Beardsley, Aubrey UNDER THE HILL AND OTHER ESSAYS IN PROSE AND VERSE AND THE EARLY WORK OF AUBREY BEARDSLEY London: John Lane Publisher The Bodley Head, 1899-1904 Under the Hill: 8vo, unpaginated, original gilt binding, with inlaid gilt design to front board, and gilt lettering to spine. Small chips to top and tail of spine. Light rubbingto boards. Small cracks to several of the gutters, binding still intact. Some offsetting to rear free endpaper.The Early work of Aubrey Beardsley: large 8vo, 157pp. original cloth binding. Top edge gilt. With frontispiece and many illustrations. Some rubbing to boards and spine, and discolouration to spine. Newspaper clipping fixed to front pastedown. Crack to gutter between front pastedown and free endpaper. First few pages somewhat loose.
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Beardsley, Aubrey A BOOK OF FIFTY DRAWING, AND A SECOND BOOK OF FIFTY DRAWINGS London: Leonard Smithers, 1897-1899 Fifty Drawings: 8vo, 212pp. Original cloth binding with gilt illustrations and gilt lettering to spine. Light discolouration to spine. Previous owner’s signature to front free endpaper. Some offsetting to front and rear free endpapers. A Second Book of Fifty Drawings: 8vo, 209pp. Original cloth binding with gilt illustrations and gilt lettering to spine. Light discolouration to spine. Previous owner’s bookplate to front pastedown.Some offsetting to front and rear free endpapers.
Bisset, Major General, C. B. SPORT AND WAR, OR RECOLLECTIONS OF FIGHTING AND HUNTING IN SOUTH AFRICA FROM THE YEARS 1834 TO 1867 London: John Murray 8vo, xviii + 268pp. Re-cased in original cloth binding. All edges gilt with gilt lettering on spine. With frontispiece, 14 illustrations and fold-out map at rear of book. Missing section of half title page has been repaired. Light rubbing and small stains to boards. Edgewear with chipping to top of spine. Crack to gutter between last page and map at back of book.
Brown, Harold WAR WITH THE BOERS: AN ACCOUNT OF THE PAST AND PRESENT TROUBLES WITH THE SOUTH AFRICAN REPUBLICS (5 VOLS.) London: H. Virtue and Company, Limited, Undated 8vo, Vol. 1: iv + 248pp. + viii appendix + 4 pp. catalogue, Vol. 2: vi + 248pp. + 4pp. catalogue, Vol. 3: vi + 248pp. + 4pp. catalogue, Vol. 4: vi + 248pp., Vol. 5: vi + 248pp. Original cloth bindings. All edges gilt. With frontispieces, numerous illustrations, full page illustrations, plates and maps. Vol. 1: Light stains to the front board and spine. Light rubbing to boards. Light sunning to rear board, and small bumps to corners of boards. Previous owner's bookplate to front free endpaper. Light offsetting to front and rear free endpapers. Light foxing to some of the plates, tissue paper and facing pages. Vol. 2: Some rubbing to boards and spine. Previous owner's bookplate to front free endpaper. Light offsetting to front and rear free endpapers. Light foxing to some of the plates, tissue paper and facing pages. Crack to gutter between frontispiece and title page. Vol. 3: Light rubbing to rear board and spine. Previous owner's bookplate to front free endpaper. Light offsetting to front and rear free endpapers. Light foxing to some of the plates, tissue paper and facing pages. Vol. 4: Light rubbing to spine, and light discolouration to front board. Previous owner's bookplate to front free endpaper. Light offsetting to front and rear free endpapers. Light foxing to some of the plates, tissue paper and facing pages. Vol. 5: Light rubbing to boards and spine. Small stains to rear board. Front free endpaper and fist few pages are coming loose. Plate between pp. 232 and 233 loose. Previous owner's bookplate to front free endpaper. Light offsetting to front and rear free endpapers. Light foxing to some of the plates, tissue paper and facing pages.
