An 18ct gold dress watch by Audemars Piguet, circa 1960, of slimline form, the circular cream dial with baton markers, signed Audemars, Piguet Genève, to a signed manual wind movement numbered 89533, the case back stamped '18K 750' and numbered 30860, on an unassociated brown leather strap, accompanied by later retailer's document issued by Somlo Antiques, London, dated 17 May 2013, case width 3.2cm The watch head is in good condition overall with slight dust residue to dial, light surface wear throughout and some knife marks to case. Movement appears to run when wound but working order has not been tested and cannot be guaranteed. Case has Swiss gold marks. Movement signed 'Audemars Piguet, adjusted to temperatures and four 4 positions, seventeen 17 jewels'. Case length 3.6cm (to ends of shoulder lugs). Some wear to later strap.
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534297 Los(e)/Seite
A Victorian silver plated seven light table centrepiece, by Elkington & Co, the shaped foliate and scroll applied column with ram's mask Ionic capital, having three branches, each with a pair of lobed sconces, the pierced and foliate cast triform base modelled with a stag and two hounds, 70cm highIn good condition overall. The sectional column has a slight gap in one area.
A vari gem-set abstract panel brooch by Hermann Jünger, of slightly curved design, set with various raised cabochon and lozenge-shaped stones to a textured matt ground, with two vacant settings, signed and dated '96, width 6.2cmChips, dinks, thinning and scuffs to the edges of the vacant settings. Further nicks, chips, scratches and scuffs throughout the panel which disrupt the textured matt finish in places. Similar degree of wear to stones. Solder joins and seams visible at junctions within the mount, and kinks to the panel in places, which may be part of manufacture. Patchy light staining to panel reverse. Metal pin fitting currently functions. Metal standard of the mount is untested. Marks/numbers have wear and are a little difficult to read. Gross weight approx. 37.6gm.
A 19th century adjustable fancy-link bracelet, the articulated strap-link bracelet with ropetwist borders and foliate engraved keeper, bracelet width 1.35cm, keeper width 2.75cm Some kinks to bracelet, with occasional solder repairs and occasional breaks/splits to the links in the outer ropetwist borders. Shallow dings/dents to both hollow panels. Small area of solder to reverse of smaller panel. The keeper is loose fitting in terms of holding the length adjustment and has an area of gluish-like residue to the interior, which may be a later repair. It may require further repair/adjustment to secure the desired length. General surface wear, scuffs, scratches and chips/nicks throughout bracelet, commensurate for use. Patchy light wear to engraved decoration. Gross weight only approximately 32.9gm (metal standard is untested).
An Arts & Crafts silver and enamel box by Omar Ramsden & Alwyn Carr, the lid with enamel panel depicting galleons at sea within a border engraved with motto 'Full Many A Gem Of Purest Ray Serene In Shadowy Depths Of Ocean Gleam', the bowed sides repoussé decorated with sinuous stylised foliage, London 1902, 14cm wide, 13.5oz overall Light surface scratches, and few very slight, small indents to base. Small circular abrasion to left of lid. On very close inspection through a magnifier are few very small circular dents/holes to the enamel. No evidence of previous hinges. High res images to Mallams website with zoom function. Condition report pictures added.
A George V silver four piece tea and coffee service, with gadrooned, foliate and mask borders and half lobed bodies, the teapot and coffee pot relief decorated with stylised flowers on a textured ground to the spouts, and having ivory insulators, by Edward Barnard & Sons Ltd, London 1918-1923, teapot 12cm high, 83oz overall. (4)Ivory submission reference no: LD21TF9H In good condition, no apparents dents or knocks, a few very light scratches. Marks all clear.
A diamond set 'Love' bangle by Cartier, of hinged oval form and rose hue, inset with ten round brilliant-cut diamonds, with screwhead fittings, signed and stamped 'Au750', numbered CXH970, accompanied by maker's case and screwdriver, inner width 6.6cmDiamonds are well matched, bright and lively, estimated VS to SI clarity and H to J colour, assessed mounted. Light surface wear to mount, marks are clear. Screwhead fittings are functioning. Width 6mm. Gross weight approximately 38gm. Surface wear to case. No papers included with lot.
