scratches when viewed under a 4x loupe. Strap appears to be in good condition with minor marks and creasing. Buckle appears to be in good condition with minor marks and scratches when viewed under a 4x loupe. This lot does not come with box or papers. Dreweatts 1759 do not guarantee the working order or accuracy of any lots sold. Due to opening of the case back we recommend this watch is re-sealed by a qualified technician to ensure any stated water resistance is achieved. If you should have any further questions regarding this lot, please contact the Watch Department on 01635 553 553 or at watches@dreweatts.com Condition Report Disclaimer
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