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Preisdatenbank abonnierenA WORCESTER POLYCHROME LOBED DISHCIRCA 1770Painted with panels of flowers, blue fret square mark, 25.5cm diameter;and a tea bowl and saucer in the same pattern, blue fret square markProvenance: The lobed dish with Mercury Antiques (paper trade label).Cf. Spiro & Sandon, The Zorensky Collection (1996), fig. 206 for a cup and saucer in the same pattern.Condition Report: Some fritting, light wear. Condition Report Disclaimer
A BACCARAT 'ZENITH' TWELVE-LIGHT GLASS CHANDELIER MODERN Labelled to top approximately 85cm high overall, 75cm wide Condition Report: Please note this is sold as decorative item of furniture only and not as a working electrical lamp - it would need to be rewired and tested by a professional electrician prior to use in a domestic setting.There appear to be about 4 drops missing overall, it has its red signed 'B' facetted drop and an etched Baccarat wheel mark to the underside of the domed terminalPlease see additional images for reference to condition and appearance hanging at Donnington Priory for the viewCondition Report Disclaimer
A DUTCH BRASS SIX LIGHT CHANDELIERPROBABLY LATE 18TH CENTURY67cm highCondition Report: This does not look like it has ever been wired for electricity, the drip pans and sconces are both intact and look like original elements, the arms are cast in sections and soldered joins are visible from the original manufacture.The arms attach onto the body by way of a pair of screws to each arm, Dreweatts have not removed the arms for inspection - all appear to be firmly in place at time of report The ring terminal with bends, the two ends not meeting perfectly, this can be positioned in a way so as not to notice There is dirt and discolouration to the surface also some polish and deposits Please see additional images for visual reference to condition Condition Report Disclaimer
λ HENRI-ANDRE MARTIN (FRENCH 1918-2004)SCENE DE PLAGEOil on canvasSigned (lower right)32.5 x 53cm (12¾ x 20¾ in.)Provenance:Private Collection, Tim Rootes and Obby Waller, Barton Hill House, GloucestershireCondition Report: Light surface dirt to the work. Light craquelure throughout. Work is in overall good condition. Condition Report Disclaimer
A SET OF SIXTEEN PRINTS OF FERNS, From The Flowering Plants of Great Britain by Anne Pratt, London, 1899, glazed and in faux wood effect frames, each overall 30 x 25cm (11 3/4 x 9 7/8in.) (16)Condition Report: Unexamined out of glazed frames. Light staining to the sheets. Condition Report Disclaimer
A PAIR OF GILT BRONZE THREE LIGHT WALL APPLIQUES IN LOUIS XVI STYLE20TH CENTURYEach stamped ABERCROMBIE to the rears71cm high, 36cm wide, 23cm protuberanceProvenance:Private Collection, Tim Rootes and Obby Waller, Barton Hill House, GloucestershireCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThere is candle deposits to the sconce nozzles/drip pansDirt and discolouration to the gilt metalSome later screws to attach the separate elements, some screws missing but overall these are stable and secure, they will need screws to secure them to the wall on installation.These are sold as wall sconces/appliques and if wished to be 'electrified' this would need to be done by a qualified electrician on installation - there is no wiring presently. At some point these have been wired, up the stems and arms and out the side below the sconce/nozzle - this has since (unusually) been filled.Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A MONUMENTAL GILTWOOD 'KIT-KAT' PICTURE FRAME, IN THE MANNER OF WILLIAM KENTNow containing a decorative portrait of Sir Arthur Wellesley, 1st Duke of Wellington, after Sir Thomas Lawrence301cm high, 219cm wideCondition Report: Light surface dirt throughout. Some small blotches of blue paint to the front and back of the canvas on the forehead of the sitter. Inspection under UV shows no signs of restoration or repair. Work is in overall good condition. Condition Report Disclaimer
A GEORGE III MAHOGANY AND UPHOLSTERED STOOL IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1780 44cm high, 53cm wide, 39cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The frame appears to be solid and stable overall, the upholstery is later applied and this is in a condition that reflects its lack of significant age and light use in a domestic setting. the upholstery has been removed to the underside to one corner and the rails are visiblePlease refer to additional images for visual reference to condition Condition Report Disclaimer
Four KPM porcelain leaf shape dishes. All with gilt rims and floral details on a white ground, L19.5cm Condition Report: Colours bright with no apparent restoration. Three have chips to the rim or handle, one with a small crack to the base. All show signs of wear including rubbing to the bases and gilt and light scratches.
