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Los 122
Heaney, Seamus 12 works, 2 signed, comprising Electric Light. Faber & Faber, 2001. number 188 of 300 copies signed by the author, original black cloth-backed cream boards, slipcase; Electric Light. 2001, first trade edition, original black boards, orange dustwrapper; District and Circle. Faber, 2006, First edition, signed by the author on title, dustwrapper; The Spirit Level. Faber, 1996, first edition, dustwrapper; The Burial at Thebes. Sophocles' Antigone, translated by Heaney. Faber, 2004, First edition, original boards, dustwrapper; The Fire i' the Flint. O.U.P., 1974, original green wrappers; Spelling out Out. in honour of Brian Friel on his 80th Birthday. The Gallery Press, 2009, original brown wrappers; Dylan the Durable ? On Dylan Thomas. 1992, original pictorial wrappers; Diary of one who vanished, a song cycle by Leos Janacek in a new version by Seamus Heaney. Faber & Faber, 1999, original yellow wrappers; From the Republic of Conscience. Amnesty International, 1985, limited to 2000 copies, original wrappers; with Michael Longley. An Upstairs Outlook. Belfast, 1989, original wrappers; Sweeney Astray. Derry, 1983, First edition, original cloth, dustwrapper (12)
Los 138
London, Jack The Call of the Wild London: William Heinemann, 1903. First UK edition, first impression stating July 1903, frontispiece, plates and illustrations by Philip R. Goodwin and Charles Livingston Bull within pagination, original pictorial blue cloth gilt, some very light spotting and a little marginal dampstaining in places, early ownership signature to half-title, some slight rubbing and bumping to covers
Los 160
Thomas, Edward 13 books, comprising The Woodland Life. Edinburgh: William Blackwood and Sons, 1897. First edition, 8vo, original green cloth, ownership signature to front free-endpaper, a little light foxing; [Idem] The Happy-go-Lucky Morgans. London: Duckworth & Co., 1913. First edition, 8vo, original green cloth gilt, ownership signature, a little light foxing, a little discolouration to covers, date stamp to rear paste-down; [Idem] The South Country. London: J.M. Dent & Co., 1909. First edition, 8vo, original green cloth gilt, a little light foxing; [Idem] Celtic Stories. Oxford: Clarendon Press, 1918. Third edition, 8vo, original green paper-covered boards; [Idem] Norse Tales. Oxford: Clarendon Press, 1921. Second edition, 8vo, original green paper-covered boards; [Idem] Lafcadio Hearn. London: Constable and Company Ltd., 1912. First edition, 12mo, green cloth; [Idem] The Childhood of Edward Thomas. London: Faber and Faber Limited, 1938. 8vo, original green cloth gilt, dust-jacket a little faded; and another copy; Thomas, Helen Time & Again, memoirs and letters. Manchester: Carcanet, 1978. First edition, 8vo, original cloth, dust-jacket, signed by the editor, Myfanwy Thomas, with additional ownership signature; Coombes, H. Edward Thomas. London: Chatto & Windus, 1956. 8vo, dust-jacket, neat gift inscription; Eckert, Robert P. Edward Thomas. London: J.M. Dent & Sons Ltd., 1937. 8vo, some tears to dust-jacket; Moore, John The Life and Letters of Edward Thomas. London: William Heinemann Ltd., 1939. 8vo, original cloth; Gant, Roland, editor Edward Thomas on the Countryside. London: Faber and Faber, 1977. 8vo, dust-jacket not price-clipped (13)
Los 167
Verne, Jules A Family Without a Name London: Sampson, Low, Marston, Searle , & Rivington, 1891. First UK edition, first impression with publisher's catalogue dated October 1890, frontispiece and 78 (of 79) plates, original pictorial red cloth gilt, occasional light spotting, shelf lean, lower hinge cracked, some fading and rubbing to covers, ownership signature to free-endpaper; [Idem] Five Weeks in a Balloon. London: Chapman and Hall, 1870. First UK edition, 8vo, original blue cloth gilt, hinges split, spine detached along lower joint, some internal and external soiling, signature to paste-down endpaper (2)
Los 231
Miscellaneous, including The Royal Society for the Prevention of Cruelty to Animals and the Royal Commission. Vivisection. 1876, 8vo, original cloth, library stamp to title page; Doyle, A. Conan. The Adventures of Sherlock Holmes. 1892. First edition, 8vo, original blue cloth, rubbed, hinges weak, occasional light spot; Hutchinson, H.G. Golf. 1890., 8vo, original pictorial cloth; Hayes, M.H. Points of the Horse. 1897. Large 8vo, plates, original cloth; Townsend, Joseph. A Journey through Spain in the years 1786 and 1787. 1792, volumes 1-2 (of 3), plates, contemporary calf, morocco labels; Scott, Walter. Familiar Letters. 1894, 2 volumes, original cloth; [Isle of Jura] Some Account of Jura Red Deer. Derby, [n.d.], 8vo, number 198 of 200 copies, original cloth; Wilson, E.H. The Duchess of Windsor. 1937, plates, red half morocco gilt; Jonson, Ben. The Workes. 1976, folio, facsimile edition, original cloth-backed boards; Gordon, Arthur Charles Hamilton, 1st Baron Stanmore. Fiji. Records of Private and Public Life 1875-1880. Edinburgh: [Privately Printed], 1897, volume 1 (of 4), original cloth; Smith, John. Substance of the Work entitled Fruits and Farinacea the Proper Food of Man... for the Vegetarian Society. Manchester, 1873, 8vo, original cloth, library stamp to title, rubbed; Brocklehurst, Thomas. U. Mexico To-day. 1883. First edition, 52 (of 53) plates including 17 chromolithographed and 35 wood engraved plates, contemporary half calf
Los 242
Duke, J. The Compleat Florist London: J. Robinson, 1747. 8vo, hand-coloured frontispiece and hand-coloured engraved title-page, 100 hand-coloured plates, contemporary green half calf gilt, a little dust-soiling and some light browning, front free-endpaper torn away, some rubbing and soiling to covers and spine