Cornwallis Harris, William / Burke, E. E. / Forbes, Vernon S. WILD SPORTS OF SOUTHERN AFRICA AND TWO OTHERS Cape Town: C. Struik, 1963 / Salisbury: National Archives of Rhodesia, 1969 / Cape Town: A. A. Balkema, 1965 Wild Sports of Southern Africa - 4to, Hardcover, bound in green leather boards with gilt design on the front board and gilt titles to the spine. Pictorial dust jacket. xvi + 350pp, facsimile reprint of 1852 edition with 26 plates in colour, this edition is limited to 750 numbered copies, this is number 532. Tinted top edges, some off-setting and tape residue can be seen on the front/back end-papers. Both the book and dust jacket are in very good condition. The Journals of Carl Mauch – His Travels in the Transvaal and Rhodesia 1869-1872 – First Edition 4to, Hardcover, bound in light blue cloth boards with gilt titles to the spine only. Pictorial dust jacket. ix + 314pp. Black and white illustrations, colour plates and a frontispiece of the author. 2 maps in rear pocket. Front/back boards slightly faded, dust jacket has some small creases and tears along the edges, pages clean and clear.Pioneer Travellers in South Afrca – A Geographical commentary upon routes, records, observations and opinions of travellers at the Cape 1750-1800, First Edition 8to, Hardcover, bound in brown cloth boards with gilt design on the front board and gilt titles to the spine. Pictorial dust jacket. vi + 177pp, 70 Black and white illustrations throughout (being a mixture of paintings, line drawings and engravings), also with a tipped in colour frontispiece, along with 21 black and white line drawn maps between pages 146-147 (of which the last is folding). Head/heel and corners a bit bumped. There is a lot of wear on the dust jacket with creases and tears along the edges. Some minor staining on the front end-paper. Overall, the book is in very god condition.
Goff, G. L. HISTORICAL RECORDS OF THE 91ST ARGYLLSHIRE HIGHLANDERS London: Richard Bentley and Son, 1891 8vo, xvi + 361pp. Original cloth binding with gilt lettering to spine. With frontispiece and 22 illustrations. Light rubbing and edgewear to boards. Small stain to front board. Small tear to spine (less than 4cm) along edge with front board. Small chips and cracks to gutter between front pastedown and free endpaper. Light foxing throughout. Frontispiece is coming loose. Cracks to gutters between pp. 144 and 145, 272 and 273, and between rear free endpaper and pastedown. Light foxing to edges of textblock.
Klooper, H. J. GEDENKBOEK – VAN DIE OSSEWAENS OP DIE PAD VAN SUID-AFRIKA 1838-1939 Kaapstad: Deur die Nasionale Pers, 1940 First Edition, large 8vo, Hardcover, 813pp, Text in Afrikaans. Hardcover, brown embossed decorative cloth boards with gilt titles on the front board and to the spine. Numerous back and white illustrations throughout. Head/heel and corners slightly bumped, some light wear along the spine edges. Previous owner’s inscription on the front end-paper. A very good copy.
Macphail, E. M. THE STORY OF WESTCLIFF: A CHRONICLE OF A KIND Parklands: Palala Press, 1986 8vo, 104pp. Original binding with dust jacket. Dust jacket has some light rubbing and edgewear. Small chips to the bottom corners of the dust jacket. Small stains to the fore edge of the half title page. Slight rubbing to fore edge of textblock.
Meintjes, Johannes MAGGIE LAUBSCHER Cape Town: H.A.U.M. v/h Jacques Dusseau & Co., 1944 4to, 47pp. Original binding with dust jacket. Dust jacket is a replacement photocopy of the original. Boards and spine have some light sunning. Light rubbing to boards. Small bumps to bottom edge of rear board. Very small creases to bottom edges of a few pages.
Meintjies, Johannes STORMBERG: A LOST OPPORTUNITY: THE ANGLO-BOER WAR IN THE NORTH -EASTERN CAPE COLONY, 1899-1902 Cape Town: Nasionale Boekhandel, 1969 8vo, iii + 206pp. First Edition in original binding with dust jacket. With 29 black and white photographs. Ex-library edition with small stamps to recto of title page, and page facing table of contents. Dust jacket has some light rubbing and edgewear, and light sticker residue across its spine toward the tail. Crack to gutter between half title page and full title page.
Meiring, Hannes EARLY JOHANNESBURG – ITS BUILDING AND ITS PEOPLE (INSCRIBED BY THE AUTHOR) Cape Town and Pretoria: Human & Rousseau, 1985 First Edition, 4to, 143pp. Hardcover, Bound in cream pictorial boards, black and red titles on the front board and to the spine. Illustrated drawings by Hannes Meiring throughout, Text by G. M. van der Waal and Wilhelm Grutter, in co-operation with Anna Jonker. Some light sunning on the front/back boards. Inscribed by the author on the front end-paper, overall the binding is tight and strong.
