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534297 Los(e)/Seite
Los 823
CHINESE SILK EMBROIDERED ROBE, EARLY 20TH CENTURY embroidered with cranes, flowers and waves on a dark ground, along with a short jacketrobe 116cm highQty: 2Some light fraying and staining to the linings, though no rips or tears to the outer silk or the embroidery, only a few loose threads across both pieces, overall really nice condition
Los 862
JAPANESE SILVER AND MIXED METAL CIGARETTE CASE, MEIJI PERIOD (1868-1912) the exterior and interior decorated with Shinto shrine, stamped marks, along with a Japanese damascene compact, in associated casethe cigarette case 8cm highVery light surface scratches to the cigarette case, a little tarnishing evident to the compact, neither piece shows evidence of damage, overall very nice condition
Los 783
CHINESE EXPORT SILVER THREE PIECE TEA SERVICE, LIKELY LUEN HING, ACTIVE 1875-1930 comprising teapot, sugar bowl, cream jug, and dish, each embossed trailing dragon, engraved initials, with simulated bamboo handles, stamped LH... 90 to base, the teapot with ivory insulatorsThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 5X7N357L. the teapot 26cm wide Qty: approx. 1106g gross Light tarnishing to handles across the lot, and to the pot spout, a few very small dents tomthe handle of the jug, and of the sugar bowl, small gapping evident between the ivory insulators and the silver on the teapot, very minor surface scratches across the lot, overall very nice condition weight approx. 1106g gross
Los 815
GROUP OF CHINESE PORCELAIN, VARIOUS PERIODS comprising a Foo Bat decorated bowl, a Famille Rose twin handled lion mask vase, two brush pots, a small blue and white vase, a blue and white tea bowl and a small Chinese footed censerFoo Bat bowl 13.9cm wideQty: 7Light gilt losses to the vase. One tiny defect to the branch on the green spill vase. One leg of the censor has been off and repaired and the censor should have handles to either side of the body but these are absent. The blue and white bowl is repaired to the upper rim and cracked. Otherwise only light surface scratches evident across the lot.
Los 883
PAIR OF JAPANESE BRONZE VASE LAMPS, EARLY 20TH CENTURY twin handled with relief decoration including central bands of birds amongst floral blooms, on wood bases, with fabric shades 50.5cm high to fitmentQty: 2Neither vase lamp shows evidence of damage, light surface marks in keeping with age each is attached to its wood base though requires securing
Los 895
LARGE JAPANESE SATSUMA PLANTER, MEIJI PERIOD (1968-1912) square outline, decorated to each side with figural scenes including men, bijin, children and elders, further decorated in gilt against navy ground, raised on bracket feet, gilt seven character mark beneath Shimazu crest to underside, on associated carved hardwood stand24.5cm wideSmall losses to the wood stand and the framing edge is in need of attention. The planter has fairly light gilt losses, there is a crack running from the inner rim across the top and continuing down the full body of the planter and continuing down the underside, otherwise general crazing, still a very nice object
Los 863
PAIR OF JAPANESE SATSUMA VASES, 19TH CENTURY decorated with panels of male figures and bijin against a gilt highlighted navy ground, both with character marks to bases15cm highThere is what looks like a sticker adhesed to one vase. Gilt and small enamel losses and light surface scratches on the vases. Overall very nice condition.
Los 786
CHINESE EXPORT SILVER CIGARETTE CASE, maker CW/GW?, of oblong form, engraved with figural scene depicting fisherman, lady and rider on horseback within a walled garden, shield shaped cartouche initialled JW10.6cm wide Qty: 116g Very light surface scratches, very light tarnishing, catch is in good working order, overall very nice condition.
Los 972
CHINESE MAHJONG SET, EARLY 20TH CENTURY a set of bone and bamboo counters, contained in a stained wood case inlaid in bone with intricate designs of flowers, animals and insects, the front panel lifting to reveal five drawersthe case 23.5cm wide In overall good condition. Some ware consistent with age. Some tiles with light fading. Additional images now available.
Los 864
18TH CENTURY CHINESE MANDARIN PALETTE BOWL, QIANLONG PERIOD (1736 - 1795) decorated in the Mandarin palette, depicting figures in outside settings, amongst iron red borders and gilt highlights26.2cm wideThree cracks of note through the bowl. Hairline crack to base. Light surface scratches and small losses to paint.
