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534310 Los(e)/Seite
Los 167
Medals, Great Britain, James I (1603-1625), Coronation, 1603, the official silver medal, probably by Charles Anthony, laureate bust r., in armour with lion shoulder plate, scarf around shoulders, IAC I BRIT CÆ AVG HÆ CÆSA RVM CÆ D D, rev. crowned rampant lion to l., holding brazier and wheatsheaf, ECCE PHAOS POPVLIQ SALVS, 29mm, (MI.191/11; Eimer 80), light wear to highpoints and small scratches to field of obv. otherwise virtually as struck with deep and rich grey toning Provenance: Property of a gentleman collector
Los 173
Medals, Great Britain, William & Mary (1689-1694), William and Mary, Coronation, 1689, a silver medal, unsigned [by J. Roettiers], conjoined busts right, rev. Jove hurling a thunderbolt at Phæthon who is falling from his chariot, 35mm, 16.47g (MI I, 662/25; E 312b), NEF with light surface scratches and die crack to the obv.
Los 236
British Railways Wartime Poster, quantity 3 double royal 25in x 40in comprising: An Appeal to the Regular Traveller in the black-out; Your Train Your Goods May Be Late due to weather and black-outs; If You Must Travel, Travel Light. Together with a modern British Rail Poster Slough Station Railway Terrace Closure. All have some minor defects, nothing significant. (4 items)
Los 45
Festiniog & Welsh Highland coach coat of arms transfer from the English Pullman stock at Caernarvon. Mounted on a wooden board measuring 14in x 10in. Together with a Romney Hythe & Dymchurch Light Railway coat of arms transfer mounted on a wooden board measuring 12in x 10in. Both in extremely good condition. (2 items)
Los 100
* STUART LUKE GATHERER (SCOTTISH b. 1971),THE RED FLOWER RINGoil on canvas, signedimage size 80cm x 101cm, overall size 97cm x 119cm Framed.Note: Stuart Luke Gatherer was born in England in 1971 to Scottish and Dutch parents. He was brought up in the Eastern Highlands of Scotland, and attended Edinburgh College of Art from where he graduated in 1995 with an MA Honours degree in Fine Art. He has had hugely successful shows in London, New York and Scotland with an ever-widening following of collectors, and with an escalating commercial value he is firmly established as one of Scotland’s most exciting young painters, building on the classical tradition of figurative painting to develop his own unique style. Gatherer produces dramatic compositions of figurative art that reflect his debt to the old masters. Rembrandt, Caravaggio, Vermeer, Rubens and Degas are listed as strong influences, but although his work is informed by these and other past masters, Gatherer is firmly dedicated to exploring and expressing themes and subjects that are relevant in today’s world. His paintings entice the viewer to interact with contemporary scenes from the vantage point of an unseen onlooker. This creates a psychological ambiguity that is emphasised by strong forms and colours modelled in dramatic light and shade. "The Red Flower Ring" is, so far as we can ascertain, the largest and most impressive example of Stuart Luke Gatherer's work to appear at auction, anywhere.
Los 154
ERNI UPTON FRSA,LAMLASH PIER & HOLY ISLAND, ARRANoil on canvas, signed, further signed, titled and dated 2016 verso image size 51.5cm x 62cm, overall size 77cm x 87cmFramed.Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery.
Los 198
* ERNI UPTON,BLASHIE DAY, TURNBERRY LIGHTHOUSEoil on canvas, signed, titled and dated 2007 versoimage size 51cm x 101cm, overall size 69cm x 120cm Framed.Label verso: The Ayrshire Art Exhibition.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer).Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Los 235
* KYS (FRENCH b. 1949),SEATED NUDE oil on canvas overall size 135cm x 111cm Unframed.Provenance: Acquired by the vendor from REDSEA Gallery, Block 9 Dempsey Road, #01-10 Dempsey Hill, Singapore 247697 in 2010/11. Ms Anita Saraswathy (Gallery Manager, REDSEA Gallery) has recently confirmed the current gallery price for a Kys work of this size is SG$9000 (approximately £5030). Note: "Kys" was born in 1949. His quest of the spiritual world of Asia began 30 years ago when he left France to travel through India, Nepal, Thailand and Japan. With an impeccable photo-realistic painting technique and a mastery of light and shade, Kys depicts the particular quality of each Jayavarman (King of Cambodia) or nude image. Using acrylic paint, gold or silver leaf and other secret ingredients; in his Jayavarman paintings he depicts the ancient patina of stone statues, worn by thousands of years of monsoon rains. Kys says “When I paint, I pray with my brush.” Modestly, he sees himself as merely a channel between the model and the viewer. Kys will paint his subject from a figurehead (his nudes from live model). Several layers of acrylic paint are used on the canvas. His subject is then painted on these layers enhancing the texture, tones and depth by using gold and silver leaf. His technique produces an incredible three-dimensional image, almost as if it was a hologram. The text he uses are single words, stamped on, written in ancient Khmer, Thai, Chinese, Japanese and other Asian languages. Their meanings are simple; Happiness, love, health, kindness, warmth and other words that collectively do not make a single sentence but bring the understanding and feeling of peace and harmony to the viewer.