Ottley, William Young A COLLECTION OF ONE HUNDRED AND TWENTY-NINE FAC-SIMILES OF SCARCE AND CURIOUS PRINTS BY EARLY MASTERS London: Longman and other Booksellers, 1828 Fo, xxxvi + xxv + 117 plates. Rebound in half leather binding, with marbled boards and gilt lettering to spine. 4 raised bands. Top edge gilt. Previous owner's bookplate to front pastedown. Small stains to the bottom edges of the first few pages. Light foxing to a few pages, and to fore edges of last pages.
Pearse, Henry H. S. THE HISTORY OF LUMSDEN'S HORSE: A COMPLETE RECORD OF THE CORPS FROM ITS FORMATION TO DISBANDMENT London: Longman's, Green, and Co., 1903 8vo, xii + 506pp. Original cloth binding with gilt lettering to front board and spine, and top edge gilt. With 40 plates, 37 illustrations and fold-out map. Ex-library copy with some stamps throughout, no text or illustrations affected. Some rubbing to the boards and spine. Light soiling to front board. Small chip to front pastedown. Light offsetting to tissue paper facing frontispiece. Previous owner's signature to verso of title page in pencil. Errata slip pasted in gutter facing first page. A few pages are uncut. Small stains to fore edge of textblock.
Pennant, Thomas THE LITERARY LIFE OF THE LATE THOMAS PENNANT London: Benjamin and John White, 1793 8vo, 144pp. With frontispiece, portrait and fold-out illustration. Edgewear, rubbing and staining to the boards. Crack to spine from top to tail. Crease to front free endpaper, and light wrinkling to front and rear free endpapers.
Smith, Anna H CAPE VIEWS AND COSTUMES – WATER-COLOURS BY H. C. DE MEILLON Johannesburg, The Brenthurst Press, 1978 4to, Hardcover, 134pp, Brenthurst Series, number 3. Standard edition limited to 850 copies; original orange cloth, with gilt-on-black title to spine; pictorial dust jacket; orange tinted top edge. Frontispiece with 86 colour plates. The dust jacket has some very light shelving wear along the edges and the head/heel is slightly bumped. Orange end-papers. Very clean and clear, the book and the binding are in very good condition.
Steyn, Peter NESTING BIRDS: THE BREEDING HABITS OF SOUTHERN AFRICAN BIRDS Vlaeberg: Fernwood Press, 1996 LIMITED COLLECTORS' EDITION OF 150 COPIES, OF WHICH THIS IS NO. 21. SIGNED BY THE AUTHOR. 4to, 240pp. Half leather binding in slipcase. Colour photograph to front of slipcase. With gilt illustration to front board and gilt lettering to spine. 5 raised bands. With additional print. Very light scuff marks to rear of slipcase.
