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534297 Los(e)/Seite
Los 123
A Kalimar SIX Sixty Camera, the 80mm lens and various parts of this camera were used in the making of Luke Skywalker's Macobinoculars in the first Star Wars Film A New Hope, shutter working, body F-G, brassing to edges, crack to winder cover, some grime to leatherette, with Kaligar 80mm f/2.8 lens, barrel G, some paint wear, elements G, some light fungus, a Kaligar 150mm f/4 lens, barrel G, some paint scratches and wear, elements G, a Kalgar 52mm f/3.5 H.C lens, barrel G, some paint scratches, elements G, some fungus, both lenses with front/rear caps, in lens case,
Los 132
A Zenza Bronica SQ Camera, serial no 1108796, body G, light wear, with body caps, no waist level finder, with Zenzanon-S 80mm f/2.8 lens, shutter working, barrel G, light paint wear to filter ring, elements G, some dust, with 6 x 6 roll film back, some wear to edges, body and lens caps, in worn maker's boxes
Los 134
A Zenza Bronica SQ-A Camera, serial no 1243871, shutter working, body G, some wear to edges, light scratches, with waist level finder, with Macro Zenzanon-PS 110mm f/4 lens, shutter working, barrel G-VG, some fading to grip, elements G-VG, 120 back, no dark slide, with front, rear and body caps
Los 156
A Zeiss Ikon Contax IIIa Rangefinder Camera, black dial, first model, serial no A55038, shutter working, meter responsive, self timer working, body G-VG, light marks to base, with Zeiss Opton 50mm f/1.5 T Sonnar lens, serial no 1048835, barrel G-VG, scratches to filter ring, elements G-VG, light dust, in Contax ERC
Los 157
An Olympus OM-1 MD SLR Camera, serial no 1543218, shutter working, meter responsive, self timer working, body G-VG, some light marks to base, with F Zuiko Auto-S 50mm f/1.8 lens, barrel G, light wear to aperture grip, elements G-VG, with Sigma Zoom Master35-70mm f/3.5-4.5 MC lens, barrel G, elements G-VG, with caps, accessory shoe 1, manuals, in brown Olympus ERC
Los 160
A Contax RTS II Quartz SLR Camera, serial no 31146, shutter working, meter responsive, body G, some light wear, with Carl Zeiss Planar 50mm f/1.4 T* lens, barrel G, some paint wear to mount, elements G, light fungus spots, with front cap, W-3 winder and TLA 30 boxed flash unit, both untested
Los 183
Two Konica Big Mini Compact Cameras, a BM 201, shutter working, flash working, self timer working, body G, light wear, some paint wear to battery door, elements G-VG, with wrist strap and a BM 302, shutter working, flash not working, self timer working, body G, light wear, elements G-VG, with wrist strap
Los 190
A Topcon RE Super SLR Camera, serial no 4631869, shutter working, self timer working, battery leak damage to battery compartment, meter not working, body G, with RE Auto Topcor 5.8cm f/1.4 lens, barrel G, elements G, light fungus spots to front element, with RE Auto Topcor 3.5cm f/2.5cm lens, with rear skylight filter, barrel G, elements G, with RE Auto Topcor 100mm f/2.8 lens, barrel G, elements G, with camera manual
Los 10
Émile Gallé (1846-1904),a cameo glass lamp, c.1900, the stepped and domed shade cased and cut with flowers in deep red over ochre, above a matched base of tapering form with a spread foot, separated by a brass twin light fitting, cameo signature to the shade, cut signature to the base,39cm highProvenance: Property of Mr and Mrs William Hudson of Lascelles Hall, Huddersfield;thence by descent.Condition ReportSmall chip to the top of the base, concealed by the fitting. A small chip to the rim of the lampshade, due to previous contact with the fittings. Fittings lacking a plug and would need to be rewired, bulbs not tested.
Los 100
Two stained glass panels, one dated 1881, leaded light comprising square quarries painted with a Greek key pattern, surrounded by a foliate border of daisy heads, painted on mouth-blown roundels separated by stems of leaves, on rectangular glass, 127 x 61cm approximately, framed (2)Condition ReportSome cracks to both.
Los 101
Two stained glass and leaded glass panels,1880s, each leaded light centred with an octagonal panel, one with hawthorn leaves, the other with blossom, mounted with square quarries painted with a Greek key pattern, surrounded by a foliate border of daisy heads, painted on mouth-blown roundels separated by stems of leaves, on rectangular glass,71 x 58cm approximately, framed (2)Condition ReportSome cracks.