Los 38
* PAM CARTER DA PAI (SCOTTISH b. 1952),LUSKENTYRE REFLECTIONSoil on canvas, signed, titled label verso image size 46cm x 51cm, overall size 62cm x 66cm Framed.Note: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter is unquestionably one of Scotland's most popular and successful living artists. She has won numerous awards and prizes, has always received significant media attention and has been the subject of many magazine features and has several tv appearances. Her work is widely exhibited but rarely appears at auction. The most recent two examples of Pam Carter's oil paintings to be offered in our auctions achieved hammer prices of £1900 (June 2021) and £1800 (September 2020). Note 2: Luskentyre is a sparse settlement on the west coast of the Isle of Harris, in the Outer Hebrides. The name Luskentyre derives from Lios-cinn-tir, meaning 'headland fort', although there is no trace or local knowledge of a fort at the headland. The beautiful beach at Luskentyre has been voted "Britain's Best Beach" and is accessed by a single track road. There is a vast area of sand dunes on the north side of the bay.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Los 56
* LILIAN NEILSON (BRITISH 1938 - 1998),A BEACHED BOAToil on board, signed, titled and dated 1964 labels versoimage size 43cm x 92cm, overall size 54cm x 103cm Framed.Handwritten artist's labels verso.Exhibition label verso: Into the Light, Aberdeen Art Gallery & Museums.Provenance: Acquired by the vendor direct from the artist in 1964 when he and Lil Neilson both lived in the Lawnmarket (Edinburgh). Lil was sharing digs with Reet (Rita) Guenigault and both were employed as set designers for The Traverse Theatre. "A Beached Boat" has been held in the same private collection since 1964 and has only been publicly exhibited when the vendor agreed to loan the picture to Aberdeen Gallery & Museums for Neilson's "Into The Light" exhibition. Note: Lil Neilson was a member of the quartet who became known as 'The Catterline School' along with Joan Eardley, Annette Stephen and Angus Neil. Lil Neilson studied at Duncan of Jordanstone College of Art from 1956-60, including a summer school at Hospitalfield House, Arbroath. She completed a post-diploma year tutored by Hugh Crawford and Alberto Morroco in 1960-61 and was awarded a travelling scholarship to France and Italy in 1961-62. On her return she joined Joan Eardley in Catterline: they had become friends in 1960 at Hospitalfield House and Eardley invited Lil to paint in the studio she and Annette Stephen shared in Catterline. Like many other painters and visitors, Lil became enthralled with the place. At this time Lil also worked backstage with Reet Guenigault in theatres including the Traverse in Edinburgh and also in England, returning to Catterline to nurse Eardley when her illness was diagnosed in the new year of 1963. Reet joined them three months later to take over and give Lil a rest, and after Eardley's death in August of that year, Lil bought No 2 South Side, Catterline, to make her home in one half and studio at the other end. Some pictures of this period show Catterline views which Eardley famously painted, especially with the great round moons low in the summer sky. Neilson's foregrounds are less detailed and the viewer's eyes are led upwards towards the sky. Lil continued to work in theatres until 1969, when she returned to Catterline to try to work through the Eardley influences which had been made more than a bitter cup. She felt that she must paint that problem out in Catterline. She spent some time in Norfolk with Gaydon Phillips, but not many paintings of Norfolk exist and she returned to paint in Catterline regularly over the next nine years. She moved permanently to Catterline in 1986 and, once there, Joyce Laing's Pittenweem gallery exhibited some of Lil's work which showed new directions. In 1989, at the influential 369 Gallery, Edinburgh, an exhibition shared with Annette Stephen showed a two-room retrospective of Lil's work. Her last show was 'Certain Days and Other Seasons' (1997) at both Seagate and Aberdeen Art Galleries. Lil pronounced this to be ''the end of my life's work'', prophetically as it turned out, for by August 1997 it became apparent that this private and reticent woman had been working under duress for the past two years as the extent of her disease was discovered. Lil's good friends and neighbours loved and nursed her, enabling her to be in her beloved Catterline until she needed the services of Roxburgh House. Lil Neilson's paintings rarely appear at auction and those which have in recent years have often been small studies and sketches which perhaps explains why her UK auction record price remains the £4600 (hammer) for "Catterline" achieved for lot 1744 in The Scottish Contemporary Art Auction on 15.12.2013. Several recent examples have threatened to set a new mark, but we consider "A Beached Boat" to be the finest example of Lil Neilson's work to appear at auction anywhere.
