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534297 Los(e)/Seite
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SPEED, JOHN, England Wales Scotland and Ireland Described...And are to be sold by George Humble...1627. Oblong 8vo., calf gilt. Engraved title, Catalogue of all the shires leaf, and maps numbered 2-63 (lacks general map, Yorkshire defective) at outer edge and laid down) mintue rusthole in E8, some light staining towards the end). STC 23036
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LICETUS, FORTUNIUS. De Lucernis Antiquorum Reconditis Libb. Sex:.. Udine, Nicolai Scheiratti, 1652. First Edition, folio, old vellum, Four folding engraved plates and 116 text illustrations, by J. Georgins, including 9 full page (one plate col. 1154 has the cancel illustration pasted over). (light damstaining affecting top outer corners of prelims. A work on the oil lamps of the ancient Greeks, Romansm Egyptians etc. includes the two priapus illustrations
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TRYON, THOMAS. The Way to health, Lonf Life and Happiness: Or, A Discourse of Temperance...The Third Edition. To which is added a Discourse of the Philosopher's Stone..Printed for Edmund Richardson, 1698. First Edition of the essay on the Philospher's Stone, 8vo., full panelled calf (rebacked) some light staining in lower margins). Wing T 3203
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An Austrian secessionist bowl by the Vereinigte Wiener und Gmundner Keramik, the design ascribed to Dagobert Peche, of cream glazed earthenware, the shallow reticulated bowl on a bell shaped foot, 24cm diam, impressed marks and C109, early 20th c Minor crack in one part of the pierced work. The glaze with typical light crazing where beginning to pool. No professional 'restoration'.
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An English Delftware flower brick, the sides painted in cobalt with pairs of island views with vegetation and a pagoda, the top pierced with eighteen holes and a larger central hole, 12.5cm w, c1750 Some light flaking and the odd minor chip around the angles, a long hairline crack in the base. No restoration
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A Liverpool Delftware flower brick, the sides freely painted in cobalt with flowering plants, the top pierced with twenty-eight holes flanking a cross shaped hole, 16cm w, Liverpool c1760 A similar example but in the 'Fazackerly' palette is illustrated, Archer (Michael), Delftware A Catalogue of the Collection in the Victoria and Albert Museum, p368, I.12. Some nibbling of the upturned rim and light flaking around the angles. A minor descending hairline crack in each of the longer sides, the foot rim with a small chip in three places but this is not particularly noticeable
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A Derby two handled oval sauce tureen, cover and stand, painted in the manner of Robert Brewer with picturesque ruins or pastoral scenes within formal gilt borders and with gilt lion mask handles and feet, stand 22cm w, Robert Bloor & Co, painted crown, crossed batons, D and titles Near Breadsall, Derbyshire, Near Allestry [sic] Derbyshire, Near Leghorn and In Wales (twice) in red script, c1825 Tureen - some wreathing of the glaze where pooled on the underside, stand - some light crazing of the glaze
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A pair of Derby plates, painted to the centre with a mounted huntsman and fox hounds in a wooded landscape, by Robert Brewer or William Cotton the gilt border with puce, blue and red leafage at intervals, 22cm diam, Robert Bloor & Co, painted crown, crossed batons, D and gilder's numeral 2 of James Clark in iron red, 39 in puce, c1820 Light wear to the outer part of the gilt border, some insignificant light wreathing of the glaze on the underside of one plate which is occasionally found on Derby wares of this period. No cracks, chips or restoration
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A Wedgwood Fairyland Lustre bowl or "Puff Box" and cover, in Flame Fairyland, the cover decorated with the Si WantgMu pattern, the bowl with the Bubbles II border and designed by Daisy Makeig Jones, gold lustre widow finial, 15cm diam, incised 3279, gilt printed vase mark, painted Z5360 cf des Fontaines (Una), Wedgwood Fairyland Lustre, p208. Some very light rubbing of the gilding on the exterior which is hardly noticeable and does not detract, no damage or restoration. A minute (less than a pinhead) graze on the edge of the rim of the cover on the underside which is more of a scratch in reality
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A Rolex silver hunting cased wristwatch, the enamelled dial with arabic chapters, subsidiary seconds dial and luminescent hands, 15 jewel movement, import marked, London 1916 Exterior - a few light scratches and minor wear as to be expected. The dial original and undamaged, the movement in apparently in going order
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English School - A Gentleman, in profile, watercolour on card, oval, 6.5 x 5cm, inscribed on the reverse Before Marriage taken Feby 16 1821 at 62 High Holborn, London, in rectangular papier mâché frame by Hill & Co, Birmingham, with giltmetal acorn suspender; five other miniatures and two silhouettes, one of the former miniatures inscribed on the reverse taken by W H Manners 18 Poultry & 81 Cheapside, one of the latter with printed trade label Cut with common scissors by Master Hubard (aged 13 years) without Drawing or machine, all in papier mâché frames, one also by W Hill & Co, Birmingham and with giltmetal hangers (8) In generally good condition with some light time staining to most of the images, the frames with the odd corner chip but most in fine original condition
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Georges-Jacques Gatine after Lanté and Pecheux - Costume Plates from Costumes des Femmes du Pays de Caux, Paris, 1827, twelve etchings coloured in a contemporary hand, 30 x 20cm, unframed (12) Marginal and light soiling but in overall good condition. Trimmed to the plate mark and originally bound
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Suffragette Movement. A printed tissue SOUVENIR OF THE WOMEN'S SUFFRAGE MARCH AND MASS MEETING AT THE ALBERT HALL SATURDAY JUNE 14TH, the border of flags and flowers in colours, printed and published by Mrs S Burgess 14 Artillery Lane Bishop's Gate London EC, 30 x 40cm, c1908 framed Cropped somewhat in the framing and with some light overall time staining but in overall reasonably good condition
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Optical Toy. A Peep View of the Mall in St James's Park, the bellows of six sections, aquatinted in colours and hand coloured, with engraved title in green card wallet with pictorial label ST JAMES'S PARK THE NEW PALACE, 11 x 14cm, London, published for the engraver, 1830 One section detached and with very light soiling but in otherwise very fine condition
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CHARLES AND GEORGE HUNT after FRANCIS CALCRAFT TURNER Vale of Aylesbury Steeplechase Plt I, aquatint on wove printed in colour, 45 x 59cm 19th c oak frame, some damp staining and light overall staining/fading with the odd minor surface blemish but overall quite an attractive image. Unexamined out of the frame
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THOMAS HELLYER after THOMAS WHITCOMBE The Battle off Campadown fought on the 11th October 1797 aquatint, 47 x 70cm Some light foxing of the mount but in generally good original condition, in ebonised frame of about 1900, the trade label of T H Parker Barclay St ,Piccadilly. Some time staining to the title but in overall sound condition although unexamined out of the frame.
