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Los 152

Ackermann (Rudolph) The History of the Colleges of Winchester Eton and Westminster... first edition list of subscribers 48 hand-coloured plates mostly aquatint including 4 costume plates plate 23 in second state of masters with mortar boards and plate 26 in third state depicting cricket match text a little foxed and soiled with offsetting from plates plates with some light marginal soiling but generally clean slight staining to plate of `Head Master`s House Rugby` modern half burgundy morocco spine gilt in compartments with five raised bands t.e.g. others uncut one or two slight scratches [Abbey Scenery 440; Tooley 3] 4to 1816. ***Also including the Charter-house St.Paul`s Merchant Taylors Harrow Rugby and Christ`s Hospital.

Los 153

Boydell (John & Josiah) An History of the River Thames 2 vol. engraved frontispiece of head of Father Thames additional letterpress titles `An History of the Principal Rivers of Great Britain` and dedications to George III and Horace Walpole 2 folding engraved maps of the Thames by John Cooke 76 hand-coloured aquatint plates 3 folding a few plates with light foxing but generally very clean maps lightly offset some foxing to text one folding plate with crease causing tear to lower margin (repaired) engraved bookplates of Sir Francis Edward Scott of Great Barr Hall and the Earl of Cromer contemporary diced russia gilt g.e. rebacked with gilt morocco spines in compartments rubbed joints and corners a little worn [Abbey Scenery 432; Tooley 102] folio 1794-96.

Los 154

Camden (William) Britannia first edition of Gibson`s translation large paper copy engraved portrait frontispiece and 8 plates of coins 50 double-page and/or folding engraved maps most by Robert Morden all with contemporary hand-colouring including fully-coloured cartouches engraved and woodcut illustrations old ink signature and signature stamp at head of title (stamp also on verso of portrait) manuscript index to maps bound in at beginning some light soiling or browning but generally a good copy modern half burgundy morocco spine gilt in compartments with seven raised bands [Chubb CXIII; Wing C359] folio by F.Collins for A.Swalle...and A.& J.Churchil 1695. *** Copies in original colouring are very rare.

Los 155

Daniell (William) A Voyage Round Great Britain... 8 vol. first edition aquatint pictorial dedication leaf 308 hand-coloured aquatint plates on thin card by and after Daniell each within grey wash border without the one uncoloured plate of Kemaes Head in vol.1 (as often) and the folding map but with the errata leaf in vol.1 vol.1 with 2 leaves (pp.123-126) on thicker paper some plates lightly foxed and browned light foxing to text old ink inscription on front free endpaper of vol.1 “Left to me by my father 1860 C.Kildare” John Hely-Hutchinson copy with his engraved book-label on front free endpaper contemporary half russia rebacked with gilt spines rubbed edges of boards a little worn and nibbled by insects [Abbey Scenery 16; Tooley 177] 4to 1814-25.

Los 158

Havell (Robert) [Views of Hastings] 6 hand-coloured aquatint plates by Havell numbered 1-6 (c.155 x 210mm. ) all with grey wash border trimmed to border and mounted within larger sheets one or two light stains no title or text modern half green morocco over marbled boards spine gilt in compartments [Not in Abbey or Tooley] small oblong folio [c.1820].

Los 160

Loutherbourg 1805 (Philipp Jakob de) The Romantic and Picturesque Scenery of England and Wales first edition first issue without the frontispiece found in later issues 18 fine hand-coloured aquatint plates engraved by William Pickett and coloured by John Clark titles and text in English and French occasional light marginal soiling or spotting but a very good copy modern half burgundy morocco by Bickers & Son spine gilt in compartments with five raised bands very slightly rubbed [Abbey Scenery 9; Tooley 305] T.Bensley for Robert Bowyer 1805 [watermarked 1801 & 1805]; and a copy of the 1979 facsimile reprint together in modern calf-edged cloth slip-case folio (2) *** The beautiful plates in this work depict picturesque scenery in a highly romantic style. Loutherbourg (1740-1812) worked as a stage designer under David Garrick was a member of the Royal Academy and the French equivalent and befriended Gainsborough each painting the other`s portrait in 1778.