A vintage gilt flying cherub ceiling light. Modelled holding two glass drop chandeliers, L33cm Condition Report: Cherub is overally in good structurl condition. No apparent breakages or repairs. Gilt has rubbed in several areas, small chips to the plaster. Some scratches and wear consistent with age and usage. Would benefit from a clean. Flowers are loose and discoloured. Untested.
A 20th century Parian bust of Beethoven together with four Delph plates. The bust on a socle and titled, H20cm, the plates featuring maritime scenes including 'St Vincent's Rocks' Condition Report: Beethoven bust has a small chip to the base and another to the hair. Plates are generally in good condition. One has heavy crazing and the example decorated with a ship has a small chip to the rim and spots of residue. Some light scratches and rubbing consistent with age and general usage.
A contemporary pine wardrobe. The panelled doors opening to reveal shelves and a clothes rail, raised on plinth base, brass clothes hooks attached to one exterior side, L88cm x D45cm x H207cm Condition Report: Comes with eight adjustable shelves. Loss to veneer top right hand side, light surface scratches to doors, stains and marks inside. Gaps in the doors where the panels have shrunk. Brass coat hook screwed to the side and a loving spoon screwed to top left hand door.
45 B.C. A biconical facetted lentoid-section lead sling shot (glans), inscription monogram a combination of letters 'C', 'A' and 'E', for 'C A E S' referring to Julius Caesar. Cf. D'Amato, R. and Sumner, G., Arms and Armour of the Imperial Roman Soldier: From Marius to Commodus, 112 BC-AD 192, London, 2009, fig.32, p.45, for similar glandes from Zaragoza Museum, one with the name of Pompey inscribed also coming from Munda battlefield; Schinco, G., Small, A.M., 'A previously unknown siege of Botromagno/Silvium: the evidence of slingshots from Gravina in Puglia (Provincia di Bari, Puglia)' in Papers of the British School at Rome, 2019, pp.1-52, figs.31, 37. 63.29 grams, 36 mm (1 3/8 in.). Found near to an important village site, close to Seville, 1960-1970.From an old Spanish collection.Swiss private collection.Accompanied by a copy of the Spanish export licence.Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 4th May 2022 and titled 'Roman Res Publica - Lead Slingshots (glandes) of Caesarian Age - 45 B.C circa'. The shot (type IIb of the Völling classification) is marked with the abbreviated name of Julius Caesar; it was used in quantity at the Battle of Monda (or Munda) against the last fellows of Pompey, the leaders of the Optimates, on the 17th March 45 BC. Similar shots were used in the Caesar's wars. The slingers of Caesar's age were part of the light infantry. Caesar speaks of his Balearic slingers during the conquest of Gaul. They wore a short tunic, with leather or rope sandals to the feet, and a warm overcoat which could also have been used to store projectiles. They also used a satchel to carry very deadly lead-like stones or bullets.
