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Preisdatenbank abonnierenWINGS - 'DAYTIME NIGHTIME' ACETATE - An extremely unusual and unique acetate recording of the 1979 release that appeared on the flip side of 'Goodnight Tonight' as 'Daytime Nightime Suffering'. Issued by Pye Studios on a single sided 7" acetate disc with hand written label with black text reading 'Pye Records LTD... The record is in VG+ condition with some light surface markings to the playing surface but no heavier marks or scratches.
WHITE ALBUM - MONO - A lovely first pressing copy of the mono version of the album, number 0134870. Comes with the fold out lyric poster. Cat number is PMC 7067/68. Matrix numbers are YEX 709-1/710-1/711-1/712-2. Runouts are OO 1/GRO 3/HH 2/GRG 1. Number 0134870. Condition is Ex/Ex - very light surface mark on side 2 and side 4.
THE BEATLES - ABBEY ROAD A first pressing of the seminal album. This is a very early version released before the misprints on the sleeve and labels could be corrected. The Apple logo is misaligned on the rear cover and the Her Majesty credit is omitted on sleeve and label. Cat number is PCS 7088. Matrix numbers are YEX 749-2/YEX 750-1. Runouts are MOM 1/APH 9. Vinyl condition is Ex, with some light surface marks on the A-Side, sleeve condition is Ex+. A fine copy indeed
STUDIO LPs - 1965/1966 - A fab trio of early UK pressing LPs. Titles are Help! (PMC 1255, 'Sold In UK', 'Gramophone', -2/-2 - Ex a couple of quite minor surface marks/very clean Ex sleeve), Rubber Soul (PMC 1267 1st 'loud cut' pressing -1/-1 with 1st 'Garrod & Lofthouse Ltd. Patents Pending' sleeve - strong VG+ with a few light surface marks and spindle wear/Ex sleeve with a little bit of old tape) and Revolver (PMC 7009 -2/-3, 'Gramophone Co', 'Dr. on sleeve and Doctor on label', 'Sold In UK' - a strong Ex copy with only light wear).
PLEASE PLEASE ME - 1ST UK MONO - An exceptional condition 1st UK pressing of the timeless debut LP - this extremely clean copy will be the perfect addition to any serious collection. Dick James credits for all McCartney/Lennon compositions (A1,2,6,7, B4,6). The record is in Ex+ condition. On side 1 there is one light hairline, very light surface mark on A5 into A6, but this will certainly not effect playback. Side 2 is closer to archive with perhaps just one or two extremely minor and very faint wispy marks. The striking black and gold labels are in stunning condition. MATRIX/STAMPERS: XEX 421-1N 2 G H and 422-1N 1 2 G H. The original 1st pressing 'right aligned' Angus McBean credit front laminated flipback design 'Ernest J. Day & Co' sleeve is in Ex+ condition. There is some very minor wear to the laminate and one small crease on the bottom of the flipback design on the bottom (reverse); there is little other wear to note.
UK EPs/7" - Great collection of 21 x EPs, picture discs and p/s issues with sought after sides! Titles include Penny Lane/Strawberry Fields Forever (with original picture sleeve), Another Beatles Christmas Record (flexi LYN 757 - VG+ some light creasing/VG+), Sixth Christmas Record (LYN 1743 VG with creasing, no sleeve), Get Back/Don't Let Me Down, All My Loving (GEP 8891), Magical Mystery Tour (SSMT-1), Let It Be x2, Back In The USSR, Lady Madonna (R 5675), Paperback Writer (R 5452), She Loves You (R 5055), From Me To You, Hey Jude (R 5722), We Can Work It Out (gold R 5389) and The Beatles Interview Picture Disc Collection (BAKPAK 1004 complete set of 4). Condition is generally VG to Ex+.
LOVE ME DO/TONY SHERIDAN - Fab selection of 3 x original 7" releases! Titles are Love Me Do (1st UK red label 'Made In Gt. Britain' at 3 O Clock position - Ex with a couple of light surface marks, but nothing deeper at all w/original company sleeve), Tony Sheridan & The Beatles - My Bonnie (1963 issue NH 66833 - G+ with heavy surface markings, no deeper scratches/VG+ original company sleeve) and Ain't She Sweet (52317 original p/s - strong Ex/Ex).
