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534325 Los(e)/Seite
An Arts and Crafts style wrought iron ceiling light, of foliate form, hung with a central mottled glass shade and three arms, lacking three shades, 60cm high CONDITION REPORT: Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of Arts and Crafts style wrought iron and brass wall lights, of foliate form, with mottled glass shades, 38cm high (2) CONDITION REPORT: Both very grubby. The iron section of the back plate has a light layer of rusting tot he surface, the brass sections to the back plate are grubby and need a good polish. In need of an overhaul / clean. the shades are ok but may sit slightly to the side of the fitting to the top. Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of Arts and Crafts style wrought iron and brass wall lights, of foliate form, with mottled glass shades, 38cm high (2) CONDITION REPORT: Both very grubby. The iron section of the back plate has a light layer of rusting tot he surface, the brass sections to the back plate are grubby and need a good polish. In need of an overhaul / clean. the shades are ok but may sit slightly to the side of the fitting to the top. Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Victorian brass oil lamp, with moulded cranberry glass reservoir, on a fluted column and moulded base, 46cm CONDITION REPORT: The reservoir does not detach from the brass fitting at its base. The glass shade has a few small nicks to the bottom edge - nothing serious. General light age wear patina and rubbing to the metalwork. Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A French Louis XV style gilt metal and glass six light chandelier, c1900, hung with various lustre drops, 76cm (size no including the chain) CONDITION REPORT: There do not appear to be any drops missing. It is recommended that the item in re-wired by a qualified electrician before instillation. Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
An Art Nouveau bronzed spelter figure of a female dancer in the manner of Josef Lorenzl, on stepped alabaster base, 26cm high CONDITION REPORT: Age wear patina to the 'bronzed' surface throughout - this is small spotting marks, some tarnighing, rubbing and light scratches. The figure is a little grubby. There are some small knocks and scratches to the alabaster base, a small chip to the underside of the base. Despite faults overall appearance ok.
A 19th century brass bound walnut writing slope, 17cm H x 51cm W x 25.5cm D CONDITION REPORT: The right hand brass band to the top of the lid has lifted, the band to the left had also lifted but to a much lesser extent. The box has a general light age wear patina but a later varnish finish. The green lining tot he underside of the base if worn. The fabric writing surface internally is a little grubby and has split down the central fold.
Local interest; a late 19th century wall clock, circular Roman numeral dial named 'Anderton Shrewsbury' with mounted brass plaque titled 'Presented by Mr W.Anderton', within stained mahogany, single fusee movement, pendulum and key, case 50cm diameter CONDITION REPORT: The bezel is tarnished and has been repaired at the hinge. The dial is grubby and with some scuff marks. Handle to the door at the bottom of the clock is not original. General light age wear to the case. The movement is very clean and appears to have been recently overhauled. We can not guarantee that the clock is in full working order.
An early 20th century stained wood eight day wall time piece, Arabic dial with subsidiary seconds, 28cm diam CONDITION REPORT: Metal bezel tarnished, dial grubby and with some scratches and marks. Light age wear scratches to the case. it is not possible to open the back case to see the movement. We can not guarantee that the clock is in full working order.
A gentleman's stainless steel Omega Seamaster 600 wristwatch circa 1966, the silvered dial with batons, centre sweep seconds and subsidiary date aperture, attached expanding bracelet, within case and box and with an accompanying guarantee stating that the movement number is '21681807', ref '1360011' Please note: the back of this watch has not been opened for inspection. CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding. Currently ticking. Winding crown with logo. Hand hands happily rotate and alter date aperture accordingly. Crystal is scratches and has an internal fracture between three and four o'clock. Seconds hand particularly speckled. Case back appears in good condition with only some light surface scratches. Case sides and lug only showing some general light signs of wear.
A vintage gentleman's Rolex Precision 9ct gold wristwatch, circa 1950's, the circular face with Arabic and arrow-head dial, fluted case sides, attached Hirsch strap and 9ct gold Rolex buckle, watch case 3.5cm wide CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding. Case diameter excluding winding crown is 35mm. Ticks when wound. Hands happily rotate. Face appears in god condition with no concerning signs of staining, some speckling, would benefit from the clean. Crystal with light general surface scratches. Dial visible and clear through crystal. Winding crown with Rolex logo is particularly tarnished. Case sides and lugs appear in good condition. Case back with some minor knifed opening marks and scratches. Buckle appears in good condition. Strap shows some little wear.
