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Preisdatenbank abonnierenTHOMAS BUSH HARDY "Shakespeare's Cliff, Dover" fishing vessels at sea watercolour signed, dated 1894 and titled lower right CONDITION REPORTS A raised mark to the sea appearing beige in colour. There is a light brown mark around and above the signature. Dirty marks to the sky and small signs of foxing. General signs of wear and tear throughout. Frame generally good condition.
A set of six Royal Chelsea English bone china coffee cans with a bat printed type decoration depicting a Fisherman fly fishing on a river, together with a Limoges Dubarry porcelain egg box, a pair of Chinese prunus blossom decorated cylindrical vases and a Victorian flow blue vegetable tureen and cover by F & Sons Limited, Burslem "Devon" pattern CONDITION REPORTS Some light scratches to the vases, firing faults throughout, general signs of wear and tear. Coffee cans and saucers have wear to the gilt ware. Some light scratches. Tureen very crazed, some small chips and various general signs of wear and tear. The Limoges egg has some wear to the gilt ware, some light scratches
An oak effect open bookcase and an oak Monks type bench CONDITION REPORTS Bookcase approx 90 cms wide x 180 cms tall. Some light scratches, scuffs, marks etc throughout. Monks bench is approx 91 cms wide at widest point. The seat is 46.5 cms off the floor. Some light scratches and scuffs, some other marks. Seat panel could do with a small amount of attention, some scratches. General signs of wear and tar throughout on both pieces
A collection of various Royal Crown Derby including a pair of blue ground gilt foliate decorated vases with mask head decorated handles, a set of five coffee cups and saucers, two matching tea cups and saucers and side plates, a similar pair of coffee cups and saucers and matching plate and tea cup and saucer, a similar plate and an unmarked Japan pattern cup and saucer CONDITION REPORTS One vase has been broken and repaired, both vases with wear to the gilt works. Light scratches etc to the teacups and tea plates. Some wear to the gilt works. All generally good condition.
Two late 18th Century English blue and white pottery tea bowls and saucers with floral spray and strawberry pattern, (one probably Caughley, the other possibly Pennington of Liverpool circa 1760-80) CONDITION REPORTS One saucer has been repaired/restored with a crack running all the way through it and damage to the rim. All four pieces have light surface scratching, firing faults and some roughness and small chipping to the edgess. general wear and tear conducive with age and use - see images for further details.
A Herend terracotta and gilt floral spray decorated part dinner service and a Haviland & Co. Limoge floral decorated part tea set CONDITION REPORTS Comprises 8 dinner plates, one twin handles oval serving dish, 6 coffee cans of one design and a single of another. Small pierced twin handled backet, sugar bowl, milk jug and six saucers. All have general wear and tear conducive with aqe and use to include some light surface scratching. The Haviland Limoges teaset is in need of a good clean. Two cups have significant hairline fractures visible and one saucer has a large hairline crack running across the base. Various wear to gilding on all pieces.
Four various Chinese porcelain cup stands; a Japanese blue and white porcelain hexagonal ink pot; a Chinese blue and white porcelain temple vases, probably 19th century; and a Yuan style blue and white pear shaped vase (7)Cup stands - each with small chips and paint scratches. Hexagonal ink pot - flea bite chips to rim, some paint scratches and light crazing. Porcelain temple vase - crazed to interior and with a couple of light paint scratches. Pear shaped of vase - large loss to the rim, with hairline and numerous firing flaws.
A small Chinese blue and white porcelain seal paste box; a small celadon cup; two early jarlets; an unusual large Chinese porcelain jar of green ground with an applied military inscription to the exterior and bird etc painting to the interior; and a green glazed moulded rectangular pottery pillow in the Ming style (6)Paste box - couple of small firing flaws, otherwise ok. Celadon cup - crazed otherwise ok. Two early jarlets - each crazed, one with repaired handle and losses to glaze on rim. Green large jar - light crazing, otherwise ok. Green pillow - heavily crazed throughout, with a couple of chips.