RUBBER SOUL - LOUD CUT - An outstanding copy of this classic album. This version is the first mono pressing of the 'Loudcut' mix of the album. The matrix numbers are XEX 579-1/XEX 580-1 with L1/O2 runouts. The label is yellow and black Parlophone and is in Ex/Ex+ condition with a couple of light surface marks on the A-Side of the vinyl. The sleeve is in outstanding condition, especially considering its age.
COMPLETE FLEXI COLLECTION - A fabulous complete set of the 7 limited edition Christmas flexi discs, 3 with original mailing envelopes. Titles are The Beatles Christmas Record, 'Sincere Good Wishes For Christmas And The New Year' (LYN 492 - VG with some light creases/Ex with original mailing envelope), Another Beatles Christmas Record (LYN 757 - very clean Ex condition throughout with mailing envelope), ...Third Christmas Record (LYN 948 - VG+ a few light creases, with inner/Ex+ sleeve, with mailing envelope), Pantomime... (LYN 1145 - VG+ minor creasing, with worn insert/Ex sleeve), Christmas Time (Is Here Again) (LYN 1360 - VG+ a couple of light markings/Ex sleeve), Christmas 1968 (LYN 1743/44 - VG some light marks/creases/Ex) and Happy Christmas 1969 (LYN 1970/71 - VG+ some minor creasing/strong Ex sleeve).
THE WHITE ALBUM - EXPORT COPY - A scarce and seldom seen original export copy of the iconic self titled 1968 double LP (Parlophone black/yellow P-PCS 7067/7068). The records are both in Ex condition with only a couple of rather minor surface marks to note. There are certainly no heavier markings or scratches. MATRIX/STAMPERS: YEX 709-1 1 G L, 710-1 4 L G, 711-1 3 GH M and 712-2. Complete with the four original photos, spacer, black inners and the poster (all in clean condition). The original embossed top loading number 0310566 laminated sleeve is in super clean Ex condition. There is only some very minor wear to the opening edge and just a few other extremely minor and light bits of wear to the laminate. A really top copy of a top rarity.
THE WHITE ALBUM - NUMBER 0000079 - A phenomenally low numbered original UK mono copy of the iconic White Album; the record was purchased for the vendor on the day of release from Oxford Street, London. Complete with poster (has some repair work), photos, spacer and original black inners. The records are in VG condition with numerous surface marks but no heavier scratches. Importantly, the laminated sleeve is in clean Ex condition with only a few very light and incidental creases. The embossed lettering is very clear with the number bright and sharp.
PLEASE PLEASE ME - 2ND MONO - An extremely early version of the album with the rare black and gold Parlophone label. It does not have the Dick James credit making this copy a second pressing. Cat number is PMC 1202. Matrix numbers are XEX 421-1N/XEX 422-1N. Run outs are GP 1/GH 12. Vinyl condition is Ex with a couple of very minor light surface marks. Sleeve condition is VG, it is showing signs of age but there are no splits. A fantastic copy of the first Beatles LP
SGT PEPPER'S - GERMAN TEST PRESSING - A highly unusual and extremely rare German test pressing of the influential 1967 LP. The record has presumably been issued on a white label, with this coloured in 'psychedelic' pink pen. The labels are stamped 29. Mai 1967 with 'Unverkaufliche Musterplatte' text. Original SHZE 401 A1 and B1 matrix. The record is in VG condition with some light surface marks but no heavier markings or indeed any scratches. The original wide spine UK sleeve (PMC 7027) is in VG+ condition with some light edgewear. EST: £60-80
YELLOW SUBMARINE - 1ST MONO - A well presented desirable 1st UK mono pressing of the 1969 LP (PMC 7070). The 'Sold In UK', '"An EMI Recording', '33 1/3 Mfd. In UK' LP is in VG+ condition. There are only a couple of minor surface marks, however there is a very slight 'dink' towards the end of track 2 on both sides (this seems to have been caused by the pesky Stones zip on 'Sticky Fingers!') - however, playback is not majorly disturbed with no skips or jumps. The original two red line sleeve is in VG+ condition with some light edgewear and a similar 'dink' where the zip has most likely caused a slight bump.