[Richard Sibbes]: 'The Saints Cordials', London, Robert Dolman, 1629, contains twenty nine sermons delivered upon special occasions in the city of London and elsewhere, by Richard Sibbes and possibly Thomas Hooker and others, sermons include 'The Art of Contentment'; 'Discouragements Recoverie'; 'Judgements Reason' etc, each sermon with separate title page with woodcut device and 1629 date, 'The Art of Contentment' title page with Miles Flesher for Robert Dolman, in Pauls Churchyard...1629 imprint, 453pp, possibly lacking a general title page 'The Saints Cordials'?, first few leaves with light wear, some small repairs and pencil annotations, folio, contemporary panelled calf worn
Lyndon B. Johnson, 36th president of the United States, black & white photographic portrait by Arnold Newman, inscribed and signed in bold black ink to mount, 'To Harold Wilson with every good wish, Lyndon B. Johnson'. Undated but circa 1964, around the beginning of Wilson's first period as Prime Minister of the United Kingdom. Unframed, on Bainbridge Government Board, some marks and light wear at corners. 35.5cm by 27.5cm
Keynes, John Maynard. The General Theory of Employment, Interest and Money, first edition, London: Macmillan and Co., Limited, 1936. Association copy, signed by Harold Wilson (former Prime Minister of the United Kingdom) to front free endpaper, 'J. H. Wilson, Jesus, 1936'. Publisher's gilt blue cloth, bookseller's ticket to front paste-down (Blackwell, Oxford), Erratum at rear. Contents generally good and bright, occasional little knocks/creases to page corners; binding good and solid, some light marks/discolouration at spine, no dust-jacket. Keynes is widely considered to have been the most influential economist of the 20th century, and this is his magnum opus; its importance can be compared with Adam Smith's Wealth of Nations. Together with A Treatise on Money, by John Maynard Keynes, in two volumes, London: Macmillan and Co., Limited, 1933, each copy bearing a Gladstone Memorial Prize label to front paste-down, inscribed 'J. H. Wilson, Jesus College, 1936'; blue cloth with gilt crests to upper boards, bookseller's ticket (Blackwell, Oxford); contents good and bright, binding good and solid with some light marks. It is well documented that Harold Wilson was an excellent student; his politics tutor, R. B. McCallum, considered Wilson as the best student he ever had. [Labour People, Kenneth O. Morgan, 1987, p.247]. Biographer Roy Jenkins wrote: 'Academically his results put him among prime ministers in the category of Peel, Gladstone, Asquith, and no one else.' [Jenkins, 2009] (3)
A bust depicting Abraham Lincoln by Leo Cherne (1912-1999) cast in dark patinated plaster and mounted on a black wood plinth base. The collar of the bust is signed and dated: "1955 Leo Cherne", with presentation plaque to the front of plinth base to Harold Wilson 'in appreciation, the Union League Club, September 26th 1984'. Note: The original sculpture of the Abraham Lincoln bust was once located in the Cabinet Room of the White House and has been in the White House since the presidency of Dwight D. Eisenhower. CONDITION:Three chips to nose, three to hair, few to chin and neck.
Behind the Scenes Tour of the BBC with Nicholas WitchellAn amazing opportunity to have a personal behind the scenes tour for two people of the BBC News Operation at Broadcasting House, London, with Newsreader and BBC Diplomatic and Royal Correspondent Nicholas Witchell. You'll be able to watch either the One o'Clock News going out live, followed by a light lunch with Nicholas, or the Six o'Clock News going out live followed by a light supper with Nicholas - the choice is yours. To be taken on a mutually convenient date and during 2019.Kindly donated by Nicholas Witchell
§ Martyn Brewster (British, b.1952) Lakeside signed, titled and dated '1990' to the reverse oil on canvas, unframed 183 x 153cm (71 x 60in) Other Notes: Martyn Brewster's abstract paintings are strongly linked to the English landscape tradition. His paintings and drawings explore the coastal light of the south coast of Dorset where he lives and works. Brewster has had retrospective exhibitions at the Russell-Cotes Art Gallery and Museum, 1997; the Royal West of England Academy, 2001; and the Study Gallery of Modern Art, Poole, 2003. His work can be found in the Victoria & Albert Museum, British Museum, Russell-Cotes Art Gallery and Museum, Arts Institute at Bournemouth and Bournemouth University.
§ William Pye (British, b. 1938), Eight Elbows, 1968, chrome plated steel, stamped 'PYE' signature and dated 1968, numbered 2/6 and '25', Redfern Gallery label to underside 33 x 20 x 26.50cm (13 x 8 x 10in) Literature: The work is featured in a two page spread in the artist's monograph, 'William Pye, his work and words' 2010, published by Brown & Brown (pages 52-53) Other Notes: 'Eight Elbows' was one of a series of small sculptures first exhibited by Pye in his second solo show at the Redfern Gallery, London. Although an abstract composition - like much work of the time - it was influenced by the rapidly evolving cultural production and industrial terrain of the 1960s. Literally consisting of eight 90-degree steel elbows welded together, Pye's use of 'the tube' was a conscious departure from modelling in order to lower 'immediate sensuality' and mask the effort involved in its production. It employs Pye's trademark. Our thanks to Tristram Pye for his assistance with this note. In good condition, very light surface pitting only.

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534325 Los(e)/Seite