![Gardening & Botany 11 volumes, comprising [Jackson, Maria Elizabeth] The Florist's Manual. London: Henry Colburn and Co.,](https://cdn.globalauctionplatform.com/7585ab16-9d02-401a-8ea4-ad4000cd8dfd/04cbc4e4-8c2e-480b-9ed0-ad4000faa29b/468x382.jpg)
Los 245
Gardening & Botany 11 volumes, comprising [Jackson, Maria Elizabeth] The Florist's Manual. London: Henry Colburn and Co., 1822. Second edition, 8vo, hand-coloured folding frontispiece and 6 hand-coloured plates, later half calf gilt; Boswell, George A Treatise on Watering Meadows. London: J. Debrett, 1792. 8vo, 5 folding plates, later half calf gilt, a little foxing; Reid, John The Scots Gard'ner... Edinburgh: John Moncur, 1721. Second edition, 8vo, 5 plates, a little dampstaining, tear to one leaf affecting one word, some dust-soiling, leaves toned; [bound with] [Idem] The Gard'ners Kalendar. Edinburgh: John Moncur, 1721. 8vo, some dampstaining, leaves toned; [bound with] The Florist's Vade-Mecum. 8vo, lacking title-page and all before A1; in 20th century half calf gilt; Cobbett, William The Woodlands... London: William Cobbett, 1825. 8vo, contemporary quarter calf gilt, a little light internal foxing; Maund, B. The Botanic Garden. London: Baldwin and Cradock, 1827-8. Volume ii only, 8vo, 29 hand-coloured plates, contemporary half calf gilt; Harrison, Joseph The Floricultural Cabinet and Florists' Magazine. London: Whittaker and Co., 1843-1850. 4 volumes only comprising 1843, 1849, 1850 & 1851, 8vo, hand-coloured plates, contemporary green half morocco gilt; Paxton, Sir Joseph Paxton's Magazine of Botany. London: Orr and Smith, 1834-1836. 2 volumes only, 8vo, hand-coloured plates, contemporary half calf gilt, some fading and rubbing to covers and spine, a little light foxing (11)
Los 250
New Naturalist Books, 1945-2015 123 volumes Comprising numbers 1-38, 41-55, 57-73, 75, 78, 80, 82, 84-129. London: Collins, 1945-2015. Mixed editions, 8vo, numbers 41, 70, 71, 75 and 80 present in paperback only, with 1 and 71 in duplicate, some jackets price-clipped, occasional creasing, chipping and browning to jackets, a little light internal soiling in places, 'Orkney' (70) paperback is ex-library, as are a few others, a little light foxing to a few earlier volumes, 3 hardback volumes without dust-jackets, some volumes with neat ownership signatures, bookplates or gift inscriptions (123)
Los 253
Shaw, George and Frederick P. Nodder The Naturalist's Miscellany The Naturalist's Miscellany: or Coloured Figures of Natural Objects. London, [1789 - c. 1793], volumes 1-3 and 5-7 only, 208 hand-coloured engraved plates (of the 213 that should be in these 7 volumes), the missing ones clearly never bound in, early 19th century green half morocco gilt, some light spotting, chiefly to the text, lacking signature M in volume 3, lightly rubbed
![Holy Bible London: Thomas Newcomb and Henry Hills, 1712 4to, 136 plates, [Herbert 917; ESTC T89271]; bound with Book of Commo](https://cdn.globalauctionplatform.com/7585ab16-9d02-401a-8ea4-ad4000cd8dfd/cc30d382-a596-41bf-b4e4-ad4000faca3d/468x382.jpg)
Los 261
Holy Bible London: Thomas Newcomb and Henry Hills, 1712 4to, 136 plates, [Herbert 917; ESTC T89271]; bound with Book of Common Prayer, 1713, [Not recorded by ESTC, cf. ESTC T814], 2 engraved plates, contemporary panelled red morocco gilt, neatly rebacked retaining original spine, engraved portrait to BCP laid down; and The Whole Book of Psalms. London: Freeman Collins for Company of Stationers, 1812, [ESTC T82244], some spotting and marginal discolouration, occasional light stain
Los 315
Tragara Press 20 volumes, comprising Orioli, Pino. Some letters of Pino Orioli to Mrs Gordon Crotch. 1974, number 18 of 120 copies, original quarter cloth; Crotch, M.G. Memories of Frieda Lawrence. 1975, number 124 of 175 copies, original quarter cloth; Thomas, Edward. Autumn Thoughts. 1975, limited to 90 copies, marbled wrappers; Fuller, Roy. An Old War. 1974, limited to 95 copies, original light grey wrappers; Fuller, Roy. Re-Treads. 1979, number 62 of 130 copies, pale green wrappers; Fuller, Roy. As from the Thirties. 1983, number 43 of 135 copies, green wrappers; Thomas, Edward. The Fear of Death. 1982, number 36 of 95 copies, marbled wrappers; Adlard, John. One Evening of Light Mist in London. 1980, number 13 of 145 copies, brown wrappers; Thomas, Edward. A Selection of Letters to Edward Garnett. 1981, number 104 of 175 copies, original green wrappers; Rolfe, Frederick. Frederick Rolfe's "Reviews of Unwritten Books". volumes 1 and 3, 1985-87, number 30 and 19 of 120 copies; Symons, Julian. Two Brothers. 1985, number 39 of 130 copies, red wrappers; Summers, Montague. Letters to an Editor. 1986, number 36 of 145 copies, maroon wrappers; Fuller, Roy. Lessons of the Summer. 1987, number 65 of 135 copies, green wrappers; White, J.T. The Death of a King. 1970, one of 75 copies, brown wrappers; Thomas, Edward. Letters to America 1914-1917. 1989, number 79 of 140 copies, green wrappers; O'Sullivan, Vincent. Selected Letters. 1993, number 39 of 50 copies, original green cloth, lacking paper label from spine; O' Sullivan, Vincent. Thomas de Quincey. Beauly, Privately Printed, 2010, number 16 of 45 copies, purple wrappers; Thomas, Edward. Rupert Brooke 1887-1915. Beauly, Privately Printed, 1912, number 4 of 45 copies, marbled wrappers; Sturgis, Matthew. Masks and Phrases. The Rivendale Press, 1999, number 51 of 100 copies, grey wrappers (20)
Los 318
Wilde, Oscar The Sphinx London: Elkin Mathews and John Lane, at the Sign of The Bodley Head, 1894. 4to, First edition, one of 200 copies, decorated title-page and other illustrations by Charles Ricketts, printed in black, light red and green, original pictorial vellum gilt by Charles Ricketts, uncut, extremely small inscription of 'Joanna Forsyth' at head of front free endpaper, very small and faint pencil inscription from John Gold on first blank leaf, a few light spots to binding
