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534297 Los(e)/Seite
Los 552
A mid 20th century Pilkington's Royal Lancastrian vase of baluster form with ribbed light green glaze, impressed, height 25cm; a 1960's Poole vase; a 1930's Royal Winton lustre vase; an oriental vase (no base)The Lancastrian vase is in good condition and 2 others likewise. The satsuma vase has no base and the rim has been reduced.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provIde any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
Los 100
Two Aesthetic Movement brooches, the first decorated with a bird in flight above flowering blossom branches, the second with enamelled foliage within a lobed panel, both silver with gold accents, the first hallmarked for London 1878, largest diameter 38mm. £100-£150 --- Condition Report General light surface wear to both brooches commensurate with age and use. Gross weight 21.7gm.
Los 102
Georg Jensen: a Danish silver leaping dolphins heart-shaped brooch, designed by Arno Malinowski, numbered ‘312’, and a pair of matching silver earrings, on screw fittings, numbered ‘101’, all stamped ‘STERLING DENMARK’, with post 1945 maker’s marks, brooch width 42mm, earrings width 20mm. £260-£300 --- Condition Report All in good condition, light wear only. Weight of brooch 12.5gm. Earrings: 5.0gm.
Los 106
An 18ct gold Zodiac band ring by Elizabeth Gage, 1972, the broad band with crosshatch ground and applied Cancer crab motifs, with bead decoration and ropetwist border, London hallmarks, signed ‘GAGE ER’, ring size O-P. £800-£1,200 --- Condition Report General light surface wear commensurate with age and use. Gross weight 18.3gm.
Los 107
A Scottish silver chain collar necklace by Linda Lewin, 2014, the fancy-link necklace chain terminating in a toggle clasp, maker’s mark ‘LCL’, Edinburgh hallmark, fitted wooden case, length 45cm. £100-£200 --- Condition Report General light surface wear commensurate with age and use. The links open. Gross weight 79.8gm.
Los 110
A silver brooch and earring suite by Angela Cummings, the brooch of entwined openwork design, the ear clips en suite, stamped ‘©1988 CUMMINGS STERLING’, brooch length 7.3cm. £300-£400 --- Condition Report General light surface wear and tarnish commensurate with age and use. Gross weight 45.7gm.
Los 115
A pair of Finnish 18ct gold ear hoops by Lapponia, the tapered hoops of abstract textured design, stamped ‘750’ and with common control and Finnish assay marks, signed, length 23mm. £150-£200 --- Condition Report General very light surface wear commensurate with use. One fittings not completely secure. Gross weight 3.3gm.
Los 121
Three pairs of cufflinks, comprising a pair of polished knot cufflinks, a pair of gem-set mother-of-pearl cufflinks with enamel decoration, and a pair of concave circular cufflinks with applied geometric motifs, the first and third pair stamped ‘18CT’ and ‘18K’ respectively, largest diameter 15mm. £500-£600 --- Condition Report General light surface wear commensurate with age and use. Gross weight 29gm.
Los 122
Three pairs of cufflinks, comprising an 18ct gold pair by Tiffany & Co., the oval panels applied with crown and lion, with chain connectors, stamped ‘Tiffany & Co, 18k’, and two pairs of silver and enamel cufflinks, first pair length 18.5mm, silver cufflinks both 16.5mm. £600-£800 --- Condition Report Gold cufflinks - Rubbed to high points, general light wear. Weight 15.5gm. Silver cufflinks - both with light wear, no enamel loss. Weight of both pairs 23.3gm.
Los 126
Two Royal Yacht Squadron burgee stickpins, each with polychrome enamel decoration, the first stamped ‘18CT’, the second smaller pin mounted in 9ct gold, hallmark for London 1958, together with a pair of enamel cufflinks, of yachting interest, stamped ‘18CT’, first pin length approximately 6cm. £200-£300 --- Condition Report Both with very light general surface wear commensurate with age and use. The enamel on both pins in good condition. Gross weight 3.7gm.
Los 130
A gold and turquoise suite, comprising a matching bangle, brooch, ring and pair of earrings, each set to the front with tassels of collet-set turquoise cabochons (one deficient), ring size L½. £1,500-£2,000 --- According to a PMI test on an XRF Analyzer, the suite is testing as 17ct and 18ct gold. Condition Report General light surface wear commensurate with age and use. The ring with one cabochon deficient. One earring with signs of pink enamel/pink discolouration visiible. Turquoise untested. Gross weight 81.4gm.
