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Preisdatenbank abonnierenAn Elizabeth II silver mounted rectangular photograph frame with beaded rim, Sheffield 1996 by Carrs of Sheffield Ltd, height 32cm, and a silver twin scroll branch three-light stub candelabrum, Birmingham 1985 by Lawrence R. Watson & Co, height 12.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of early 20th century plated lyre three-light candelabra, each oval reeded sconce with detachable nozzle above scroll and lyre supports, on an oval base, height 34cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Early 19th century Spode blue and white transfer printed S Aesop's Fables series jug, 'The Wolf, the Lamb and the Goat'. Blue printed marks to the base. Audrey White Collection label. 15.5cm high approximately.(B.P. 21% + VAT) Consigned from a large home counties of England estate collection. Appearing overall in good condition for age; no obvious or serious damage noted. Minor wear in places and some light crazing.
Two boxes of vintage glass ceiling light shades, some smaller glass pendant light shades and some larger marbled glass fixed ceiling lights. (2) (B.P. 21% + VAT) Small pink one - small chips to rim. Large ones - a few slight nibbles to rims and rust to some hooks but generally good condition and no obvious damage.
Collection of 19th and 20th century Staffordshire dogs all with cream bodies, black features and gilt highlights. 4 Larger Staffordshire dogs and 6 medium size. (B.P. 21% + VAT) 2 largest: 1 has 2 significant grazes to the nose, both have wear to gilding and light crazing to the glaze. Slightly smaller pair: both have wear to the gilding. One has crazing, a little discolouration and hairline cracks running from eye to ear and shoulder and back. The other has 3 very slight chips.
Copeland Commemorative mug for the Nelson Centenary 1905, Subscribers Copy for Thomas Goode, 14 cm high (star crack to the base)Condition Report: Star crack visible on the underside and partially in the interior. some rubbing of the gilding on the handles. Crazing visible in bright light. No other signs of restoration found.
Metal based table lamp with glass bubble stem and a crystal effect light shade, lamp H: 60 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Chris Teal, "Father and Son - Provence", acrylic on canvas, 100 x 70cm, c. 2013. The light in Provence is sublime.Every colour seems so much more intense here.My son and husband were deep in discussion on an annual holiday to St Tropez so I took a quick shot to sketch later and eventually paint in my studio.I decided to go large to capture the heat and vibrancy of the day." Free UK shipping.
SUZANNE EISENDIECK (GERMAN, 1908-1998)On the Riversigned 'SUZANNE EISENDIECK' (lower right) and numbered and titled (on the reverse of stretcher)oil on canvas54 x 73cmARRCondition reportSpot of paint loss top left corner. Some surface dirt and media spots. Pale white spot/mark upper left in sky.Otherwise appears generally good. Inspection under UV light reveals no signs of retouching.
FREDERICK SAMUEL CORDEY (FRENCH, 1854-1911)Paysagesigned 'Cordey' (lower right)oil on canvas44 x 61cm ProvenanceKaplan Gallery, LondonCondition reportThe canvas has been relined. Some light traces of dirt to paint surface but otherwise sound; no sign of retouching under ultraviolet light. Held in a plaster gilt frame in fair condition.
FRANCIS WYNNE THOMAS (BRITISH, 1907-1989)German Training Ship in Shadwell Basin (1937)signed 'F. WYNNE THOMAS' (lower right) and inscribed with title (to reverse of stretcher)oil on canvas51 X 61cmARRCondition reportTwo pin holes visible upper left and right and two visible lower left and right.Very small white mark visible lower centre. A little undulation to canvas.Overall appears in generally good condition.Inspection under UV light reveals no signs of retouching.
XENIA BERKELEY (B. 1916)A downland landscapesigned 'Xenia Berkeley' (upper right) and inscribed (to reverse of frame)oil on canvas-board37 x 52cmARRCondition reportThe canvas-board is sound. canvas is course and slightly uneven, some light traces of surface dirt but generally sound. Ultraviolet reveals no sign of retouching. Held in the original painted frame in fair condition.
JOHN ROWLAND BARKER (BRITISH, 1911-1959)Danforth Anchor and Shacklesigned with initials and dated 'JB '44' (lower right)oil on board37 x 50cmARRExhibitedLondon, Waterhouse & Dodd, John Barker; A Retrospective Exhibition, 4th-21st June 1991, No 7Condition reportThe board undulates very slightly but is generally sound. There are a couple of light surface scratches, upper and lower right, otherwise the paint surface is in good, clean condition. Ultraviolet reveals no sign of retouching.
JOHN ROWLAND BARKER (BRITISH, 1911-1959)Bird and Boat, Chichester Harboursigned and dated 'Barker 52' (lower left), inscribed and bears old label (verso)oil on board39 x 58cmARRProvenanceAgnewsExhibitedLondon, Waterhouse & Dodd, John Barker; A Retrospective Exhibition, 4th-21st June 1991, No. 24Condition reportCraquelure. Unevenness to paint surface but this is most likely as the artist intended.Inspection under UV light reveals no signs of retouching.