Los 941
CHINESE FAMILLE ROSE FIGURAL DISH, TONGZHI PERIOD, LATE 19TH CENTURY the footed dish decorated with a figural scene, depicting a mother and children playing, surrounded by a scroll border, red character mark to base28.3cm wideSmall chips to base rim. Very light surface scratches. Otherwise very nice condition.
Los 916
CHINESE FAMILLE ROSE PORCELAIN PANEL, LATE 19TH CENTURY decorated with female figures in a garden setting, on a light celadon ground, in wood frame38cm x 29cmAn area to the top right of the tile has been repainted. There is a hairline crack along the top section. Otherwise the paintwork is in good order. Frame with some age related ware. Additional images now available.
Los 797
CHINESE ORANGE GLAZED BOWL, AND A CHINESE PINK GLAZE BOWL the orange glaze bowl bearing Qianlong character mark to base though late 19th/early 20th century, along with a Chinese pink glaze bowllargest 15.2cm wideQty: 2Very light production flaws and light surface scratches to both, overall very good condition.
Los 968
CHINESE MINIATURE CLOISONNE LIDDED JAR, 19TH CENTURY decorated with a continuous scene of cranes in flight, along with a pair of miniature cloisonne vases, as well as scent bottle the lidded jar 7.2cm (including lid) Qty: 4The round lidded jar has no major defects. Only the finial has a small dent. The pair of vases are free from major damage, light surface scratches only. The ceramic botttle is also undamaged.
Los 886
JAPANESE SATSUMA KORO AND COVER, MEIJI PERIOD (1868 - 1912) with twin mythical creature handles, decorated with a continuous scene of flowers and foliage, with gilt highlights, unmarked, on carved wooden stand8cm highChip to rim of lid. Light crazing overall. Very light gilt losses. Overall very good condition.
Los 888
CHINESE FAMILLE ROSE VASE 'WARRIOR' VASE, LATE 19TH CENTURY of tapered form, with twin lion mask handles, decorated with a continuous scene of warriors fighting, some on horse back, surrounded by a mountainous landscape22cm highevidence of gilt loss to the handles, very light surface scratches, no evidence of chips, cracks or restorations overall excellent condition.
Los 876
JAPANESE CLOISONNE CHARGER, 20TH CENTURY of shaped circular form, depicting two birds in flight, amongst flowers and foliage, on a blue ground, with a geometric design border36.5cm wideThe surface of the charger bears production pitting as one would expect, light surface scratches, overall very nice condition
Los 911
CHINESE HARDWOOD MING-STYLE FOLDING HORSESHOE-BACK CHAIR, 20TH CENTURY with large curved crestrail with rounded flattened ends, the central backsplat pierced with two panels of kui dragons, above shallow apron carved with two kui dragons and floral scrolls, with carved spandrels to the join beneath the crestrail decorated with a stylised phoenix, with metal strapwork ruyi motifs to the structural joints around the curved crestrail and metal mounts to the hinged footrest112.5cm highStructurally sound, only light surface scratches.
Los 894
LARGE JAPANESE SATSUMA VASE, MEIJI PERIOD (1868-1912) decorated with bijin to one side, one portrayed on a rearing horse, and with a group of male hunters catching a crane to the other, further gilt heightened against navy ground, four character mark to base, on associated hardwood standthe vase 36.5cm highVery minor gilt loss to upper rim. Light crazing overall. No signs of chips or cracks. Overall excellent.
Los 946
CHINESE CANTON ROSE MEDALLION PUNCH BOWL AND CHARGER, LATE 19TH CENTURY decorated with reserves of figures, birds and flowersplaque 37cm diameter, bowl 25cm diameter Qty: 2The bowl has minor gilt losses to the upper rim, the charger similarly has some gilt losses to the upper rim and shows one area of the rim that has been chipped across the way, and some light paint loss to the central medallion
Los 789
CHINESE FAMILLE ROSE VASE, LATE 19TH/EARLY 20TH CENTURY decorated with a continuous landscape scene, depicting buildings, trees, foliage and flowers, the Famille Jaune neck decorated with flowers and scrolling foliage, red Qianlong seal mark to base though late 19th/early 20th century28.1cm highIn overall good condition. Some light crazing to neck. Rim with some rubbing to the gilding. Foot with some age related wear. Additional images now available.
Los 885
PAIR OF JAPANESE SATSUMA VASES, MEIJI PERIOD (1868 - 1912) of tapered form, decorated with a continuous scene of ladies and children in an exterior setting, amidst flowers and foliage, heightened in enamels and with gilt highlights, character seal to base and paper label 23cm highLight crazing, overall in excellent condition.