Los 195
A glazed stoneware figure of an elephant,dated 1923, by Harry Parr, inscribed to the base 'HY PARR 1923 CHELSEA', on an ebonised plinth,8cm wide17cm long16cm highCondition ReportBoth tusks and tail lost. Crack to base. General surface wear. Some minor pitting and manufacturing imperfections. Light wear to plinth.Further photos added450g without base
Los 259
▴ Carolyn Hubbard-Ford (b.1947)'City in Shards of Light', 1998oil on canvas228 x 147cmThis painting served as the cover art for Random House and Vintage Classics 1998/1999 edition of Aldous Huxley's 'Brave New World' and 'Brave New World Revisited'.Provenance: The Collection of the former Dunhill Pipe Factory in Notting Hill.Condition ReportUnframed. The bottom of the picture with evidence of liquid marks. Additional images uploaded.
Los 299
An interesting archive of photographs and paperwork on lighting, late 1930s-1960s, compiled by W H Durrant, author of 'Decorative Lighting: A Designer's Approach', first published in 1956, included are typed lecture notes variously titled:'Interesting Developments of the Application of Decorative Lighting', January 1938;a report to Mr Winstanley 26th November 1937 'Re: Visit to Paris Exhibition, November 1937';'Light & Lighting, Jubilee Issue, Fifty Years of Domestic Lighting, January 1958';commercial photographs to include:'Queen Mary, Cabin Class Cocktail Bar and Observation lounge';'Adelphi Cinema, Dublin';and many other interiors;transparencies and trade pamphlets,some stamped 'General Electric Co. Ltd., Kingsway London' (qty.)Condition ReportAll loose, stapled articles, letters and transparencies.
Los 380
A George Nelson 'Saucer' wall light,designed in 1952 for Herman Miller, with original shade and wall mount, labelled 'Bubble Lighting Fixtures, Howard Miller Clock Company, Zeeland, Michigan', shade 45cm diameter18cm highCondition ReportSome wear and dirt build up to the shade.Two pin plug - appears to be original.Obviously not working.Further photos added.
Los 504
An 'Aston' armchair and ottoman,designed by David Linley for Linley, with swept armrests following through to a tapering backrest, raised on oak supports curved inward, upholstered in chestnut leather, bearing manufacturer's label, 100cm wide105cm deep72cm high, the ottoman 30cm high (2)Buying this armchair and ottoman could save up to 0.16 tonnes of CO2e compared to buying new.Condition ReportSome light marks and wear to leather. One graze to seat. General knocks and wear to supports on both. Joints solid. Overall in fair order.Stickers to the legs on both ottoman and chair
Los 52
TRÈS RARE ET IMPORTANTE TABLE EN HUANGHUALI SURMONTÉE D'UN PLATEAU EN PIERRE PORTANT UNE INSCRIPTIONFin de la dynastie Ming (XVIe/XVIIe siècle) AN IMPORTANT AND VERY RARE HUANGHUALI INSCRIBED STONE-TOP TABLE Late Ming Dynasty (16th/17th century)Of rectangular form with a single floating purplish-grey and green stone panel, likely duan stone, inscbied with a calligraphic inscription, set in a mitred frame of mortise and tenon construction with moulded edges, above straight waist and a plain apron, supported on four legs of slender square section terminating in hoof feet and joined by humpback stretchers, the well-grained lustrous wood of warm amber-honey tone. 89cm (35in) high x 150cm (59in) wide x 58.7cm (23in) deep. The stone 98.2cm (38 5/8in) wide x 42.5cm (16 5/8in) long.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021), acquired in the 1980'sTables with a stone top such as the present lot were particularly useful when playing the guqin – a seven stringed zither – with sound boxes underneath. The stone surface allowed the sounds to bounce off and reverberate more loudly. The inscription at the right corner of the stone top highlights its dual use of supporting the musical instrument as well as for reading. Following is the inscription:質賦衡峰，貞似玉溫，而理瑩，而穆二，奏虞弦，熏風處，續人對，明光佇，瞻補牘，朝文Which may be translated as:Its quality is harder than Hengshan mountain,The texture as smooth and gentle as jade.Playing qin solemnly on the lustrous marble top,And feeling the gentle breeze.Reading under the bright light,Dedicated to the Court: duty, loyalty and diligence.Seal: Zhao Wen (朝文)As the poetic inscription suggests, the present table would have been suitable for playing the qin, or for reading, aiding in study and serving the Court. A very similar table of more narrow form and without stone top, late 16th/early 17th century, is illustrated by Grace Wu Bruce, Living with Ming: the Lu Ming Shi Collection, Paris, 2000, p.110, no.23. The author notes on that tables with stone tops are quite rare, 'presumably because