Bindings.- Christmas with the Poets, additional chromolithograph frontispiece heightened with gold, plain illustrations, light abrasion mark to half-title, original cloth, panelled inlay with ornate blind-stamp title and floral border, g.e., gilt, extremities lightly rubbed, faded, 1862 § Scott (Sir Walter) The Lord of the Isles, frontispiece, additional title and plates, original green cloth, ornately blindstamped with rich coat of arms design in red and blue to upper cover, spine g.e., gilt, spine faded, extremities bumped and creased, 1857, 8vo (2)
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Birds.- Thorburn (Archibald) British Birds, 4 vol., one of 205 copies, half-titles, 192 colour plates with captioned tissue-guards, bookplates of Car. Jac. Longman and J. Goodman, some light spotting, very occasional splitting at gutter, original red cloth, extremities lightly bumped, t.e.g., 8vo, 1925-6.
Bindings.- Lamb (Charles and Mary) Tales from Shakespeare, contemporary ink presentation inscription to front free endpaper, small abrasion mark to pastedown, 1913 § Newbolt (Henry) Poems: New and Old, light spotting to half-title, later ink ownership inscription to front free endpaper, bookplate roughly removed from pastedown leaving remnants, 1921, contemporary calf or half calf prize bindings, some with blind-stamped coat-of-arms to covers, spines gilt in compartments, second a little faded; and 8 others, bindings, 4to & 8vo (7)
Armfield (Maxwell Ashby) In the Herb Garden, watercolour over pencil, signed, sheet 240 x 185 mm (9 3/4 x 7 1/2 in), under glass, some scattered spots to mount, framed, 1919; together with Armfield (Constance Smedley) The Book of Flowers, first edition, ink presentation inscription from the author to half-title, illustrations by Maxwell Armfield, some foxing and spotting, original cloth-backed boards, spine gilt, 1910; and 6 botanical studies from an album, coloured pencil, on various papers, with ms annotations, all but one tipped onto mounts, some light scattered spots; v.s. (8) ⁂ Provenance of 'in the Herb Garden': Ernst Brown & Philips, The Leicester Galleries, London; Exhibited: Leicester Galleries, London, Exhibition of Works by Maxwell Armfield, no. 59
NO RESERVE Birds.- Turner (L.M.) Contributions to the Natural History of Alaska, 15 plates of fish, 11 chromolithographed plates of birds after Robert Ridgway, some tissue guards, modern cloth, 1886 § Nelson (Edward W.) Report upon the Natural History Collections made in Alaska between the years 1877 and 1881, 12 chromolithographed plates after R. & J.L.Ridgway, 9 plates of fish, light water-staining, mostly marginal but affecting plates, contemporary cloth, rubbed, upper joint worn, new label, 1887, [Nissen ZBI 4184 & 2962], 4to, Washington, D.C. (2)⁂ Nos. II & III of Arctic Series issued in connection with the Signal Service, U.S.Army. Robert Ridgway was an ornithologist at the Smithsonian Institution who established a system of colour standards and nomenclature still used today.
Notable British Trials.- Steuart (A. Francis, editor) Trial of Mary Queen of Scots, endpapers spotted, dust-jacket, some toning and creasing, small amounts of chipping to extremities, 1923 § Muddiman (J. G., editor) The Bloody Assizes, endpapers browned, 1929 § Jesse (F. Tennyson, editor) Trial of Sidney Harry Fox, 1 plate loose, light browning and spotting to endpapers, 1934 § Carswell (Donald, editor) Trial of Guy Fawkes and Others, 1934, first editions, titles in red and black, plain plates, original cloth, some light toning to spines, corners and spine ends a little bumped; and 55 others similar, most first editions, original cloth, some toning, spine ends bumped, a few with dust-jackets, 8vo (59) ⁂ An excellent collection from the Notable Trials series, a complete listing is available upon request.
Binding.- Hardy (Thomas) Selected Poems, contemporary panelled polished over speckled calf, gilt ruling with floral corner pieces, spine gilt in compartments with morocco spine label, gilt, g.e., light rubbing to spine ends, otherwise a very attractive and excellently bright binding, 8vo, 1925.