Unger, Fredric William WITH 'BOBS' AND KRUGER: EXPERIENCES AND OBSERVATIONS BY AN AMERICAN BOER WAR CORRESPONDENT IN THE FIELD WITH BOTH ARMIES (VOL. 2) Cape Town: C. Struik (Pty) Ltd, 1977 LIMITED EDITION OF 1000 COPIES, OF WHICH THIS IS NO. 244. 8vo, xiii + 412pp. Original binding with dust jacket. Gilt lettering to spine. Dust jacket has chipping, edgewear and rubbing. Small tear with creasing to bottom edge of front of dust jacket. Crease to top corner of rear of dust jacket. Boards slightly bowed. Some foxing to the front and rear pastedowns and endpapers. Light foxing to the edges of the textblock. Text and photographs are clean and clear. (2)
Various Authors THE ILLUSTRATED LONDON NEWS (7 VOLS: 1881 VOL. 1, 1899 VOL. 2, 1900 VOLS. 1 & 2, 1901, VOLS. 1 & 2, 1902, VOL. 1) London: Illustrated London News (1881-1901) Fo, original half leather bindings with gilt letteringto spines,except for 1900 Vol. 2, which has been rebound ina synthetic binding.1881 Vol. 1: 640pp. With 5 raised bands andmarbled endpapers.1899 Vol. 2: 962pp. + 42pp. Supplement.1900 Vol. 1: 10pp. Supplement + vi supplement +892pp. + viii supplement1900 Vol. 2: 998pp. + 44pp. supplement1901 Vol. 1: 956pp. + 38pp. Supplement1901 Vol. 2: 1026pp. + 40pp. Supplement1902 Vol. 1: iv + 970pp. + 24pp. supplement1881 Vol. 1:Edgewear to boards, with slight chipping to corners. Small bump to the fore edge of rear board. Light scuff marks to spine. Tear (less than 25cm) to middle of fold-out illustration between pp. 440 and 441, and light creasing to its bottom edge. Small stain to fold-out illustration between pp. 488 and 489. 1899 Vol. 2: Light rubbing and edgewear to the boards and spine. Some discolouration to sections of the front board. Some scuff marks to the spine and the rear board. Previous owner’s signature to front free endpaper. Some foxing to the front and rear free endpapers, pastedowns and flyleaves. Incluudes 2 loose leaves from the Oct. 20, 1860 Illustrated London News edition. Very light foxing to a few pages.1900 Vol. 1: Some marking in pen to 1st page of first supplement. Indentations towards the top edge of the pages of the first supplements and through to p. 24. These have caused small tears with holes, some of which have been repaired. No text missing. Top edges of the first supplements are slightly loose. Tears (which have been repaired to full page photographs between pp. 243 and 244. Small tears to full page illustration between pp. 440 and 441. Small tears to edges of page of supplement after p. 554. P. 707 has come loose, and has some small tears to edges. Small chip to top corner of last page. Small stains to fore edge of textblock.1900 Vol. 2: Light rubbing and edgewear to the boards, with some scuff marks to rear board and spine. Stains to front pastedown and free endpaper. Front free endpaper and front flyleaf coming loose. Small creases to bottom corners of a few pages. Crack to gutter between rear free endpaper and pastedown. Some offsetting to small sections of rear free endpaper and pastedown. Some foxing to edges of textblock. 1901 Vol. 1: Light rubbing and edgewear to boards, with some scuff marks to rear board and spine. Previous binder’s label fixed to front pastedown. Small chips to bottom corner of front pastedown. Some offsetting to small sections of front and rear free endpapers and pastedowns. Cracks to gutters between front and rear free endpapers and pastedowns. Small stains to fore edges of last few pages of supplement. Some chipping to edges of rear free endpaper and pastedown. Some foxing to edges of the textblock.1901 Vol. 2: Light rubbing and edgewear to boards, with some scuff marks to rear board and spine. Previous binder’s label fixed to front pastedown. Some offsetting to small sections of front and rear free endpapers and pastedowns. Cracks to gutters between front and rear free endpapers and pastedowns. Small stains to fore edges of first and last few pages. Small stains to top and fore edges of the textblock. 1902 Vol. 1: Light rubbing, scuff marks and edgewear to the boards and spine. Previous binder’s label fixed to front pastedown. Some offsetting to small sections of front and rear free endpapers and pastedowns. Cracks to gutters between front and rear free endpapers and pastedowns. Front free endpaper, flyleaf and title page have come loose. Very light chipping to fore edges of last few pages of rear supplement. (7)
Pieter Hugo Naudé (South African 1868-1941) PALMIET LAGOON signed oil on panel PROVENANCECollection of Professor J. Smith, Stellenbosch/Johannesburg 28,5 by 39,5cm Though often seen as South Africa’s first Impressionist, Hugo Naude’s practice was never a formal or academic display of Impressionism in the orthodox Parisian manner, with its interest for optical sensation. The artist, while well-aware of the schools of thought and art, did not subscribe to any artistic doctrine nor prescribed ideology. Rather, his approach was intuitive, more concerned with portraying the particular qualities of this scene, often painted en plein air as he captured a fleeting moment in time.The spontaneous brushwork and lush surface detail of colour and texture were deployed with the artist’s mastery of his compositional elements of colour and structure. The use of subtle guiding lines to draw in the viewer and lead one through the image, the eye moving along the curve of the lagoon’s bank, experiencing the push and the pull of the clouds receding over the crashing ocean and into the distance of the horizon, and framed by the swelling rocks, grass and flowers of the foreground and the jutting peninsulas on the right of the composition.Naudé’s work is a paean to the South African landscape, to the light and colour of the world whichwashed over the artist and which he so poetically recorded. - L.C.Berman, E. Painting in South Africa, Southern Book Publishers, 1993, p. 12-15Berman, E. Art and Artists of South Africa, A.A. Balkema, 1983, p. 302-304Naudé, A. Hugo Naudé (South African Art Library Series), Struik Publishers, 1974.