Los 134
A gem-set cabochon bracelet, alternately set with rose-quartz and pale blue tourmaline cabochons, stamped ‘14K’, length approximately 17.5cm. £400-£600 --- Condition Report General light surface wear to the mount and settings commensurate with age and use. The cabochons with inclusions typical to the nature of the stone. Gross weight 72.9gm.
Los 136
A diamond dress ring, the old brilliant and cushion-shaped diamonds in an open surround within a similarly-set border, between trifurcated shoulders, total diamond weight approximately 1.55 carats, ring size L-M. £700-£900 --- Condition Report Principal diamond approximately 0.55 carat, SI2/I1 clarity (due mainly due to partially concealed chip), I/J colour. Remaining diamonds bright and lively, some small nibbles and chips evident under 10x magnification. Light wear, metal unmarked. Overall good condition. Gross weight 6.9gm.
Los 140
A Victorian 15ct gold, ruby and diamond ring, 1867, set with three graduated rectangular-cut rubies spaced by pairs of rose-cut diamonds, with scroll decoration and foliate engraving throughout, the under-bezel inscribed ‘TO W FROM MH’, the inner band engraved ‘Aged 89 A.D 1867’, Birmingham hallmark for 1867, ring size O. £300-£500 --- Condition Report General light surface wear to the mount and settings commensurate with age and use. The rubies are medium purple-pink hue, with some minor wear to the facet edges observed under 10x magnification. Gross weight 2.2gm.
Los 142
A late Victorian pearl-set ring, the five graduating half-pearls with rose-cut diamond points between, in pierced gallery setting, gold mounted, (pearls untested), ring size M. £240-£300 --- Condition Report Pearls untested for natural versus cultured origin. When viewed from the reverse, one gold closed back setting missing behind one of the pearls. Light surface wear to the mount. Gross weight 3.7gm.
Los 143
A pair of 19th century diamond earrings, the navette-shaped mounts set with an old brilliant-cut diamond, mounted in gold with bloomed finish, to screw back fittings, total diamond weight approximately 0.40 carat, length 26mm. £300-£500 --- Condition Report General light surface wear commensurate with age and use. One of the diamonds with a small nick to the crown facet observed under 10x magnification. In overall very good condition. Gross weight 5.1gm.
Los 144
An Arts and Crafts enamel and opal pendant by James Cromar Watt, circa 1905, of organic design, the central opal matrix collet-set within an open framework of butterflies decorated in polychrome translucent enamels, to a scrollwork opal-set surmount, the whole suspending a small black hardstone drop, mounted in gold, the reverse with conjoined maker’s initials ‘JCW’, length 6.7cm. £1,500-£2,000 --- James Cromar Watt (1862-1940) was born and grew up in Aberdeen and in 1879 he began his training as an architect with W & J Smith of Aberdeen. In the late 1880s he travelled in Belgium, Germany and Italy which inspired his love of Renaissance arts and crafts. On his return he rejoined W & J Smith, and qualified as an architect at the Architectural School of the Royal Academy, London. Watt continued his travels in the 1890s, spending time in Greece, where his love for decoration and craft skills deepened. In the course of his travels, he appears to have begun dealing in works of art, taking a particular interest in ancient metalworks. By 1896, he had resigned his architectural associateship to concentrate exclusively on his work with precious metals. He took a particular interest in developing his skills in the ancient techniques of gold granulation and translucent foiled enamelling, working firstly on large objects, then concentrating on jewellery. Inspiration from contemporary artists, included Alexander Fisher and Phoebe Traquair. During the First World War, Watt was engaged on secret government work - the true nature of which has never been disclosed. He did not return to jewellery-making - apparently due to failing eyesight - and devoted most of his energies into working with the English architect and goldsmith Henry Wilson, a friend since at least 1905, together completing the bronze tomb of Bishop Elphinstone, co-founder of the University of Aberdeen. He was granted an honorary degree in 1931 by the University of Aberdeen.. Watt assembled an important collection of ancient ceramics and artefacts, particularly from China and the Far East, including porcelain, jade, silk paintings, ivories, lacquer work, enamels and bronzes. After his death in 1940, his collection was divided between the Aberdeen Art Gallery and the Royal Scottish Museum. Literature: Charlotte Gere/Geoffrey C. Munn: Pre-Raphaelite to Arts and Crafts Jewellery, pub. ACC, 1996. Beatriz Chadour-Sampson/Sonya Newell-Smith: Tadema Gallery London Jewellery from the 1860s to 1960s, pub. Arnoldsche Art Publishers, Stuttgart 2021. Condition Report General light surface wear commensurate with age and use. The opal matrix with good play of colour with flashes of red, blue and green. Gross weight 9.2gm.