they break and perish at a higher rate compared to their wooden counterparts', see ibid., p.12. See also another related huanghuali table of similar form, but without a stone top, circa 1550-1650, illustrated by C.Clunas, Chinese Furniture, London, 1997, p.49. The author notes that according to the Classic of Lu Ban, this is a xiao qin zhuo shi, 'small qin table type'. That the present table is also inscribed with a poem, perhaps signifies its importance to literati gatherings where the qin was played, poetry recited, paintings and calligraphy written and exchanged. It is more likely that such a table with a poetic inscription and imbued with cultural capital would be more suitable for playing the qin, one of the Four Arts of the Scholar along with qi (chess), shu (calligraphy), and hua (painting).See a huanghuali incense table with stone top, inscribed with various collectors seals, Ming dynasty, including that of Xiang Yuanbian, which was sold at Poly Beijing, on 28 July 2022, lot 5563.Les tables similaires à celle-ci étaient particulièrement utiles pour jouer du guqin - une cithare à sept cordes- le plateau en pierre formant une caisse de résonance. En effet, la surface en pierre permettait aux sons de rebondir et de se réverbérer plus fort. L'inscription au coin droit de la pierre souligne son usage double : celui de support pour l'instrument de musique ou pour la lecture:質賦衡峰，貞似玉溫，而理瑩，而穆二，奏虞弦，熏風處，續人對，明光佇，瞻補牘，朝文 Que l'on pourrait traduire ainsi:D'une qualité plus dure que le Mont Heng,Son grain aussi doux que le jade,Jouer du qin avec solennité sur la pierre brillante,Et sentir la brise tièdeLire sous la lumière vive,Dédié à la Cour : devoir, loyauté et diligenceSceau: Zhao Wen 朝文 Comme le suggère l'inscription poétique, cette table aurait convenu pour jouer du qin, ou pour lire, utile dans le cabinet du lettré et pour servir la Cour. Une table très semblable, mais plus étroite et sans plateau en pierre, fin du XVIe ou début du XVIIe siècle, est illustrée dans Grace Wu Bruce, Living with Ming: the Lu Ming Shi Collection, Paris, 2000, p.110, n°23. L'auteur note que les tables à plateau en pierre sont assez rares, « probablement parce qu'elles se cassent et disparaissent davantage que celles en bois. », Ibid. p.112.Voir également une autre table en huanghuali de forme similaire mais sans plateau en pierre, vers 1550-1650, illustrée dans C.Clunas, Chinese Furniture, London, 1997, p.49. L'auteur écrit que d'après le Classique de Lu Ban, il s'agit d'une xiao qin zhuo shi, un type de petite table à qin. Le fait que cette table soit gravée d'un poème est peut-être une indication de son importance lors de réunion de lettrés où l'on jouait du qin, récitait de la poésie ou réalisait et échangeait des poèmes et calligraphies. Cette table, dotée d'une inscription poétique, était particulièrement appropriée pour jouer du qin, un des Quatre Arts du Lettré avec les échecs (qi), la calligraphie (shu) et la peinture (hua).Voir une table à encens en huanghuali avec un plateau en pierre, inscrite de plusieurs sceaux de collectionneurs, dont celui de Xiang Yuanbian, dynastie Ming, vendue chez Poly à Pékin le 28 juillet 2022, lot 5563.明晚期 黃花梨四面平式嵌石面詩文條桌來源：巴黎Jean-Pierre Rousset（1936-2021）舊藏，於二十世紀八十年代前入藏因石質空隙易與聲響產生共鳴，可作為音響加強音色，如本拍品般之嵌石面條桌尤宜作為琴桌使用。刻於該桌桌面右側的詩文亦引證其曾為士人琴桌及書桌的角色：質賦衡峰，貞似玉溫而理瑩，而穆二，奏虞弦，熏風處，續人對，明光佇，瞻補牘，朝文。與本拍品相類但稍窄且無石桌面之十六/十七世紀早期琴桌 可見於伍嘉恩（Grace Wu Bruce）著，Living with Ming: the Lu... This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Los 85
LAMPE À BEURRE EN ALLIAGE D'ARGENTTibet, XIXe siècleA SILVER ALLOY BUTTER LAMPTibet, 19th centurySet on a domed lotus base with bulbous mid section incised with flowerheads, the flaring cup with bands of petals and shaped panels containing the auspicious symbols of the chakravartin. 23cm (9in) high.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021)The butter lamp, also called 'The Dharma Light', is an essential ritual item in Tibetan Buddhism facilitating the offering of light to enlightened beings. The lamp would have been prominently displayed beside a temple altar and kept burning as a perpetual flame, tended by monks.西藏 十九世紀 銀酥油燈來源：巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
Los 55
A collectable Isabelle long haired Bear, together with a green Charlie Bear - 60cm tallCONDITION REPORTIn our judgement, condition of lot is good. Notably, the light brown bear has slight hair loss to the nose.The light brown bear is called Hepburn (SJ5548).The green bear is called Brunswick.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
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534297 Los(e)/Seite