Los 347
Heath, Robert A Natural and Historical Account of the Islands of Scilly London: R. Manby and H.S. Cox, 1750. 8vo, folding map, folding table, lacking the advertisement leaf and portrait, contemporary calf, upper cover detached, lower cover lacking, a little internal dampstaining and light spotting [ESTC T132199]
Los 354
Lysons, Daniel & Samuel Lysons Magna Britannia Being a concise topographical account of the several counties of Great Britain. London: T. Cadell, 1806. 4to, 6 books in 7 volumes, covering 9 counties, extra-illustrated with 192 plates from Britannia Depicta, contemporary calf gilt very neatly rebacked with later calf gilt spines, a.e.g., some internal foxing and offsetting, a little light dampstaining in places (7)
Los 359
Mitchell, Joseph Reminiscences of My Life in the Highlands Chilworth and London: The Gresham Press, 1883. First edition, 2 volumes, 8vo, folding map of Scotland in the front pocket of volume 1, original green cloth gilt, a little light foxing, news clippings pasted neatly to rear endpapersProvenance: Bookplates of John Philip Osbaldeston MitfordFootnote: Note: An unusual work, copies recorded on WorldCat in four libraries only
Los 36
19th Century Children's Books including Lear, Edward. The Book of Nonsense and More Nonsense. Frederick Warne & Co. Ltd, [n.d.], Oblong 4to, 2 copies, original green and brown pictorial cloth; Dean & Munday, publishers. The Infant's Toy Book of Pretty Tales. [n.d.], 31pp., 12mo, hand-coloured illustrations, original wrappers, somewhat soiled; Newman, A.K., publisher. The House that Jack Built. [n.d.], 8vo, hand-coloured illustrations, original wrappers bound upside down, rather soiled; Bannerman, Helen. The Story of Little Black Mingo. James Nisbet, [1901], second edition, 12mo, pen scribbles on blank pages between p.46 and 54, original pictorial cloth; Schmid, Rev. Christopher. Easter Eggs and Robin Red Breast. Edinburgh: T. Clark, 1839, 2 copies; The Little Lamb. Edinburgh: T. Clark, 1839; Krummacher, F.A. The Little Dove. Edinburgh: T. Clark, 1838, these 4 all original wrappers, g.e., wrappers lightly soiled; Carroll, Lewis. Alice's Adventures in Wonderland. Heinemann, [1907], 8vo, plates by Arthur Rackham, binding slightly discoloured, slight crease to upper cover; Blackburn, Henry. Randolph Candecott. 1886, frontispiece, original pictorial cloth; Greenaway, Kate. Mother Goose or the Old Nursery Rhymes. 8vo, original green pictorial boards; Kate Greenaway's Almanack for 1927. 12mo, inscription dated 1927 to endpaper, original yellow cloth-backed pictorial boards; Crane, Walter. A Floral Fantasy in an old English Garden. Harper and Brothers, 1899. 4to, original pictorial cloth, light dust-soiling internally, binding slightly soiled; Verne, Jules. P'tit Bonhomme. J. Hetzel et Cie. [n.d.], 4to, 458pp, 8pp. advertisements, original pictorial cloth, some spotting, slight wear (15)
![Scottish History & Travel 13 books. comprising [Forsyth, Robert] The Beauties of Scotland. Edinburgh: Thomson Bonar and J](https://cdn.globalauctionplatform.com/7585ab16-9d02-401a-8ea4-ad4000cd8dfd/a863e216-7782-414c-9c64-ad4000fba58e/468x382.jpg)
Los 375
Scottish History & Travel 13 books. comprising [Forsyth, Robert] The Beauties of Scotland. Edinburgh: Thomson Bonar and John Brown, 1805. 5 volumes, 8vo, engraved plates, modern quarter calf, lacking map, several stamps of Selkirk Public Library, a little light browning; Taylor, James The Pictorial History of Scotland. London: Virtue & Co., [n.d.] 2 volumes, large 8vo, 19th century black half morocco gilt, bookplates; Teignmouth, Lord Sketches of the Coasts and Islands of Scotland, and of the Isle of Man. London: John W. Parker, 1836. 2 volumes, 8vo, folding map, contemporary calf gilt, Northern Lighthouse Board copy; Macpherson, James The History of Great Britain... Dublin: J. Exshaw, et al., 1775. 2 volumes, 8vo, contemporary calf, bookplates, joints cracked, some browning; [uniform with] [Idem] Original Papers; containing the Secret History of Great Britain... Dublin: Dublin: J. Exshaw, et al., 1775. 2 volumes, 8vo, upper cover of volume 4 detached (13)
Los 397
The Hebrides 3 volumes, comprising Gregory, Donald History of the Western Highlands and Isles of Scotland from A.D. 1493 to A.D. 1625. Edinburgh: William Tait, 1836. 8vo, contemporary half calf, Forbes bookplate; MacDonald, James General View of the Agriculture of the Hebrides. Edinburgh: Richard Phillips, 1811. 8vo, 5 folding maps, plate, modern half calf gilt with purple morocco label to spine, some light spotting; 'Senex' Fragments Regarding the Ancient History of the Hebrides. Glasgow: Herald Office, 1850. 12mo, one of 50 copies, contemporary half calf neatly rebacked [COPAC listing only 2 copies] (3)
Los 40
Rowling, J.K. Harry Potter and the Chamber of Secrets London: Bloomsbury, 1998. First edition, first impression with the numberline 10 9 8 7 6 5 4 3 2 1 to the publisher's imprint page, 8vo, original paper covered boards, dust-jacket not price-clipped, dust-jacket spine faded, some light marginal toning to leaves
![Lhuyd, Edward Archaeologia Britannica volume 1: Glossography [all published]. Oxford: M. Bateman, 1707. First edition, folio,](https://cdn.globalauctionplatform.com/7585ab16-9d02-401a-8ea4-ad4000cd8dfd/941984f9-6d10-4bcb-8617-ad4000fc3e65/468x382.jpg)
Los 54
Lhuyd, Edward Archaeologia Britannica volume 1: Glossography [all published]. Oxford: M. Bateman, 1707. First edition, folio, contemporary panelled calf, rebacked retaining contemporary spine, early ownership signature to paste-down endpaper and title, flyleaves renewed with later ownership signature, bookplate, a little light internal spotting, a few minor damp spots to margins [ESTC T116102]Footnote: Note: A pioneering work, by the Welsh polymath Edward Lhuyd, on comparative Celtic philology.