Los 866
18TH CENTURY CHINESE BLUE AND WHITE NANKING CARGO TEA BOWL AND SAUCER, QIANLONG PERIOD (1736 - 1795) decorated with a pagoda by a riverbank, in underglaze blue, both with labelsthe saucer 10cm diameterThe bowl has several nibbles to the upper rim, the saucer has one small area which appears to be past restoration to the upper rim, very light surface scratches
Los 1015
A mid 20th Century Egyptian Khayamiya "What is this Place to al-Hasan?..." [‘…May God Protect Him from the Hardships of Time’], cotton appliqué, with white calligraphy over a light blue ground, lined with green cotton, from the poem of same title by Abdullah al-Shabrāwī (1681-1758), Shaykh al-Azhar in Cairo, 265 x 54cms.Provenance: Purchased at auction, Netherhampton Salesrooms, lot 1723, 14 May 2014. Khayamiya were originally tent panels, used for grand occasions such as weddings and festivals. Later, from around the late 19th Century, tentmakers also started to do free-standing and smaller pieces for home and other decorations. Following the discovery of Tutankhamun's tomb in 1922, "Tutmania" dominated the West, and works depicting Pharaonic or figural scenes became popular, mainly to be exported for the tourist trade.
Los 1039
A contemporary Egyptian Khayamiya by Hany Abdelkader, "Noah Chapter" (Qur’an 71), cotton appliqué on linen, having a central medallion with thuluth calligraphy over a tan field inscribed with ‘Allah is the light of the heavens and earth’ (Qur’an, 24:35), with maroon and navy borders, 100 x 100cm (2012). Provenance: Purchased directly from stitcher. Provenance: Purchased at at Durham University exhibition, ‘Stitch Like an Egyptian’, 11-14 November 2011.
Los 1034
A mid 20th Century Egyptian Khayamiya, "Noah Chapter" (Qur’an 71), central medallion in white thuluth calligraphy over a black ground inscribed with ‘Allah is the light of the heavens and earth’ (Qur’an, 24:35), 99 x 99cms.Provenance:Alvin Peace Newman Collection. Purchased from Material Culture, 4700 Wissahickon Avenue, Suite 101, Philadelphia, Pennsylvania 19144, 14 March 2014.Note:Khayamiya were originally tent panels, used for grand occasions such as weddings and festivals. Later, from around the late 19th Century, tentmakers also started to do free-standing and smaller pieces for home and other decorations. Following the discovery of Tutankhamun's tomb in 1922, "Tutmania" dominated the West, and works depicting Pharaonic or figural scenes became popular, mainly to be exported for the tourist trade.
Los 13
Harold HARVEY (1874-1941) The Lane to Paul, 1909 Oil on canvas,Signed Harold Harvey ‘0930.5 x 41 cm, 12 x 16 inExhibitedHarold Harvey, Painter of Cornwall, Penlee House Art Gallery, Penzance, Newport Art Gallery and Wolverhampton Art Gallery, 2001(label verso)Collector's Note"After the war, Harvey moved away from traditional Newlyn subjects of working-class life by the sea or on the land and turned to more middle-class interiors with fashionably dressed women." This lined oil is in excellent conserved condition with little evidence of overpainting as evidenced by the image under UV light. A small area off paint loss can be found to the right of the signature measuring 5mm in width (please see additional image under UV light).
Los 1
John Anthony PARK (1880-1962) St Ives Harbour Oil on panelSigned J A Park35 x 44 cm, 13 x 17 inExhibited John Park, St Ives Painter, Penwith Gallery, St Ives, 1983A Century of Art in West Cornwall, Penlee House Art Gallery, Penzance 2006 This oil is in excellent original condition with no sign of damage or restoration. It might benefit from a light clean.
Los 46
Wilhelmina BARNS-GRAHAM (1912-2004) Gurnards Head No. 2, 1947 Gouache on paper,Signed W Barns-Graham 194736 x 51 cm, 14 x 20 inExhibitedW Barns-Graham Retrospective 1940 – 1989, catalogue no 7aNewlyn Art Gallery, City Art Gallery, Edinburgh, Perth Art Gallery, Crawford Centre, St Andrews, Maclaurin Gallery, Ayr; 1989/1990Tom Early and Friends, Falmouth Art Gallery, 2014Leonard Fuller and Friends, Penlee House Art Gallery, Penzance, 2014The Bigger Picture, Penlee House Art Gallery, Penzance, 2015W Barns-Graham, Penlee House Art Gallery, Penzance, 2016 There is some minor cockling present to the paper. The work has not been examined out of the frame and displays some light foxing, this can predominantly be found in the top right hand corner of the piece (in the lighter shades of the sea). Please see additional images.