45 B.C. A biconical facetted lentoid-section lead sling shot (glans), the inscription monogram a combination of letters 'C', 'A' and 'E', for 'C A E S' referring to Julius Caesar. Cf. D'Amato, R. and Sumner, G., Arms and Armour of the Imperial Roman Soldier: From Marius to Commodus, 112 BC-AD 192, London, 2009, fig.32, p.45, for similar glandes from Zaragoza Museum, one with the name of Pompey inscribed also coming from Munda battlefield; Schinco, G., Small, A.M., 'A previously unknown siege of Botromagno/Silvium: the evidence of slingshots from Gravina in Puglia (Provincia di Bari, Puglia)' in Papers of the British School at Rome, 2019, pp.1-52, figs.31, 37. 62.67 grams, 37 mm (1 3/8 in.). Found near to an important village site, close to Seville, 1960-1970.From an old Spanish collection.Swiss private collection.Accompanied by a copy of the Spanish export licence.Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 4th May 2022 and titled 'Roman Res Publica - Lead Slingshots (glandes) of Caesarian Age - 45 B.C circa'. The shot (type IIb of the Völling classification) is marked with the abbreviated name of Julius Caesar; it was used in quantity at the Battle of Monda (or Munda) against the last fellows of Pompey, the leaders of the Optimates, on the 17th March 45 BC. Similar shots were used in the civil war among Pompey and Caesar, and in all of Caesar's wars. The funditores of Caesar's age were part of the light infantry. Caesar speaks of his Balearic slingers during the conquest of Gaul. They wore a short tunic, with leather or rope sandals to the feet, and a warm overcoat which could also have been used to store projectiles. They also used a satchel to carry very deadly lead-like stones or bullets.
10th century A.D. A double-edged sword of Petersen Type L or S variant with straight tapering blade, light traces of pattern-welding and battle-nicks along the blade, tapering fullers and a sturdy long tang; boat-shaped lower guard curving gently towards the blade, decorated with punched ring-and-dot ornament along the edges; the upper guard with Trewhiddle Style ornament, surmounted by an elegant five-lobed pommel decorated with geometric patterns in the same style; cleaned and conserved. Cf. Petersen, J., De Norske Vikingsverd, Oslo, 1919; Oakeshott, R.E., Records of the Medieval Sword, London, 2000; Peirce, I., Swords of the Viking Age, Suffolk, 2002; the sword finds parallels in various similar Viking age specimens of L variant, two very similar swords, both preserved at the British Museum (inv.1848,10-21.1 and 1856,7-1,1404), have been published by Peirce (2002, pp.77-81); however, the pommel is certainly akin to the type S swords, like an example from London (British Museum, accession number 1887,2-9,1, Peirce, 2002, pp.104-105) or a sword in the National Museum in Copenhagen (C16430, Peirce, 2002, pp.106-107). 755 grams, 89 cm (35 in.). Acquired 1971-1972.From the collection of the vendor's father.Property of a London, UK, collector.Accompanied by an academic report by Dr Raffaele D’Amato.
Dolman Period, 3700-3300 B.C. A very finely polished axe with square edges and convex cutting edge, in yellow-brown flint with evidence of use as a 'strike-a-light' to the butt; with old collector label '179' to face. Cf. Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.228, for type. 758 grams, 20.5 cm (8 in.). Acquired 1990s.French private collection before 2020.Property of a Sussex, UK, teacher.
Dolman Period, 3700-3300 B.C. A finely knapped and polished axe with convex cutting edge and square sides in a grey chert; evidence of use as a 'strike-a-light' to the butt; old collector label '162' to face. Cf. Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.228, for type. 805 grams, 18 cm (7 1/8 in.). Acquired 1980s.French private collection before 2020.Property of a Sussex, UK, teacher.