Los 146
A tiger’s eye and diamond-set pendant, the tiger’s eye ground with applied profile of a lady, her floral headdress with single-cut diamond highlights, to a beaded scalloped surround and tapered bale, total diamond weight approximately 0.15 carat, length 6.5cm. £200-£300 --- Condition Report Split to frame, otherwise overall good condition with light wear. Gross weight 34.5gm.
Los 147
An early 19th century French bracelet, the hollow bracelet composed of hinged panels with reeded ground and dotted pattern, bordered by a decoration of overlapping fan motifs and black enamel, the principal panel with scrolled surmounts, French assay marks and lozenge-shaped maker’s mark, length approximately 17.5cm. £1,000-£1,500 --- Condition Report General light to moderate wear commensurate with age and use. Scratches to the reeded finish throughout. The bracelet also dented in parts, and there is a small split to one of the panel frames. Lead solder visible at safety chain fitting. Extensive enamel loss. Viewing is advised. Gross weight 41.8gm.
Los 148
A citrine and diamond set pendant, circa 1940, of sculptural design, set with step-cut citrines and circular-cut diamonds, converted from a double-clip brooch, with later pendant fitting, the whole suspended from an unassociated 9ct gold ropetwist chain, total diamond weight approximately 0.75 carat, pendant length 49mm. £500-£600 --- Condition Report General light surface wear commensurate with age and use The main body of the pendant with an area of tarnish/discolouration to the metal. One of the smaller step-cut citrines is a slightly darker hue than the rest, but overall well matched and with good transparency. The principal citrine with some colour zoning across the table. The diamonds bright and lively. Gross weight 21.4gm.
Los 149
A pair of gem-set earrings, circa 1970, the drops designed as a graduated series of circular-cut orange garnets, each enveloped by a molten-like surround, with brilliant-cut diamond highlights, fittings stamped ‘14K’, length 6cm. £800-£1,200 --- Condition Report Light wear, overall very good condition. Gross weight 24.8gm. The abstract drops are testing as 9ct gold. The clips (post and clip fittings) are stamped ‘14K’.
Los 150
A citrine and diamond dress ring, the cushion-shaped citrine between bifurcated raised shoulders, each set with pairs of single-cut diamonds, shank stamped ‘750’, ring size M. £300-£500 --- Condition Report The citrine is a rich golden orange brown colour, clean and lively, with some surface rubbing to crown facet edges; measuring approximately 14 x 11.5 x 7.5mm. The mount shows general light surface wear. Gross weight 11.4gm.
Los 156
An emerald and diamond brooch, circa 1970, of textured abstract design, set throughout with brilliant-cut diamonds and step-cut emeralds, total diamond weight approximately 0.50 carat, length approximately 6cm. £1,000-£1,500 --- According to a PMI test on an XRF Analyzer, the brooch is testing as 18ct gold. Condition Report General light surface wear commensurate with age and use. The diamonds are bright and lively. The emeralds are pale green hue with inclusions typical to the nature of the stone, and light abrasion to some facet edges observed under 10x magnification. Gross weight 29.4gm.
Los 16
A 9ct charm bracelet, the belcher-link chain bracelet suspending a total of 10 charms, including a duck, rocking chair and starfish, the bracelet with London import marks, length 18cm. £200-£300 --- Condition Report General light surface wear commensurate with age and use. Gross weight 22.3gm.
Los 160
A tanzanite and diamond ring by Gilian Packard, 1972, the emerald-cut tanzanite in four-claw setting, within a bold architectural setting of vertical polished ribs, with diamond highlights, London hallmark, maker’s mark ‘GEP’, stamped ‘750’, tanzanite approximately 3.0 carats, ring size M. £700-£900 --- Provenance: The tanzanite ring was a private commission made by Gilian Packard in 1972, with the tanzanite being provided by the customer. The ring thence by family descent. Gilian Packard (1938-1997) was born in Newcastle-on-Tyne. Named Gilian (with one ‘l’ - because, as she said “My father couldn’t spell”), she established herself as one of the leading modern jewellers of the 1960s. She studied at the Kingston School of Art, the Central School and the Royal College of Art. After her third year at the RCA, her Diploma exhibition coincided with the public opening of their new building in June 1962. Gilian acquired from it one or two commissions for special pieces. From these gentle beginnings, her work quickly began to gather pace. Most of her work was for private customers: “Designing for particular people is satisfying because one can design pieces that suit them as individuals.” The remaining part of her production went to retail outlets such as Richard Ogden in Burlington Arcade, or Cameo Corner. Progressive provincial jewellers such as Michael Jones in Northampton also retailed certain pieces. She went on to win many important jewellery awards and became the first female Freeman of the Goldsmiths’ Company. She promoted modern jewellery design through her work as a teacher, becoming Professor of Jewellery and Silversmithing at the Glasgow School of Art, and then at the Sir John Cass Department of Silversmithing, Jewellery and Allied Arts at London’s Guildhall University. Gilian died in Aldeburgh in 1997. Examples of her work can be found in the Victoria and Albert Museum in London, and in many public and private collections. With thanks to the Goldsmiths’ Hall for additional information. ---- ---- Condition Report Tanzanite of even mid blue with purple undertones, light wear to facet edges. Ring mount in good condition, maker’s mark slightly rubbed. Gross weight 12.1gm.