West Country supernatural .- Ghoasteessees Down the South Coastees. A series of tales told in the Dorset dialect, first and only edition, tape mark to inner cover and front free endpaper, original pictorial wrappers, spine worn, upper joint splitting, but holding, creasing, light soiling, 8vo, [Bridport], [Gyngell & Shephard], [c.1930].⁂ We cannot trace a copy on Library Hub or WorldCat. Includes 'Dorset Witches - Military Tactics' and 'Down Daark Lane'
NO RESERVE Adams (Richard) The Girl in a Swing, signed presentation inscription from the author on title, jacket with very light sunning to spine, light toning to head, minor chipping to spine ends and corners, 1980 § Carter (Angela) Several Perceptions, 1968, first editions, original boards, dust-jackets, excellent or near-fine overall; and 4 others, modern first editions, 8vo (6)
NO RESERVE Delafield (E. M.) General Impressions, ink ownership inscription to endpaper, jacket with light browning to spine, spine ends and corners a little chipped, pencil mark to upper panel, rubbing to extremities, an excellent copy, 1933 § Karlin (Alma M.) The Death-Thorn, and Other Strange Experiences in Peru and Panama, translated by Bernard Miall, photographic frontispiece, slight shelf-lean, light fraying to spine ends, jacket price-clipped, spine browned, spine ends and corners chipped, affecting title at head of spine, remains of tape repair to head of spine, 1934, first editions, original cloth, dust-jackets; and 3 others, modern literature, 8vo (5)
NO RESERVE De la Mare (Walter).- Batterham (E. N.) Visiting Winds, first edition, signed presentation inscription from the author, original wrappers, upper wrapper becoming detached, spine a little darkened, Oxford, Basil Blackwell, 1924; Ten Poem, autograph manuscript, 11pp., stitch binding, March 4, 1925; with 3pp. A.L.s. from the author and a T.L.s from Walter de la Mare § De la Mare (Walter) The Fleeting and other poems, first edition, signed presentation inscription from the author to endpaper, original cloth, dust-jacket, light spotting, spine ends and corners chipped closed tears to head of upper panel, 1933; and 4 others, all signed or inscribed by de la Mare, v.s. (7)
NO RESERVE Dennis (Nigel) Cards of Identity, jacket by Lucien Freud, spine a little browned, light toning to panels, light creasing to head and foot, 1955 § Johnson (S. S.) Poems Two, jacket with rubbing to extremities, 1972, first editions, original boards, dust-jackets; and 6 others, modern literature, 8vo (8)
NO RESERVE Greene (Graham) Our Man in Havana, light spotting to fore-edge, ink ownership inscription to endpaper, original cloth, dust-jacket, light browning to spine and margins of lower panel, minor chipping to head of spine, light rubbing to extremities, 1958; The Revenge, one of 300 copies, signed presentation inscription from Max Reinhart to endpaper, original wrappers, near-fine, Privately Printed, 1963, first editions; and 3 others, Greene, 8vo (5)
NO RESERVE Greene (Graham) Utbränd [A Burnt Out Case], first edition, slight shelf-lean, light rubbing to dust-jacket, spine slightly faded, Stockholm, 1960; A Burnt Our Case, first English edition, jacket with light toning to spine, 1961, original cloth, dust-jackets, excellent copies; and the wrappered edition of the first, 8vo (3)⁂ Greene published A Burnt Out Case in Sweden the year before publishing the first English edition. At the time he was accused of attempting to curry favour with the Nobel committee but it was largely down to his excellent relationship with his Swedish publisher. The cloth and wrappered editions were issued simultaneously and are both scarce.
NO RESERVE Hay (Ian) The Last Million, first edition, light browning to endpapers, original boards, light bumping to head and foot, dust-jacket priced at 6/-, spine ends and corners chipping, chipping to head and foot of lower panel, short tears with creasing to head and foot of upper panel, but overall a good copy of a scarce jacket, 8vo, [1919].⁂ Scarce in the dust-jacket. A First World War title, the sequel to Hay's popular First Hundred Thousand and based on the author's own experiences.