Los 58
Scottish Highlands 9 volumes, comprising McNicol, Donald. Remarks on Samuel Johnson's Journey to the Hebrides. London, 1779. First edition, 8vo, contemporary calf, Northern Light Board gilt stamp to upper cover; Maxwell, W.H. Highlands and Islands. 1852, 2 volumes, 8vo, frontispiece, contemporary calf gilt, spines gilt; Stewart, David. Sketches of the Character, Manners and Present State of the Highlanders of Scotland. 1825, Third edition, 2 volumes, 8vo, contemporary red half calf, spines gilt; Grant, J.P. Memoir and Correspondence of Mrs Grant of Laggan. 1844, 3 volumes, 8vo, frontispiece, black half morocco, Mount Stuart bookplates; Blackie, John S. Language and Literature of the Scottish Highlands, 1876, contemporary half morocco, spine slightly faded (9)
Los 6
Campbell, Colin Vitruvius Britannicus or The British Architect, containing the Plans, Elevations and Sections of the Regular Buildings both Publick and Private in Great Britain... in 200 large Folio Plates. London: sold by the author, 1717-1717-1725. 3 volumes, folio (440 x 275mm), engraved titles to volumes 1 and 2, printed title to volume 3 in red and black, with 295 engraved plates after Colin Campbell, list of subscribers in all volumes, rebound in period style panelled calf, spines gilt, occasional light spotting, repairs to a few leaves and platesFootnote: Note: A magnificent collection of copperplate engravings. The Vitruvius Britannicus catalogues in fine detail many of the great English country houses and public buildings. Its beautiful illustrations include facades, ground plans, exterior elevations, perspective views and layouts for gardens and parks. Featured buildings include those designed by Inigo Jones, the 17th century architect who introduced Palladianism into England and the Classical-Revival architecture of Sir John Vanbrugh, as well as contemporary designs, including those of the author, the Scottish architect Colin Campbell. This work was instrumental in popularising the Neo-Palladian style in Britain and America during the eighteenth century and stands out as one of the most influential and original English architectural books of all time.
Los 1180
BARRY X BALL1955 Pasadena/USATitel: The akra tapeinosis (.) - Portrait Matthey Barney. Untertitel: Rauminstallation. Datierung: 2000 - 2004.Technik: Mixed Media (Mexikanischer Onyx, Stahl, Rhodium, Polyurethan, Holz, Stahlseile, Licht). Maße: Kopf und Schaft: 175 x 15 x 20cm; Deckenkonstruktion: 225 x 225 x 40cm; Installationsmaß: ca. 320 x 350 x 350cm. Provenienz: - Salon 94, New YorkAusstellungen:- MOMA PS1, New York 2004Literatur:- Heil, Axel/Schoppmann, Wolfgang (Hrsg.): Most Wanted - The Olbricht Collection - Some Recent Acquisitions, Köln 2005, Abb. S. 160Der Künstler Barry X Ball wurde 1955 in Kanada geboren. Heute lebt und arbeitet er in New York. Werke des Bildhauers sind in bedeutenden internationalen Sammlungen vertreten und bereits mehrfach stellte Ball im Rahmen der Biennale in Venedig aus. Balls skulpturale Portraits haben einen revolutionären bildhauerischen Ansatz. Der Künstler selbst beschreibt seine Werke als Skulpturen, diese sind jedoch eher am Schnittpunkt zwischen Skulptur und Installation einzuordnen. Balls Vorgehensweise ist dabei hochkomplex. An einem einzigen Portrait arbeitet der Künstler im Schnitt zwei bis drei Jahre. In dem uns vorliegenden Portrait vergingen sogar vier Jahre bis zur Fertigstellung. Portraitaufträge lehnt dieser kategorisch ab. Die selbstgewählten Modelle sind Persönlichkeiten der bildenden Kunst, wie beispielsweise Künstler, Sammler und Galeristen. Arbeitet Ball an einem Portrait, so fertigt er zunächst Referenzfotos sowie einen Gipsabdruck des Kopfes und Halses an. Dieser Gipsabdruck wird dann in ein Gipspositiv umgesetzt und der noch raue Rohling anschließend in mühevoller Handarbeit abgerundet. Dabei entstehen keineswegs naturalistische Portraits. Die Manipulation der Vorarbeiten ist elementarer Bestandteil des Schaffensprozesses und wirkt sich entscheidend auf das fertige Portrait aus. Im Falle des Portraits von Matthew Barney trieb der Künstler diese Manipulation besonders weit. Er entfernte sämtliche Halsmuskulatur und setzte nur einen schlaffen Sack Haut zusammen mit den Eingeweiden an den Kopf an. Haut und Eingeweide waren in diesem Stadium noch als Ton modelliert. Nach Fertigstellung des Entwurfs in Gips und Ton, wurde dieser über einen 3D-Scanner digitalisiert, gefolgt von einer Reihe digitalen Bearbeitungsschritten. So wurde der eingescannte Gipskopf in diesem Portrait zunächst um 150% vertikal gestreckt. Anschließend scannte Ball ein viktorianisches Barockmuster ein, dass er über die gesamte Oberfläche legte. Im nächsten Schritt schrumpfte Ball diese Gesamtkonstruktion erneut um 85%, bevor er sie final mittels einer CNC-Fräsmaschine in mexikanischen, durchscheinenden Onyx übertrug. Das maschinell ausgeführte Schnitzen nahm dabei mehrere Tage in Anspruch. Einen Sockel für Balls Portraits sucht man vergebens. Stattdessen ist der Kopf von einer beidseitig angespitzten und vergoldeten Lanze aus Stahl durchbohrt. Befestigt ist die Skulptur an einer Vielzahl von Seilen, welche wiederum von einem großen Deckenpaneel ausgehen und Trichterförmig auf dem