An Indian turquoise and enamel bracelet, composed of repeating turquoise flowerhead panels, edged and backed with enamel decoration, fixed to a velvet band, with turquoise and enamel clasp, length 17.5cmSubstantial losses and chips to enamel throughout bracelet. Scuffs, chips, nicks and brownish veins/fractures to turquoises, which have variable hues. Some stones may be later replaced turquoises or later replaced blue stones. The bracelet mounts have signs of general wear throughout, with sharpness to the edges of some panels and fine splits/seams visible in places. The mounts are untested as gold/gilt metal/silver-gilt but it appears most likely that the mounts are not a solid metal but plated over an inner core, possibly a pitch-like substance. Wear and patchy light staining to inner velvet band. The tongue clasp currently functions. Gross weight approx. 36.8gm.
A diamond single stone ring, the round brilliant-cut diamond in six claw setting with pierced gallery, white precious metal mounted, stamped '750', with Austrian gold mark, ring size approximately JAccompanied by a gemmological report issued by Gemmological Certification Services, stating that the diamond has I/J colour and VS1/VS2 clarity, estimated weight 2.40ct, measuring approximately 8.7mm x 8.7mm x 5.2mm, report no. 5784-3321, dated 29 August 2024 Surface wear, scuffs and nicks throughout mount, commensurate for use. Two very fine seams/fractures visible to one side of setting, which may be part of manufacture. Shank also stamped 'FM', marks have patchy light wear. Shank and setting have a slightly off-white appearance. Interior of shank is off-round and ring size is therefore approximate. Gross weight approximately 3.5gm.
A SILK EMBROIDERED LINEN PANEL, ALGERIA, CIRCA 1850 from a scarf, with elaborate leafy arabesque design in red, dark and light blue, yellow and green on cream coloured ground, two white floss geometrical bands towards the bottom, the end fringed with tassels, mounted and framed, 83 x 33.5cmFor a closely related scarf in the Victoria and Albert Museum, see inv. no. 1029-1855
A good Chinese magenta silk damask Han ladies robe, Qing dynasty, circa 1880, embroidered with ten roundels depicting scene of courtship in the heavenly gardens amongst pagodas and foliage, the roundels are surrounded by butterflies and flowers and small gold thread roundels depicting symbols of long life and abundance, the robe edged with two rows of ribbons and wide cream silk bands couched with gold thread fret design interspersed with a cartouche of exotic birds, cream silk double sided embroidered sleeve bands and a cloud collar, 96cm hem to collar and 140cm cuff to cuff Compare with a related robe of similar colour illustrated in, Jessica Harrison-Hall and Julia Lovell, China's Hidden Century 1796-1912, p.220, pl.4.66 晚清 桃紅地緞繡人物團花紋女襖 Condition Report: in generally good fresh condition some light damage mainly on left hand sleevesome general wear and fading throughout commensurate with age Condition Report Disclaimer
A Chinese Han ladies midnight-blue silk front opening semi-formal robe, Qing dynasty, mid 19th century, lined with white fur for winter wear, embroidered with floral sprays and auspicious emblems above crested waves and central flowers emerging from a Kangxi style rock, with floral sprays in Peking knot, persimmon and butterflies, light-blue sleeve bands and fur cuffs, approximately 123cm hem to collar and 155cm cuff to cuff Provenance: English Private Collection 清十九世紀 石青地緞繡花蝶紋女冬襖拍品來源：英國私人收藏 Condition Report: overall in very presentable conditionsome loss to stitching of finer details some fading to mid-blue sleeve bandsminor wear and fading throughout Condition Report Disclaimer