Los 161
Katharine PLEYDELL-BOUVERIE (1895-1985) Small bowl, stoneware, blue glaze over wave pattern around the exteriorDiameter 11.5 cm Impressed makers seal, glaze recipe number to foot: L11Exhibited Galerie Besson, London, Summer Exhibition, 1988, with purchaser's receipt for £120. At first glance this charming bowl is perfect, however, when examined under UV light there is an area of repair to the glaze measuring approximately 3.5cm in width visible to the outside of the bowl (please see images) this competent repair is visible to the naked eye in natural light once you know where to look (please see images). There is also a little rim repair visible under UV light (please see image) this is not visible in natural light. There is no damage or repair visible to the inside of the bowl.
Los 34
Alfred WALLIS (1855-1942) Steamer with Fish House paint on cardboard,Signed Alfred Wallis (with the ‘s’ reversed)23 x 29 cm, 9 x 11.5 in Provenance & Collector's note: from the personal collection of Henry ‘Gilly’ Gilbert’, owner of the Wills Lane Gallery, St Ives. It was photographed by Dr Roger Slack, whose tapes of his patients’ memories of Wallis are in the Tate Archive. The photo was reproduced as a greetings card to help raise funds for the building of the Tate St Ives. ‘Gilly’ showed the painting once in Wills Lane Gallery but it was always ‘not for sale’. We enquired on every visit and then one day Gilly told them ‘You can have it if you want’. (Which was very of typical Gilly!)"Exhibited The Bigger Picture, Penlee House Art Gallery, Penzance, 2015Compass’d by the Inviolate Sea, Penlee House Art Gallery, Penzance, 2016Literature The Innocent Eye, Marion Whybrow, Sansom & Company, 1999Catalogue NoteWallis said that a fish was the soul of a boat. In common with his usual practice, the artist has painted this work using reclaimed material. This piece of card may have been part of a folder. One corner has light creasing and various marks or stains, likely to have been present when the work was created.
Los 7
Thomas Cooper GOTCH (1854-1931) The Lantern Parade Oil on canvas,Inscribed in pencil to verso ‘Painted by my grandfather, T. C. Gotch, and I was one of the children who held a lantern. P. D. McClellan’51 x 76 cm, 20 x 30 inEx collection Alec Walker, then Polly WalkerExhibited Artists of the Newlyn School 1880 – 1900, Newlyn Orion Gallery, City Art Gallery, Plymouth and Bristol Museum and Art Gallery, 1979, catalogue no 62Model Citizens, Penlee House Art Gallery, Penzance, 2014LiteratureIllustrated The Shining Sands, Tom Cross, Lutterworth Press, 1994, p139 in reverse imageIllustrated The Golden Dream, Pam Lomax, Sansom & Company, 2004, p164Collector's Note"Deidre (Patsy) McClellan, the daughter of Phyllis Gotch, was born in 1915; author and Gotch archivist Pam Lomax believes that The Lantern Parade was painted before 1910 and therefore McClellan couldn’t have been in the procession. Gotch was fascinated by light in darkness and explored this in several paintings with Chinese lanterns culminating in The Russian Tea Party of 1910." This oil is in excellent conserved condition. Overpainting is minimal and restricted mostly to the extreme right margin. Our catalogue speaks of the verso inscription being in pencil, although indistinct it is thought more likely that the writing is in ink.
Los 126
Bernard LEACH (1887-1979) An early, circa 1923, footed bowl with turned-in rim and lip, cream crackle glaze, the rim decorated with a band of cream and red scrolls on a blue groundDiameter 20.5 cm,Impressed BL and Leach Pottery sealsA similar example is illustrated in The Art of Bernard Leach, Faber and Faber, 1978, plate 15 At first glance, this attractive early Leach bowl appears to be in very good condition. When examined under UV light there is competent restoration visible to the entire perimeter of the rim. There are a couple of areas of restoration to the cream scrolls, these are visible to the naked eye (please see images). There are a few nicks to the foot of the bowl (please see images). The marks are crisp and clear.
