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Los 600

Christian Dior, a light denim spandex trouser suit, the flared trousers heavily embroidered, the jeans-style jacket with pin tuck detailing

Los 262

Two boxes of Argos sewing machines, light fittings, teddy ornaments, bath scales etc.

Los 513

A tray of late 19th century French lacquered decanter box, gilt and glass light fitting, EPNS swing handled basket

Los 261

Four boxes of Japanese china, tins, coffee set, light shade, West German vases, crock pot etc.

Los 337

A metal six way light fitting together with two metal lights with glass drops

Los 725

A lamp table, leather topped wine table, standard lamp, two mag racks, light fittings, leather framed mirror etc

Los 336

A decorative coloured glass light fitting together with two contemporary lights and three way light

Los 473

An industrial site light, halogen spot light and an aluminium case of accessories

Los 17

A LIGHT OAK POLISHED DRAW LEAF DINING TABLE and six similar period curved back dining chairs with drop-in seats

Los 98

NORMAN WILKINSON coloured print - Canadian Pacific 'Empress of Scotland' steaming past a light ship with attendant yachts etc, 60 x 88 cms

Los 92

WALTER THOMAS coloured print - of the White Star Line 'Georgic' steaming past a light ship, 38 x 58 cms

Los 215

A 925 SILVER & LIGHT GREEN JADE BRACELET of six oblong tablets, 34.5 grms, a jade monkey pendant with gold hanging loops and a jade pendant of tapered form with yellow metal link chain and pearl drops

Los 108

NORMAN WILKINSON coloured print - White Star Line twin funnel 'RMS Celtic' at dusk passing a light ship, printed by the Liverpool Printing Stationary Company, 73 x 98 cms

Los 557

An Afghanistan Medal 1878-80 to Gunner D. Edwards, Royal Artillery, clasp: Ahmed Khel (3449. GR D. EDWARDS. 6/11TH R.A.), engraved capitals. Some edge knocks and light scratches, otherwise nearly extremely fine.

Los 710

λ An Indian shield (dha), steel with applied brass rim, four bosses, light relief decoration highlighted with silver koftgari and including figures within panels and sanskrit text to the center and border; an Indian parrying weapon (madu), formed of two buck horns united by an overlapping joint, and with steel tip (one horn lacking tip); a smaller dha; and a pair of unmounted horns. [5]

Los 513

A Second China War medal to Sapper Frederick Richardson, 8th Company Royal Engineers, no clasp (SAPPER FREDK. RICHARDSON. 8TH C. ROYAL ENGRS), officially impressed, light scratching and knocks but little wear, therefore nearly extremely fine. Although not entitled to a clasp for any of the major successful actions of the war, this man belonged to the small Army contingent present at the disastrous amphibious assault on the Taku Forts on June 25th 1859. The forts at the mouth of the Peiho river were critical in that they controlled access to Teinsin, and ultimately to Pekin. The British had captured them earlier in the war, and a treaty had been concluded which was awaiting Imperial ratification. Frustrated at the prevarication of the Chinese, British and French diplomats were conveyed north by the Royal Navy in an attempt to approach Pekin directly. They found that the Peiho River defences had been strengthened, and seeing that the Chinese meant to deny them access, the Navy attempted a landing, which was thwarted by thick mud and spirited opposition. 25 men of the 8th, including Richardson, had been attached to the 10th Company R.E., and served as riflemen and ladder bearers during this otherwise exclusively Naval action. Offered with research.

Los 717

A Victorian 1892 pattern infantry officer's sword, light model blade by Pearse & Co. 33 in., etched with VR cyper and a personal monogram (possibly 'A.P.') within panels, gilt brass 'gothic' hilt, later sword knot, steel scabbard; together with a British officer's Sam Browne belt complete with sword frog. [2]

Los 708

A Khyber knife, T-section blade 23 in., three stage grip with horn and bone scales (lower scales missing), brass mounted scabbard; a similar knife, blade 2.5 in., bone grips, velvet covered scabbard; an all steel Indian style axe, the crescent head with arabic text in light relief; and another axe, etched head with trefoil paen, spear point, wooden haft. [4]

Los 641

Specimen Set, 1911, eight coins, half-crown to maundy penny (S PS13), light surface marks, mainly to obverses, otherwise extremely fine or better, in original case of issue.

