Sbonski de Passebon (Henri) Plan de Plusieurs Bâtimens de Mer avec leurs Proportions, engraved title/dedication within elaborate pictorial frame of mermen, merhorses, tridents, flags, a globe and other nautical instruments by Simonneau, 15 large folding engraved plates only (of 17) by Randon, title soiled and creased,light stain to lower margin, plates generally a little soiled, 1 stained, some tears and repairs (mostly to folds, one or two more severely), first plate slightly defective at lower edge, 20th century pencil inscription on front free endpaper, contemporary half vellum, uncut, rubbed, spine a little worn, folio, [1690].
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[Kilner (Rev. Joseph)] The Account of Pythagoras`s School in Cambridge as in Mr. Grose`s Antiquities of England and Wales…, first edition, with the "Something Supplementary", 9 engraved plates, 2 folding, some with light spotting, contemporary calf-backed marbled boards, uncut, rubbed, covers detached, spine rather worn and chipped at head and foot, folio, n.p., [c.1790]. *** Pythagoras`s School was a mediaeval building in Cambridge owned by Merton College, Oxford, through the endowment of its founder, Walter de Merton. This account was written by a Fellow of Merton College.
London.- Brayley (Edward Wedlake) Londiniana; or, Reminiscences of the British Metropolis, 4 vol., 103 engraved maps and plates, 19 folding, some torn at folds, some slightly trimmed at head, some light foxing and offsetting, pink watered silk endpapers, contemporary green morocco, gilt, g.e., spines faded and rubbed, 8vo, 1829.
[Alexander (William)] Costume of the Russian Empire, text in English and French, hand-coloured stipple-engraved frontispiece and 71 plates, light offsetting, endpapers foxed, contemporary green straight-grain morocco, spine gilt, faded, rubbed and worn at edges, [Abbey, Travel 244; Colas 702], folio, 1803 [but plates water-marked 1821 & 1822].
Loudon (Jane Webb) The Ladies` Flower-Garden of Ornamental Perennials, vol 1 only (of 2), 43 hand-coloured lithograph plates only (of 45), occasional light spotting or soiling, one plate tipped in and affected by insects, contemporary covers further covered in cloth, front hinge detatched, worn, 4to, 1843.
Bienville (M.D.T.de) La Nymphomanie,ou Traité de la Fureur Utérine, first edition, half-title, contemporary light speckled calf, 19th century reback, later endpapers, slightly worn and rubbed, Marc-Michel Rey, 1771 § Deventer (Hendrik van) New Improvements in the Art of Midwifery, first edition in English of the second part of Deventer`s Manuale Operatien, pagination as in the Wellcome copy, one engraved plate in text, contemporary calf, rebacked, slightly worn, a few contemporary annotations, some slight damp staining and soiling, T.Warner, 1724, 8vo (2) (2)
Thomas (B.) The Shooter`s Guide, 5 hand-coloured engraved plates, light offsetting, Boies Penrose bookplate to front pastedown, contemporary red half morocco, gilt spine, t.e.g., front cover detached, 1832 § Rawstorne (Lawrence) Gamonia, or the Art of Preserving Game, colour plates, original green cloth, gilt, slightly faded at head, 1929, 8vo and 4to (2) (2)
Thornton (Col.) A Sporting Tour Through France, 2 vol. in 1, stipple-engraved portrait frontispiece and vignette titles, 52 aquatint or engraved plates, 11 folding, 2 engraved sheets of musical notation of a hunting song `The Horns`, some spotting and light offsetting, one plate torn at fold, bookplates of Boies Penrose and Owen Culbertson on pastedown and front free endpaper, contemporary mottled calf, sympathetically rebacked, spine in six compartments, five with gilt hunting motifs one with red morocco label, [Abbey, Travel 84], 4to, 1805-6.
THREE SÈVRES PORCELAIN WARES 18TH/ 19TH CENTURY comprising: a plate with a polychrome painted border of flowers with gilt foliate decoration, inscribed mark, painted double crossed L mark, 24cm wide; a plate with a polychrome painted border of flowers interspersed with foliate gilt highlights, inscribed marks to base, blue printed mark, dated 1830, red painted `Chateau de Neuilly` mark, 19.5cm wide; and a saucer decorated with roses on a light blue oeil-de-perdrix ground with puce double L mark beneath a crown with initials D.R., 14cm wide (3)
THREE SÈVRES PORCELAIN CUPS AND SAUCERS 19TH CENTURY comprising: a tea cup and saucer, the cup decorated in gilt to the well with a symbol of music within a polychrome painted border of flowers, the exterior and the saucer with a light blue ground and gilt highlights, incised mark, green printed mark, dated 1847, cup 4.5cm high, saucer 14.5cm wide; a coffee cup and saucer, each polychrome painted with a border of flowers on a light blue ground with gilt and purple painted highlights, incised marks, blue printed mark, dated 1834, cup 6.5cm high, saucer 13cm wide; and a coffee cup and saucer, each polychrome painted with floral sprays on a maroon speckled ground with gilt highlights, inscribed marks, green printed mark, dated 1864, cup 6.5cm high, saucer 12cm wide (6)
A late Victorian oak hall stand in the manner of C and R Light, the centre stand with crop hook stamped "White`s Patent" flanked by two pairs of shaped arms each with two turned coat hooks over an open stick stand with curved sides on rope-twist tapered pedestal supports united by the metal lined base with serpentine front, 90 cm wide x 106 cm high
Jacopo Negretti, Palma il Giovane (Venice circa 1548-1628) Venus discovering the dead Adonis black chalk, pen and brown ink, brown wash, white heightening, traces of oil paint (at the lower edge), on light brown paper, unframed 7 5/8 x 11 3/8 in. (19.5 x 29 cm.); and a drawing of A female figure, attributed to Palma Giovane (2) View on Christie's.com
Attributed to Taddeo Zuccaro (Sant' Angelo in Vado circa 1529-1566 Rome) A group of disciples black chalk, pen and brown ink, brown wash, heightened with white, squared in black chalk, on light brown paper, losses, corners cut, unframed 10¼ x 8 1/8 in. (26 x 20.5 cm.) View on Christie's.com
Circle of Léon Davent (active in Paris and Fontainebleau 1540-1556) The Madonna and Child with the infant Baptist, Saint John the Evangelist, Saint Mary Magdalene, two holy women and Saint Joseph (recto); Diana at her bath (verso) black chalk, pen and brown ink, heightened with white, outlines incised for transfer, on light brown paper, indistinct watermark 11¼ x 7 7/8 in. (28.6 x 19.9 cm.) View on Christie's.com

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