Los 413

A Mappin & Webb, silver and light blue enamel cigarette case, Birmingham c. 1937; also a large silver cigarette case, London c. 1953. Gross silver weight approx 12.4ozs (2)

Los 685

Dame Barbara Hepworth, British 1903-1975- "Small Sun" (BH489); polished bronze, conceived in 1969 and cast in an edition of nine plus the artist`s proof, this example numbered 1/9 on the base, height 33cm including base. Provenance: Purchased directly from the artist in 1974 Literature: Alan Bowness, ed., The Complete Sculpture of Barbara Hepworth 1960-69, London, 1971, no. 489. Barbara Hepworth: Drawings from a Sculptor`s Landscape, London, 1966 Note: Barbara Hepworth used bronze in the last twenty years of her life, preferring to use stone in her previous works. She began to re-interpret forms in bronze that had originally been carved finding that the new material gave new aspects to certain themes. During The Second World War Hepworth was evacuated to St. Ives, Cornwall where she took up permanent residence in 1950 and purchased her Trewyn studio where she remained for the rest of her life. She was greatly influenced by the natural beauty and elements of the Cornish landscape and transposed this organic inspiration into her work. Hepworth stated that `A sculptor`s landscape is one of ever-changing space and light where forms reveal themselves in new aspects as the sun rises and sets, and the moon comes up. It is a primitive world; but a world of infinite subtle meaning.` In `Small Sun` the literal translation of the sun as subject matter is obvious again taking inspiration from the forms presented by nature. Also present is awareness from Hepworth of the natural effects of the elements of the sun, such as the ever changing appearance of the landscape as the sun rises and sets creating different shadows on the land; so this effect is translated into the sculpture as the bronze surface changes hues within differing lights and times of day. Juxtaposition is created between the curved nature of the bronze form and the tort tension provided by the crossing strings over the front of the sculpture. The contrast is further highlighted by the polished nature of the bronze and the natural appearance of the string adhering to the organic nature of material that was fundamentally important to Hepworth throughout her career.

Los 1024

A Sabino style frosted glass ceiling light, circa 1905, the six shaped triangular set into gilt metal frame, decorated with flowers and foliage, width 49 cm. (It is the buyer`s responsibility to ensure that this item is rewired before use)

Los 1038

A pair of Louis XVI style gilt brass triple light candelabra, each 24cm high; A French opaline glass and gilt metal mounted centrepiece, the column in the form of a dolphin, approx 18cm high; an amethyst glass and gilt-metal, table lighter in the form of a pineapple, and further misc items. (a lot)

Los 1045

A Louis XVII Style, gilt brass, three piece clock garniture, late 19th century. Composed of a clock with a pair of triple light candelabra. (3)

Los 13

A Troika `gloss ware` blue colourway coffee service, circa 1968, comprising coffee pot with lid, sugar bowl, milk jug, six cups, six saucers, of light blue colour with bronze highlights (a lot)

Los 32

A collection of decorative ceramics, comprising five hair pin trays with conforming covers including one by Copeland decorated with blue ribbon pattern and floral swags to blue white ground, one continental with white foliate decoration to blue ground, one continental with white scrolling decoration to fuschia ground, one with pink ribbon decoration to white ground, one on raised scrolling feet with white gilt scrolling decoration to pink ground and applied floral decoration to cover, one dressing table pot by Crescent & Sons decorated with swagged rose garlands, a blue and white pot decorated with idealised oriental landscapes both with conforming covers, a pair of small, circular, earthernware jardinieres decorated with cherry blossom to light green ground, raised on three feet, two porcelain Mattahedeh vide poches, 20th century, moulded in form of leaf both with blue and white decoration, the larger with colourful floral spray to centre, a small globular porcelain Limoges vase from the Decor Cafe Royal collection tissu, decorated with rope and ribbon pattern, a small porcelain beaker of similar design, three continental porcelain bottles, one of square form with green and gilt decoration on white ground and floral decorations to side panels with conforming mushroom stopped, one with scrolling floral decoration and globular stopper, the third decorated with heraldic shield with conforming cover, a blue and white flash glass in Bohemian style with pastoral scenes to oval panels, a small, circular, light blue opalescent glass pot, mounted in gilt metal, decorated with images of insects and birds, a tantalus in Minton style, comprising a pepper, a salt and a condiment jar with conforming cover decorated with moulded apple blossom on turquoise ground in white metal stand fashioned as twigs, a small glass scent bottle decorated to interior with garden scenes, a blue and white hexagonal vase of inverted baluster form with scenes of river crossing, a pair of Miessen style urn-shaped, twin-handled, vases on raised pedestal base, encrusted with jasmine and rose flower heads with conforming covers, a Dresden figural stand modelled as fruit seller and gentleman in 18th century costume, with applied flower heads to stylised stem, on circular, waisted, pedestal base, raised on three scrolling feet, a circular porcelain pin tray, 20th century decorated with stylised foliate gilt and floral spray on white ground with conforming cover, two porcelain dishes, 18th century, decorated with scene of dieties of Mount Olympus and Utica (a lot)

