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534297 Los(e)/Seite
Los 889
Minton plate, circa 1835. Richly gilded and hand painted, central image possibly by Henry Lark Pratt, flowers possibly painted by Jesse Smith. 24cm in diameter. Together with a Ridgway gilded footed jug, circa 1840. Measures 11 cm in height. Overall good, light scratches to surface to plate. Slight wear to gilding on jug. (2)
Los 1556
Collection of WWI period ephemera including rare photographs / postcards of the German Ruhleben civilian detention centre circa 1918. One album containing 41 x mainly postcards of various aspects of life in Ruhleben, including some really interesting animated real photos with light postcard backs, and several postcards of "Die Freiheitsbewegung in Berlin", together with a quantity of smaller, related photographs, a sheet of Ruhleben camp stamps, and five related Ruhleben postal items, believed scarce. In addition is a German Feldpost postcard album containing dozens of Hindenburg and Kaiser Wilhelm, plus others including some better postcards, all of which are in German. Includes a 1980 German philatelic society study of the postal history Ruhleben POW camp. Included in addition is a wooden box containing WWI period postcards and other items presumed to be associated with the same family as the other items. Some of the items addressed to and from Gunner Leake 115863 13th heavy Artillery RGA. Contains some good postcards. In all a very historically interesting and worthwhile collection.
Los 1560
Thomas A Kempis The imitation of Christ - An early leather bound book with original brass clasps. Roman numerals indicate a 15th century date, but this may not be accurate. A small book measuring 13cm x 8cm, and containing 257 pages. Little or no foxing or tears. Some minor light annotations were noted, together with a written name at the front. In really quite good condition given the age, some minor damage noted when opening at the back or the front.
Los 1885B
Rolex LADY-DATEJUST Oyster, 28 mm, Oystersteel and white goldTHIS NEW OYSTER PERPETUAL LADY-DATEJUST IN OYSTERSTEEL AND WHITE GOLD FEATURES A SILVER, DIAMOND-SET DIAL AND A JUBILEE BRACELET. The light reflections on the case sides and lugs highlight the elegant profile of the 28 mm Oyster case, which is fitted with a fluted bezel. Rolex’s classic feminine watch, the Lady-Datejust is in the lineage of the Datejust, the emblematic model that has been a byword for style and accurate timekeeping.INFORMATIONCONDITION: Brand New / Never WornBOX/PAPERS: Box & PapersBRAND: RolexPRODUCTION YEAR: Current ProductionMODEL NUMBER: 279174SERIES: Lady-Datejust 28MODEL YEAR: Current ModelCASECROWN: Screw DownBEZEL: White Gold FlutedMOVEMENT: AutomaticCASE BACK: SolidMATERIAL: Steel/White GoldCASE SIZE: 28 mmCASE SHAPE: RoundDIALDIAL TYPE: AnalogDATE AT: 3 o’clockDIAL COLOR: SilverDIAL MARKERS: Set with DiamondsHANDS: LuminousBRACELET: Jubilee with hidden clasp
Los 1341
A retro mid century pale blue Formica topped, drop leaf kitchen table with 4 matching chairs. Table raised on 4 tubular natural wood legs. Together with 4 light wood, curved backed chairs with pale blue/green vinyl seat cushions. One chair has remnants of Chair Centre Limited, London label to underside. Table approx. 76cm tall x 81cm long.
Los 448
* Table Cabinet. An early 20th century Chinese wooden table cabinet, a combination of dark and light wood, the two hinged doors finely carved and pierced with figures, pagodas, landscapes and exotic birds, enclosing a bank of seven drawers, all various sizes carved with foliate sprays, two further drawers to the lower section and raised on straight supports, 50 cm high x 42 cm wide x 23.5 cm deepQTY: (1)
Los 457
* Native American. A beaded tunic, late 19th/early 20th century, hand-stitched thick orange cotton tunic, with wide openings for arms, front with pouch pocket and embellished with polychrome beaded strips, name 'R. Divry' worked in stem stitch in yellow thread to lower left of front, nape with a large insect(?) motif hand-embroidered on a purple panel, some light soiling and occasional loss of beadwork, 1 or 2 small holes, width 66 cm (26 ins), length 63 cm (25 ins)QTY: (1)NOTE:Provenance: Collection of Romy Rey.