durchbohrten Scheitel zusammenlaufen. Das Deckenpaneel ist eine aufwendige Konstruktion aus Holz und zitiert eine Vielzahl historischer Dekorationsstile. Um das Deckenpaneel sind acht Halogenstrahler angeordnet, die die aufgespießte Skulptur anstrahlen. Der dabei erzeugte Schatteneffekt ist werkimmanent und vom Künstler bewusst herbeigeführt. Der Titel der Arbeit, "The akra tapeinosis" verweist auf die mittelalterliche Bildtradition des Schmerzensmannes. Hierbei steht der leidende Christus mit seinen Kreuzigungswunden im Fokus. Die Materialbeschaffenheit des Onyxes erzeugt den Eindruck der Wundmale Christi, die milchig-cremefarbene Beschaffenheit des Steins erinnert dabei unweigerlich an Elfenbein, ein Material aus dem viele mittelalterliche Christusskulpturen gefertigt wurden. Es ist eben dieser Detailgrad, der Ball aus der Masse der bildenden Künstler abhebt. Balls Skulpturen überzeugen nicht nur mit vielfachen kunsthistorischen Bezügen und der inhaltlichen Qualität, sondern auch unter formal-ästhetischen Gesichtspunkten als raumfüllende Installationen. Das Portrait Matthew Barneys sticht dabei besonders hervor und ist durch seine besondere Tiefe als ein Hauptwerk aus Balls Portraitserie einzuordnen. Erläuterungen zum KatalogBarry X Ball USA Fotografie Zeitgenössische Kunst Objekte 2000er Porträt Installation Mischtechnik Künstler BARRY X BALL1955 Pasadena/USATitle: The akra tapeinosis (.) - Portrait Matthey Barney. Subtitle: Room Installation. Date: 2000 - 2004. Technique: Mixed Media (Mexican onyx, steel, Rhodium, polyurethane, wood, steel ropes, light). Measurement: Head and shaft: 175 x 15 x 20cm; Ceiling construction: 225 x 225 x 40cm; Installation dimensions: ca. 320 x 350 x 350cm. Provenance: - Salon 94, New YorkExhibitions:- MOMA PS1, New York 2004Literature:- Heil, Axel/Schoppmann, Wolfgang (eds.): Most Wanted - The Olbricht Collection - Some Recent Acquisitions, Cologne 2005, ill. p. 160. Explanations to the Catalogue
Los 1236
CLAIRE FONTAINE2004 gegründetes KünstlerinnenkollektivTitel: Foreigners Everywhere (Turkish). Datierung: 2010. Technik: Pinke Neonröhren auf Rahmenkonstruktion, Transformator und Kabel. Maße: 16,5 x 142 x 12cm.Das Leuchtobjekt ist voll funktionstüchtig und kann an die Wand oder vor ein Fenster gehängt werden. Es stammt aus einer Auflage von fünf plus zwei Künstlerexemplaren.Die Leuchtschrift gehört zu einer Reihe von weiteren Neonobjekten, bei denen der Titel in verschiedenen Sprachen erscheint.Provenienz: - Galerie Neu, BerlinAusstellungen: - me Collectors Room Berlin, 2012/13- me Collectors Room Berlin, 2013/14. Erläuterungen zum KatalogClaire Fontaine Frankreich Zeitgenössische Konzeptkunst Videokunst Zeitgenössische Kunst Objekte 2000er Schrift Installation Glas CLAIRE FONAINE2004 founded women artists collectiveTitle: Foreigners Everywhere (Turkish). Date: 2010. Technique: Pink neon tubes on frame construction, transformer and cable. Measurement: 16,5 x 142 x 12cm. The light object is fully functional and can be hung on a wall or in front of a window.It originates from an edition of five plus two artist's proofs.The neon sign belongs to a series of further neon objects, in which the title appears in different languages.Provenance: - Galerie Neu, BerlinExhibitions: - me Collectors Room Berlin, 2012/13- me Collectors Room Berlin, 2013/14. Explanations to the Catalogue
Los 799
BRIEFBESCHWERER MIT TRUTHAHN. Walter, Amalric. Nancy. Datierung: Um 1920. Meister/Entwerfer: Entwurf Henri Bergé. Material: Pâte de verre, transluzide hell und dunkelgrüne, dunkelblaue und rote Ein- bzw. Aufschmelzungen. Maße: H.8cm. Marke: Bez. "AWalter Nancy", "HBergé SC". Zustand A/B. Erläuterungen zum KatalogAmalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Glas PAPERWEIGHT WITH TURKEY. Walter, Amalric. Nancy. Date: Around 1920. Maker/Designer: Design Henri Bergé. Technique: Pâte de verre, translucent light and dark green, dark blue and red fuses on and inside the glass. Measurement: H.8cm. Mark: Inscribed "AWalter Nancy", "HBergé SC". Condition A/B. Explanations to the Catalogue
Los 804
VIDE POCHE MIT CHAMÄLEON UND OLIVENZWEIG. Walter, Amalric. Nancy. Datierung: Um 1920. Meister/Entwerfer: Entwurf Henri Bergé. Material: Pâte de verre, transluzide Glasmasse mit gelben, grünen und braun-violetten, das Chamäleon mit hell- und dunkelgrünen Ein- bzw. Aufschmelzungen. Maße: H.8, L.25,5cm. Marke: Innen am Rand bez. "AWalter Nancy", "H.Bergé", "SC", geprägt. Zustand A/B. Provenienz:Christie's, London, 1998. Erläuterungen zum KatalogAmalric Walter Frankreich Jugendstil / Art Déco 20. Jahrhundert Glas VIDE POCHE WITH CHAMELEON AND OLIVE BRANCH. Walter, Amalric. Nancy. Date: Around 1920. Maker/Designer: Design Henri Bergé. Technique: Pâte de verre, translucent glass mass with yellow, green and brown-violet, the chameleon with light and dark green fuses on and inside the glass. Measurement: H.8, L.25.5cm. Mark: Inside on the edge inscribed "AWalter Nancy", "H.Bergé", "SC", embossed. Condition A/B. Provenance:Christie's, London, 1998. Explanations to the Catalogue
Los 817