A pair of Chinese green-glazed bowls, Kangxi mark and of the Period, each with rounded sides rising from a short foot to a gently flared rim, covered overall in a thin and translucent green glaze, the white base inscribed with a six-character reign mark within a double-circle, 16.5cm diameter (2)ProvenanceCollection of Lieutenant Colonel Kenneth Dingwall DSO (1869-1946).Thence by descent to the present owner. 清康熙 綠釉盌一對《大清康熙年制》款拍品來源：英國東方陶瓷創始人之一及英國傑出服務勛章持有人Kenneth Dingwall中校（1869-1946）收藏，其在1910-1937年間為維多利亞和阿爾伯特博物館最大的捐贈人。 Condition Report: The one bowl has seven hairline rim cracks (varying in length between 1-3cm), rim fritting with four filled areas and two areas of glaze loss to the exterior lower body (1 x 0.5 and 1.5 x 1cm); the other bowl has seven hairline rim cracks (varying in length from 0.5 - 3cm.), a two small rim now filled and glaze firing imperfections including pooling of glaze, iron-spots, kiln grit and light glaze scratches to both bowls. Condition Report Disclaimer
A Chinese inlaid bronze sword-bearer lamp, 4th-2nd century BC, in the form of a sword bearer standing with his arms held out in front of his chest, holding the stem of a curving shaft rising over his head to support a dish-shaped lamp pan with fluted sides and a center spike, 15.5cm high; and a pair of Chinese bronze bells, 14.5cm long (3)According to tomb inventories (qiance) this type of lamp is called zhuyong ("lamp-figurine"), and similar lamps have been found in Warring States and Western Han (206 B.C.-A.D. 9) burials. Such lamps may have been used in tombs to provide light during burial rituals, to guide the deceased soul on their afterlife journey, or to embody the soul in the form of an eternal flame during funerary ceremonies. Compare with a very similar lamp at Princeton University Art Museum, accession number 2003-29戰國-西漢 青銅錯金銀燭俑及銅鑾鈴一對 Condition Report: wear and encrustation to the surfacethe lamp dish chippedCondition Report Disclaimer
A large Chinese Imperial light-brown glazed 'Dragon' dish, Guangxu (1875-1908), well potted with shallow rounded sides, the interior finely painted in light brown with a full-face dragon leaping around a flaming pearl amidst clouds, with further dragons at similar pursuits in the well and the exterior, four-character Chu Xiu Gong Zhi seal mark in underglaze blue, 47.5cm diameterProvenance:Arthur Stedman Cotton (1873-1952) and by family descent.Arthur Cotton was commissioned second lieutenant in the Royal Artillery on 11th September 1893. He was promoted to lieutenant on 14th September 1896, Captain on 28th July 1900, and Major on 24th September 1910. He served in the Boxer Rebellion in 1900.The Chuxiu Gong Palace ('Palace of Gathering Elegance') is one of the six western palaces in the Forbidden City, favoured by the Empress Dowager Cixi, and her chief residence between 1856 and 1885. Ronald W. Longsdorf in, The Tongzhi Imperial Wedding Porcelain, Orientations, October 1996, p. 70, notes that Cixi had the palace refurbished on her 50th birthday in 1884 when the Wanshou Festival ('Thousand longevity') was held there, with luxurious objects of monumental size, many modelled after prototypes from the 18th century. Porcelains bearing the 'Chu Xiu Gong Zhi' mark may have been commissioned for the celebration. A dish of this rare pattern and large size, bearing the same unusual seal mark, is illustrated in Treasures in the Royalty: The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p. 473. Also compare with a similar dish from the imperial collection at the Beijing Palace Museum, accession number 故00156270清光緒 朱彩淡描九龍紋大盤 《儲秀宮製》四字篆書款拍品來源：英國皇家炮軍少校Arthur Cotton（1873-1952）私人收藏，後家族傳承。其於1893年9月11日被任命為炮軍少尉，1896年9月14日被提為中尉，1900年7月28日提為上尉，1910年9月24日提為少校，並於義和團運動時於中國效力於英國皇家炮軍。盤口微撇，斜弧腹，圈足，所罩白釉呈明顯的小波浪紋。盤內心繪正龍一條，內外壁皆繪行龍四條，線條流暢，龍爪有力，成九龍翔天之勢。胎骨厚重，因尺寸巨碩，故成形頗為不易，盤底落「儲秀宮製」四字篆書款。儲秀宮是西六宮之一，為咸豐、光緒年間慈禧太后的寢宮。咸豐六年（1856年）慈禧為懿嬪時始居儲秀宮，並於此生同治帝。光緒十年（1884年）慈禧作為皇太后，再次移居儲秀宮。據清宮檔案記載，慈禧50歲壽辰時，曾在儲秀宮舉辦過萬壽節慶典，故署「儲秀宮製」器物可能是為慶典專門燒製的。在清宮舊藏慈禧照片中，這類署「儲秀宮製」的盤多用於盛放水果。「儲秀宮製」的瓷器是慈禧於1889年旨令御窰製作256件瓷器，由於尺寸龐大，御窰無法一次完成，只能兩年內分三批呈交。傳世「儲秀宮製」大盤，還見有黃地素三彩、黃地粉彩、黃地青花、淡描朱彩等品種，皆為高等級的精良之作。《清宮瓷器檔案全集》卷四十二亦載當年在「大運」清單中夾有的「奉文傳辦」「萬壽賞用」清單中有「白地紅雲龍足尺大盤壹佰件」。此批專為慈禧打造的瓷器，其中包括只屬皇帝尊用的龍紋瓷器，以及如本件等尺寸龐大、燒製極難的瓷盤。 Condition Report: in good condition other than firing blemishesCondition Report Disclaimer