Los 584

A collection of medallions, comprising: George III, Royal Naval College Second Mathematical Prize, bust of the king, reverse engraved to 'Graham Price Beck Christmas 1825', silver, 53 mm (E 980), good very fine; Coronation of Queen Victoria 1838, reverse with Victoria receiving her crown from Britannia, Hibernia and Scotia, silver, 36 mm (E 1315), light scratching to obverse, otherwise nearly extremely fine with attractive toning; Coronation of George V 1911 (2), reverse with bust of Queen Mary, bronze, 51 mm (E 1922a), each in case of issue, one toned, both about extremely fine; Investiture of Edward, Prince of Wales 1911, three-quarters bust crowned and draped, reverse with Caernavon Castle, silver, 35mm (E 1925), cased, good very fine. [5]

Los 719

An early 19th Century British officer's sword of light cavalry dress type, by Hebbert and Humes, curved clip-point blade 28.25 in., with etched decoration including: 'HEBBERT & HUMES WARRANTED', 'mameluke' hilt with plain guard retaining traces of gilding, horn grips (some loss), gilt brass mounted leather scabbard (lacks locket). Provenance: sometime exhibited in an Isle-of-Wight museum, and purported to have been recovered from the sea off the island.

Los 516

A small collection of medals, including: O.B.E. (Military), attributable to Lt-Col William T. Forsdyke, R.A.S.C., cased with transmission slip, toned, extremely fine; a Great War pair and Memorial Plaque to Charles Victor Roy Tuck, Oxford And Bucks Light Infantry (30118 PTE. C.V.R. TUCK. OXF. & BUCKS. L.I.), good very fine; a Great War Pair (110194 GNR. R.V. TRAVERS. R.A.), very fine; a Territorial Force Efficiency Medal, George V (203895 SJT: R.J. HAMBROOK. 4/ ESSEX R.), nearly extremely fine; two mounted miniature groups; and other items.

Los 923

Two pairs of ceiling lights and three ceiling light-shades, all hung with facetted glass beads and drops (5)

Los 98

Two Japanese kacho-ga: one inscribed Choson, of two red-capped Manchurian Cranes; the other, also inscribed, depicting a bird on a branch. Both framed and glazed; total dimensions about 26 x 23cm (2) Condition Report Please note that the deterioration includes areas of light or other damage to both pictures and frames.

Los 983

A copper ship's bow-light with port and starboard lens and original spirit lamp, stamped 'Playmit 1943', 35 cm, including swivel top-bracket

Los 158

A Chinese blue and white stem cup, 17th/18th Century, decorated with scrolling flowers, 14cm high Condition Report: Lot 158:A number of small rim chips with gold coloured restoration. One chip issuing a faint hair crack. Otherwise light wear and scratches in line with age and usage.

Los 163

An Indo Persian enamelled khanjar, the handle and scabbard decorated flowers to a cream coloured ground, the blade with gold inlays, total length 38cm Condition Report: Lot 163:Some light wear and scratches to enamelling in line with age and usage but overall good condition.

Los 200

A Chinese export blue and white charger, decorated a central flowerhead to a scrolling foliate border, 39cm diameter Condition Report: Lot 200:One crack from rim. Some light surface wear. Lots of fritting and small chips to rim.

Los 202

A Chinese export punch bowl, decorated landscapes in reserves to a turquoise ground, 28cm diameter Condition Report: Lot 202:Light wear to gilt elements. Otherwise good.

Los 215

Costume jewellery by Askew London, comprising four pairs of ear pendants, a brooch and a bracelet Condition Report: Lot 215:The overall condition is good, all the pieces seem complete and have working clips. Each piece is marked Askew. Some very light scratches and wear to gilt surfaces.

Los 542

A cut glass eight-light chandelier hung with prismatic drops, 90cm x 60cm

Los 689

A pair of cream and gold painted ten-light chandeliers, 82cm high

Los 578

Six porcelain fairings including : Baby's first step; Which one is Prettiest?; Checkmate and The last one in bed to put out the light (6)

Los 579

Six porcelain fairings: Twelve months after marriage; Sir! Where's your gloves...; Kiss me Quick; Now Ma-rm say when; The Last in bed put out the light and Who is Coming? (6)

Los 753

A Persian Hakhi Balouch, geometric design on light brown ground with contrasting border, 140 x 80 cm

Los 789

A large Victorian mahogany extending dining table having demi-lune ends and with two wide, one medium and two narrow leaf inserts, raised on bulbous gadrooned collar legs on oversize ceramic castors, 155 cm long (closed) 350 cm max x 142 x 78 cm high Condition Report Repolished overall and showing a multitude of light surface scratches overall plus one large deep scratch to one end

Los 895

Montague Dawson (British 1890-1973)/Tugs in the Open Sea/oil on canvas, 29cm x 44.5cm/Note: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Condition Report: Relined and areas of overpainting visible under UV light, particularly around furthest boat and sky. Bears unknown lot number label, lot 94 1982 and a Sotheby's chalk mark 1123-3-82 and a possible Christie's stencil mark.

Los 912

Early 19th Century Continental School/Alpine Lake Scene/figures conversing in the foreground/oil on canvas, 56cm x 76.5cm/see illustration Condition Report: This picture has been relined, cleaned and restored. There are signs of overpainting to small areas throughout the picture which show under ultra violet light, but are not obvious with the naked eye.