PLEASE PLEASE ME - UK MONO 4TH RECORD/1ST SLEEVE - A very clean UK 4th mono pressing with a very clean 1st UK mono sleeve. The record ('Parlophone Co.', no 'Published' or 'Sold In UK') is in Ex condition with just a couple of quite light surface marks, but certainly nothing of any deep er nature whatsoever. The 1st pressing right aligned Angus McBean sleeve is in clean Ex condition with only very minor wear to the front laminate and some rather minor staining on the reverse. A top copy.
SGT. PEPPER'S/WHITE ALBUM - 2 x original clean and early UK pressings. Pepper's (PMC 7027 -1/-1, 'Sold In UK', 'Gramophone Co.', no patents pending) vinyl is in Ex condition with only a couple of quite minor surface marks. With complete cutout. The sleeve is Ex with some light shelfwear. The White Album is a mono top loading issue (number 0295513). The records all carry -1 matrix endings and are in Ex condition with only a few quite minor surface marks to note. With original black inners, poster and pictures. The sleeve is VG+ with some light wear to the spine.
THE UNDERTAKERS - I FELL IN LOVE/THROW YOUR LOVE AWAY ACETATE - An unbelievable find here with this (perhaps one off) acetate recording of the fuzzed out double header from Liverpool band The Undertakers, contemporaries of The Beatles. Indeed, guitarist Chris Huston - a friend of Lennon and also features a young Jackie Lomax who would find fame recording with Apple. The record is a 7" recording on a 10" disc. 'Bob Gallo's Talent Masters Record Studios' with their New York address on the label with the artist name and track titles stamped. The record is in VG+ condition with only a couple of light marks to the playing surface and some 'peeling' to the lacquer on the outer disc (not in the playing area). The record is housed in the original sleeve which has the 'Progressive Label & Litho Co. Brooklyn 37, NY' on the 'Phonograph Records' sticker
PLEASE PLEASE ME/LOVE ME DO 7" - 2 x well presented 1st UK red Parlophone 7" of these early releases! Please Please Me (45-R 4983 no 'Made In Gt Britain', VG+ with some light surface marks but no heavier scratches at all) and Love Me Do (45-R 4949 no 'Made In Gt Britain' - VG with surface marks but again no heavier scratches to note). Complete with original company sleeves.
YELLOW SUBMARINE/ABBEY ROAD/MAGICAL MYSTERY TOUR - 3 x original UK pressings! Titles are Yellow Submarine (1st UK mono, 2 red lines sleeve PMC 7070 - strong VG with some light scuff marks mainly limited to the start of side 1/Ex sleeve with only minor wear to the laminate), Abbey Road (1st UK misaligned apple sleeve PCS 7088 -1/-2 - VG+ a few light surface marks/Ex) and Magical Mystery Tour (MMT 1 blue page inside booklet - VG+/Ex).
WHITE ALBUM - 0021194 - A complete original UK low numbered mono copy (PMC 7067/8). Complete with poster, photos, black inners and spacer (this is creased). The 'Sold In UK', 'Mfd In UK', '33 1/3' LPs are in VG to VG+ condition with some surface marks to note, but these never extend anything deeper, with no heavier marks to note. The original laminated top loading sleeve is in VG+ condition with some light edgewear and some light shelfwear. A clean, early copy.