Los 523

A silver three piece dressing table set, inscribed `Audrey`; with a single silver brush; a silver cigarette case, 75g gross; and a quantity of plated items, including; a three light candelabrum; an octagonal spirit kettle on stand; also a small quantity of costume jewellery

Los 537

A collection of electroplated wares, including a biscuit barrel; a three light candelabrum; entree dishes; a kettle on stand; and some flatware items

Los 81

DONALD MACLEOD THE LIGHT THAT FAILED oil on canvas 71cm x 91cm A Glasgow based artist trained at Glasgow Art School (GSA), Donald Macleod worked in Surrey during the `80s and returned to Scotland in 1990 to work as a studio assistant to artist Peter Howson. He has worked as a full time artist since 1995. Donald has developed a keen eye for the basic truths in Scottish tales, poems and myths. His portaits give the observer an insight to the nature of the subject. His work is widely regarded and can be found in many collections, both private and public, in Europe and North America.

Los 267

ALFRED SANDERSONE EDWARDS R.B.A (British 1852-1912) THE LEADING LIGHT, CRAIL oil on canvas, signed 75cm x 50cm

Los 1477

A Victorian light Oak large Pot Cupboard with mirror door and fitted inside with shelving, also one shelf embossed “G Hindley & Sons late Miles & Edwards, Oxford Street, London and number 21930”, 18 ½” wide

Los 553

DINKY TOYS: 156 Rover 75 Saloon circa 1954, in rare light green and medium green colours, with medium green wheels, in VGC, although the previous owner has overpainted in silver the wheels and other parts, unboxed; together with a repainted Triumph Renown Saloon, good repaint (2)

Los 554

DINKY TOYS: 344 Plymouth Estate Car, rare later version with silver spun-aluminium wheels, light and dark brown, in excellent condition and very good box

Los 555

DINKY TOYS: 432 Guy Flat Truck, rare very late version with original ridged tyres, light blue cab and chassis and red flat bed body, in excellent condition and good but grubby yellow box (dated March 1956)

Los 563

CORGI TOYS: 214 Ford Thunderbird, light green and cream roof, in VGC and a reasonable blue and yellow box

Los 564

CORGI TOYS: 215 Ford Thunderbird Open Sports, white body with light blue seats, minor scuffs to leading edges, in a good unusual temporary blue and yellow box with factory overprinting

Los 565

CORGI TOYS: 219 Plymouth Sports Suburban Station Wagon, in cream and light brown roof, in VGC, with poor to good blue and yellow box (one end flap missing)

Los 567

CORGI TOYS: 224 Bentley Continental Sports Saloon, in cream and light green, in VGC with a few minor chips, original grey tyres, with good blue and yellow box

Los 568

CORGI TOYS: 229 Chevrolet Corvair, light blue, in good condition but with slight foxing, in a poor but complete box marred by the dreaded sellotape

Los 640

MATCHBOX BY LESNEY TOYS: 12 various Matchbox Toys including: 7 1-75 Series including Ford “A” in light green and medium green (all mint boxed), 4 Yesteryears (playworn, no boxes) and a Speed Kings 59 Ford Capri (mint boxed) (12)

Los 679

RAILWAY LAMPS: 2 old Railway Train Lamps, both measuring 14” x 7” x 7”, the first a BR (M), very rusty and dirty, with red reflector glass; the second, a later BR Lamp, light rusting with red reflector glass, both with handles (2)

Los 988

A Mixed Lot comprising: a three light Candelabra; together with an oval Serving Dish (incomplete); and a four piece Tea Set, various dates and makers (qty)

Los 127

A pair of Dresden porcelain three-light flower-encrusted figural candelabra, 28cm high, circa 1900

Los 193

H. J. Dunne-Cooke, a streaky glass heavy ovoid vase, of five lobes, in blue over a light green, signed ‘D. Cooke’, no. 3056A, No. 6 and dated (19)32, 18cm high. Dunne-Cooke is known to have designed for Whitefriars in the 1930s but little is known of that relationship.