Los 101
round flat base, thick arm with flat saucer shaped shade, apparently unmarked; height: 40 cm (15 3/4 in.)PROVENANCEPrivate Collection, Harrison, New YorkCONDITIONThe lamp is in good condition. The light bulb is set directly into the fixture, speciality light bulb needed, General Electric FC12T9-CW Rapid Start Cool White. The light is in working condition.
Los 102
heavy black painted metal base, with a chrome rod extending from the base the chrome 'eyeball' held by a ornamental screw connected by a black plastic rod to the chrome arm, marked with manufacturer's mark on back of black plastic chrome rod; height: 67 cm (26 3/8 in.)PROVENANCEPrivate Collection, Harrison, New YorkCONDITIONThe lamp is in good condition. Overall surface dust and grime, visible patina and rusting to the connection of the chrome and metal base. The light bulb is set directly into the fixture, light bulbs needed 100W. The light is in working condition.
Los 103
made from orange painted enameled metal and plastic, extending from a rounded base, with chrome arm with adjustable shaped light cover, painted a bright orange, marked with manufacturer's mark, speciality light bulb and JAPAN underside of base; height: 39 cm (15 3/8 in.)PROVENANCEPrivate Collection, Harrison, New YorkCONDITIONThe lamp is in good age-appropriate condition. The light bulb is set directly into the fixture. Speciality light bulbs recommended: 120 volt intermediate base bulbs, 40 watt max. The lamp is in working condition.
Los 104
made from white painted enameled metal and plastic, raised on a tripod standard with a gray curly cord, apparently unmarked;height: 45 cm (17 3/4 in.)PROVENANCEPrivate Collection, Harrison, New YorkDoyle, New York, 4 April 2001, lot 279CONDITIONThe lamp is in good age-appropriate condition. Overall surface dust and grime resulting in discoloration. One of the tripod legs is no longer attached to the light fixture. The light bulb is set directly into the fixture. Speciality light bulbs needed. The lamp is in working condition.
Los 106
an agile fluorescent work table lamp, made from metal and plastic, manufactures mark, designer, made in Italy and model underside of base; height: 83.5 cm (32 7/8 in.)PROVENANCEPrivate Collection, Harrison, New YorkCONDITIONThe lamp is in good condition. The light bulb is set directly into the fixture, speciality light bulbs needed. The lamp is in working condition.
Los 130
of bulbous ovoid form, finely painted overall with flower baskets and butterflies with scrolling decoration, the bodies with intricate borders, with late 19th century Louis XV-style gilt mounts, flanked by tete de guerrier handles, the feet formed as rocaille acanthus leaves, the covers with conforming finials with grape bunches and leaves; overall height of each: 74 cm (29 1/8 in.)CONDITIONThe pair is in good age-appropriate condition. Minor patina to the ormolu-mounts. Crazing visible to porcelain bodies. Hairline cracks visible to the covers of each. Not inspected under UV light.
Los 131
round squat form the body of each with red, cream and blue ground with intricate and ornate floral and foliate motif, the interior of each with a grayscale colored koi motif, each with dynasty possibly Qianlong mark in iron red underside of unglazed base; each accompanied by a wooden stand, height without stand: 45 cm (17 3/4 in.)CONDITIONThe pair of covered vessels are in good condition. Scattered surface soiling to each. Not inspected under UV light.
Los 132
baluster the neck flares to a rippled edge, the bodies of each decorated in blue and red accented by white featuring garden scenes of traditionally dressed figures, apparently unmarked; accompanied by a wooden stand, height without stand: 108 cm (42 1/2 in.)CONDITIONThe pair of covered vessels are in good condition. Scattered surface soiling. Not inspected under UV light.