NO RESERVE Jansson (Tove) Pappan och havet [Moominpappa at Sea], spine ends a little bumped, light creasing to upper joint, light surface soiling, Helsinki, [1965]; Den farliga resan [The Dangerous Journey], a fine copy, Stockholm, [1977], first editions, illustrations and original pictorial boards by Jansson, 8vo & 4to (2)
NO RESERVE Kenward (James) Summervale, some edge-spotting, ink ownership inscription to endpaper, jacket with light rubbing and creasing to head and foot, but near-fine generally, 1935 § Toynbee (Philip) Two Brothers, signed presentation inscription from the author to Jessica Mitford, occasional light damp-staining, jacket with light damp-staining, minor chipping to spine tips and corners, 1964, first editions, original boards, dust-jackets; and 3 others, modern literature, 8vo (5)⁂ The second has a further ink inscription to p.38 pointing out and correcting an error, noted as pointed out by Jessica.
NO RESERVE Lewis (Wyndham) Enemy Pamphlets No. 1, Satire & Fiction, first edition, "Stop-Press Explosion from Another Quarter" broadside loosely inserted, original wrappers, some light toning, [1930] § Santayana (George) Life of Reason, 2 vol., neat ink ownership inscription, original cloth, light rubbing, 1905; and 2 others, v.s. (5)
NO RESERVE Lewis (Wyndham) Consider Her Ways & Others, first edition, light browning to endpapers, 1961; The Man From Beyond and other stories, 1975; Web, 1979, first editions, original boards, dust-jackets, some light rubbing or creasing to tips of spines and corners, but near-fine generally, 8vo (3)⁂ The first collection includes Random Quest, one of Wyndham's most celebrated short stories.
NO RESERVE Lindsay (Vachel) The Chinese Nightingale, early reprint, signed presentation inscription from the author dated Feb, 6, 1919 "in the chimney of your affections, let me be a brick" with 14-line autograph poem below dated ?December 12, 1923 to endpaper, original pictorial cloth, light toning to spine, New York, 1918 § M[orton] (J. B.) Gorgeous Poetry, Gorgeous Poetry, 1911-1920, first edition, scattered spotting, original boards, light bumping to spine ends and corners, 1920; and 4 others, poetry, 8vo (6)⁂ The first was inscribed at two separate meetings at Wellesley College, the poem appears to be unpublished. The second is an early collection of satires by the author who would write under the famous "Beachcomber" pen-name.
NO RESERVE Marquis (Don) The Darkest Hours, signed presentation inscription from the author to Lady Elizabeth Cunard to endpaper, original boards, New York, 1925 § Harrison (Tony) Phaedra Britannica, signed presentation inscription from the author to Raymond Raikes to title, corrections and excisions to text in the author's hand, T.C.s. from the author stating he has tried to revise this copy a little by hand loosely inserted, some light browning, original wrappers, 1975 § Havel (Václav) Redevelopment or, Slum Clearance, signed by the author on half-title, original wrappers, 1990, first or first English editions; and 5 others, plays, 8vo (8)
NO RESERVE Mellor (Dorothy) Enchanting Isles, illustrations by Ida Outhwaite, some scattered spotting, jacket with light toning, spine ends and corners a little chipped, Sydney, 1934 § Fermor (Patrick Leigh) Between the Wood and the Water, 1986; The Broken Road, 2013, first editions, original boards, dust-jackets, generally excellent or near-fine; and 4 others, modern literature, 8vo (7)
NO RESERVE Monro (Harold, editor).- The Chapbook (A Monthly Miscellany), 14 vol., comprising nos. 2. vol.1, 13, 15, 16, 18, 19, 20, 23, 24, 28, 30, 31, 33 & 34, plates and illustrations, advertisements, original pictorial wrappers, some light creasing and fraying to extremities, sm.4to, 1919-23.⁂ With contributions by Ford Madox Ford, Robert Bridges, Edward Gordon Craig, A. E. Coppard and many others.
*** Please note that the description of this lot has changed ***Botany.- Coffee.- Gentil (André Antoine Pierre) Dissertation sur le Caffé, only edition, one engraved plate bound after title, without errata ff., light water-staining to frontispiece and plate, modern half calf, red morocco label, [Bitting 179; Hunt 683; Vicaire 398; Wellcome III, 104], 8vo, Paris, 1787.⁂ Scarce treatise on coffee including its origins, the drink and how it is processed, its therapeutic use in medicine etc.This copy does not contain the two errata leaves sometimes found with the book, but not present in all copies.
