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Preisdatenbank abonnierenâ–² Graham Sutherland OM (1903-1980) 'Clegyr-Boia 1, Landscape in Wales', 1936etching and aquatintplate 20 x 15cm, unframedProvenance: The Estate of Stanley Jones MBE RE.Condition ReportSheet: 29 x 22cmTime staining. Light handling creases to the margins. The corners are a little bent. There is some bloom in the upper right corner which corresponds to spotting on the reverse.
â–² John Piper CH (1903-1992) 'Courthouse, Long Crendon, Buckinghamshire' (Levinson 285)lithograph in colours, 1978, signed 'John Piper' in pencil l.r., with Stanley Jones Archive blind stamp and a Curwen Studio Proof stamp versosheet 57 x 77cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe printed area appears to be in good condition. Faint dirty smudges to the lower right corner. Light handling creases to the margins. There is a horizontal line/ impression running parallel to the lower edge, 1cm in from the edge of the sheet. The print is unnumbered.
Viktor Templin (1920-1994) 'The Autumn Sunset'signed in Cyrillic l.l., oil on board 33 x 48cmCondition ReportFramed: 44.5 x 59cmPossible retouching to the upper edge. There is a small spot of rubbing and overpainting to the pink cloud in the upper left, with a further small area of abrasion at the top of the orange tree below, however the work presents well overall and is ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Uta Barth (German-American, b.1958) 'Field #4'chromogenic print on board, signed 'Uta Barth', dated '1995' and numbered '7/8' verso58.5 x 73cm, unframedProvenance: With Bonakdar Jancou Gallery, New York;a private collection, Kensington, London W8.Condition ReportLight surface scuffs and scratches however presents well overall when viewed on the wall.
Ja... Fen... (20th century) Woman in a blue dress indistinctly signed 'Ja... Fen...' l.r., oil on board28.5 x 28.5cmProvenance: The Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 36 x 36cmA little light surface dirt however presents well overall Not exmained under UV light, for a full report please contact the department.
â–² Mark Francis (b.1962) Untitledaquatint in colours, signed and dated 'M. Francis 92' in pencil l.r.sheet 74 x 72cm, unframedCondition ReportLight creasing in the centre of the bottom margin. A small fold to the lower right corner. A small, faint dirty smudge to the centre of the right margin. The printed area appears to be in good condition.
Andreas Rüthi (Swiss, b.1956) 'Sherman Object'signed 'Andreas Ruthi', inscribed with title and dated '1999' verso, oil on board 56 x 69cm, unframedCondition ReportDirty marks, scuffs and abrasions, please refer to illustration. Not examned under UV light, for a full report please contact the department.
â–² John Piper CH (1903-1992) 'Leckhampstead, Berkshire: a Victorian Church by S.S. Teulon' (Levinson 134)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 81 x 60cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA few speckles of light surface dirt with light creasing to the margins. There is a vertical line/ impression running through the margins around the print. The printed area appears to be in good condition. The print is unnumbered.
â–² Ian Houston (1934-2021) 'Clouds and Sunlight, Aldeburgh' signed 'Ian Houston' l.l., inscribed with title verso, oil on board 28.5 x 41cmProvenance: With Portland Gallery, London.Condition ReportFramed: 35.5x 58cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
Francois Koch (South African, b.1944) 'Seeking Shelter, Kruger Park'signed and dated 'Francois Koch 00' l.r., oil on canvas 80 x 130cmCondition ReportWITH PROVENANCE- INVOICE FROM 1992Framed: 100.5 x 151cmThe work appears to be in good overall condition. Very minor rubbing marks to the centre right edge. Examined under UV light no retouching shows.
â–² Pedro Escalona (Spanish, b.1949) White doveetching, signed 'Escalona' in pencil l.r., inscribed and dated 'P/A 22.04.89' l.l.plate 35 x 24cm,and an unframed copy of the same print (2)Condition ReportFramed print: framed size 52 x 41.5cm Cockling to the paper with dirty marks to the bottom margin, please see images.Unframed print: Rolled in a tube, a few light stains.
â–² Paul Hogarth RA (1917-2001) 'Grand Hotel Oloffson (The Comedians)'lithograph in colours, signed 'Paul Hogarth' in pencil l.r., and inscribed with titlesheet 54.5 x 74cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is not numbered. Light handling creases visible to the unprinted areas. Appears to be in otherwise good condition.