Los 133
Woman and Satyr1986cold painted and partial gilt bronzeheight: 45 cm (17 3/4 in.)edition 5/9, monogram, stamped FINE ART ACQUISITIONS with copyright symbol and date along back of baseCONDITIONThe sculpture is in very good condition. Minor dings and scuffs to the base. Losses to the Woman's gown tail. Inspection under UV light shows no sign of restoration.
Los 134
deep U-shape, the interior decorated with a motif of figures dressed in traditional robes mingling amongst floral and foliate ground with accents of wildlife of birds and bats; height: 14 cm (5 1/2 in.), diameter: 41 cm (16 1/8 in.), height with stand: 17 cm (6 3/4 in.)CONDITIONThe bowl is in overall good condition. Some rubbing to the glaze, most apparent on the interior and rim. Inspection under UV light shows no apparent signs of restoration or repair.
Los 135
ginger jar form the body with famille rose ground, with three floral cartouches featuring different still lives, the cover with a gilt foo dog, each with dynasty possibly Qianlong mark in iron red underside of unglazed base; height including covers: 24 3/8 in.CONDITIONThe pair of covered vessels are in good condition. Scattered surface soiling to each. Not inspected under UV light.
Los 144
round form, featuring bodhisattvas in various traditional garden and mountainous scenes, the neck featuring a geometrical motif alternating with the Shimazu family crest, all against a off-white ground with stippled gilt detailing, the cover in conforming design with a geometric thumb rest with Shimazu family crest and various character inscriptions under base; height: 31 cm (12 1/4 in.)CONDITIONThe vase is in good condition. Very fine crazing visible to exterior and interior of the body. Inspection under UV light shows no sign of restoration.
Los 146
square form, each panel featuring reliefs of bodhisattvas in various traditional garden and mountainous scenes, the neck featuring a geometrical motif alternating with the Shimazu family crest, all against a off-white ground with stippled gilt detailing, the cover in conforming design with a geometric thumb reset signed in gilt in a rectangular panel with Shimazu family crest under base; height: 36.5 cm (14 3/8 in.)CONDITIONThe vase is in good condition. Very fine crazing visible to exterior and interior of the body. Inspection under UV light shows no sign of restoration.
Los 147
elongated baluster form, each panel featuring groups of women and bodhisattvas in traditional garden and interior scenes, the neck featuring a geometrical motif alternating with the Shimazu family crest, all against a off-white ground with stippled gilt detailing, signed in gilt in a rectangular panel with Shimazu family crest under base; height: 36.5 cm (14 3/8 in.)CONDITIONThe vase is in good condition. Very fine crazing visible to exterior and interior of the body. Inspection under UV light shows no sign of restoration.
Los 151
designed by Lajos Mack, of compressed bulbous form, surmounted by a pair of pheasants circling the rim, decorated overall in lustrous green-gold glaze, impressed factory mark and model number 6063, printed factory and MADE IN HUNGARY mark under base; overall height: 20 cm (7 7/8 in.), diameter: 35 cm (13 3/4 in.)PROVENANCE Sotheby's, New York, 27 April, 2006, lot 286RELATED LITERATUREA vase of this form is found in Eva Csenkey, Zsolnay Szecesszios Keramiak (Budapest: Helikon, 1992), p. 40, no. 39 (illustrated)CONDITION The vase is in overall very good condition. Minor age-appropriate crazing to the glaze, mainly apparent under the base. Very minor restoration to edge of one bird's tail. Inspection under UV light reveals no other repairs.
Los 160
cavetto of each decorated with a gilt foliate and floral trellis cartouches and vignettes, centered each with a portrait of young beauty against a rolling landscape, one of a beauty in profile with a grape and leafy head wreath with a woven basket of bounty, against the wine region of Mosel, signed Wrigel, along the lower edge and marked with factory mark in blue underglaze, in gilt overglaze script Mosel, gilt painter's flower underglaze, all underside of base; diameter: 24.5 cm (9 5/8 in.); the other of a Greco-Roman beauty, standing on a architectural portico with a peaceful gaze, signed L.inbS lower right and marked with factory mark in blue underglaze with numeral 262, in red overglaze Attentive noch L. Commons, gilt painter's flower underglaze, all underside of plate; diameter: 26 cm (10 1/4 in.)CONDITIONThe pair is in very good condition. Inspection under UV light shows no sign of restoration.
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534310 Los(e)/Seite