NO RESERVE Pound (Ezra) The Spirit of Romance, foxing, ink ownership inscriptions to endpapers, spine dulled, extremities rubbed, covers rubbed and marked, [1910]; Pavannes and Divisions, frontispiece, p.103 torn, light browning to endpapers, spine slightly dulled, spine ends and corners a little rubbed and bumped, New York, 1918; Make it New. Essays, ink ownership inscription of P. B. Farrer to endpaper, dust-jacket price-clipped, spine sunned, a few small chips and tears to head and foot, light creasing, 1934, first editions, original cloth; and another by the same (4)⁂ The second mentioned has bookseller's pencil note to margin stating that this copy was presented by Pound to Wyndham Lewis but that the presentation inscription has been partially erased. The initials "W.L." are faintly visible on the facing page, followed by what is possibly Pound's characteristically jagged "E", however there is sadly not enough to substantiate the attribution.
NO RESERVE Russell (Eric Frank) The Great Explosion, neat ink ownership inscription to endpaper, jacket with very light toning to spine, spine ends and corners a little chipped, some chipping to head and foot of upper panel, light rubbing to extremities, 1962; Sinister Barrier, light spotting to first and last few pp., covers and spine darkened at food, jacket spine ends and corners a little chipped, creasing to head, extremities rubbed, surface soiling, 1943, first editions, original cloth dust-jackets; and the first American edition of the second, 8vo (3)
NO RESERVE Wells (H.G.) The War in the Air, and Particularly How Mr. Bert Smallways Fared While It Lasted, first edition, frontispiece and 15 plates by A.C. Michael, foxing, endpapers browned, upper hinge cracked but holding firm, original first issue cloth, light fading to spine, spine ends and corners a little bumped, light rubbing to extremities, 1908; La Guerre dan les Airs, Roman. Traduit par Henry-D. Davray et B. Kozakiewicz, first French edition, signed presentation inscription from the translators to half-title, light marginal toning, original wrappers, perforated blind-stamp to upper cover, light surface soiling, glacine dust-jacket, Paris, 1910, 8vo (2)
NO RESERVE Wells (H.G.) The Country of the Blind and Other Stories, colour frontispiece, some scattered spotting, [1911]; Kipps. The Story of a Simple Soul, presentation blind-stamp to title, 1905; The New Machiavelli, the Richard Jennings-Michael Sadleir copy with their respective pencil inscription and book label to endpapers, light browning to endpapers, 1911, first editions, original cloth, some light toning to spines, light rubbing to spine tips and corners, excellent copies; and another by the same (4)
NO RESERVE White (Patrick) The Aunt's Story, ink ownership inscription and very light spotting to endpapers, 1948; The Tree of Man, light spotting to endpapers, dust-jacket, light chipping, rubbing and creasing to spine ends and corners, otherwise excellent, remains of publisher's wraparound band loosely inserted, 1956; The Vivisector, dust-jacket, very light toning to spine, 1970, first editions, original boards; and another by the same, 8vo (4)
Beardsley (Aubrey).- Jonson (Ben) Volpone: or The Fox, one of 1000 copies, pictorial title, frontispiece and initials by Beardsley, very light damp-staining to head of first few pp., original decorative cloth designed by Beardsley, gilt, lightly rubbed, a few small puncture marks to upper cover, spine lightly sunned, Leonard Smithers, 1898 § Beardsley (Aubrey) The Lysistrata of Aristophanes, facsimile faithfully reproduced by photolithography from no.33 of the original 100 published in 1896, one of 515 copies, frontispiece and 7 plates, loosely inserted UK publisher's distribution slip dated 1970, original boards with paper label to upper cover, some very light spotting, in original cloth drop-back box, lightly rubbed and soiled, New York, Odyssey Publications, 1967, some spotting to endpapers; and a biography of Beardsley by Haldane MacFall published in 1928, 4to (3)
Beardsley (Aubrey).- Wilde (Oscar) Salome. A Tragedy in One Act, frontispiece, pictorial title, list of illustrations and 13 plates by Beardsley, 2pp. publisher's advertisements at end, very occasional light spotting, endpapers toned, original olive cloth, gilt, very lightly rubbed, spine a little sunned, 8vo, London & New York, 1912.⁂ With two ff. inserted after The Persons of the Play (giving the cast of the first English performance in May 1905, and reproducing the playbill for the first production of the operatic version in Dresden in December 1905.