12 STAPELSTÜHLE. Deutschland. Meister/Entwerfer: Thur-Op-Seat. Technik: Schwarz lackiertes Metall, Pagholz vorw. dunkelbraun, tlw. hellbraun. Maße: H.79, Sitzhöhe 46cm. Marke: Bez. Thur-Op-Seat West Germany. Zustand C. Erläuterungen zum KatalogDeutschland Möbel 12 STACKING CHAIRS. Germany. Maker/Designer: Thur-Op-Seat. Technique: Black laquered metal, pagwood. Mostly dark brown, partially light brown. Measurement: H.79, seat hight 46cm. Mark: Inscribed Thur-Op-Seat West Germany. Condition C. Explanations to the Catalogue
Los 851
Zwei Halbfiguren. Datierung: 1920. Herkunft: Kasongo. Demokratische Republik Kongo. Material: Helles bzw. dunkles Holz, einmal Opferpatina. Maße: H. mit Sockel 20 / 24cm. Zustand B/C. Provenienz: Marc Leo Felix, Galerie Fred Jahn München, 1996.Die Kasongo bilden eine nur kleine ethnische Gruppe im Kongo. Charakteristische Merkmale ihrer Kunst sind Halbfiguren mit einfach geschnitzten, kubistische Gesichtern und überlangen, spatenförmigen Bärten. Diese Figuren waren auf Körben oder Kalebassen befestigt, in denen schützende magische Substanzen aufbewahrt wurden. Tribal Art TWO HALF FIGURES. Date: 1920. Origin: Kasongo. Democratic Republic of the Congo. Technique: Light resp. dark wood, one sacrificial patina. Measurement: H. with base 20 / 24cm. Condition B/C. Provenance: Marc Leo Felix, Galerie Fred Jahn Munich, 1996.
Los 8069
Radschloss-Müllerbüchse, Georg von der Fecht, Berlin, um 1700 Schwerer, mittig leicht eingezogener achtkantiger Lauf mit sechzehnfach gezogener Seele im Kaliber 16 mm. Die Oberfläche leicht narbig. Eingeschobene Visierung aus Messing und Eisen. Schloss mit innenliegendem Rad und leicht gewölbter Radabdeckung. Gefederte Pfannenabdeckung mit Auslöseknopf. Auf der Innenseite der Schlossplatte geschlagen Signatur "G.v.d. Fecht". Abzug mit justierbarem Stecher, Stecher rastet nicht ein. Leicht verschnittener Schaft aus Nussbaumholz mit Nase und Kolbenkappe aus hellem Horn. Am Ansatz des Vorderschafts vereinzelte Wurmlöcher. Kolbenfach mit federverriegeltem Schubdeckel. Eingeschobener hölzerner Ladestock (angebrochen) mit Horndopper. Länge 126 cm.Georg von der Fecht (1675-1740), Büchsenmacher in Berlin. Ab 1710 als "kronprinzlicher Hofbüchsenmacher" geführt, ab 1713 Hofbüchsenmacher von König Friedrich Wilhelm I. Zustand: II -A wheellock rifle, the "Müllerbüchse", by Georg von der Fecht of Berlin, circa 1700 The heavy, octagonal barrel slightly constricted in the middle with sixteen-groove rifled bore in 16 mm calibre. The surface lightly pitted. Dovetailed sights in brass and iron. The lock with internal wheel and slightly domed wheel cover. Spring-lock pan cover with a release button. The signature "G.v.d. Fecht" stamped on the inside of the lock plate. Adjustable set trigger, the release does not engage. The stock lightly carved in walnut, the nose and butt cap in light horn. Scattered, minor worm damage at the root of the forearm. The patch box with a spring catch and sliding lid. Inset wooden ramrod (cracked) with horn tip. Length 126 cm.Georg von der Fecht (1675-1740) was a gunsmith in Berlin. Documented as "the crown prince's court gunsmith" from 1710 and as court gunsmith to Friedrich Wilhelm I from 1713. Condition: II -
Los 8737
Repetiergewehr Steyr M 95 Kal. 8x56R, Nr. 2360G, nummerngleich, Verschluss ohne S/N. Lauf matt. Fünfschüssig. Deutscher Beschuss, ursprünglicher Wien 1917. Alle Teile hellgrau und gebürstet. Nummerngleicher, nachlackierter Nussholzschaft, beide Riemenbügel. Länge 127 cm.WBK: Achtung - ErlaubnispflichtigZustand: IIA Steyr M95 straight-pull repeating rifle Cal. 8x56R, SN. 2360G, matching numbers, the bolt without S/N. Matte bore. Five shots. German proof marks, original Viennese 1917-proofs. All parts brushed and light gray. Walnut stock varnished, with matching number, both sling swivels. Length 127 cm.WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: II
Los 8738
Repetiergewehr Steyr M 95 Kal. 8x56R, Nr. 9190N, nicht nummerngleich. Lauf matt. Deutscher Beschuss. Lauf mit Hülse und Verschluss aufpoliert, feinfleckig, Beschläge und Magazinkasten dünn brüniert. Gereinigter, heller Holzschaft, beide Riemenbügel. Länge 127 cm.WBK: Achtung - ErlaubnispflichtigZustand: I -A Steyr M95 repeating rifle Cal. 8x56R, SN. 9190N, numbers not matching. Matte bore. German proof marks. Barrel, receiver and bolt polished, spotted, mountings and magazine box thinly blued. Cleaned, light walnut stock with both sling swivels. Length 127 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: I -
Los 8794
Militärisches Tromblon, Spanien, datiert 1838 Runder 47,5 cm Lauf (fleckig, narbig) mit trichterförmiger Mündung im Durchmesser von 41 mm. Steinschloss in der Art der französischen Militärschlösser, Pulverpfanne aus Messing, stark korrodierte Oberfläche mit undeutlicher Büchsenmachersignatur unter Krone sowie Datierung 1838. Diverse Abnahmen "M/Krone" auf den Kleinteilen. Abzugsbügel und Schlossgegenplatte ebenfalls aus Messing, restliche Garnitur aus Eisen. Abgezogener Nussholzschaft mit leichter Rissbildung. Angelenkter, eiserner Ladestock. Mechanisch in Ordnung. Schloss wurde nicht ausgebaut. Länge circa 85 cm.Zustand: IIIA Spanish military blunderbuss, dated 1838 round barrel, length 47.5 cm, with some pitting. Bell-shaped muzzle, diameter 41 mm. Spanish military-style flintlock, brass flashpan, corroded surface with barely legible maker's mark under crown and year "1838". Various acceptance marks "M/Crown" on small parts. Trigger guard and side plate of brass, other furniture of iron. Reworked walnut stock with some light cracks. Hinged iron ramrod. Mechanically sound. Rifle not disassembled. Length circa 85 cm.Condition: III