â–² Grenville Cottingham (1943-2007) Jemaa el-Fnaa, Marrakeshsigned 'Grenville Cottingham' l.r., oil on canvas61 x 76cmGrenville Cottingham (1943-2007) was a distinguished British painter known for his evocative marine and landscape scenes. He studied at Exeter College of Art and Liverpool College of Art, honing his skills in both oil and watercolour. His work is celebrated for its strong sense of space and vibrant use of colour, capturing the spontaneity of the moment. His paintings often depict the landscapes of Tuscany, Provence, South-West Ireland, Egypt and various parts of the British Isles.Condition ReportFramed: 79 x 94cmPresents well overall. Not examined under UV light, for a full report please contact the department.
â–² Richard Smith (1931-2016) From the 'Logo Suite' screenprint in colours, vacuum-formed plastic relief, signed and dated 'R. Smith 71' in pen l.l., and numbered '9/75' 60 x 50cm, unframed Condition ReportThe screenprint is mounted on board. There is a fine 6cm crack in the plastic beneath the green cross on the left side. Light surface dirt. Minor scuffs and abrasions to the edges.
â–² John Piper CH (1903-1992) 'Fotheringhay, Northamptonshire: Medieval Stone' (Levinson 135)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59 x 82cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportUnnumbered. A small dirty mark to the centre of the right margin. A little discolouration and light surface dirt to the extreme edges. Light handling creases to the margins.
â–² Grenville Cottingham (1943-2007) 'Village in Andalucia' signed 'Grenville Cottingham' l.r., inscribed with title on gallery label verso, oil on canvas 45.5 x 61cm Exhibited: The Mall Galleries, 'Royal Society of British Artists', 2007. Grenville Cottingham (1943-2007) was a distinguished British painter known for his evocative marine and landscape scenes. He studied at Exeter College of Art and Liverpool College of Art, honing his skills in both oil and watercolour. His work is celebrated for its strong sense of space and vibrant use of colour, capturing the spontaneity of the moment. His paintings often depict the landscapes of Tuscany, Provence, South-West Ireland, Egypt and various parts of the British Isles. Condition ReportFramed: 56 x 71cm Appears to be in good condition and ready to hang. Not examined under UV light, for a full report please contact the department.
Maiis Olisher Agabekov (Azerbaijan, b.1941) Nursing Madonna signed and dated '89' u.r., also signed and inscribed in Cyrillic and dated verso, oil on canvas80 x 60cmCondition ReportFramed: 82 x 61cmA scuff/ abrasion to the upper right corner. A scratch at the bottom of the left edge. Presents well overall. Spotting to the reverse. Not examined under under light, for a full report please contact the department.
â–² John Holden (b.1942) 'If I Should Lose You'signed, inscribed with title and dated 'July 1997' verso, oil on canvas61 x 61cmCondition ReportFramed: 67 x 67cmA little surface dirt and light scuffing to the dark grey areas. There is an abrasion to the lower left corner. The green paint has darker patches in contrast to the flatness of the other colours, however this is believed to be the intention of the artist rather than a later issue with condition. Not examined under UV light, for a full report please contact the department.
â–² José María Córdoba (Spanish, b.1950) 'El Rio'signed and dated 'CORDOBA 2001' l.l., oil on canvas laid on board200 x 150cmIllustrated: 'José María Córdoba', Lecturas Contextualizadas, Museo Municipal de Málaga, 27 February - 31 March 2002, p.109.Condition ReportFramed: 207 x 156.5cmThe canvas has been stretched over a board but is in otherwise good condition. Unexamined under UV light, for a full report please contact the department.
â–² Jack Pender (1918-1998) 'Two Boats' signed 'J. Pender' l.r. and inscribed with title verso, oil on board33 x 81cmCondition ReportFramed: 51 x 99cmSurface scuffs, scratches and abrasions. Rubbing in the lower right corner. Scratches to the background between the two boats. On close inspection there is cracking around the edges, and in the upper right and lower left quarters, which fluoresces under UV light, please refer additional condition images. There are some spots of overpainting in the centre, and to the right end of the larger boat.
â–² Alfred Daniels (1924-2015) 'Beer Beach'signed and dated 'Alfred Daniels 1991' l.l., inscribed with title verso, oil on canvas board 35 x 45.5cmCondition ReportFramed: 50x 60cmA little light surface dirt. There is some very slight discolouration to the varnish. Not examined under UV light, for a full report please contact the department.
â–² Tessa Newcomb (b.1955) Muddy fields and birdsigned with initials and dated '91' l.r., oil on board15 x 45cmProvenance: The Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 21.5 x 51.5cmPresents well overall. Not examined under UV Light, for a full report please contact the department.