Los 594
* Children's clothes. A Regency boy's linen skeleton suit, late 18th/early 19th century, hand-stitched cream linen skeleton suit, comprising a long-sleeved shirt with stand-up collar of fine white linen, front with 2 tucks either side of opening, latter with 3 (of 4) metal button closures stamped '1' within a wreath and lettered 'United States of America' around edge, back of shirt with 6 tucks, lower edge of shirt with 8 further buttons, matching, for attaching the trousers, latter with front pockets, and cuffed at ankles, with button closure (buttons replaced), several very small holes (largest 5 x 5 mm), waist with a few rust marks (from buttons), chest 74 cm (28 ins), sleeves 25 cm (9.75 ins), waist 30 cm (11.75 ins), length of trousers 56.5 cm (22.25 ins), overall length 84 cm (33 ins), together with:A Victorian boy's velvet dress, hand and machine-stitched all-in-one ensemble comprising conjoined waistcoat, jacket, and skirt: maroon grosgrain taffeta waistcoat with collar, and front closure with a metal hook and stitched loop and 7 mother of pearl buttons (1 or more replaced?); waistcoat sewn into a wine-coloured velvet jacket edged with maroon taffeta and lined with cotton twill, with flap pockets, long sleeves, embellished with scalloped cuffs and mother of pearl buttons, and 11 long laps at rear, closure below collar with button missing; matching velvet skirt with wide taffeta trim, attached to waistcoat with stitching at waist, front closure with 4 buttons as before, 7 metal hooks and corresponding loops on inside, overall some small light marks, and 1 or 2 tiny holes, chest 66 cm (26 ins), sleeves 39.5 cm (15.5 ins), waist 64 cm (25 ins), overall length 68 cm (26.75 ins), plus 3 19th century christening gowns, generally in good conditionQTY: (5)NOTE:Provenance: Second item from a collection which came from the family of Thomas Crewe Dod (1754-1827) of Edge Hall, Malpas, Cheshire.First item: a rare survival of a boy's outfit made during a period of great transformation in the history of children's clothing. Prior to the 1780s boys had been attired in tailcoats and breeches in imitation of those worn by men. The last two decades of the 18th century saw the introduction of the infinitely more practical and comfortable skeleton suit, typically composed of a jacket or shirt and long trousers which buttoned together as here. This suit of cool linen is finer and less structured than the formal suits generally seen in family portraits, and was likely made for hot summer days, with the comfort of the child in mind, though perhaps not intended for boisterous play. Children's, and particularly boys', clothing is incredibly scarce, and the survival of a cream lightweight skeleton suit in such good condition is highly unusual.
Los 595
* Clothing. A 1930s wedding or court dress, full length fitted cream lamé gown with train, handmade, patterned with leaves and fully lined with cream sillk, with round neck, long sleeves (padded on shoulders and buttoned at cuffs), and metal eye and stitched hook closure to side, a few pulled threads, staining to underarms, lining of train marked, bust 90 cm (35.5 ins), waist 74 cm (29 ins), sleeves 63 cm (24.75 ins), length 139 cm (109.5 ins), length including train 213 cm (84 ins), together with 6 items of 1920s clothing, comprising: a rare girls' robe de style dress of gold lace over silk, with ribbon straps, metal stud closures at back, flower trim at neck and around waist and stiffened panniers, and a corsage of grapes at waist, somewhat damaged, with losses, bust 66 cm (26 ins), waist 62 cm (24.5 ins), length 