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534325 Los(e)/Seite
Caledonian Railway mahogany cased 14 inch dial weight driven regulator railway clock supplied to the Caledonian Railway in the latter part of the 19th century. The original dial has had some light restoration, the large brass rectangular plated movement has four spoke wheels, deadbeat escapement, Harrison's maintaining power, wooden pendulum rod with cylindrical brass bob, weight, and key, complete but untested but was in use daily until consignment. In nicely restored condition stands 61.5in tall x 18.5in wide.
Nameplate shield from Bullied Battle Of Britain light Pacific 4-6-2 46 SQUADRON built at Brighton in 1948 and numbered 34074. Allocations included Dover Marine, Stewarts Lane and 72A Exmouth Junction from where it was withdrawn in June 1963. Scrapped at Eastleigh Works in 1964. The original surround has been lightly cleaned and the steel retaining band in the back has been repaired. The back of the shield has Clapham Museum reference numbers painted on. Measures 28in x 21.75in.
Original oil painting on canvas INTO THE LIGHT by Don Breckon. The painting features GWR Castle 4-6-0 5015 Kingswear Castle heading out of Greenway tunnel on a London to Torquay express. Painting measures 32in x 23in and signed and date 1974 it is framed in a gilded frame. In excellent condition.
Great Western Railway 12 inch mahogany cased drop dial trunk fusee railway clock with a large rectangular plated chain driven fusee movement which at some time also drove a slave dial. The case has a four piece wooden surround, two side access doors that have been replaced and a bottom door with a lock, the GWR ivorine clock numberplate GWR 29 is screwed to the left hand side. The original dial has GWR in the roundel style and has had some light restoration. A nice example in restored working condition complete with pendulum and key circa 1880, two labels inside read restored by G.H. Tucker Dawlish 1976 and From Bodmin Rd Station Cornwall.
Mid century G-Plan design light oak chest, with one long drawer, two deep drawers and cupboard enclosing shelf, raised on splayed supports, (W76cm)) together with a teak two tier side table, with two frieze drawers, sabre supports, (W83cm) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
BRITISH SCHOOL (attributed to Maude Earl 1864-1943), study of a liver and white springer spaniel, watercolours. 44 x 33cm approx. Gilt frame with slip, glazed. (B.P. 24% incl. VAT) CONDITION REPORT: Minor surface blemishes but no serious damage noted. Seems to be original frame and slip. May need a light clean.
WILLIAM HENRY MANDER (British 1850-1922), 'Dinas Mawddy, North Wales', Welsh river landscape with water mill, couple fishing, distant farmstead and mountains, signed and labelled verso, oils on canvas. 41 x 61cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Gilt frame with slip under glass. Appearing good original condition, probably requiring light clean.
Modern Italian violin labelled Vittorio Formaggia Fece, Crema Anno 2007 No. 347, also signed on the label, the two piece back of faint medium/fine width curl with similar wood to the sides, the head of medium curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm
19th century viola labelled by Louis Lowendthal, Dresden, 1884, copy Joseph Guarnerius Del Gesu; also stamped on the button, the two piece back of faint curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 3/8", 39.10cm, bow, case
Early 20th century Saxon violin labelled Copy of Ruggeri, Manufactured in Saxony by C.F. Schuster & Sohn, the one piece back of wild flame with faint broad curl to the sides and medium curl to the head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
English violin by and labelled Thomas Earle Hesketh, Manchester, Fecit 1915, no. 111, the one piece back of irregular medium curl, with medium curl to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm *This violin is in need of extensive restoration to the table - see images for guidance
English violin by and labelled Made by George Craske (born 1795, died 1888) and sold by William E. Hill & Sons, London, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light plum red colour on a golden ground, 14 3/16", 36cm *This violin is in need of extensive restoration - see images for guidance
Good violin labelled Raffaele Trapani Napoli no. 910, the birds eye maple one piece back of broad curl with similar wood to the sides, the head of a medium curl, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm, case*From the estate of Constant Anton Nieuwenhuys
French violin by and labelled Fait Par Paul Blanchard á Lyon en 1898, no. 221; also branded P. Blanchard á Lyon to the inner back above the label, the two piece back of faint medium curl with similar wood to sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm, case
YELLOW AND WHITE DIAMOND RING, the central yellow pear shaped diamond of approximately 1.40 carats with accompanying IGI report number X2J12024 stating colour grade light yellow, clarity grade SI2, flanked by two smaller pear shaped diamonds totalling approximately 0.47 carats, colour grade H, clarity grade SI, marked 750, in eighteen carat white gold, size N, 4.1g Please read the content of the ‘Important Information’ tab and note that a condition report is available to view or to request on the online catalogue at mctears.co.uk.