Los 211

A Swedish glass straight-tapered vase by Strombergshyttan, mid 1950s, very light blue with an angled cut rim, signed, indistinctly numbered, 27.5cm high

Los 235

A pair of Doulton Lambeth stoneware ovoid cache pots, each applied with flowering plants against a buff ground, impressed marks, 17.5cm high; and a pair of Royal Doulton stoneware ewers, with gilt scroll decorated panels, on a white, light blue and light green ground, impressed marks, 21cm high

Los 259

A Clement Massier Golfe Juan lustre decorated stoneware charger, painted with peacock feathers, painted ‘Clement Massier Golfe Juan am’, incised ‘C.M’, ‘1899’ and ‘2’, 41cm diameter; and another charger, light green glazed with darker streaks, incised ‘Clement Massier Golfe juan (A-m)’ and ‘3’, 41cm diameter

Los 293

A Bohemian Art Deco light blue glass and silver coloured mounted liqueur part set, of a decanter and stopper, four tots and the mount for a tot, the decanter and stopper 25cm high

Los 372

A light ash, MDF and inlaid bookcase on cupboard by Peake + O’Dwyer, 1991, the three open adjustable shelves over bow-fronted doors, stamped with a sun and ‘Made by Peake + O’Dwyer 1991 D. J. O’Dwyer’, 230cm high, 104cm wide

Los 32

A large, late Victorian light ash wardrobe, hanging space enclosed by two panelled doors, each with carved detail, central three-quarter length bevelled mirror, two base drawers, 6ft. 4in. wide

Los 331

A brass ceiling light, with pulley-adjustment, glass shade

Los 2282

Pair of gilt brass and glass five tier circular light fittings, similar three tier fitting and a brass five branch electrolier

Los 2348

Pair of Victorian light oak hall chairs, the shaped carved backs above panel seats and turned supports

Los 2421

Early 20th Century oxidised copper rise and fall light fitting, pair of ormolu wall sconces and a Far Eastern copper pipe together with another Edwardian light fitting (a/f)

Los 1903

Pair of 19th Century French ormolu three light candelabra with white marble bases together with a pair of ormolu rococo design candlesticks adapted for use as table lamps

Los 244

Pair of large light wood bookends carved with figures of lions

Los 158

Raymond Oliver (20th/21st century): `Morning Light - the Antique Passage Castle Howard` and a further room study, two oils on canvas board signed, the first titled verso 36cm x 30cm & 33cm x 28cm (2)

Los 101

A QUANTITY OF MISCELLANEOUS ITEMS including picture frames, a light fitting, a brass and iron skimmer, an aluminium mid 20th Century teaset etc

Los 129

A RECTANGULAR LIGHT FITTING together with two black painted external wall lights (3)

Los 323

A LIGHT BLUE GROUND ORIENTAL RUG with diamond designs to the central field and within a banded border, 76" x 52", together with a wine ground Oriental rug with twin diamond design to the central field within a multiple banded border, 83" x 43" (2)

Los 337

A FIVE BRANCH BRASS WALL HANGING LIGHT FITTING together with a pair of table lamps, a lamp standard and two further table lamps (6)

Los 423

A SMALL QUANTITY OF SILVER PLATE including a teaset, stained glass light fitting etc

Los 474

AN ADJUSTABLE FLOOR STANDING BRASS READING LIGHT with spreading circular base

Los 761

A 19th century Majolica jardiniere, the light green ground moulded with fruit, spring blossom and leaves and repeated on reverse View on staceyauction.com

Los 59

A gold ring centred with a light marine blue stone and surround View on staceyauction.com

Los 14

Konstantin Razumov (b.1974), Russian School Oil on canvas Evening light signed lower-left 16 1/8" x 30 5/16"

Los 200

* Neil Canning (b.1960) Acrylic on Canvas ` Peninsula Gorge` Bears Art for Offices label verso 72" x 60" . Canning employs strong colours and rhythmic gestures in his paintings to encapsulate the interaction of texture light colour and shape within the landscape, and to convey a feeling of how the land is composed. He has exhibited widely including the Tate St. Ives, National Portrait Gallery and the Royal Academy

Los 348

Ercol light elm drop leaf dining table and four hoop back chairs

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