Assorted Circa 1970's Ladies' Clothing, comprising a Missoni two piece of cream jersey trousers with pink metallic knitted cuffs to ankles and matching stripes to the side, and a silk mix short sleeved jumper with metallic threads in pink and green; Ian Peters pink metallic two piece sleeveless shell top, with buttons to the shoulder and matching trousers (size 14); Regamus London black wool long sleeve tunic dress, with black velvet trims, woven with pink, green and yellow squares, with a pink silk belt (size 12); The Villager sleeveless tunic style playsuit, faux side fastening with buttons in bold stripes of blue, yellow, red, green and grey and a matching skirt; Bruce Oldfield two piece skirt suit in blue sequins (size 10); black wool and large silver sequinned batwing long sleeve loose fitting jumper; light blue sleeveless evening top adorned with sequin flower heads and beads (8)
Assorted Circa 1940's Costume Accessories, including a brown Armadillo shoulder bag with a plaited shoulder strap; large fur handbag with brown plastic clasp and faux chain handle, silk lining; black Corde handbag with brass mount and two others similar, light brown Corde bag and three felt and silk hats (one box)
Circa 1930's American Triple Wedding Ring Patterned Quilt, on a yellow cotton ground with coloured patchwork cottons, orange cotton stars and orange trim to the scallop edge, cream reverse, made in Charleston, South Carolina, 200cm by 147cm The Triple Wedding Ring Quilt, is a special quilt made for 50th wedding anniversaries. One way to distinguish this design from the double wedding ring pattern, is that it has six sides inside the circles, whereas the latter only has four.. Slight fading and wear, couple of light brown marks mainly to the reverse.From the Jan Hassard Heritage Collection Part III
Assorted Ladies' Costume Accessories, comprising a black circa 1930's evening bag with diamante clasp; light tan Japanese clutch bag moulded and coloured with figures and landscapes to the front and back, bronzed monkey clasp; Ackery ostrich tan leather hand bag, smaller example in navy blue; Riviera croc style small hand bag; modern Hobbs pink faux croc hand bag; various gloves by Dents, Pittard's Yeovil in leather and suede; Pure Collection taupe soft leather large shoulder bag with gilt metal mounts; Cresta silver tipped fox fur hat in original hat box (box and hat box)
Group of 1930's-1950's Housecoats, comprising a raspberry sateen type example patterned with bouquets, gathered patch pockets and waist tie; a purple velvet example, gathered upturned cuffs and deep collar, with looped fringe; a purple and copper iridescent example with pink piping to collar; a jade green satin type example patterned with ivory fruits and cranes, with ribboned frog fasteners; a dark cream linen example, the reverse embroidered with a large dragon; a double breasted lavender floral linen example patterned with large pink, green and brown flower heads; a white cotton collared example, printed with black dots and strawberries upon blue checks, with attached waist tie (7) . Raspberry example - ok overall. Purple - some small stains and overall wear. Copper and purple - some light wear. Jade green - one of the fasteners requires reattaching, some fading in places, small black stain to reverse. Dark cream linen - some thread pulls and wear, to fluffing and wear to dragon. Lavender floral - some light staining and wear, numerous sporadic brown stains to reverse (each the size of a thumb nail). White cotton - some wear overall.