NO RESERVE Cruikshank (George).- Cruikshankiana, an assemblage of the most celebrated works of George Cruikshank, letterpress title, 83 etched plates, on wove paper, light spotting to title and initial 2 plates, occasionally scattered thereafter, occasional light marginal finger soiling, contemporary half roan, extremities rubbed, folio, Edward Lumley, [c.1860?]
NO RESERVE [Dodgson (Charles Lutwidge)] "Lewis Carroll". Alices Äventyr I Sagolandet och Bakom Spegeln, first Högfeldt edition, deluxe issue, frontispiece, 9 colour plates and illustrations by Robert Högfeldt, original half morocco, spine gilt, spine ends and corners a little bumped, dust-jacket, light browning to spine and panels, some chipping and fraying to head but very good generally, 4to, Stockholm, 1945.⁂ The rare deluxe issue in the publisher's morocco binding.
NO RESERVE [Dodgson (Charles Lutwidge)], "Lewis Carroll". Alices Äventyr I Sagolandet och Bakom Spegeln, first Högfeldt edition, frontispiece, 9 colour plates and illustrations by Robert Högfeldt, original cloth-backed boards, corners a little bumped, light rubbing, Stockholm, 1945; and the 1949 English-language edition with these illustrations, 8vo (2)
Du Maurier (George) Trilby, one of 250 copies signed by the author to limitation page, 2 A.L.s from Jean Du Maurier and Quentin Bell loosely inserted, with other newspaper clippings loosely inserted, illustrations, occasional light scattered spotting, 1895; The Martian, one of 250 large paper copies, bookplate and bookseller's label to pastedown, occasional light scattered spots, rear pastedown browned, 1898, contemporary vellum-backed cloth, lightly soiled, 4to (2)⁂ First with 2 A.L.Ss from Jean Du Maurier (1911-1997, George's paternal granddaughter) and Quentin Bell (1910-1996, son of Clive and Vanessa Bell, nephew to Virginia Woolf).
Grimaldi (Joseph).- Anonymous (early 19th century) Mr. Grimaldi & Mr. Norman in the Epping Hunt from the popular pantomime The Red Dwarf, etching with hand-colouring, c. 247 x 344 mm (9 3/4 x 13 1/2 in), paper remains to top edge verso, [not in BM Satires], unframed, 1811; and 7 others similar, v.d., v.s.; together with Playbill for Robinson Crusoe, c.310 x 209mm., slightly trimmed at lower edge?, edges lightly creased and frayed, light spotting, once laid down on paper, remnants remaining along right edge and on verso, November 11th 1800 (9)⁂ Playbill featuring Joseph Grimaldi as Robinson Crusoe, "for the first time", performed at the Theatre Royal, Drury Lane. Another playbill features Grimaldi in the role of Friday, with "a young Carib attached to him", while a further 5 playbills feature him in more comic roles such as, as Granny Rose in Little Red Riding Hood, and afterwards in his famous character of "The Clown". The two prints in the lot depict Grimaldi in his clown attire, the second print also showing a scene from the Red Dwarf, this time facing a creature described as "the Nonedescript".
NO RESERVE Juvenile.- Dorset (Catherine Ann) The Peacock "At Home:" a Sequel to the Butterfly's Ball, first edition, engraved frontispiece and 5 plates after William Mulready, some light spotting and staining, lightly browned throughout, original blue pictorial wrappers, some chipping, lightly soiled, Printed for J. Harris, Successor to E. Newbery, 1807; and 3 others, Chapbooks, v.s. (4)
King (Jessie M.).- Evans (Sebastian, translator) The High History of the Holy Graal, frontispiece, additional title and 22 plates by King, margins slightly toned, light scattered spotting to first and last few leaves, original pictorial cloth, gilt, spine and extremities sunned, lightly rubbed with corners bumped, a few chips to spine ends, t.e.g., others uncut, 8vo, 1903.
NO RESERVE Music.- Elgar (Edward) The Apostles. Parts I & II, signed presentation inscription from the composer "Edward Elgar: Birmingham Festival Oct: 14th. 1903" to head of "Note" page, vocal and piano music scores, annotations in blue pencil and graphite, light browning to endpapers, original cloth-backed decorated boards, ink ownership inscription and stamp to upper cover, spine ends and corners bumped, light rubbing and surface soiling, 8vo, Novello and Company, 1903.⁂ Signed by Elgar at the first performance, which he also conducted. The annotations largely consist of performance notes, however there are a few alterations to the composition which possibly indicate that the score was used for rehearsals with the composer who proceeded to make a few last-minute changes.