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FREDERICK CHRISTIAN LEWIS, J GLEADAH, R G REEVE and J PHELPS after HENRY THOMAS ALKEN The Pytchley Hunt a set of four, aquatints on wove coloured in a contemporary hand, published by Tregear & Co, 42.5 x 61cm Some mainly light sporadic foxing especially on Full Cry and The Death but the colours well preserved and bright with full margins
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JOHN HARRIS The Liverpool Great National Steeple-Chase 1852 Plts I-IV, aquatints on wove coloured in a contemporary hand, reissues published by Barnett Moss & Co, c 1900, 49 x 69cm, oak frames (4) Some light overall time staining and the colours rather subdued. The odd spot of minor foxing. Several a little slipped in the frame with marginal light creases in consequence and with light surface dust. The frames separating at the mitred joins in one or two cases
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WILLIAM LIONEL WYLLIE Extensive Industrial Landscape with Shipping etching with roulette and drypoint, signed pencil and with Print Sellers Association blindstamp, published by L H Lefevre & Sons, 1903, 25 x 45cm Some even light time staining with mild vertical bands, a few cuts and scratches to the paper surface which are not too noticeable and do not detract from the appearance
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ROBERT THORNE WAITE Harvest Time Making a Posy two, one signed with initials, the other signed indistinctly, pencil and watercolour heightened with white, 27 x 19cm and c, framed as a pair (2) One with some very light sporadic foxing but both in excellent condition, the colours bright and well preserved. Both attractive examples
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THOMAS LESLIE Views of Mount Edgcumbe a pair, one signed, dated 1843 and inscribed, pencil and watercolour, heightened with white, 25.5 x 35cm (2) Leslie painted watercolours of Devonshire from 1820s, exhibiting views taken near Newton Abbot at the Society of British Artists in 1828 Some light time staining slightly more pronounced on one drawing. On this drawing some mild foxing
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HARRY WARD Midday Rest signed and dated 1866, pencil and watercolour heightened with white, 31 x 24.5cm Some even light time staining of the support but the colours still fresh and well preserved. A pleasant watercolour reminiscent of the paintings of Thomas Creswick. No damage to the support, in inappropriate modern frame.
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ENGLISH NAIVE ARTIST c1820 Three Officers of the 13th Regiment of (Light) Dragoons with inscription verso F A Cameron's regiment, pencil and watercolour, 29.5 x 25cm, unframed One or to marginal tears and some loss along the upper margin but in otherwise fine condition. The colours bright and well preserved
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WILLIAM NIXON The West Front of Amiens Cathedral signed, pen, ink and watercolour, 60 x 43cm; with a coastal landscape by Frank Dobson, signed, watercolour, 24 x 54cm (2) With some very light mild time staining, this watercolour is in excellent condition overall and executed in late 18th c English topographical style. In modern frame. The Dobson watercolour in fine condition with some possible light fading.
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PENRY WILLIAMS Merthyr signed and inscribed, pen, pencil, ink and grey wash, 11.5 x 19cm; and a late 19th c pen and ink drawing by a naive hand of a busy street scene at Merthyr Tydfil, 28 x 45cm (2) The drawing by Penry Williams executed circa 1819. In excellent condition in an early 20th century mount and gilt frame. The naive pen and ink sketch with two closed pairs and light sporadic foxing
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J SEDGWICK Figures in an Arcadian Landscape A Horse Startled by a Thunderbolt An Eastern Encampment three, all signed and dated 1834, pen, pencil, ink and watercolour with gum arabic, 32 x 43cm (3) Some light overall time staining but most noticeable on the first title; but in a reasonably fine state of preservation. In 19th c gilt frames with handwritten trade label of Davis & Co 126 Redcliff Street Bristol Carvers & Gilders
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KENNETH McLEAY Dodo a King Charles Spaniel signed, dated 1847 and inscribed, pencil and watercolour heightened with white, 27.5 x 17cm Kenneth McLeay (1802-78) painted miniatures and watercolour portraits including those of Prince Albert and the royal family at Balmoral. He was a founder member of the Royal Scottish Academy. In fine condition with only light time staining of the paper, the colours fairly fresh and well preserved in Victorian frame with the trade label of William Rodman & Co Ltd Belfast
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EDWARD ARMFIELD Terriers Ratting in a Barn signed, 31 x 41cm, unframed Minor bruise-tear upper right centre and the varnish rather yellowed with time and therefore in need of a light cleaning. In otherwise excellent original condition on the original stretchers. A characteristic example of the artist's work
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534297 Los(e)/Seite