Single manual harpsichord by Giovanni Battista Boni da Cortona, Cortona, circa 1620, the case of false inner/outer construction, the exterior with later paintwork in shades of light green and creamy-brown divided by a dark brown band, the main portion of the lid interior painted with an extensive rural landscape with a bay in the distance, the keyboard flap painted recently in the style of the main section, the soundboard with a piered parchment rose, the keyboard with arcaded boxwood naturals and ebony accidentals, the partly enharmonic keyboard, compass currently FF, GG, AA, BB then C/E to c3, with broken octave and divided accidentals d♯, g♯, d1♯, g1♯, a1♯, one 8ft register, raised on two trestle stands.Length 6ft. 4â…žin., 195.3cm.; width 2ft. 6¼in., 76.8cm.; case depth 8â…žin. 22.6cm.*Recorded by Donald Boalch in Makers of the Harpsichord and Clavichord, 1440-1840 (3rd edition edited by Charles Mould), pp. 250-251. Referred to and illustrated in A History of the Harpsichord by Edwards L. Kittick, pp. 136-137, 485, note 23, Plate 6-4. Also see 'Some Notes on Giovanni Battista Boni da Cortona, Giralmo Zenti and others' by Frederick Hammond , Galpin Society Journal XL, December 1987, pp.37-47 for further information on the maker. A further reference to this harpsichord can be found in an article 'Italian Split-key Instruments with fewer than Nineteen Divisions to the Octave' by Christopher Stembridge and Denzil Wraight, the Journal of Performance Practice, 1994, No.2, p. 156, Item 7.The attribution to G. B. Boni is courtesy of Dr. Denzil Wraight who is quoted in Boalch in a letter to the owner "the lower moulding identifies the instrument quite conclusively…Thus I have no doubt about the attribution. The moulding referred to is illustrated in silhouette in The Historic Harpsichord, Volume III (editor Howard Schott) in the chapter 'The Identification and Authentication of Italian String Keyboard Instruments' by Denzil Wraight, p. 107. The moulding illustrated is from the Boni harpsichord in the Brussels Musical Instrument Museum.This harpsichord has been the subject of a number of alterations including conversion to a two-manual instrument. Under Mr. Mackenzie's instruction it was returned to what was believed to have been its original specification of a single 8ft. register. Boalch suggest that it had passed through the hands of Franciolini but it does not appear in any of his published catalogues. Other owners recorded by Boalch were Elizabeth Moss, Alec Hodsdon and Michael Thomas. A number of respected restorers have worked on the harpsichord in more recent times
Interesting violin labelled Thomas Hulinzky, fecit Pragae, Anno, 1790, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/8, 35.90cm, bow
Good mid 19th century French violoncello stamped Mangino á Paris to the inner back, the two piece back of faint medium/fine curl, with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 29 1/2", 74.40cm (at fault)
George Weatherill (British 1810-1890): 'St Botolph's Church Boston Lincolnshire from the River Witham', watercolour attributed and initialled by Richard, titled and dated 1884 verso 18cm x 29.5cmNotes: a similar view to this held in the Tate archive was painted by Joseph Mallord William Turner in 1834 Condition Report Overall in good condition and colour. Some very light foxing in the sky - barely noticeable. Well presented and ready to hang. Click here for further images, condition, auction times & delivery costs
Three boxes of books on military history, 8vos and 4tos in original cloth: Boraston (J.H., Editor) Sir Douglas Haig's Despatches, 1919, J.M. Dent & Sons, two vols., text (with plates and illustrations) and Maps, in publisher's red cloth gilt; Churchill (Winston) The Second World War, 1948-54, Cassell & Co. first edition, 6 vols black cloth [with] The World Crisis, 1923-31, Thornton Butterworth, 6 vols; Esposito and Elting A Military History and Atlas of the Napoleonic Wars, Faber & Faber, oblong folio in original slipcase; several regimental histories including the Scottish Volunteer Force, 34th [&] 20th (Light) Division, Coldstream Guards, South Wales Borderers, Volunteer Infantry, Tyne Electrical Engineers, the Royal Naval Division, and Hicks (J.G.) The Percy Artillery Records, 1899; a 1799 List of Officers, for the War Office, Sixth edition (marbled boards, becoming disbound) with Hart's Annual Army List for 1863; bound collected issues of The Camp Magazine of the 1st Royal Naval Brigade interned at Groningen 1914-16; Nevill (R.) British Military Prints and White (A.C.) Bibliography of Regimental Histories (qty)
IAN GREGORY (born 1942); a stoneware sculpture of a hill town, matt light blue glaze, impressed IG mark, height 14cm. (D) Provenance: The Doreen and John Roberts Collection, purchased from The Bluecoat Display Centre, Liverpool, 1978. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
EDWARD MOORE; a blue and white candlestick, height 19cm, a green candlestick, height 20cm, four pieces of caramel coloured moulded glass, a pair of spill holders, a similar smaller light blue example and a Sowerby white jug with embossed orange flowers (10). CONDITION REPORT: One tray foot chip, turquoise candle stick foot chips and cracks, small jug chip.