Omar Khayyám. Rubáiyát of Omar Khayyám, translated by Edward Fitzgerald, one of 375 de luxe copies, frontispiece, 7 plates and illustrations by Herbert Cole, pp.6-7 with a few abrasion marks at inner margin, very occasional cracking at gutter, some light spotting to endpapers, original decorative vellum, gilt, yapp edges, green ties (one lacking), scattered spotting, t.e.g., others uncut, Balantyne Press, 1901; and 5 others, uniformly bound, including another copy of the Rubáiyát, 4 of these illustrated by Herbert Cole and all with the manuscript signature of his son Philip Cole, 8vo & small 4to (6)⁂ Philip Cole was incarcerated in Wandsworth Prison during September 1918, as a conscientious objector who refused to serve in the armed forces.
Pogany (Willy).- Rolleston (T. W.) The Tale of Lohengrin, contemporary ink gift inscription to pastedown, hinges cracked but covers holding firm, original pictorial olive suede, gilt, yapp edges, quite rubbed, a few chips to extremities, [1913] § Coleridge (Samuel Taylor) The Rime of the Ancient Mariner, occasional light spotting, mostly to upper margin, original pictorial morocco, gilt, very lightly rubbed, t.e.g., others uncut, [c.1926], tipped-in colour plates, decorations and profuse illustrations by Willy Pogany, 4to & large 8vo (2)
Rackham (Arthur).- Swinburne (Algernon Charles) The Springtide of Life, one of 765 copies signed by the artist, half-title, 9 tipped-in colour plates and illustrations by Rackham, some light scattered spotting, one plate with small hole to fore-edge, not affecting image, contemporary dark blue morocco with gilt floral border, spine gilt in compartments, lightly sunned, inner gilt dentelles, g.e., 4to, 1918.
NO RESERVE Rutter (Owen) The Dragon of Kinabalu, first edition, inscribed by the author on front free endpaper and signed on title, tipped-in colour plates by Mary Penrose-Thackwell, occasional light spotting, original cloth-backed marbled boards, upper cover slightly warped, uncut, dust-jacket, 1923 § Beerbohm (Max) The Happy Hypocrite, pictorial title and colour plates by George Sheringham, spotting, original pictorial cloth, [1915] § Williams (Kit) Masquerade, limited edition signed by the author/artist, original cloth, illustration to upper cover, 1982 § Jones (Barbara) Follies & Grottoes, first edition, pictorial title and illustrations by the author, inscriptions to front free endpaper, original cloth, dust-jacket, a very good copy, 1953 § Causley (Charles) & Wallace Southam. Timothy Winters, musical notation, original pictorial wrappers by Ralph Steadman, 1970 § B.B.C. Household Talks 1928, illustrations, spotted, original pictorial wrappers by John Nash, 1929, plates and illustrations, the first two and last a little rubbed; and 3 others, illustrated, v.s. (9)
NO RESERVE Shell Guides.- Betjeman (John, editor) Cornwall Illustrated in a Series of Views, second edition, 1935 § Byron (Robert, editor) Shell Guide to Wiltshire, one leaf torn, 1935 § Nash (John, editor) Bucks, light water-staining, 1936 § Bone (Stephen, editor) The West Coast of Scotland, [1938], all but the first first editions, photographic illustrations, some by John Piper, original spiral-bound photographic wrappers, rubbed, some creases, upper wrapper of the third detached; and 15 others, Shell guides or similar, small 4to & 8vo (19)
NO RESERVE Swarzenski (Georg) Europäisches Amerika, first edition, number 105 of an unspecified limitation (this printed for 'Paul Jacobi'), 11 woodcuts by Marie Swarzenski, all but the last on Japon paper, some light offsetting, original vellum-backed boards, slight soiling to spine, original slip-case (extremities rubbed), 4to, Frankfurt, Otto Henkell, 1927.⁂ A travelogue documenting the author's first trip to America, woodcut illustrations by his wife. Georg Swarzenski (1876-1957), art historian and museum curator who shaped much of the cultural life of Frankfurt am Main over three decades.