Los 11
A set of six George V silver fish knives and forks by Thomas Bradbury & Sons Ltd, Sheffield 1919, each weighted handle with shell-capped terminals and plain polished silver blades, knives 20.5cm long, forks 18cm long, within a fitted oak case, together with a cased pair of Victorian silver fish servers by Chawner & Co, London 1869, each with engraved crest to weighted handles and pierced floral decoration to blades, fork 24cm long, knife 31cm long (14)Condition Report: Silver hallmarks to the handles, blades and tines of all pieces.Weight of knives and forks 21.34oztWeight of servers 10.84oztServers: Good order. Moderate denting, pitting and heavy scratching to the handles. Some wear to the engravings and hallmarks, but all are legible. Moderate bending to the tips of the tines. Some scratching and wear to the blades. Box is heavily worn and scratched to the exterior. Silk lining has large puncture marks where the fork tines meet the cover. Heavy staining, wear and loss to the interior.Boxed forks and knives: Good order. Each pieces shows light to moderate degree of denting to the terminals of the handles around the shells. All handles show moderate scratching and wear. Decoration and hallmarks to handles is worn, but is still legible. Moderate scratching to the blades and tines. Varying degrees of wear to the tips of the knife blades, ranging from minor to heavy. Hallmarks to blades and tines are crisp. Box shows heavy scratching and wear to the exterior. Lining has a moderate degree of wear - leather lining to cover is coming away slightly at the edges. Some wear to the silk and velvet linings, but largely in good order.
Los 162
A late Edwardian amethyst set 9ct gold ring, the central oval mixed cut amethyst (measuring 6.5mm x 4.5mm), bezel set 9ct gold to a plain polished shank, marks for Birmingham 1910, O 1/2, weight 1.6gms Condition Report; Please note: This stone has not been tested for natural or synthetic origin. It has been inspected under a 10x lens, and contains inclusions consistent with those found in natural examples.The central stone shows some large scratches to the central table and outer facets, and some abrasion and light nibbles to the facet edges. No major fractures or losses visible.The bezel setting is in good order, no signs of splitting or thinning. There is possible signs of repair where the bezel meets the shoulders (see additional images for details). The shank does show possible signs of repair or re-sizing (see additional pictures for details). There is some thinning to the base of the shank, but no splits or misshaping. General scratching, wear and tear consistent with age and wear. Hallmarks to shank and to the bezel setting are clear.
Los 167
A sapphire and diamond cluster ring, the central oval mixed cut sapphire (measuring approximately 9.25mm L x 7.50mm W x 6.8mm D), set to a surround of fourteen round brilliant cut diamonds, all claw set to tapered shoulders and plain polished 18ct gold shank, ring size S, weight 6.2gmsCondition Report: Condition is very good. Central stone has some small nibbles to the girdle, and some light scratching and wear to the upper facets, but no fractures, large scratching or chips. Claws around the central stone are secure and in good order. Diamonds are all present and in good order, no chips, fractures or notable damage, some light wear and scratching only. Claws around the diamonds are secure and in good order. Shank in good order, no thinning, splitting, denting or repair, general scratching and wear to the exterior commensurate with wear.The claws around the central sapphire are white gold, the claws around the diamonds are white tipped, fading to yellow gold as it meets the basket.
Los 28
A George III Irish silver waiter, possibly by Thomas Townsend, of circular form with scalloped border raised on three paw feet, with later decorative engraving and crest to centre, 15.6cm diameter, weight 6.51oztCondition Report; Overall condition is good. Moderate to heavy denting to centre, sides, reverse and feet. Some knocks and small dents to the highpoints of the cast border. No large denting or splitting. There is quite heavy wear to the original decoration. The casted rim and the paw feet have lost definition. The marks to reverse are very heavily worn, and there is a crest to the reverse which has been very heavily polished and is only visible under reflected light (see additional images provided). Decoration to centre is crisp and clear.
Los 315
A desktop model of a Gatling field gun, the turned brass barrel set to a tilt mechanism on painted metal carriage with brass bossed wheels, the working hand crank rotating the inner barrel to create a realist firing action, brass plaque stamped 'Hartford, Conn' to carriage, 34cm longCondition reportWheel diameter 15cm, lacking a split pin to one wheel hub, general light grime and tarnishing, minor white marks to both wheel rims.