Los 71
Bryan WYNTER (1915-1975) Lightfall, 1960 Oil on canvas,Signed and dated to verso 1960152.5 x 76 cm, 60 x 30 inExhibitedGalerie Charles Lienhard, Zurich, Switzerland, 1962British Abstract Art of the 50s and 60s, Belgrave Gallery, London and illustrated in catalogue, 1992Fishwick and Friends, Falmouth Art Gallery, 2011The Bigger Picture, Penlee House Art Gallery, Penzance, 2015Collector's Note"Wynter had a fascination with the unconscious mind and its effect on his art and experience. In the 1960s he began producing colourful and shimmering works characterised by dabs of light-coloured paint, sometimes working under the effects of the drug mescaline." This exceptional work appears to be in very good original condition. Under UV light there are no obvious indications of overpainting. There are areas of minor cracking/shrinkage to the top layer of the paint, the most notable area is to the upper midsection measuring approximately 7 x 5cm (please see images). The entire surface of the painting is stable with no risk of flaking. There is a little superficial blooming this is predominantly evident on the deep brown pigment.
Los 19
Frederick James McNamara EVANS (1859-c.1929) The Lesson (An old fisherman demonstrates a knot to a boy), c.1895 Watercolour,Signed Fred M Evans37 x 44.5 cm, 14.5 x 17.5 inExhibited A Century of Art in West Cornwall, Penlee House Art Gallery, Penzance 2006Collector's Note"The red-headed boy seems to be the same boy at the end of the table in Forbes’s The Health of the Bride, 1889. As the boy in The Lesson is a few years older, it would date this painting to about 1895." This charming watercolour has not been examined out of the frame but an even covering of light foxing can be seen. We can see no other damage and there are no signs of restoration.
Los 243
A collection of Royal Worcester fruit-painted porcelain, comprising a scalloped-edge plate, painted by Harry Ayrton, 22.5 cm diameter, a gilt-lined sugar bowl, by George Moseley, a cabinet cup and saucer, by George Moseley and Edward Townsend respectively, together with a covered vase (Moseley), 19.5 cm high and spill vase, decorated by Kitty Blake, 15 cm high, all variously dated.Qty: 6Repaired finial to the covered vase, which also has a small chip to one side. Adhesive residue to the surface of the plate that will need careful cleaning, and some gilt rubbing to the rim of the plate. Some gilt rubbing and light surface marks to other pieces, but no apparent damage or restoration.
Los 118
Martin Theodore Ward (1799 - 1874), 'Inquistive' - a dog looking at a drain, initialled bottom right, oil on canvas, 26 x 31 cm, framed 39 x 44 cmCambridge Fine ArtPanting is unsigned. Canvas has been lined and professional restoration undertaken to previous cracking. Overall the painting looks ready to hang. Areas of the wall behind may have been overpainted, but no evidence under UV light. In particular, there are long vertical and angular strokes to the side wall. Possible overpainting to the dog's front nearest leg. Frame with cracking and wear commensurate with age.
Los 86
Mid-19th century British School, a pair of bust-length portraits of a lady and gentleman, unsigned, oil on canvas, 63 x 53 cm, framed 87 x 77 cmQty: 2Portrait of Gentleman - Significant restoration: Canvas has been lined and previous large areas of paint losses have been overpainted, especially in the face and above the shoulders.Portrait of a lady - small abrasion to the chair back, slight overpainting near the frame, signs of very slight cracking under UV light in the face. Canvas could be slightly tightened.Some losses to the frames, but otherwise commensurate with age.
Los 266
Chanel - a Grand Shopping Tote in black diamond-quilted caviar leather, circa 2014, structured rectangular body with textile lining, intertwined double C stitched logo on the front, slip pocket at the back, equipped with a zipped compartment and dual leather and chain braided shoulder straps, gold-toned hardware. Serial number: 19452699, Made in Italy 2014. W34 x H24 x D14 cm. Strap drop length 23.5 cm.with serial number sticker, no dust bag no box no papers. Entrupy CertificateGently used: Overall great condition, minor corner rubbing, and light scratches on hardware, some stain marks on leather would benefit from a clean.
Los 98
Sir Jacob Epstein (1880 - 1959), Delphiniums, signed, gouache and watercolour on paper, 56 x 43.5 cm, framed and glazed 82 x 66.5 cmSealed in the frame and glazed - no inspection out of the frame has taken place. Overall appears in very good condition - colours look good. Some light wear to the frame.
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534297 Los(e)/Seite