Fanfrolico Press.- Nietzsche (Friedrich) The Antichrist...A New Version in English by P.R.Stephensen, number 72 of 550 copies, printed in blue and black, with pencil note "Mr.Bernard Shaw's copy" to front free endpaper, a few passages marked in pencil, light offsetting from plates, original half morocco, 1928 § Petronius Abiter (Gaius) The Complete Works, translated by Jack Lindsay, number 183 of 650 copies signed by the translator, original half vellum stained maroon, spine a little faded, privately printed, [1927], both with plates by Norman Lindsay, t.e.g., others uncut, rubbed, the first with sticky tape to spine ends, Fanfrolico Press; and 2 others from the press, v.s. (4)
Vale Press.- [Bradley (Katherine Harris) and Edith Emma Cooper] "Michael Field". The Race of Leaves, one of 280 copies on paper, printed in red and black, decorations by Charles S. Ricketts, including wood-engraved border to first leaf of text, occasional very light spotting to lower margin, endpapers lightly toned with some scattered spotting, original patterned paper boards, lightly rubbed and toned, spine sunned with a few chips to ends, [Watry B31], 8vo, printed at the Ballantyne Press, 1901.
Botany & Medicine.- Hales (Stephen) Statical Essays: Containing Vegetable Staticks; Or, an Account of some Statical Experiments on the Sap in Vegetables...[&] Haemastatics..., 2 vol., vol.1 third edition, vol.2 second edition, 19 engraved plates, vol.2 with initial announcement leaf, a few stains to vol.1, light browning to vol.2, the botanist & ecologist David Bellamy's copy with his bookplate, modern calf, spines tooled in blind with red morocco labels, [Henrey 779; cf.PMM 189, first editions], 8vo, for W.Innys and R.Manby, 1738-1740.⁂ Combination of two important works: vol.1 is a significant contribution to plant physiology and nutrition, while vol.2 comprises Haemastatics which includes Hales's pioneering measurement of blood pressure. This is the greatest single contribution to our knowledge of the vascular system after Harvey and lead to the development of the blood-pressure measuring instruments used today.
NO RESERVE Britain.- Depping (G.B.) L'Angleterre ou Description Historique et Topographique du Royaume Uni de la Grande Bretagne, 6 vol., folding engraved map of the British Isles and 55 maps only (of 58) all with hand-colouring in outline, folding index, fifteen engraved plates, original printed wrappers, uncut, some light creasing, some cracking to spines with vol. 4 upper cover working loose but a very good set generally, 8vo, Paris, Étienne Ledoux, 1824.⁂ Rare in the original wrappers.
Botany.- Moore (Thomas) The Octavo Nature-Printed British Ferns, 2 vol., first 8vo edition, 122 nature-printed colour plates, tissue guards, occasional spotting, ex-library copy with numbers to verso of titles, contemporary cloth, rebacked and recornered in calf, spines slightly faded, [Nissen BBI 1401], 1859 § Sinclair (George) Hortus Gramineus Woburnensis, second edition, half-title, 60 hand-coloured lithographed plates, half-title and final leaf browned, light spotting, the naturalist & ecologist David Bellamy's copy with his bookplate, also stamp of the botanist C.E.Hubbard, modern buckram, spine faded, [Nissen BBI 1850], 1825; and 3 others on mosses, 8vo (6)⁂ The first contains many more plates than the folio edition of 1855.
Perrault (Claude) Memoir's for a Natural History of Animals..., translated by Alexander Pitfeild, 2 parts in 1, first edition in English, additional engraved title, title in red & black, 35 engraved plates, a few contemporary ink corrections to text, light water-staining and crinkling (mostly to second part), some light soiling, contemporary mottled calf, rubbed, corners worn, lower cover impressed from cord where previously tied, rebacked preserving old gilt spine, new red morocco label, [Nissen ZBI 3125; Wing P1582A], folio, by Joseph Streater...to be sold by T.Basset, 1688.⁂ Important work on comparative anatomy with 30 engravings of various animals. The second part, entitled 'The Measure of the Earth' and with a separate title-page, is Richard Waller's translation of Perrault's attempt to remeasure an arc of meridian for measuring the earth's radius, with 5 engravings of scientific instruments and diagrams.
Petite Galerie d'Histoire Naturelle. 4 vol., comprising Les Fleurs, Les Papillons, Les Fruits, Les Oiseax, 8 engraved plates, contemporary ink ownership inscriptions to front free endpapers of each vol., occasional light foxing, original blind-stamped boards in yellow and green, lightly scuffed, original slip-case (scuffed and marked), [Gumuchian 2661], 12mo, Paris, n.d., [c.1830].⁂ Rare to find a complete 4 vol. set at auction.