Circa 1970's Long Cotton Dresses, including an early Laura Ashley dress in pale blue floral cotton with crochet insertions, black and white label (size 14); Justin Debenhams white cotton long sleeve dress printed with stylised green flower (size 14); Riddella cotton dress with long sleeves, floral decoration with black and white checks and stripes (size 14); Richard Shops yellow and green floral printed cotton dress with capped sleeves, patch pockets; Ayesha Devar London black cotton dress printed/painted with gold decoration, wide exaggerated sleeves (size 38); John Charles brown and cream sleeveless dress printed with eastern figures, with shoulder mount trimmed with lace (size 12); Dollyrockers printed linen skirt and waist coat with camel coloured long sleeve shirt; Dorothy Perkins blue and floral striped cotton dress with capped sleeves, bodice tie (size 14); two similar brown and cream dresses with lace trims; green and white spotty cotton dress, with deep v to the front, elasticated waist, sleeveless with shoulder mount; navy blue broderie anglais dress with long sleeves, later lace tie to the bodice; Pierre Cardin light brown suede shoulder bag with three yellow coloured stones to the front flap (13). Laura Ashley dress - some fading, rubbing to the top of the collar. Justin dress - slight discolouration around the collar, one waist tie has been repaired, couple of loose threads under one arm and slight wear. Riddella and Richard Shops dresses - slight wear to both. Ayesha Devar dress - faded to fabric and decoration, some wear and poss small stitched repairs. John Charles - slight wear. Dollyrockers - slight wear. Dorothy Perkins dress - slight wear. Two brown and cream dresses - slight wear. Blue broderie anglais dress - later tie to bodice, some buttons missing and slight wear.
Canadian Red Cross Society Quilt 1939-45, incorporating bright coloured printed cottons, designed in a crazy patchwork style, embroidered to the edges of each patch, green wool 'tufts' overall, cotton reverse, with stitched red woven label 'Perth Ontario Branch', 230cm by 190cm. Some light water marks/stains, slight wear and fading.From the Jan Hassard Heritage Collection Part III
Assorted Circa 1960's and Later Ladies' Costume Accessories, including Rayne green suede and silver trimmed clutch and similar shoes by Elliot & Sons; lizard skin bags, royal blue suede and green patent woven clutch; pair of Rayne and Delman similar heeled crocodile shoes, pair of Rayne cream linen heels, pair of Andrea Pfister burgundy heeled Victorian style shoes with pink and purple snakeskin mounts and laces; Harrods Graham Smith at Kangol silver straw fascinator, Philip Somerville black velvet and gold chevron striped small hat, another labelled Herbert Johnson; woven metallic hair nets, Elizabeth Fanagan Dublin black hat; black mink hat, Otto Lucas fur hat, black faux fur collar with silk ribbon, silver fox stole, pair of cuffs with mink tails, Deanfield brown mink scarf; leather and suede gloves, Walter Albini light tan leather belt, metallic belt mounts; two Cartier silk scarves etc (two boxes)
Assorted Circa 1940's Ladies' Costume Accessories, comprising a Wilardy pale peach lucite clutch bag with gilt metal mounts; lucite type oval basket of ribbed design with hinged cover and handle, gilt metal mounts, and a larger example of a straw basket with hinged lucite type cover, painted leaves and embossed faux pearls and flower heads, labelled a 'Suki Original Miam'; brown Corde bag with brown plastic carrying handles, another similar with twisted clear plastic handles; light brown Corde smaller example in black, with brass lock fitting and a brown example with clasp; Derrys Kensington brown felt beret with feathers; Schofields brown felt beret with fur trim and another (one box)
Six Circa 1930's Evening Dresses, comprising a latte 3/4 length sleeved dress with chocolate velvet out-turned detail to wrap skirt, the bodice embellished with a plumb sequin flower; a brown taffeta dress with caramel silk detail insert and corsage to neckline, buttons to reverse, pleated details to cuffs; a light blue and pink brocade dress with gathered panels to puffed sleeves, the reverse with a plumb velvet large bow; a combination dress/jacket, the dress with colourful jacquard floral bodice, with applied faux buttons upon a tie, with attached black jacket completing the ensemble; a black net lace 3/4 length sleeve dress with tiered velvet waistband and pleated skirt; and a black net lace drop-waist, sweetheart short sleeved dress, the lower bodice and sleeves in black satin type fabric (6). Latte dress - some small pin holes and marks, wear in places. Darker brown dress - various repairs and holes, wear overall. Blue dress - with some staining in places. Combination dress/jacket - some loose threads, some press studs missing, wear overall. Black lace with velvet waistband - some wear and pulls. Sweetheart dress- some wear and holes.