Late 19th century white cotton Christening gown, with short sleeves, lace insertions, stylised floral designs to the front skirt incorporating embroidery, cut work and appliques; another later example with net mount (2)Floral gown; two stitched repairs to the back, couple of small brown spots Net gown; some discolouration overall, couple of small holes to the neck and very light brown marks
Light mink fur jacket, labelled Furs By Stephen Blackpool, Norman Linton black sequin evening two piece, black Persian lamb jacket with white mink collar labelled Iwanowicz Blackpool, fur stole, two mink hats and two collars, feathered hat, two pairs of evening shoes and a Colombetti snakeskin handbag etc (one box and rail)
Longines, a vintage Longines lady's 18ct gold and diamond set wristwatch, the 2cm rectangular shaped dial with baton numerals at the cardinal points, the bezel set with twenty six brilliant cut diamonds, each of approx 0.03 ct (total diamond weight approx 0.75 ct) with articulated flat link 18ct gold bracelet, boxCondition Report: Dial with light staining, otherwise visually appears generally good overall, movement not tested and sold as seen, service advised
Jaeger Le Coultre, a gents Jaeger Le Coultre 18ct gold wristwatch, 2cm rectangular gilt dial with Roman numerals, tigers eye crown button, leather strapCondition Report: Visually appears generally good overall but with light pitting to dial, movement not tested and sold as seen, service advised
Omega, a ladies 18ct gold Omega wristwatch, 2cm square outer dial dial, engraved bezel with circular dial having baton numerals, integral Omega articulate bracelet, approximate weight all in 47gCondition Report: Appears generally good overall with light wear, movement not tested, sold as seen
Cartier, a circa 1980 18ct gold Cartier Santos wristwatch, 3cm square silvered dial with diamond numerals, diamond set crown, integral 18ct gold Cartier bracelet incorporating four diamonds to the shoulders, No.000799, approximate weight all in 135g, boxed with instructions and guarantee cardCondition Report: Light wear but generally good overall, movement not tested, sold as seen and service advised
Omega, a circa 1960's gents steel Omega Speedmaster Professional wristwatch, 4cm circular black with black enamel tachymetre, illuminous baton numerals and three subsidiary dials, integral Omega steel braceletCondition Report: Case with light wear in accordance with age/usage, movement appears operative, not tested, sold as seen and service advised
Jaeger Le Coultre, a military issue waterproof Jaeger Le Coultre wristwatch, 3cm circular black illuminous dial with broad arrow mark and subsidiary seconds dial, the backplate marked No. 285136, broad arrow, WWW, F.14477, tan leather strapCondition Report: Light wear in accordance with age/usage, ticking but sold as seen, service advised
Rolex, a gents circa 1960's steel Rolex Oyster Perpetual Datejust wristwatch, 3.5cm circular silvered dial with baton numerals and date aperture at 3 o'clock, integral Rolex bracelet strap, Model No. 16030, 872892, with a Rolex overhaul service guarantee card dated 2004Condition Report: Visually appears generally good overall with light wear in accordance with age/usage, movement ticking, not tested and sold as seen, service advised
Jaeger Le Coultre, a gents circa 1940's Jaeger Le Coultre steel automatic wristwatch, 3cm circular champagne dial with aperture at 12 o'clock, backplate No. 692361, leather strapCondition Report: Visually generally good overall with light wear in accordance with age and usage, ticking at present but sold as seen, service advised
An 18ct gold Waltham small open faced pocket watch, hallmarked 1882, brass keywind 3/4 plate movement 2178040 43 mm diameter approx, gross weight 59.9 grams approximately, complete in box with key Condition Report: Case with light hairlines to dial, otherwise appears generally good overall, movement not tested, sold as seen and service advised
An emerald single stone white gold ring with diamond set leaf design shoulders, the emerald cut emerald approx 8.7mm by 7.3mm weighing approximately 2.0 carats, slightly bluish light green, surface reaching inclusions, the four marquise shaped brilliant cut diamonds weighing a total of approximately 0.50 carat, claw settings size MCondition: Good overall condition, emerald with moderate surface reaching inclusions, claw intact and in good order, no obvious damage or repair, minor wear and tear only