â–² Jenny McNulty (1942-2016) 'Still life (Square of Shells)'signed and dated 'Jy McNulty 1999' u.l., also signed and dated verso, oil on canvas 41 x 41cm, unframedProvenance: With Duncan Campbell Fine Art, London.Condition ReportThe signature and date on the front are scratched into the paint. A tiny spot of paint loss to the extreme top left corner. A 5cm long crack to the centre of the right edge. The work presents well overall and is ready to hang. Not examined under UV light, for a full report please contact the department.
Carlos Bracher (Brazilian, b.1941) 'Rosas'signed 'Bracher' l.r., also signed, inscribed with title and dated '1992' verso, oil on canvas73 x 53.5cm,with a booklet titled 'Bracher: Homage to Van Gogh' produced for an exhibition sponsored by Shell, 1991-1992 (2)Condition ReportFramed: 77 x 58cmA couple of small surface scuffs and abrasions, however presents well overall. Not examined under UV light, for a full report please contact the department.
â–² Donald Hamilton Fraser (1929-2009) Coppélia mixed media59 x 37cmProvenance: With W H Patterson, London.Condition ReportFramed: 84 x 62cmThe media used includes charcoal, watercolour and gouache. There is some light misting to the inside of the glass over the figure. The work itself presents well and appears to be in good order. Not viewed out of glazed frame.
â–² Philip Matthews (1916-1984) 'Still life with Flowers'signed with initials and dated '78' l.r., also signed and inscribed with title verso, oil on board34 x 40cmProvenance: The Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 47 x 53cmA couple of small dark spots. Slight undulations to the board verso, however in our opinion this is not noticeable when viewed on the wall. A thick glossy varnish has been applied. Not examined under UV light, for a full report please contact the department.
'To Sicily with Edward Bawden', by Walter Hoyle with an introduction by Olive Cook, published by Previous Parrot Press, 1998, signed by Walter Hoyle and Olive Cook and numbered '8/350', in original slipcaseProvenance: The Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportThe book appears to be in good condition. Light scuffs and scratches to the slipcase with a small nick to the picture on the front.
â–² James Longueville (b.1942) 'Morning Light, Maldon' signed 'James Longueville' l.l., also signed and inscribed verso, oil on board40.5 x 61cmProvenance: With the City Gallery, London.Condition ReportFramed: 58 x 78cmA light scuff to the centre of the left edge. Presents well overall. Examined under UV light no retouching shows.
â–² Dame Elisabeth Frink CH RA (1930-1993) 'Horse and Rider'lithograph in colours, 1970, signed 'Frink' in pencil l.r.sheet 59 x 78cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is unnumbered. A little light staining to the edges including a faint strip of discolouration to the top of the right edge. Light handling creases. A small fold mark in the lower right corner.
â–² Sir Peter Blake RA (b.1932) 'Found Art 10d'archival inkjet print in colours with a silkscreen glaze, 2005, signed 'Peter Blake' in pencil l.r., inscribed with title and numbered '10/25', printed at Coriander Studiossheet 122 x 101cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportLight surface dirt with very faint spots of foxing starting to emerge to the margins. Creasing to the lower half of the right edge and lower edge, centre left. A little further creasing to the extreme bottom left corner. The printed areas appears to be good condition. Please see additional images.
â–² Patrick Caulfield RA (1936-2005) 'Pipe and Jug' screenprint, signed 'Patrick Caulfield' and numbered '54/72' l.r., published by Waddington Graphics, Londonsheet 68 x 90cm, unframedCondition ReportFoxing and scuff marks to the margin. Light staining from possible water mark on bottom right (?). Handling creases seen from reverse. Minor surface scuffs.
â–² Andrew Heard (1958-1993) 'I Love You, I Hate You'signed 'Andrew Heard' l.r., inscribed with title u.r., acrylic on canvas150 x 150cm, unframedCondition ReportFine cracking to the white paint. Scuffs and abrasions with surface dust and dirt. Not examined under UV light, for a full report please contact the department.
â–² Patrick Caulfield RA (1936-2005) 'Paris Separates' screenprint, 1973, signed 'Patrick Caulfield' in pencil and numbered '37/72' l.r., published by Waddington Graphics, Londonsheet 68 x 90cm, unframedCondition ReportFaint dirty marks to the margins. Darker surface scuffs and marks at the top of the right edge, please refer to illustration. Faint smudges to two of the white areas at the top of the print. There is a small crescent shaped crease to the lower edge on the right side. Light handling creases.