7th-8th century A.D. A pelta-shaped copper-alloy mount with substantial remains of enamelled decorative designs composed of a russet-coloured interlace motif against a light-coloured field, a lozenge to each external angle; Hiberno-Saxon workmanship. Cf. Youngs, S. (ed.), The Work of Angels. Masterpieces of Celtic Metalwork, 6th-9th centuries AD, London, 1989, items 131, 132. 25.2 grams, 71 mm (2 3/4 in.). Found UK.Acquired in the 1990s.From a North Yorkshire private collection, UK. The shape of the piece indicates that it is a quadrant from a divided circular pattern, similar to the kinds of enamelled inset and applied panels which appear on Irish house-shrines. [No Reserve]
17th century A.D. A tempera on wood icon depicting the Mother of God supporting the Child with her left forearm, his right hand raised and making the sign of blessing, left hand holding a scroll; the Virgin wearing a red maphorion with a light green veil and a blue chiton; both figures nimbate, the haloes tooled with foliate designs, gilt background with a red and white arch above. See similar icon in the Princeton Art Museum, inventory number y1945-196, icon by an imitator of Emmanuel Lampardos, published in Princeton University Art Museum, Recent Accessions, record of the Museum of Historic Art, vol.4. no.2 (Autumn, 1945), pp.11-12. 520 grams, 27.5 x 21.5 cm (10 7/8 x 8 1/2 in.). Property of a London lady, part of her family's collection. The layout of the composition clearly indicates the icon's close link with Hodegetria type, the most typical iconography of the Mother of God in Byzantium since the 10th century. However, the type also recalls the iconography of the Virgin Psychosostria, i.e. 'Health of Souls'.
A Sony Alpha a330 DSLR Camera, powers up, shutter working, flash working, appears to function as should, body G, light wear, with Sony DT 18-250mm f/3.5-6.3 lens, auto focus functions, barrel G-VG, elements G-VG, with charger/battery, manual, cap & hood, in Lowpro bag, with a Canon Powershot A95 and Sony Cybershot compact digital camera
Compacts and Other Cameras, a Ricoh 500 G, shutter working, self timer working, meter unresponsive, an Olympus Trip 35, light cell unresponsive, a Pentax ESPIO 140, a Fujifilm 250 Zoom APS camera, a Canon Sure Shot Max, a Fuji DL-80, an Olympus AZ-300 Super Zoom bridge camera, a Polaroid Amigo 620 SEand other examples, all untested, G
An Olympus OM10 SLR Camera, shutter working, meter responsive, with manual adapter, body G, light wear, with S Zuiko 35-70mm f/4 lens, barrel G-VG, elements G, with Soligor 28mm f/2.8, Cosina 25-50mm f/4, Vivitar 35-105 f/3.2-4 MC and Cimko 80-200mm f/4.5 OM mount lenses, barrels G, elements G
Cameras and Related Items, including a Minolta SRT 101, shutter working, self timer working, body G, with MC Rokkor 58mm f/1.4 lens, G, a Makinon 28-80mm & Tamron 200mm f/3.5 lens, G, a Minolta X-300 body, battery issues, shutter not working, an Braun Paxette Reflex, shutter working, light cwll responsive, G, an Olympus AF-1, a Pentax zoom 90, a Polaroid 1000SE, filters, flash units and other items
A Group of Cameras, a Canon Canonet QL-25, shutter not working, signs of battery leakage, body G, a Samoca LE-II, shutter sticking in slow speeds, light cell responsive, body F-G, a Zeiss Ikon Ikonta folding camera, G, a Kodak 66 folding camera, G, a Palar 135mm f/2.8 M42 mount lens, G and other items
A Nikon EL2 SLR Camera, black, serial no 7940725, shutter working, meter responsive, self timer working, body G-VG, light wear, with a Nikkor 28mm f/3.5 Ai lens, barrel G, some paint wear, elements G, a Nikkor 50mm f/1.8 Ai lens, barrel G, elements G, a Nikkor 35-105mm f/3.5-4.5 Ai-S lens, barrel G, elements G-VG, with Nikon F close up no 2 lens, in maker,s case
Darkroom Equipment, including four 18x22", two 15x19", three 18x14" & nine 12x10" developing trays, a Durst F60 enlarger, AF, two Schneider Kreuznach enlarging lenses, G two easels, two darkroom safty lights, a Philips PCA 061 colour analyser, G, a Philips PDT 024 timer, a Durst 60 timer, an array of photographic paper, a light box, AF, a developing tank warmer, AF a paper guilotine and other items
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