Los 164
A ruby and diamond necklace, bangle and ring suite by Becker & Reister, of organic design, comprising a tubular choker necklace with textured matte finish and ruby cabochon and brilliant-cut diamond highlights, the bangle and ring en suite, stamped ‘585’, maker’s mark, ring size very approximately L (sizing beads). £1,200-£1,500 --- Provenance: Purchased in 1993 from Argenta Design Ltd, 82 Fulham Road, London SW3. Condition Report General light surface wear commensurate use. The ruby cabochons with inclusions typical to the nature of the stone, one obviously chipped (see ring). The diamonds bright and lively. Gross weight 46.3gm.
Los 165
A diamond pendant on chain, the circular pendant with glazed compartment revealing five floating brilliant-cut diamond collets, to a similarly-set diamond border and bale surmount, the whole suspended by a fine spiga-link chain stamped ‘750’, pendant length 26mm. £400-£600 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Gross weight 8.2gm.
Los 166
A ‘Happy Diamonds’ pendant on chain by Chopard, the stylised elephant with sapphire-set eye and glazed compartment revealing a ‘floating’ diamond, signed ‘Chopard’, numbered ‘9156759’ and ‘79/2189’, stamped ‘750’, suspended by a belcher-link chain, also signed, chain length 42.5cm. £600-£800 --- Condition Report General light surface wear commensurate with use. The elephant with tiny dint. Gross weight 13.7gm.
Los 17
Two gold chains, the first a late 19th century 9ct gold Albert chain suspending 9ct medallion with thistle motif decoration and central monogram engraving, the second an 18ct gold ropetwist chain by UnoAErre, together with a gilt metal gem-set key fob, first length 49cm. £1,000-£1,200 --- Condition Report General light surface wear commensurate with age and use. The 9ct chain/medallion weighing 39.8gm. The 18ct gold chain weighing 15gm.
Los 174
A diamond plaque brooch, circa 1925, the pierced rectangular brooch with fanned terminals and millegrain set throughout with old-cut and rose-cut diamonds, principal old-cut weight approximately 0.67 carat, length 6cm. £1,500-£2,000 --- Condition Report General light surface wear commensurate with age and use. The diamonds bright and lively with excellent scintillation. Gross weight 11.5gm.
Los 175
Two pairs of cultured mabé pearl earrings, with ropetwist and brilliant-cut diamond borders respectively, total diamond weight approximately 1.40 carats, largest diameter 23mm. £700-£900 --- Condition Report General light surface wear to the mounts and settings commensurate with use. The pearls with good lustre and green and pink overtones. The diamonds bright and lively. Gross weight 32.3gm.
Los 181
An 18ct gold and diamond-set band ring, 1907, the tapered band set to the front with an old brilliant-cut diamond, London hallmark, diamond weight approximately 0.35 carat, ring size R. £300-£400 --- Condition Report General light surface wear commensurate with age and use. The diamond bright. Gross weight 7.1gm.
Los 182
Two antique gem-set rings, the first 12ct gold ring composed of a lozenge-shaped cluster of rectangular-cut rubies and emeralds, to an engraved scroll work band; the second 18ct gold ring with pierced cluster of circular-cut diamonds, sapphires and emeralds, Birmingham hallmarks for 1865 and 1900 respectively, ring sizes M½-N. £300-£500 --- Condition Report Both with general surface wear to the mounts and settings commensurate with age and use. Some light abrasion to the gemstones, the first ring with thinning shank and initial engraving to the under bezel, possibly ‘AC’. Viewing advised. Gross weight 5gm.
Los 186
A gem-set ‘Hampelmann’ style pendant on chain, the articulated pendant set with brilliant-cut diamonds, a cabochon ruby to the head and cabochon sapphire feet, with graduating calibré ruby highlights, on suspensory loop, the fancy curb-link chain signed ‘Milano’ and stamped ‘750’, total diamond weight approximately 0.40 carat, pendant length (excluding suspensory loop) 40mm, chain length 19cm. £1,200-£1,500 --- Condition Report Pendant and chain in good condition, light wear only, pendant weight approximately 14.3gm, chain 33.7gm.