Carlos Bracher (Brazilian, b.1941) 'Jarra com Flores'signed 'Bracher' l.l., also signed, inscribed with title and dated '1992' verso, oil on canvas73 x 54cm,with a booklet titled 'Bracher: Homage to Van Gogh' produced for an exhibition sponsored by Shell, 1991-1992 (2)Condition ReportFramed: 77 x 58cmA little light surface dust but appears to be in otherwise good order. Not examined under UV light, for a full report please contact the department.
â–² Ceri Richards (1903-1971) 'Elegiac Sonnet I';'Elegiac Sonnet II'two lithographs in colour, both signed and dated 'Ceri Richards 70' in pencil l.r., the second with Stanley Jones Archive blind stampsheet 57 x 41cm and 56.5 x 28cm respectively, unframed (2)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition Report'Elegiac Sonnet I' has some small scattered speckles of foxing. 'Elegiac Sonnet II' has indented lines crossing from the left to right edges just above and below the printed areas and also along the bottom edge. Light handling creases with some small orange speckles to the unprinted area at the bottom of the sheet.
â–² Bernard Finnigan Gribble (1872-1962) Boats in a harboursigned 'B. F. GRIBBLE' l.l., oil on canvas51 x 61cmCondition ReportFramed: 70 x 79cmSpots and speckles of surface dirt. Small scattered losses with the potential for flaking. Examined under UV light retouching fluoresces along the top edge. Much of the surface is obscured by a layer of patchy varnish and surface dirt which makes reading difficult and may obscure further restoration. Please see additional condition images. Not viewed out of glazed frame. Scratches, knocks and chips to the frame.
â–² Philip Jones (1933-2008) 'Broken Jetty, Kerasia'signed 'Philip Jones', inscribed with title and dated '1987' l.r., with artist's label verso, oil on paper 74 x 54cmProvenance: The Collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportFramed: 99 x 77cmLight rippling to the upper right corner. A small trianguar crease in the upper left corner. In our opinion presents well overall when viewed on the wall. Not examined out of glazed frame.
â–² Terence Storey (1923-2018) 'The Porch Needed Painting'signed 'Terence Storey' l.r., inscribed with title on label verso, oil on canvas76 x 63cmExhibited: The Mall Galleries, London.Condition ReportFramed: 77.5 x 65cmSmall speckles of light surface dirt. There is a vertical scuff mark lower centre, please refer to image. Not examined under UV light, for a full report please contact the department.
â–² Kevin Connor (Australian, b.1932) Nude seated on a bedsigned and dated 'Connor 70' l.l., oil on board45.5 x 30.5cmCondition ReportFramed: 56.5 x 41cmScattered spots and speckles of light surface dirt. Minor surface scuffs. A small scratch to the bed head. Presents well overall. Not examined under UV light, for a full report please contact the department.
â–² Michael Craig-Martin (Irish, b.1941) Untitled (Open Book), 1990a pair, one signed 'M. Craig-Martin', both inscribed '5010R50B/7501R97B' and dated on frame, Dulux vinyl matt emulsion on canvas71 x 92cm, unframed (2)Condition ReportSlight dents to the left edge of the purple canvas. Damp spots to the edges of the dark grey canvas. Light surface scuffs and scratches. The canvas tension is a little loose to the touch. Please see additional condition images.
â–² John Davies (b.1946) Figure on a ropepencil, pastel and mixed media149 x 121cmExhibited: The British Council, 'Viewpoint: British Art of the 1980s', Brussels, 1987-1988, catalogue no. 12.Condition ReportFramed: 179 x 152cmSlight rippling. A number of pinholes to the top corners. A small rip in the lower left corner. A little rubbing and light surface scuffs. Scratches to glazing/ Not viewed out of frame.
Sir Eduardo Paolozzi RA (1924-2005) 'Portobello'a sample length of cotton furnishing fabric in grey, c.1957-58, produced by Hammer Prints Ltd., with Hull Traders Ltd., Oxford Street, paper label attached125cm long83cm wideCondition ReportCreases where previously folded. There are some horizontal black lines/ marks to the upper third, please refer to illustration. Light foxing.
â–² Bernard Finnigan Gribble (1872-1962) A coastal scene with a boat at the base of a cliffsigned 'BERNARD F GRIBBLE' l.l., oil on panel30 x 42cmCondition ReportFramed: 51 x 61cmAppears to be in good order without any obvious issues. Please see additional condition images. Viewed under UV light no retouching shows. Not viewed out of glazed frame. Light knocks and scratches to the frame.