Los 331
A pair of Regency style Toleware chestnut urns and covers, of goblet form on knopped stem to spreading pedestal foot, with lion mask and drop ring handles, decorated with foliate motifs around a central bowl of chestnuts, the upswept covers with ball finials, each 31cm high (2)Condition reportNo liners, very light tarnishing to the rings, otherwise condition is good with only very light wear to the inside and little or no wear to the gilt
Los 371
A 19th century tole ware tea caddy by W Duxbury, 75 Shudehill, Manchester, later converted to a table lamp, of typical cylindrical form, the cover applied with a gilt Greek key pattern frieze, above a painted panel depicting a harbour scene, 38cm high (excluding light fitting) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Los 376
An Italian gilt metal floral, fauna and wheatsheaf five branch chandelier, mid 20th century, in the manner of Hans Kogl, modelled with a leafy central column extending to five curvilinear branches, 44cm high, along with a pair of conforming two branch wall light fittings, 36cm highLighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Los 4
A cased Coalport silver mounted coffee service, Jay, Richard Attenborough & Co, Chester 1905, comprising six coffee cans and six saucers, each piece with gilt swags dividing green and white grounds, saucers 12cm diameter, cans 6.1cm high, each coffee can set to a silver relief cast spur handled holder decorated with putti and a vacant cartouche, the faux leather case with velvet fitted interior, retailed by Jays Diamond Merchants, Goldsmiths & Jewellers, case 38cm wide, gross weight of silver 4.53oztCondition reportMinor rubbing wear to the gilt on all the saucers, rubbing to the gilt on all coffee cans along with some crazing to the interior and underside, two cans with full width cracks to the base, all silver can holders with light tarnishing and polish deposits to the interior
Los 52
An Edwardian novelty miniature tambourine by William Hair Haseler, Birmingham 1907, of circular form with articulated cymbals, central panel marked with the 'Crest of Harrogate', 6.3cm diameter, weight 28.9gmsCondition Report; Overall condition is good. Moderate amount of denting and light misshaping to the silver border and the cymbals. No splitting or signs of repair. Hallmarks are moderately worn, but are still legible. Central panel is in good order, no splitting, chips or major losses. Some scratching and small areas of loss and wear to the central crest. The piece shows general scratching and wear commensurate with age and use.
Los 521
John Bampfield (Contemporary British, b1948),A 19th century Infantry advance,Oil on canvas,Signed lower left,69.5cm x 90cm,Framed,With a 20th century (British school) oil on board depicting a 19th century Infantry advance, indistinctly signed lower left, 17.5cm x 28cm, framed and glazed, and a David Cartwright limited edition print on paper, 'The Charge Of The Light Brigade', 28.5cm x 40.5cm, framed and glazed (3)
Los 584
A late 19th century French brass carriage timepiece, by R & Co, Paris, the 5cm white dial applied with Roman numerals enclosing the single train movement, with visible escapement, stamped with the makers name, 11cm highCondition report Clock runs when wound, although no guarantee of working condition, very light tarnishing to the case only, very tiny chip to bottom RH corner of the rear glass door. No cracks or chips to the dial
Los 60
A late 19th century French belle époque oil and vinegar cruet, stamped 'Fray Fils', the oval stands set to columnar shaft, with pierced foliate decoration throughout, 12.8cm high, 13cm wide, with two associated blue cut glass bottles, each 12cm highCondition Report; One of the bottles has broken around the neck in several places, and has been re-glued. There are some small chips still missing. The other bottle is in good order, no cracks, chips or losses. Both show light scratching and wear commensurate with age and use.The stand has some denting to the pierced borders of the stands and to the high-points of the central shaft. One of the feet is slightly bent out of shape, and has split at the base. The stand shows moderate scratching and wear commensurate with age and use.
Los 645
A George III style mahogany twin pedestal desk, late 20th century, by Reprodux, the rectangular moulded top with triptych inset leather skivers, over three frieze drawers, raised upon two pedestals each with three graduated drawers on a plinth base, two drwerrs moulded as one on the right hand pedestal, 75cm H x 158cm W x 87cm DCondition reportMinor rubbing stains and ink marks to skivers, however no rips or tears, some scratches to the drawers on the LH pedestal, some very light fading and grime to RHS and the rear, top drawer on both sides are lockable with key, all drawers run smoothly, general rubbing and wear commensurate with age and use
Los 700
A 19th century French cherry wood draw leaf dining table, the rectangular table top above an angular frieze, raised upon legs of tapering square section terminating in carved paw feet, 74cm H x 140cm extending to 250cm W x 107cm DCondition report Multiple marks/stains to table top and various minor chips to the veneer on the frieze, the longest 5cm. Minor chip to table leg above foot, 6cm long. Later screws to the draw leaf rails possibly indicating light repairs to the underside.Both leaves feel 'tight' when drawn out. Overall table feels sturdy however general minor wear commensurate with age and use
Los 725
An Edwardian Sheraton revival mahogany display cabinet, by 'Old Time Furnishing Co, Westminster', the twin swan neck pediment above a frieze inlaid with satinwood harebell swags, over a pair of bevelled glass doors opening to a mirror back interior with two glass shelves, raised upon a stand with conforming inlay and two frieze drawers upon legs of tapering square section and spade feet, 158cm H x 79cm W x 37cm D, table height 76cm , interior depth 21cmComdition reportWith two glass shelves, beading detached from around the top of both front legs, and on the LHS below the window, other minor beading loss, otherwise only very light wear commensurate with age and useNo warping to the doors which are open but have no key
Los 79
A Gentleman's vintage Rolex Oyster Royal 'Shock Resisting' stainless steel wristwatch, the round champagne dial with gold-toned Roman numerals and outer seconds track, set to a stainless steel case, screw down Rolex Oyster crown, case numbered '505884', width (excluding crown) 31mm, set to an Excalibur stainless steel expanding watch strap (at fault) Condition Report: We are unable to provide pictures of the movement, as removing the back of this watch could cause damage.Dial: Fair order. No cracks, chips or losses. Some staining and debris, concentrated around the outside of the face. Some scratching and wear to the roman numerals. Some scratching and wear to lettering and outer seconds track, but all are legible.Glass: Very heavy scratching. Fracture to glass visible around the six 'o' clock marker.Case: Moderate scratching and some small denting to the bezel. Heavy scratching and some light denting to the case, reverse and lugs.Strap: Very heavy scratching. Bracelet is heavily pulled.Watch is wound at crown position one. Watch is currently ticking. Watch hands are adjusted at crown position two, and complete a full 12 hour rotation. Crown does not screw down flat. Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
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