61 cm (24 ins); a gold lamé dress with foliate pattern, with lined and boned fitted bodice, padded bust, metal zip closure at back, narrow self straps, and a flared skirt with gathers at rear, occasional light marks, bust 82 cm (32 ins), waist 66 cm (26 ins), length 97 cm (38 ins); a pink and silver lamé unstructured jacket, with 3/4 length sleeves, silk-lined patch pockets at front, and 3 short slits in hem at rear, bust 117 cm (46 ins), sleeves 39.5 cm (15.5 ins), length 61.5 cm (24.25 ins); a gold lace overdress, with pattern of stylised roses, round neck (self button at rear), petal sleeves of net (one with loss of gather stitching), and short train at rear, bust 84 cm (39 ins), waist 60 cm (23.5 ins), sleeves 19.5 cm (7.75 ins), length 107 cm (42 ins); a full-length bias-cut lamé flapper dress, sleeveless, with floral pattern in orange and yellow, and self pendant to neck, small hole to left shoulder, v-neck at rear slightly torn, short tear in hem, bust 90 cm (35.5 ins), waist 80 cm (31.5 ins), length 140 cm (55 ins); and a sleeveless cutwork black overdress with cream stitching, bust 83 cm (33.5 ins), waist 86 cm (34 ins), length 113 cm (89 ins), plus a 1940s full-length chiffon and embroidered net gown (some damage), and a 1950s full-length blue taffeta evening dress with ruched bodiceQTY: (9)
Los 621
* Fabric. A large piece of raspberry silk damask, probably Italian, late 18th/early 19th century, large length of raspberry damask, probably Jacquard-woven, with large pattern of stylised flowers and fronds, incorporating latticework, berries, and seedheads, selvedges to each side, some light spotting to part of final 17 cm of lower short end, but apparently unused, with green twisted cord loop on the right selvedge possibly once attaching manufacturer’s tag or seal, width 61 cm (24 ins), length 504 cm (198.5 ins) QTY: (1)NOTE:A beautiful early furnishing silk, in excellent, unused condition.
Los 623
* Fabric. A long roll of brocatelle, 18th century, jacquard-woven linen and silk scarlet brocatelle, with a large pattern of stylised flower urns, fleurons, fruit, drawer handles, etc., top backed with 19.5 cm piece of hessian (hand-stitched), lettered in large ink manuscript 'C.M', and with thick twisted cord along edge stitched at intervals to form hanging loops, bottom edge backed with a 13 cm piece of the same, with 3 stout buttonhole stitch loops (one to centre, and one to each corner), left and right-hand edges with hand-stitched rolled hem, some light marks and scattered tiny holes (several stitched repairs), 12.5 x 8 cm notch cut out of right-hand side near top edge, 689.5 x 76.5 cm (271.5 x 30 ins)QTY: (1)
Los 629
* Handkerchief map. Fairburn's Travelling Handkerchief. A Map of England and Wales, exhibiting the Roads, Cities, Towns and Principal Villages, with their Bearing by Compass and Distance from London, Engraved by E. Bourne, Andersons Buildings, City Road, Published by the Proprietor John Fairburn, 1831, map of England and Wales printed in black and white on calico, with title vignette to upper right corner, and References to the Counties and Explanation of the Map upper left, toned and some light damp-staining, 57 x 47.5 cm (22.5 x 18.75 ins), framed and glazed (59.2 x 49.8 cm)QTY: (1)NOTE:Rare. The attractive vignette was designed and engraved by W. Grainger, and a note below reads: "This design represents a merchant giving an unprovided boy a ticket to admit him on board one of his ships, the sailor waiting to conduct him. The other emblems are Strength, Navigation, Commerce, Manufacture, Trade, Fertility and Industry."