â–² Callum Innes (b.1962) 'Exposed Painting, Cadmium Red Pale No 2', 1993signed and dated 'C Innes 93' verso, oil on canvas110 x 100cm, unframedProvenance: With Frith Street Gallery, London.Condition ReportLight surface dust and dirt. There are white patchy marks to the surface, most noticable on the right side (orange paint), which do not easily wipe off. It is possible that the marks are due to previous over cleaning or caused by light rubbing. There is an area in the lower left where the paint texture is a little rippled and in appears cracking may start to emerge. Please see additional condition images. On close inspection there is very small, faint circular impact mark to the upper left edge however in our opinion this is not distracting and overall the paint appears to be stable. Under raking light, minor crescent shaped raised marks are visible to the top and lower edges. Examined under UV light a small dot fluoresces at the bottom of the extreme left edge corresponding to a small raised spot of white paint. There is red paint on the left edge of the canvas visible when viewed from the side.
â–² Henri Matisse (French, 1869-1954) 'Teeny', linocut, monogrammed and dated in the plate l.l., published for XXe Siècle, Parissheet 31 x 24cm, unframedCondition ReportA light crease mark runs along the left margin. The print appears to be in otherwise good condition. The monogram and date are printed. Lithographic text printed verso: 'HENRI MATISSE. Gravure sur linoleum pour XXe siecle.1938.'
â–² Stuart McAlpine Miller (b.1964) 'The Leader of the Gang'limited edition print in colours on boxed canvas from 'Leaders of the Pack', 2012, signed 'McAlpine Miller' in pen l.r. and numbered '15/95', published by Washington Green Fine Art, complete with publisher's certificate of authenticity101 x 71cmCondition ReportFramed: 111.5 x 81.5cmSmall brown spots and speckles of light surface dirt. The canvas tension is a little loose to the touch, however presents well overall.
â–² Allen Jones RA (b.1937) 'Take it From the Top'lithograph, artist's proof, signed and dated 'Allen Jones 82' in pencil l.r., numbered 'AP 3/10', published by Waddington Graphics, London sheet 72.5 x 94cm, unframedCondition ReportA faint dirty smudge in the lower left corner. Creasing to the top edge. A light handling crease to the unprinted section in the upper right corner.
â–² Lynn Chadwick RA (1914-2003) 'Moon Series E'lithograph in colours, signed and dated 'Chadwick 65' l.r., inscribed 'Proof for Tony' l.l.visible 46 x 59.6cmThis work is dedicated to 'Tony', believed to be for Tony Reichardt, a dealer who was considered a trailblazer for Modern British Art. Reichardt worked closely with Lynn Chadwick to promote him and his work at the Marlborough Galleries in the 1960s.Condition ReportFramed: 65.5 x 78cmUnnumbered. Extremely light handling creases. Some small spots of foxing starting to emerge. Tiny scattered speckles of printing ink (?) to the upper centre and centre of the right edge. Not viewed out of glazed frame.
Stephen Prina (American, b.1954) 'Exquisite Corpse: The Complete Paintings of Manet (129 of 556)’, 1988 ink wash on paper and offset lithograph 46.5 x 36.5cm and 65.5 x 82.5cm (2)Provenance: With Karsten Schubert, London;Richard Salmon Gallery, London. Exhibited: Karsten Schubert, London, 'Stephen Prina: The Complete Paintings of Manet, Recent Work', 3 October - 28 October 1989;Richard Salmon Gallery, London, 'Sequence', 29 August - 20 September 1997.Condition ReportLegend: framed, 75 x 92cm. Stuck down in the corners. Light cockling. On close inspection some extremely faint spots and speckles of discolouration/ foxing are starting to emerge. Not viewed out of glazed frame. Ink and wash: framed, 56 x 46cm. Cockling. Light crease marks to the centre and lower centre. Dirty marks on reverse of framing. Not viewed out of glazed frame.
â–² John Kiki (b.1943) 'Hecuba on White', 1995/1999signed 'John Kiki', inscribed with title and dated '1995/1999/February 2008' verso, mixed media on canvas183 x 123cmCondition ReportFramed: 185 x 124cmCracking. Light surface dirt. There are some patches of slight discolouration where the finish appears uneven in places, possibly due to overpainting. Dark marks to the top edge. The figure on the right is painted and collaged canvas which is protruding at the top. The thick impasto paint has a rippled texture where it appears the paint may have contracted over time. Areas where the glue has discoloured with spots of glue residue in the lower right corner. Please see additional images.
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