Circa 1930's and Later Lion Soft Toys, comprising a Steiff reclining lion, with pink stitched nose, claws and painted pads, 40cm long; another possibly Steiff seated lion with brown stitched nose and glass eyes, 26cm high; a Similar Seated Cub with jointed head, stitched claws, 16.5cm high (3). Steiff reclining lion - couple of stitched repairs to the seams, fur quite patchy overall, slight fading and wear. Seated lion - whiskers have been cut, slight fading, ears re-attached, stitched repair to the tail and back, slight wear to the mohair. Cub - some light fading and slight patches of wear to the mohair, stitched repairs to the tail and back, whiskers possibly cut, one eye missing.
Circa 1970's/1980's Clothing, comprising a Jean Muir Fuchsia Pink Soft Suede Jacket, with collar, buttons to the front, punched decoration, pleats to the front and back (size 10); Jean Muir Light Tan Soft Suede Shift Dress, with short sleeves, turquoise over stitching, panelled front and back, buttons to the reverse and matching belt (size 12); Ann Buck Tan Jersey Dress with long sleeves, printed with 'splodges' of colour, cut work and suede mount to the neck, leather shoulder straps and cuffs (3)
Assorted Circa 1960's/1970's Ladies' Costume, comprising Your Sixth Sense light camel coloured long wool cape with collar and button fastening; similar coloured moleskin shoulder cape with tiered collar; brown suede cape with floral lining; Biba+ParisCop cream long sleeve shirt with collar, detachable cravat and brooch, double breasted with gilt buttons; blue patterned smocked long sleeve top; Tricel black long sleeved shirt with buttons to the back; Jean Allen blue floral cotton full length dress, elbow length sleeves, V-neckline (size 38); Simon Ellis London full length cotton dress with flared elbow length sleeves, white and red spotty bodice and red patterned skirt; Laura Ashley lilac coloured dress printed with roses, three quarter length sleeves, midi-length, crochet trims (labelled 14); Jake London tiered red paisley A-line cotton skirt; Quad purple paisley long dress with flared short sleeves, fabric ties to the waist (size 10); Buttercup Clothes Didsbury long sleeve dress with velvet bodice and blue floral tiered skirt (size 12); an Exclusive Ellis cream silk chiffon and lace mounted full length dress with exaggerated long flared cuffs and pleated skirt; similar dress with crochet trims to the bodice (unlabelled); Rodney by Ian Reid black and white knitted dress with long sleeves, scoop neck and flared skirt; Trevira two piece comprising black long sleeved top with gold stripes and zip to the reverse, with matching black skirt; Kati by Laura Phillips brown polyester full length evening dress with diamante trimmed V-neck and cuffs (size 38); Walker Reid orange and bronzed spotty on black jersey dress, scoop neck, orange velvet trim; Susan Small green metallic jersey full length dress with long sleeves and V-neck; green crepe type full length sleeveless dress with deep v-neckline and blue and yellow ric rac trim (20)
WW1 British Victory Medals, four in total awarded to: 41749 Pte G Smyth, Royal Lancashire Regiment: 3-8303 Pte WH Griffiths, Yorkshire Regiment: T4-275173 Dvr WJ Osbourne, ASC: 28506 Pte R Gaulton, Somerset Light Infantry. All complete with ribbons. Along with a modern miniature 1914 Star with 5th Aug -22nd Nov Clasp. (5)
WW1 British War & Victory Medals to 44288 Pte Arthur White, KOYLI. Complete with ribbons. Along with a WW2 RASC cap badge and a League of Light Guardian Miniature Medallion and five enamel motorcycling lapel badges to include BSA, Yamaha, Suzuki, Triumph and Agusta. All contained in a "Greys" Cigarette tin.
Victorian Light Infantry Officers Sword with faintly etched decorated fullered single edged blade 82cm in length. Maker marked "Pulford & Co, St James's, London". Proof marked. Wire bound shagreen grip. Guard with Queens Crown and Bugle. Overall length 95cm. Complete with scabbard with double suspension rings.
WW1 British hooked quillion 1907 pattern bayonet. Fullered single edged blade 429mm long. Marked "GRI" (George Rex Imperator) and dated 1907 6-12 with "RFI" for Rifle Factory Ishapore. Pommel has unit markings "1 HLI 529" for 1st Battl Highland Light Infantry. Overall length 55cm. Complete with scabbard.
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534297 Los(e)/Seite