EDWARD BAWDEN (1903-1989); linocut, 'Covent Garden', Covent Garden Foreign Fruit Market, signed and titled in pencil, 61 x 46cm, framed and glazed. (D) One of the series 'Six London Markets' Bawden produced in 1967. Provenance: Purchased from a London gallery in the late 1960s and in a private collection ever since. CONDITION REPORT: Un-numbered and maybe due a mis-printing of the roof beams top right. Some light areas of foxing and staining mainly to the border. Please refer to additional photos. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
MICHAEL CASSON (1925-2003); a tall slender salt glazed jug, decorative blue spots on light brown ground, impressed MC mark, height 39cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
MONICA YOUNG (1929-2004); a monumental stoneware garden sculpture, toasted unglazed surface incised with floral design, drainage hole close to base, height 109cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. A metal ring might suggest a light(?) fitting was once fixed to the top. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware pedestal bowl, light grey glaze to interior, khaki glaze to exterior, impressed BL and SI marks, diameter 30.5cm. (D) Provenance: The Berkeley Collection. CONDITION REPORT: Gold lacquer repair to rim, otherwise appears good with no further obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
KATHARINE PLEYDELL-BOUVERIE (1895-1985); a fluted stoneware vase covered in light grey glaze, impressed KPB mark and incised numerals to base, height 12.5cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Assorted Swarovski Crystal Christmas decorations, including Christmas angel, 243453, all boxed (12) Condition report Report by NGTwo snowflakes with blue ribbons, 2005 and 2006, 837613 and 680502.Angel, 343453Nutcracker, 236714Angel, 863449Sleigh, 842768 - no ribbonStocking, 944872 - no ribbon, boxed (a.f.)Rocking horse, 842759 - no ribbon, chipped in two placesChristmas Memories boot, no number on box - no ribbonPoinsettia type star, 905212Poinsettia type tea light holder, 895391Holly tea light holder, 867401All with original boxes with no visible damage or repair unless otherwise stated. Some grubby from being on display.
A Meissen porcelain plate, with pierced, painted floral and gilt decoration, 22.5 cm wide Condition report Report by NGBlue cross swords mark to base. Some rubbing to surface of plate, notably around internal rim where plate dishes down from sloping rim. Rubbing and some minor losses to gilt decoration. Some light rubbing to painted decoration. No visible restoration, chips or cracks.
A late 19th century German viola, possibly a lady's model, with a 15½ inch two piece back, with a carrying case, with accessories, including a tuning fork, and a bow, with an indistinct maker's stamp Condition report Report by GHSome age related wear particularly around the corners and edges. No obvious structural cracks. Small area of loss to the inlay on the back around the edge, around 6 cm in length. Some light cracking around the edge of the violin visible. Generally appears good commensurate with age.
A block of 20 penny red stamps, with attached border strip 'Labels 1/- Per Row of 12 £1 Per Sheet......Place the Labels ABOVE the Address and to..........', some creasing and light soiling, and a block of 12 similar stamps, with attached border strip 'PRICE 1d PER Label 1/- Per Row of 12 £1 Per Sheet Place the .........', previously cut vertically in half (2) See illustration
A gentleman's stainless steel Longines wristwatch, with subsidiary seconds dial, in a tank type case Condition report Report by MWThe silvered rectangular dial has some fox marking and light corrosion damage and some visible glue marks to the outside edges. The glass has several scratches.The watch is running but no guarantee is implied or given.The case has several marks commensurate with general wear, including quite a large scratch at the 10.00 position on the outside edge of the case.The case dimensions approx. 20 mm wide not including crown wheel, the length from outside lug to outside lug approx 47 mm.
A set of six Royal Worcester cabinet cups and saucers, painted fruit, signed W H Austin, J Flexman, H A Price and others, with a set of spoons, London 1921, cased See inside front cover colour illustration Condition report Report by GHCase in good condition. Some pieces with a little crazing to the glaze, particularly visible on the backs of the saucers. Some very light scratches to surface of paint and gilding. No obvious chips, damages or restoration. Spoons all present. Overall good.
A gentleman's stainless steel Jacob & Co wristwatch, the silvered dial with calendar aperture and displaying five time zones, on a yellow Jacob & Co strap, fitted deployment clasp, with two interchangeable straps, boxed Condition report Report by MWThe watch is generally in good condition with light wear marks associated with general use. The yellow strap is slightly grubby again associated with use. The serial number engraved on the back case is No 0300**.
A Victorian mahogany extending dining table, inset three extra leaves, on carved legs, 305 cm (10 feet) See illustration Condition report Report by GHLeaves appear to be original. The larger of the leaves is a darker colour than the rest of the table and leaves. Some light scratching to the top of the table. Generally very solid.It appears to have later casters.
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