ADRIAN ALLINSON (BRITISH, 1890-1959)Mountainous Estuarysigned and indistinctly dated 'allinson' (lower left)oil on panel56 x 68.5cmProvenanceThomas Agnew & Sons Ltd, LondonVictorian and Modern British Paintings and Sculpture, Sotheby's, London, 24th June 1985, lot 358, as A Quiet CoveModern British and Continental Paintings, Drawings & Watercolours, Christie's, London, 20th September 1990, lot 6720th Century Art, Sotheby's, London, 24th October 1997, lot 128Private collection, UKCondition reportAppears in generally good condition. Inspection under uv light reveals some well executed scattered in filling.
MARY FEDDEN (BRITISH, 1915-2012)The Purple Tablesigned and dated 'Fedden 1987' (lower left)oil on board51 x 101.5cmARRProvenancePrivate collection, UKCondition reportA few small media spots around central plate.A couple of media spots fluoresce under UV light but they are not retouching.Appears in good condition.
SCOTTIE WILSON (BRITISH, 1891-1972)Buildings and trees under the sunsigned 'SCOTTIE' (lower right)pen, ink and watercolour18.5 x 27.5cmARRCondition reportA little undulation to paper. Small mark centre left and upper left.Otherwise appears generally good.Not inspected out of frame.Not inspected under UV light.
AFTER LAURENCE STEPHEN LOWRYYachtsnumbered '200/850' (in lower margin)limited edition print, published by the Henry Donn Gallery in association with the City of Salford Art Gallery43 x 59cmARRCondition reportThe sheet is generally sound; very light discolouration to left and right borders, otherwise good condition overall. Framed and under glass, unexamined out of frame.
AUREL RICHTER (HUNGARIAN, 1870-1957)Marin Et Fille Au Cafésigned 'RICHTER' (upper right)gouache on board50 x 27cmARRProvenanceSale, Sotheby's London, 19 October 2006, lot 202, where acquired by the present ownerThe Darren Shan CollectionCondition reportThe sheet appears generally sound. There is a small patch of light staining to the girl's neck, upper right; some areas where the wove of the paper is visible but good overall condition. Framed and under glass; unexamined out of frame.
AUREL RICHTER (HUNGARIAN, 1870-1957)Le Marin Et Fillesigned 'RICHTER' (upper left)gouache on board50 x 49.5cmARRProvenanceSale, Sotheby's London, 19 October 2006, lot 203, where acquired by the present ownerThe Darren Shan CollectionCondition reportThe sheet is sound; a couple of light surface abrasions which seem to be the thick weave of the paper. Good condition overall - framed and under glass, unexamined out of frame.
GERALD NORDEN (BRITISH, 1912-2000)Still life of apples and nutssigned and dated 'Norden 70' (lower left)oil on board15.5 x 21.5cmARRProvenanceThe Trafford Gallery, Mount Street, LondonPrivate collection, UKCondition reportA little surface dirt, including a very small brown mark upper right and a small dark spot lower right. These could be media spots.Appears in generally good condition.Inspection under UV light reveals no signs of retouching.
GERALD NORDEN (BRITISH, 1912-2000)Still life of eggs by a candlesigned and dated 'Norden 68' (lower left)oil on board25.5 x 17.5cmARRCondition reportCraquelure visible, mostly to centre right (to lower right of bottle). What looks like a small spot of paint loss with infilling to lower right of bottle (in the area with craquelure).A little surface dirt.Inspection under UV light reveals some retouching, mostly to the right side, starting above right edge of plate, up to the upper right quarter. Also some other retouching to background areas, behind lower section of candle and upper left
TOMASZ SETOWSKI (POLISH, B. 1961)Untitled, Surrealist composition with saxophonist signed and dated 'T SETOWSKi 93' (lower right)oil on canvas147.5 x 167.5cmARRProvenancePrivate collection, UKCondition reportSome surface dirt. A few stains/drip marks visible in places. A very small bulge to canvas in upper right quarter.Overall appearance generally good.Inspection under UV light reveals a few stains and drip marks in various places.
JOHN PIPER (BRITISH, 1903-1992) (3)Eye and Camera, Red, Blue and Yellowsigned in pencil 'JohnPiper' (in lower margin)sreenprint in coloursimage size 40 x 60.5cm(unframed)together with two other signed copies of the same screenprint(3)ARRCondition reportSome creases and foxing to borders and margins.Some light foxing and surface dirt visible in images, mainly to white/pale areas. One print better than others.
JOHN PIPER (BRITISH, 1903-1992) (3)Eye and Camera, Red, Blue and Yellowsigned in pencil 'JohnPiper' (in lower margin)sreenprint in coloursimage size 40 x 60.5cm(unframed)together with two other signed copies of the same screenprint(3)ARRCondition reportSome foxing to borders and margins.Some light foxing and surface dirt visible in images, mainly to white/pale areas.Small vertical tear approximately 3cm long to upper centre margin/border on one print.
FINN JUHLA Judas Model dining table, by Finn Juhl, with circular silver inlays, with two additional leaves. Denmark, c.1950. 119.5, 173.5/224.5/275.5, 75cm(h)Condition Report: Overall condition is very goodSome very light scratches on the surface, see additional images The timber has lightened over the years and one leaf is darker as a result from lack of useBaker's furniture label on the underneath, see additional imagesThe legs do not fold
GINO SARFATTI (1912 - 1985)A 'Model 537G' table lamp by Gino Sarfatti, for Arteluce, on a marble base, Italy c.1950s, with maker's label. 35cm(h)Condition Report: Overall condition is goodSome light wear to the enamel and shade consistent with ageNot checked by a certified electrician for safety
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