Reeve (Henry) An Essay on the Torpidity of Animals, first edition, half-title, presentation copy from the author's great nieces to the Royal College of Surgeons with withdrawn stamp, foxed, original boards, uncut, rubbed, rebacked in cloth, 1809 § Paxton (James) Illustrations of Paley's Natural Theology, first edition, 36 lithographed plates, 10 hand-coloured or partly so, title browned, modern calf-backed boards, [Wellcome IV, 320], Oxford, 1826 § Zimmermann (E.A.G.) Zoologie Géographique. Premiere Article l'Homme, first edition in French, old ink library stamp on title, contemporary sheep-backed boards, Cassel, 1784 § Josse (F.) De la Chaleur Animale, et de ses divers rapports, only edition, half-title, engraved plate, light marginal staining, bookplate of the nutritionist John Yudkin, modern cloth, uncut, Paris, An IX - 1801, 8vo (4)⁂ The first concerns animal hibernation, and the last is a supplementary work to Lavoisier's theories on animal heat and respiration.
Sporting.- Pollard (Hugh B. C.) The Gun Room Guide, one of 225 copies signed by the author, 14 colour plates by Philip Rickman and H. Frank Wallace, illustrations, bookplate removed, 1930; Game Birds, one of 99 copies signed by the author and artist,14 colour plates by Philip Rickman, bookplate of Major H. C. Fanshawe, 1929 § Keith (E. C.) Gun for Company, one of 175 large paper copies signed by the author and illustrator, 24 plates by J. C. Harrison (12 of which colour), some light spotting and toning to endpapers, original cloth, dust-jacket, scattered spotting, spine sunned, a few chips and tears to extremities with tape repairs to verso, 1937, half-titles, captioned tissue-guards, margins very lightly toned, all but the last in original vellum-backed cloth, spine gilt, very lightly rubbed, t.e.g., others uncut; and 4 others, sporting and birds, 3 of which signed limited edition, 4to (7)
[Surtees (Robert Smith)] [The Sporting Novels], 6 vol., comprising; Ask Mamma, Mr Romford's Hounds; Handley Cross; Plain or Ringlets; Hawbuck Grange and; Mr Sponge's Sporting Tour, Subscription editions, hand-coloured frontispieces, title vignettes and plates, illustrations, scattered faint spotting, original pictorial cloth, gilt, light sunned spines, slight bumping to corners and extremities, [c.1880]; and 5 others, including 3 duplicates, 8vo & folio (11)
Surtees (Robert Smith) Thoughts on Hunting and Other Matters, number 35 of 250 large paper copies, tipped in colour plates by George Denholm Armour, very light sunning to spine dust-jacket, very slight sunning to spine, neatly repairs tears, creasing, t.e.g., others uncut, 1925 § Payne-Gallwey (Sir Ralph) High Pheasants in Theory and in Practice, light browning to endpapers, some light rubbing and soiling to spine and covers, 1913 § Churchill (Robert) Game Shooting, plates, dust-jacket, very light browning to spine, light creasing and a few short tears to head and foot, 1955, first editions, original cloth; and 6 others, field sports in cloth, 4to & 8vo (9)
Chemistry.- Faraday (Michael) Histoire d'une Chandelle, first edition in French, illustrations, light spotting, original printed yellow wrappers, uncut, a little rubbed and soiled, split to upper joint, Paris, [1865]; On the Various Forces of Nature and their Relations to Each Other: A Course of Lectures delivered...at the Royal Institution, edited by William Crookes, 48pp. catalogue at end, corner of front free endpaper torn away and repaired, original pictorial cloth, gilt, slightly rubbed, [1874]; The Selected Correspondence, edited by L.Pearce Williams & others, 2 vol., original cloth, dust-jackets, Cambridge, 1971, plates and/or illustrations, the first two with light spotting; and 8 others, some on science for children, 8vo et infra (12)⁂ The first is one of the most famous scientific lectures ever given to children, first published in England in 1860 when it was delivered at the Royal Institution. Faraday initiated the Royal Institution Christmas lectures for children in 1825, delivering them a record 16 times.

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