SAM HALL (born 1967) for Gaolyard Studios; an oval stoneware footed vessel of waisted form, pierced to one side and covered in light blue, yellow and white slip with black enamel detail, impressed SH and pottery marks, height 31cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
FULVIO BIANCONI FOR VENINI GLASS; 'Gallo e Gallina' or 'Rooster and Hen', a pair of glass sculptures, the base of rooster signed, height of latter 18.8cm; for a similar pair see p.96 'Il Bestiario di Murano' by M. Barovier and A. Dorigato, Canal & Stamperia Editrice, Venice 1996, a copy of which accompanies this lot (3). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukGeneral light surface wear to each, wear scratches to base on each, one example with internal bubble otherwise both appear to be in good order.
GEOFFREY BAXTER FOR WHITEFRIARS; a 'Drunken Bricklayer' vase in kingfisher blue, with label no. 9673 to base, height 20cm, and a flint bark vase, height 23cm (2).Additional InformationGeneral surface wear and light surface scratches, otherwise appears good with no further signs of faults, damage or restorations.
SAMUEL HERMAN (born 1936); a red ground ovoid glass vase with trailed detail, signed and dated 1971 to base, height 17.5cm. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk General surface wear, light scratches to base, small burst bubble to decoration panel, otherwise appears good with no further signs of faults, damage or restorations.
MILAN LALUHA (1930-2013); a pencil drawing, 'Black Seated Nude', unsigned, 58 x 44cm, framed and glazed. (D)Provenance: Purchased from the Grosvenor Gallery, Mayfair for £35 in 1965. Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk Wear/indentations/minor folds to paper, light scratches to painting, frame with general wear.
DOUGLAS PORTWAY (1922-1993); a mixed media on canvas, abstract study, signed, 57 x 76cm, framed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukFrame with scratches marks and scuffs throughout, light surface wear, scratches/folds to the bottom left corner, further scratches to the right corner and to the centre right, minor hole to centre right, see additional images.
AFTER ARNE WAHL IVERSEN; a set of four elm ST750 arm chairs mid-century teak framed armchairs raised on column supports (4).Additional InformationFrames are solid with general wear throughout, minor scratches/minor chipping to legs, seat covers need replacing, light scratches and wear throughout.
A rosewood dining suite comprising Dyrlund extending dining table with one extra leaf, six Danish open sided armchairs, a sideboard with four drawers to one side flanked by two sliding panel doors, raised on block supports, length 213cm.CITES certificate numbers 589439/1 - 589439/2 - 589439/3.Additional InformationTable with large area of water damage/veneer loss, light scratches and wear throughout, minor indentations to table top, chair material stained and does require reupholstering, sideboard with scratches and indentations/minor chipping, edges with scratches throughout.
CARLTON WARE; a 'Forest Tree' pattern vase of shouldered cylindrical form, with printed marks and no.3244 to base, height 23cm.Additional InformationLight wear and rubbing to gilding, general surface wear, otherwise appears good with no further signs of faults, damage or restorations. Shipping would be a small box.
WILLIAM S MYCOCK FOR ROYAL LANCASTRIAN; a pedestal matte finished bowl, with incised decoration depicting Art Nouveau style floral motifs, signed and impressed marks to base, circa 1932, diameter 18cm.Additional InformationGeneral surface wear throughout, light scratches to glaze but good condition.

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534325 Los(e)/Seite