Los 192
A diamond and ruby bombé dress ring, circa 1940, bezel-set to the front with vari-cut diamonds and circular-cut rubies within star settings, stamped ‘14K’, total diamond weight approximately 0.25 carat, ring size P. £200-£300 --- Condition Report General light surface wear commensurate with age and use. The rubies are well matched with light surface abrasion, the diamonds bright and lively with inclusions typical to the nature of the stone, all observed under magnification. Gross weight 9.0gm
Los 195
A pair of peridot and diamond cluster ear studs, the circular-cut peridots claw-set within surrounds of single-cut diamonds, the post fittings stamped ‘585’, total diamond weight approximately 0.12 carat. £200-£300 --- Condition Report General light surface wear to the mount and settings commensurate with use. The peridots are a vibrant green hue with good transparency and inclusions typical to the nature of the stone. Gross weight 1.3gm.
Los 196
An 18ct white gold tanzanite and diamond-set dress ring, the oval-cut tanzanite claw-set within an open surround of brilliant-cut diamonds, to similarly-set pavé shoulders, stamped ‘750’, Birmingham assay mark, total diamond weight approximately 0.85 carat, ring size N. £400-£600 --- Accompanied by a report card by Anchor Cert Gem Lab. Report number 20038715. Condition Report General very light surface wear commensurate with use. The tanzanite is a violet-blue hue with excellent transparency. The diamonds bright and lively with. Gross weight 4.5gm.
Los 197
An 18ct white gold peridot and diamond cluster ring, the circular-cut peridot bezel-set within a surround of brilliant-cut diamonds, the shoulders channel-set with trios of pale green gemstones, partial UK hallmarks, total diamond weight approximately 0.20 carat, ring size J½. £240-£300 --- Condition Report General surface wear to the mount and settings commensurate with use. The peridot is a vibrant green hue with good transparency and light abrasion observed under 10x magnification. The diamonds are bright and lively. The pale green shoulder stones are are moderately rubbed and too small to be accurately identified. Gross weight 5.7gm.
Los 201
A diamond dress ring, circa 1940, of odeonesque form, the vari-cut diamond mount centred with two principal old brilliant-cuts, the band with partial French assay mark for platinum, total diamond weight approximately 1.45 carats, ring size I½-J. £500-£700 --- Condition Report General light surface wear commensurate with age and use. The diamonds bright and lively. A few of the smaller single-cut diamonds with some tiny nicks. Gross weight 4.8gm.
Los 211
A diamond-set dress ring, comprised of articulated concentric hoops, set throughout with brilliant-cut diamonds, stamped ‘750’, total diamond weight approximately 0.40 carat, ring size M½. £300-£400 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Gross weight 7.2gm.
Los 218
A diamond eternity ring, set throughout with brilliant-cut diamonds, total diamond weight approximately 2.00 carats, ring size N-O. £400-£600 --- Condition Report General light surface wear commensurate with age and use. The diamonds are bright and lively. Inclusions typical to the nature of the stone observed under 10x magnification. The diamonds are a combination of modern, transitional and old-cut brilliants. Ring size approximate as band slightly oval. Gross weight 5.0gm.
Los 22
A 9ct gold cross pendant on chain, the plain polished cross suspended on a 9ct gold curb-link chain, London hallmarks for 1975 and 1978 respectively, cased by Tessier, pendant length 5cm. £400-£600 --- Provenance: Purchased from Tessier. Condition Report General light surface wear commensurate with age and use. Gross weight 29.6gm.
Los 221
An opal bracelet, composed of graduating cabochon opals, within articulated claw mounts, together with two opal set bar brooches, bracelet length 17.5cm. (3) 300-£500 --- Condition Report Opals well matched of pale translucent body colour with gentle play of colour. Opals in overall good condition, a few with light internal cracks visible against the light, but not surface reaching. Bracelet weight 14.6gm.
Los 223
A diamond ballerina ring, set throughout with brilliant and calibré-cut diamonds, between trifurcated shoulders, total diamond weight approximately 2.10 carats, ring size N. £700-£900 --- Condition Report Some calibré-cut diamonds slightly loose. Diamonds bright and lively, too small to accurately assess. Evidence of resizing. Light wear. Metal unmarked. Overall good condition. Gross weight 4.8gm.
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534297 Los(e)/Seite