Omega, a 1960's gents steel Omega Chronostop Seamaster wristwatch, 4cm circular black illuminous dial with orange centre seconds hand, dial incorporating a tachymetre, integral Omega steel bracelet, together with reciept of purchase from Eames of Sutton Coldfield dated 1968 and cost price £37-10-0Condition Report: Visually appears generally good overall with light wear only in accordance with age and usage. Not tested and sold as seen
A Victorian 1821 pattern Light Cavalry Officers sword, with fish skin and wire grip, half basket three bar hilt, circular brass proof button marked CW on a scroll and VR cipher engraved blade marked Henry Wilkinson Palmall London, No. 21401, with two ring scabbard. blade length 89cm CONDITION REPORT: Blade has not been service sharpened, no movement in the hilt
Potter (Beatrix).- Nister (Ernest) and E.P.Dutton, publishers. Changing Pictures. A Book of Transformation Pictures, 6 full-page chromolithographed transforming illustrations all in good working order, plain pictorial title and illustrations, patterned endpapers a little browned, light spotting and finger-soiling, original cloth-backed pictorial boards, light marking and surface soiling, [Taylor, Whalley, Hobbs, Battrick p.57; V&A 999], 4to, [1894]. ⁂ With the characteristic illustration of a rabbit by Beatrix Potter on the upper cover. This was only the second time a book illustration of Potter's appeared in print, preceded only by A Happy Pair. This is the issue without Potter's initials to the upper cover, scarce unrestored and in full working order.
Potter (Beatrix) The Tailor of Gloucester, first edition, first issue, [one of 500 copies], signed presentation inscription from the author "with kind regards to Mrs [?]Hemming, Oct 19th, 1937" to front free endpaper, colour frontispiece and 15 colour plates, light browning to free endpapers, original pick boards with lettering and pictorial design in black, spine a little faded, a few minor marks, but a remarkably sharp, near-fine example overall, [Linder 420; Quinby 3], 16mo, [Privately printed for the Author by Strangeways & Sons], December, 1902. ⁂ Beatrix Potter's favourite of her own works, scarce signed and in such excellent condition. The Tailor of Gloucester was based upon a tale Potter heard whilst visiting her cousin Caroline Hutton in Gloucestershire in or around 1897: the tailor John Pritchard was commissioned to make a suit for the new mayor, he opened up his shop on Monday to find the suit completed except for one buttonhole and with a note attached reading "No more twist". It transpired that his assistants had finished the suit in the night, however Pritchard encouraged the story that it was the work of fairies. Potter took time to develop the story whilst also working on Squirrel Nutkin, presenting it as a picture letter to Freda Moore in 1901. Potter had the work privately printed, in a similar format and in the same month as the second issue of Peter Rabbit (see lot XXX) as Warne were still in the process of publishing Peter Rabbit and she felt it unlikely they would publish another tale so soon.
Paul Jouve.- La Fontaine (Jean de) Fables, number 67 of 150 copies, signed by the publisher, wood-engraved plates and illustrations by Paul Jouve, all printed in colour, many embellished with gold, loose in original pictorial wrappers, light spotting, loose in original vellum chemise, original cloth-backed slip-case, a little rubbed, 4to, [Paris], Gonin & Cie, 1929.
"Phiz" Browne (Hablot Knight, 1815-1882), A group of twelve original illustrations for Charles James Lever's 'The Dodd Family Abroad', 1854, graphite on thin wove and laid papers, some with wash, numerous pencil annotations, and each indented for transfer, some with residual red chalk outlining, laid onto paper supports, various sizes, each c. 130 x 180 mm. (5 1/8 x 7 1/8 in), some surface dirt and browning, nicks and tears, all unframed, [circa 1854]; together with twelve proof engravings corresponding to the drawings, on cream wove paper, each c. 125 x 205 mm. (4 7/8 x 8 1/4 in), inset into paper mounts, tipped in at edges, the mounts with nicks and tears, occasional surface dirt and light browning, all unframed, [circa 1854], (24).
Potter (Beatrix) The Tailor of Gloucester, first trade edition, first printing with date on title and single-page endpaper recurring 4 times, colour frontispiece, plain title vignette and 26 colour plates, gutter split with some pulling, pictorial endpapers, small ink bookseller's stamp to pastedown, original red boards with mounted colour illustration, light sunning to spine, an excellent copy otherwise, [Linder p.423; Quinby 4], 16mo, 1903.