A Georgian light oak and walnut cased longcase clock, arched and painted face with floral and bird decoration, Roman numerals, with crescent date aperture, and subsidiary seconds, marked Mich. Wild, Wakefield (with two weights), 228cm high Location:If there is no condition report shown, please request
A mixed lot of framed and glazed watercolours, prints and a pastel portrait to include Kenneth Lauder - Fading Light, Herefordshire, signed, titled to verso 18cm x 13cm, H Wang - pastel portrait of a young girl signed, 38cm x 32cm, Toyfeld - Merback Hills, Staunton on Wye Hers, - watercolour 14cm x 22cm and others (9)Location: GIf there is no condition report shown, please request
AFTER WILLIAM DANIELL RA (BRITISH 1769-1837) TWENTY-SIX PLATES OF SCOTTISH COASTAL VIEWS FROM THE SERIES 'A VOYAGE AROUND GREAT BRITAIN', CIRCA 1814-1825 aquatints, drawn and engraved by William Daniell, published by William Daniell, Cleveland Street, Fitzroy Square, London, the earlier plates in partnership with Messrs Longman & Co, Paternoster Row, including the titles; Near Carsleith Galloway, Forse Castle, Sutherland, Ronadill in Harris, Glenvargle Bridge near Portee Skye, Flandreoch Glenberg Invernesshire, Pier at Tanera Loch Broom, Duntulm Isle of Skye, Castle Sinclair & Girnigo Caithness, The Coolin taken from Loch Slapin, Light House on the Isle of Scarpa, Port Ree Isle of Skye, Isle of Rasay, looking Westward, Geln Coe taken near Ballachulish, On the Isle of Jura, Nairns, Stornaway, Isle of Lewis, Loch Coruisq near Loch Scavig, Wick Caithness, John O'Groats Caithness, May Castle Caithness, Bay of Tongue, Thurso from Holborn Head, The Bass Rock, Near Kylakin Skye, Castle Hill near Thurso & Ullapool in Kylesku Assynt, mounted in various framing styles and sizes (26) each plate 23cm x 30cm [plate margins only] Provenance: The Maisels Collection
VENETIAN MURANO GLASS SIX LIGHT CHANDELIER EARLY 20TH CENTURY in blue and pale brown glass, comprising a centre baluster stem with narcissi and scrolling leaves above six scrolling candle arms with dished flower-form cups, ending in a dropped finial, fitted for electricity 80cm high, 65cm deep
A CHINESE GUAN-TYPE BOTTLE VASEQING DYNASTYThe compressed bulbous body surmounted by a tall flared neck with an everted rim, decorated with horizontal ribbed bands, covered overall in a bluish-grey glaze suffused with a matrix of light and dark crackles, 26.2cm. Provenance: from an English private collection, Sussex.
Josef Lorenzl (1892-1950) for Goldscheider Model of a dancer, circa 1923 Painted and glazed ceramic Impressed 'Laurenzl', stamped to underside 'MADE IN AUSTRIA, 'Goldscheider/Wien' and numbered '5267, 101, 11' 45 cm high Literature Robert E. Dechant, Filipp Goldscheider, 'Goldscheider: History of the Company and Catalogue of Works', Regensburg, Munich 2007, p. 404 (shown as a lamp) Condition Report: Overall general surface were to include light scratches and marks throughout, There is an area of rubbing and wear to glaze on edges of cape, one small chip to edge of cape. The base with one small chip and visible restorations and overpainting. Small loss to end of one finger. Signs of overpainting and therefore possible restoration to face. There is a visible blemish/possible restoration to lower back.
Finn Juhl (1912-1989) for House of Finn Juhl Pair of 'Pelican' lounge chairs, originally designed 1940, executed circa 2015 Walnut, wool upholstery Each with manufacturer's plaques 73cm high, 88 wide (2) Condition Report: Chairs are structurally sound and sturdy. Upholstery with light wear from use some very faint marks to seat of one chair. Supports with small scuffs and marks.
Manner of Paul Kiss Art Deco floor lamp, circa 1930 Wrought iron, glass 173cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamp with general surface wear throughout to include scratches, marks and signs of oxidisation throughout. Lamp is without light fittings but electrical wire is present.
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534297 Los(e)/Seite