Los 169

A facsimile of Utamaro's Ogi-uri, Uchiwa-uri, mugi-tsuki (after the original in Seiro Niwaka Onna Geisha no bu); a facsimile of Utamaro's Mono Omou Koi (after the original in Kasen Koi no Bu); together with three oban tate-e (including two by Kunisada); and a facsimile after Kunihisa (6) Condition Report Please note that the condition may vary from image to image; the damage includes: trimming, wear and light or other paper or colour deterioration.

Los 507

An Edwardian rise and fall electric lamp with a plate glass conical shaped shade and a further Edwardian electric light with scrolled arm, curtained shade and a further gas bracket adapted to electricity

Los 1498

A single Skandium pendant light model number PH4/3 by Lewis Pulsen, 40cm x 20cm in white spun aluminium

Los 478

An angle poise light in a white colourway together with a further vase shaped ceramic table lamp

Los 465

A vintage steel inspection light with two cast iron steak plates in the form of oxen on timber bases

Los 1079

A Sun GT 10 touring cycle with light weight framework and silver painted livery

Los 1113

A light oak ecclesiastical prayer stand/kneeler with carved gothic tracery and chamfered frame

Los 1203

An Edwardian medium to light oak kneehole writing desk, the rectangular top with inset green leather writing surface over a panelled frame and an arrangement of five frieze drawers and single cupboard enclosed by a fielded panelled door, 122 cm x 60 cm approx

Los 600C

An Edwardian counterweight ceiling light for three bulbs with pierced and scrolled detail, 47cm diameter

Los 1076

A reclaimed early 20th century painted pine framed casement window with leaded light and central stained glass panels, bulls eyes to corners, 112 cm x 75.5. cm approx

Los 1499

A Skandium pendant light by Lewis Pulsen, The AJ Royal model in white spun aluminium, 50cm diameter

Los 598

A ceramic and brass three branch ceiling light in the Victorian style with etched glass shades

Los 1143

A small medium to light oak freestanding pedestal flight of eight filing drawers raised on simple splayed supports, 84 cm high approx

Los 1503

An Ercol elm and beechwood love seat on turned supports and stretchers with light finish

Los 1214

A light oak floor standing open bookcase with fixed shelves

Los 449

Eight 19th century/early 20th century documents relating to the town of Thornbury including a £10 share certificate for the Thornbury Gas Light and Coke Co, Mrs Harwood & Co Bankers, Prescott's Bank, together with trading documents for the Swan Hotel etc (framed) together with a copy of the South Gloucestershire Cornicle covering Thornbury, Chipping Sodbury and Berkeley published February 13th 1904

Los 494

A pair of 19th century style brass lamps adapted for electricity on turned bases, a Victorian steel and an art deco table lamp base with onyx platform, the central light flanked by two kneeling naked females

Los 1152

A large quantity of mainly unused electrical related wares including wall sockets, plugs, cabling, a large assortment of light bulbs, etc

Los 1188

A substantial contemporary kitchen portable work station, the light beechwood top of rectangular form raised on a painted pine framework, incorporating two frieze drawers raised on simple square cut supports, united by a open slatted under tier, approx 200cm x 74cm

Los 453

Robert Griffiths Hodgins (South African 1920-2010) THREE MEN WAITING signed, dated 1998/9 and inscribed with the title on the reverse oil on canvas 91,5 by 122cm Robert Hodgins’ drive to experiment with light and colour is one of the things that make his works so visually enthralling. He was greatly influenced by the works of Bridget Riley and Francis Bacon; however it was his interpretations of Alfred Jarry’s greedy theatrical character of Ubu that led him on a visual expedition of painting that has been rarely observed with such fervour by any South African painter. THREE MEN WAITING is only one of a myriad of works created by Hodgins shortly after he participated in the Ubu 101 exhibition that hosted both South African and international artists at the Gertrude Posel Gallery at the University of the Witwatersrand, Johannesburg in 1997. Atkinson (2002:13) writes: “Ubu’s diverse presence is felt, not only in the physical characteristics of a host of barely human Hodgins figures – most obviously the truculent, at times oddly vulnerable, businessman – but also in the affective cross current that is the source of power in his work.” In THREE MEN WAITING the viewer is confronted by Hodgins’ theatrical use of colour and an odd Meta referential subtext. The figures are looking out in anticipation, but their presence is unclear; Hodgins animates them in a discomforting posture by grouping the three figures together in this outsized composition. Each character dressed in corporate attire as a subtle reference to Ubu. CS References: • Smith, K. 2000. ROBERT HODGINS. Artthrob, Issue no 34. June 2000. [O] ACCESSED on the 27/01/2017 http://artthrob.co.za/00jun/artbio.html • Atkinson, B. Hodgins, R. Becker, R. Powell, I. Geers, K. & Godby, M. 2002. ROBERT HODGINS. Tafelberg Publishers. Cape Town.

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