Los 634
* Mughal. A large hand-painted panel of an elephant and figures, early 20th century, watercolour and gouache, highlighted with gold and bodycolour, on fine cream cotton, depicting 3 armed figures riding atop an elephant, surrounded by further figures on foot or horseback holding various weapons, including talwars, a crossbow, spears, and staffs, 2 figures with flags, within a border of stylised flowers, some light staining and marks, a few small holes, 124 x 90.5 cm (48.75 x 35.5 ins) QTY: (1)
Los 635
* Needlework. A collection of embroideries and other related items, 18th & 19th century, comprising: a small 18th century hairwork landscape, Continental, finely hand-worked in back stitch on cream silk, depicting a figure at a large well, with a windmill in the distance, and a building with steep roof to the right, laid over card with contemporary stitching to edge, toned, 8 x 12 cm (3.25 x 4.75 ins); an 18th century embroidery of a songbird perched on a leafy branch, worked in long and short stitch on cream silk backed with cotton, using silk threads (predominantly light brown, cream, and green), silk ground perishing, tack holes to edges, 18.5 x 22.5 cm (7.25 x 8.75 ins); a small polychrome beadwork picture on perforated card (toned), of a Turkish gentleman smoking a hookah, rose border to upper and lower edges, 13 x 14.5 cm (5.25 x 5.75 ins); a blackwork picture on linen-backed silk, of a castle in a rocky landscape, circa 1800, silk ground beginning to perish, 17.5 x 23 cm (7 x 9 ins); an early Victorian hand-coloured Berlin chart of a mother and child flanked by a palm tree and a pagoda, 8 x 10 cm (3.25 x 4 ins), contemporary glazed mahogany frame with hanging loop to top edge (13 x 15.5 cm); a pair of flower embroideries on paper, circa 1820, toned and foxed, sheet size 23 x 21 cm (9 x 8.25 ins), and 2 others similar, another on paper, Victorian, browned, and one on linen, circa 1800, stained; 7 Victorian tapestry pictures, various (floral, historical, children, animals, etc.), in gros or petite point, 33 x 33 cm (13 x 13 ins) and smaller; and a gros point dolls' house rug, 12 x 8.5 cm (4.75 x 3.25 ins), mounted on card, together with a circa 1900 Art Nouveau design of stylised berries, leaves, and flowers, gouache in brown tones on cream wove paper, with 'E.S.K.' oval blindstamp lower left corner, sheet size 31.7 x 19.5 cm (12.5 x 7.75 ins) QTY: (18)NOTE:The embossed stamp 'E.S.K.' on the final item listed indicates that the work was entered for examination at the South Kensington School of Art.
Los 639
* Quilt. An early 19th century marriage quilt belonging to Mary Brown, 1827, embroidered and chintz quilt, with patterns of flower vases and other floral motifs, exotic birds, and butterflies, in shades of pink, blue, green, and purple, with large central square naively embroidered with a vase of flowers surrounded by hearts within a floral border, and a smaller square at each corner of the large square similarly embroidered with a flower vase, hearts, and floral sprig cornerpieces, worked in chain, feather, buttonhole, seed, and herringbone stitches, in shades of pink, cream, and gold, 'Mary Brown 1827' cross-stitched in brown thread to central square, backed with white twilled cotton, hand-quilted overall in pale thread, and with turnover hem, scattered small areas of wear, and some loss of threadwork to square panels, occasional light marks, central square with 6 x 3 cm stitched repair, 254 x 254 cm (100 x 100 ins)QTY: (1)
Los 640
* Quilts. A collection of Welsh quilts, early 20th century, 5 double-sided Welsh quilts, comprising: a raspberry/pink quilt, 1 or 2 faint marks, 194 x 219 cm (76.5 x 86.25 ins); a blue/gold quilt, some marks, 198 x 222 cm (78 x 87.5 ins); a pale yellow/peach quilt, occasional light marks, 1.5 x 1 cm hole in yellow side, 228.5 x 208 cm (90 x 82 ins); a red/olive green quilt, a few small holes to red side (largest 2 x 2 cm), one edge worn on both sides, green side with mottled fading, 198 x 212 cm (78 x 83.5 ins); and a bright yellow/grey quilt, some small marks, 216.5 x 178 cm (85.25 x 70 ins), all hand-quilted overall with a variety of patterns, including hearts, flowers, palmettes, leaves, lattice designs, spirals, fan shapes, helix pattern, chevrons, circles, lunettes, and starsQTY: (5)
Los 645
* Shawls. A Kashmir stole, early 19th century, rectangular fine cream wool shawl, woven in red, green, and yellow, with a band of boteh to each end (7 complete botehs and one incomplete), the whole edged with floral and foliate narrow border, short ends fringed, a few small brown marks, 75 cm (29.5 ins) x 236 cm (93 ins), together with:A woven Norwich shawl, mid-late 19th century, square cream shawl, woven in red, blue, yellow, green, and black, with all-over pattern of scrolling stems, palmettes, and botehs, longer sides with polychrome fringe, some minor marks, dimensions not including fringe 176 cm (69.25 ins) x 183 cm (72 ins), plus 2 others, a cream shawl with woven polychrome bands, 2 edges fringed, one very small threadbare area, and a couple of faint marks, 171 cm (67.25 cm) x 173 cm (68 cm), and a light brown turn-over shawl with polychrome border of botehs and palmettes, fringed all round, a couple of tiny holes, 5" split along edge of one corner, 148 cm (58.25 ins) x 152 cm (60 ins), and 24 large and small borders and fragments from 19th century embroidered and woven shawls, mostly in good condition, and some very fine, 1 or 2 maker's marks, various sizesQTY: (27)