δ Topolski (Feliks, 1907-1989), The Lord Mayor departs from the Law Courts, black conté crayon, coloured crayon, wash, watercolour, inscribed 'Alderman's Beadles' lower right, on wove paper, 245 x 380 mm. (9 5/8 x 15 in), hinged into mount, light surface, [circa 1960]. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), Judge Raymond Evershed, 1st Baron Evershed, in conversation with two other Judges, black conté crayon, monochrome wash, variously inscribed, signed lower right, 255 x 355 mm. (10 x 14 in), hinged into mount, light surface dirt, [circa 1960]. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), Call night at the Middle Temple, black conté crayon, pen and browish-grey ink, monochrome wash, signed lower left, inscribed upper left, on wove paper, 360 x 245 mm. (14 1/8 x 9 5/8 in), hinged into mount, light surface dirt, [circa 1960] δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), A lecture in Lincoln's Inn Old Hall, black conté crayon, monochrome wash, signed lower left, and variously inscribed, on wove paper, 355 x 245 mm. (14 x 9 3/4 in), hinged into mount, light surface, [circa 1960]. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), Call night at the Middle Temple, black conté crayon, monochrome wash, signed lower right, inscribed lower left, on wove paper, 360 x 245 mm. (14 1/8 x 9 5/8 in), hinged into mount, light surface dirt, [circa 1960] δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), Fountain Court, Middle Temple, conté crayon, pen and black ink, brown ink, watercolour, signed lower left, 375 x 245 mm. (14 3/4 x 9 3/4 in), hinged into mount, light surface dirt, [circa 1960]. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), Outside Westminster Hall: the reopening of the Law Courts, black conté crayon, pen and brown ink, wash, watercolour, inscribed lower right and dated '61, on wove paper, 245 x 380 mm. (9 5/8 x 15 in), hinged into mount, light surface dirt. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Topolski (Feliks, 1907-1989), Dinner on Grand Day in Middle Temple Hall, black conté crayon, watercolour, variously inscribed, signed and dated 19.4.61 upper right, 255 x 350 mm. (10 x 13 3/4 in), hinged into mount, light surface dirt, 1961. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Potter (Beatrix) The Tailor of Gloucester, first edition, first printing with date on title and single-page endpaper recurring 4 times, deluxe issue in rare trial binding, colour frontispiece and 27 colour plates, upper hinge cracked but holding firm, original red morocco, lettered in gilt on upper cover, upper joint cracked at foot, minor chipping to spine ends, spine a little rubbed, light wear to corners, still an excellent copy, g.e., [Not in Linder or Quinby], 16mo, 1903. ⁂ An excellent example of this scarce variant trial binding, we know of only one other copy (see Peter Harrington catalogue no.122, item 17, see also lot 7) Includes an additional colour plate before the frontispiece featuring the illustration used on the upper cover of the first trade edition (this plate was also used as the rarer of the two frontispieces for the art fabric edition).
δ Topolski (Feliks, 1907-1989), Three judges, conté crayon, monochrome wash, watercolour, signed and dated '61 lower right, on wove paper, 245 x 375 mm. (9 5/8 x 14 3/4 in), light surface dirt, 1961. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Potter (Beatrix) The Tailor of Gloucester, first edition, first printing with date on title and single-page endpaper recurring 4 times, art fabric deluxe issue, colour frontispiece and 26 colour plates, pictorial endpapers, ink gift inscription dated Xmas 1903 to front free endpaper, original floral-patterned cloth with white buckram onlays ruled and lettered in gilt, light browning to spine and fore-edges, minor bumping to spine ends and corners but a very good copy overall, [Linder pp. 423], 16mo, 1903. ⁂ Following the lacklustre sales of the Peter Rabbit deluxe edition, Warne suggested the use of brocade for the deluxe bindings of The Tailor of Gloucester and Squirrel Nutkin. Potter obtained samples of material from Edmund Potter & Co. of Manchester, her grandfather's textile printing works. This copy has the scarcer of the two frontispieces, replicating the cover design of the trade edition.
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