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534325 Los(e)/Seite
Los 1
JOHANNES HENDRIK EVERSEN (1906-1995) STILL LIFE OF A LOBSTER AND A LEMON UPON A PEWTER PLATE, A LOAF OF BREAD AND A WINE BOTTLE WITH A CLOTH UPON A TABLE, A WALL OF DELFT TILES IN THE BACKGROUND Signed and dated 1962, oil on canvas 50 x 70.5cm. ++ Good original condition; needs a very light clean only
Los 1
ELINOR MAY CONSTABLE (Fl.1912-1917) LIGHT AND SHADE IN KERRY Inscribed on a label on the reverse, oil on canvas board 29.5 x 38cm.; with four further oils by the same hand, landscapes views in Ireland, Essex or elsewhere, three inscribed verso, various sizes, unframed. (5) ++ Original condition; two need a light clean
Los 1
JAMES HERBERT SNELL (1861-1935) THE OLD MILL, GOLDEN GREEN; A STORM CLOUD, YALDING Two, both signed, each signed on the reverse and inscribed with title on the stretcher, oil on canvas 29.5 x 45cm.; and 29.5 x 39.5cm. (2) ++ Each in good original condition and original frames; each needs a light clean; frames need attention
Los 1
A George III silver candelabrum by John Parsons & Co, Sheffield 1793, raised from a circular foot engraved with vitruvian scrolls below rising stiff leaf decoration below a bulbous stem with high reeded knop supporting a leaf decorated vase shaped socket, the three light branch with low central light flanked by two others with plain reeded drip pans supported on plain octagonal supports, 47cm high, 40.5cm span, branch 25.25oz, base loaded
Los 1
A French Giltwood Pier Glass and Table, the glass having an arched rectangular plate within a convex section frame carved in light relief and surmounted by a pierced shell and leaf cresting, {190cm by 126cm}, the table with a breakfront D-shaped marble top over a fluted, tabletted frieze, raised on wrythen-flute tapered legs joined by a shaped stretcher centred on a raised urn finial, {90cm by 125cm by 41cm}
Los 1
A Lobmeyr Enamelled and Parcel Gilt Vase, circa 1870, of baluster shape, the neck with four registers of leaf tips, husk fluting, and overlapped scale pattern in gilt, the main frieze painted in cold enamels in tones of white and light blue with mythological sea gods and nereids, on a swept circular foot, JLL grid mark in white enamel, {35.5cm high}
Los 1
A Wedgwood Fairyland Lustre Fairy Gondola Pattern Lily Tray, designed by Daisy Makeig-Jones, the central scattered florets on a light blue lustre river, green foreground and mother-of-pearl sky, the reverse with blue/green lustre and "flight of birds" encircling band in gilt, Portland Vase and "Wedgwood England" in gilt, {33cm diameter}
Los 1
A Derby Oval Dessert Dish, circa 1790, the centre painted in naturalistic enamel colours with a rose and other flowers in a bouquet, three sprigs around about, within a narrow turquoise band with swags of husks below, within double gilt lines, unmarked, but vestiges of a blue "D" (?), {28cm wide} (glaze flaws and carbon residues, gilding rubbed and enamels worn); and A Derby Dessert Plate, circular, centrally gilded with the initials "BJE" within a rose and leaf guilloche frame, the border painted with similar devices, crown, crossed batons, six dots and D mark in orange, and "36", pattern No.14, circa 1800, {24.8cm diameter} (tiny rim flake, light rubbing to gilding) (2)
Los 1
A Chinese Porcelain Celadon Ground Wine Pot as a Peach, with typical C shape handle, the spout connected to the body by a branch of fruiting peach picked out in light blue and copper red glaze, a similar sprig to the upper handle terminal, the peach topped by copper red oval, probably early 19th century, {13.6cm high}
Los 1
A Japanese Blue and White Porcelain Shallow Circular Dish, centrally painted with an extensive lakeland landscape, pine trees and two fishing vessels, within a border of three flower sprays, with details picked out in soft yellow and green enamels and iron red, late 17th century, {19cm diameter} (light surface scratches)
Los 1
A Chinese Export Porcelain Tureen, Cover and Stand, Qianlong Period, circa 1760, of barbed outline, with gilt boar's head handles and a lotus flower knop, pencilled with rouge-de-fer flower sprays picked out in gilding, unmarked {37cm} (chip to petal on lotus finial, light rubbing to gilding, rubbing to 3cm on edge of stand)
Los 1
"Coquilles", a single Lalique ceiling light, with dished circular shade, moulded with shells, the rim with chromium fixings and attached broad circular frosted rim, later brass hanging chains, wheel etched marks "R. Lalique, France" No 3201, also a Lalique ceiling light, the replaced frosted shade with chromium fittings and attached broad circular frosted rim (cracked original Lalique opalescent shade included) (2)
Los 1
"Coquilles" a Lalique clear glass wall light, the circular dished shade moulded with shells and fitted to a chromium mount with shells and fitted to a chromium mount with circular frosted glass back plate and side panels, wheel etched marks "R. Lalique, France". Shade 16cm diameter, whole 32cm high
Los 1
John Thomas Serres- '1. Nice, Villa Franca Light-House; 2.The Light House of Villa Franca, Entrance of Monaco; 3. The Island of St. Marguerite, opposite to Cannes in Provence', from Little Sea Torch, London 1801; hand-coloured aquatint, 24x38.2cm: together with a mixed folio of prints including Japanese colour woodblock prints and Chinese gauche paintings on rice paper, (a lot), (unframed)
Los 1
A late 19th/early 20th Century Continental maiolica pottery eight light standard candelabra, the sconces moulded with griffins and floral swags supported by bulbous column, the base with standing figures of "The Three Graces", circular base with four winged mythical beasts, 67ins high (damaged and repaired)
Los 1
A Group of five Victoria and Edward VII campaign medals to "Sgt. T. W. Hamblin, 2nd Duke of Cornwall Light Infantry and later Army Pay Corps", comprising - Egypt Medal with Bar "The Nile 1884-85", Queen South Africa with two bars, Orange Free State and Cape Colony, King South Africa with two bars, South Africa 1901 and 1902, Long Service and Good Conduct Medal, and Bronze Khediva Star (uninscribed)
Los 1
A matched pair of Victorian cast, silvergilt seven-light naturalistic candelabra on triform plynth bases with shell and scroll feet and side panels: one crested and one engraved with a coat of arms, the baluster columns wrapped with wrythen foliage and surmounted by the detachable branch section resembling a leafy, seven headed plant with bell shaped flowerheads with detachable collar-type recessed nozzles (nine by John.S. Hunt 1846/52/55/57, three by Mortimer & Hunt 1841/43 and two unmarked) both bases numbered "2036" the branches numbered "1" & "2" with corresponding "1" & "2" on their respective columns, by John. S. Hunt, London 1846/52 (the applied floral adornments on triform base with sponsors mark of Mortimer & Hunt), 30.75in (78cm) high, 17.5in (45.5cm) span of branches approximately, 460oz.
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534325 Los(e)/Seite