Los 646
* Spitalfields. A bodice and deconstructed skirt of silk damask, probably Spitalfields, circa 1745-50, boned and fitted bodice of blue silk damask with large pattern of flowers and leaves, of later construction, stitched by hand and machine, probably intended for fancy dress, with elbow length sleeves trimmed with wide lace flounces, matching lace to neck and front, v-shape to waist front and back, and eyelets with lacing to back, sleeves coming unstitched slightly in a couple of places, bust 64 cm (25 ins), waist 48 cm (19 ins), sleeves 40.5 cm (16 ins), length 45 cm (17.75 ins), matching skirt with ungathered waist and hand-stitched hem, some light discolouration to bodice and skirt in places, width between pink-striped selvedges 56 cm (22 ins), length 98 cm (38.5 ins), entire width of hem (i.e. if side seam was unstitched) 188 cm (74 ins) QTY: (2)NOTE:Provenance: The Haslett family, Shakespear House, Adelaide Park, Belfast, Northern Ireland.Shakespear House was built in 1891 by Joseph Frederick Warden, who commissioned the construction of the Grand Opera House in Belfast in 1895. In 1918 Shakespear House was sold to John Haslett, a surgeon in the Royal Army Medical Corps, passing down three generations of the Haslett family until its sale last year, when the contents – an impressive array of antiques and historical pieces - were sold.” See the V&A for a green banyan woven in a similar silk damask featuring a large pattern of leaves and flowers "woven in the style of Anna Maria Garthwaite" (accession number T.92-2003).
Los 649
* Val St Cyr (b. Arthur Andrews Hilder, 1890-1967). A small archive of original drawings and ephemera belonging to art student and designer Edna Timson, 1920s-1930s, including: a full-length pen & ink design, with blue watercolour, on artist's board, of a woman wearing a cocktail dress and hat, and carrying a fur-lined wrap, signed by Val St Cyr to right-hand side, toned, chipped to top edge, sheet size 45.5 x 29.8 cm (18 x 11.75 ins); a large pen & ink design, with green watercolour, on artist's board, of a lady in a crinoline and wig beside a tree, calligraphic signature of Val St Cyr lower left, image size 40.5 x 30 cm (16 x 12 ins), and a copy of the 1931 calender for which it was drawn (toned and marked, with slight wear to extremities); 2 monochrome watercolours on artist's board, half-length designs, each of a woman wearing a dress and hat, lightly toned and marked in places, sheet size 29.8 x 23.3 cm (11.75 x 9.25 ins); a pen & ink fashion design and a pen, ink, and watercolour Christmas card by Edna Timson, both signed; a sketchbook belonging to Edna Timson, containing 58 pencilled fashion designs on rectos and versos of 29 leaves, some with annotations; 20 signed letters on headed paper, mostly typed, to Edna Timson from Val St Cyr, the paper headed variously '53, New Cavendish Street, Portland Place, W.1.', 'Baroque, Ltd., 97, New Bond Street, London. W.1.' and '7, Nottingham Place, W.1.'; 32 headed correspondence cards, written in ink, from Val St Cyr to Edna Timson; and a scrapbook of newspaper cuttings, mostly 1930s fashion designs by Edna Timson QTY: (a folder)NOTE:Innovative fashion designer Val St Cyr was a major force on the London stage of fashion design during the first half of the 20th century. He developed an interest in drawing and, in particular, fashion design, from an early age, knowing by the age of 15 what his chosen career would be. To that end he went to Paris in order to study cutting and draping, and it was not long before St Cyr was designing for such well-known names as Madame Elizabeth Handley-Seymour, one of the major society dressmakers in London, as well as for film and theatre productions. In 1921 Val St Cyr set up his own business with a friend, Ernest Pacey Sands, calling it the House of Baroque. In a Baroque promotional brochure, the designer was declared to be "at once original, daring and artistic", a claim which was certainly borne out by his work. St Cyr emphasised individuality, and stated that a woman's clothes should reflect her personality, rather than conform to the standard modes of the age, and he often took known forms and motifs and re-interpreted them in his own idiosyncratic way. The company eventually employed around 100 people, and their work was shown at various exhibitions. At the height of his success St Cyr was hailed by 'The People' newspaper as "the most successful English dress designer now living". The V&A has around 40 designs by Val St Cyr from his early days with Mrs Handley-Seymour, dated 1916-1918.This archive sheds a fascinating light on Val St Cyr's work as a tutor of art and design, as well as giving a sense of the person he was.
Los 654
* Mirror. A large painted and gilt trumeau overmantle, English, circa 1790-1810, mirror, 87 x 111 cm (34.25 x 43.5 ins), surmounted by a large rectangular oil on canvas panel, depicting a grisaille dancing female figure with tamborine, within a beaded pointed oval frame, flanked by a nude bacchante on either side, the body of each terminating in a large volute of vine leaves, tendrils, and grapes, faint craquelure, some minor spotting and tiny chips, 53 x 112 cm (21 x 44 ins), gilt moulded beaded frame, topped by a ribbon with tasselled bow (strengthened behind with wooden baton, loss to top of bow), the painting and mirror separated by a gilt carved frieze with Bacchus's head in the centre, flanked by floral volutes, lower edge of frame with frieze of laurel branches, some light rubbing to frame, cream baton strips sometime attached to sides, brass mirror plates for hanging on verso, 175 x 122 cm (69 x 48 ins) QTY: (1)NOTE:A beautiful and impressive overmantle mirror, the subject matter suggesting that it might originally have been commissioned to hang in a dining room.
Los 1136
A rare First War Officer's cuff-rank tunic of a Captain in the Duke of Cornwall's Light Infantry, the four pocket tunic with embroidered Captain's cuff-rank insignia, brass buttons and bronze collar badges together with leather Sam Browne waist belt, double straps, revolver holster and ammunition pouch, First War Officer's peaked cap with Duke of Cornwall's Light Infantry cap badge and a pair of khaki pantaloons
Los 151
'BAYONETS AND BARBED WIRE' - 6 models: General John J. Pershing, British Lewis Gunner First Battalion Lancashire Fusiliers 29th Division, 6th/7th Battalion Black Watch 51st Highland Division, US Infantry Man A.E.F, Australian Light Horseman 4th LH Brigade, German Rifleman Infanterie-Regiment Von Winterfeldt number 23
Los 355
Superb collection of items relating to Heinrich Himmler comprising 'IN THE PAST' model sealed packaged 12" War Criminals of the 20th century, 4 books Himmler by Peter Padfield, Himmler Evil Genius of the 3rd Reich by Willi Frischauer, Heinrich Himmler by Martin Mansson, The Himmler Brothers, A German Family History by Katrine Himmler, 10 cards in envelopes in the form of a greeting card with Heinrich Himmler to front and inside with National Socialist wishes and copy signature of H. Himmler, 2 copies of Time Magazine, 1 dated October 11th 1943 entitled Himmler, Police Chief of Nazi Europe and the other magazine dated February 12th 1945 entitled Nazi Himmler Terror has Come Home to Roost. IN ADDITION A SUPERB BOOK WITH ORIGINAL SIGNATURE OF HIMMLER DATED 21ST DECEMBER 1944. THE BOOK IN QUESTION IS 'SEARCH OF THE LIGHT' BY OTTO RAHN - which inspired the films Raiders of the Lost Ark etc. Otto Rahn realised his mistake after a year and refused to continue and was given the ultimatum by the SS to either commit suicide or be killed by them and it is understood that he was found frozen to death on the side of a mountain
Los 172
DRAGON - Belorussia 1942 Heer Flammenwerfer 'Willi', North Africa 1942 Deutsches Afrika Korps Reinhret, Monte Cassino 1944 Fallschirmjager W/5 CM Light Mortar 'Schnell', Army Group B Commander 'Erwin Rommel' Ardennes 1944 - Dasreich Division 'Edmund', Berlin 1945 Nordland Panzergrenadier 'Ansgar'
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534297 Los(e)/Seite