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Preisdatenbank abonnierenEgypt -- Photographer: F. Bonfils and H. Arnoux. Panoramic views of Cairo and street life, monuments, landscapes and two views of Alexandria harbor. 1880s/90s. 13 albumen prints. Each circa 22 x 28. Most with photographer's name and/or title in the negative in lower edge, unmounted.Some with light handling creases, otherwise in good to very good condition and with strong tones.
Ermakov, Dimitri N. -- Studio group portrait of women in national dress. 1880s. Albumen print. 13,7 x 10,5 cm. Number 12011 and title in lower edge in the negative.Dimitri Ermakov was active as a professional photographer as of 1868. He traveled to various regions of Georgia, the Caucasus, Persia, Turkey and central Asia. Ermakov is the most important documentartist of Georgian life of the nineteenth and early twentieth century. A small part of his negatives are in the collection of the National Museum of Georgia. – Some light handling marks, otherwise a strong print in very good condition.Lit.: Masters of 19th Century Photography. Dmitri Ermakov. Photographer and Collector. Georgian National Museum, Tbilisi, 2014.
Gloeden, Wilhelm von -- Young male in toga with young male nude in landscape. 1900. Vintage large-format albumen print. 36,5 x 28 cm. Photographer's stamp and number 93 in blue crayon on the verso. This and the following lot are unusually large albumen prints by von Gloeden. – Some spotting as well as light foxing spots in upper area, some handling marks, otherwise in very good condition.
Hase, Gottlieb Theodor -- Freiburg Münster seen from Schlossberg. 1850s. Albumen print with rounded corners. 16 x 12 cm. Mounted to original card (traces of use), with gilt lettering G. Th. Hase, Maler & Hofphotograph in Freiburg i. B. and gilt border around image on mount.Gottlieb Theodor Hase participated in the International Photography Exhibition in Berlin in 1865 where he showed thirty of his Schwarzwald images, which established him as an accomplished photographer. Such early photos by Hase are very rare on the art market, and this image is one of the earliest views of Freiburg. – A few light foxing spots in sky area, otherwise a strong print in very good condition.Lit.: Richard Pare. Photography and Architecture: 1839-1939. Montreal 1982, ill. plate 31 (variant).Peter Kalchthaler (ed.)/Dargleff Jahnke: Gottlieb Theodor Hase. Freiburgs erster Fotograf. (exhibition catalogue) Michael Imhof Verlag, Petersberg 2020.
[*] Kotzsch, August -- Kotzsch house with view over the Elbe river in winter, Loschwitz. 1870. Albumen print in oval. 15,5 x 19,5 cm. Mounted to original board (light foxing), photographer's blindstamp and number 214 and Loschwitz in pencil on lower corners on mount.This picturesque winter view shows August Kotzsch's house near the Elbe river. – Some light foxing in sky area and one small spot in sky area, otherwise in very good condition and with strong contrasts.Lit.: Ernst Hirsch/Matthias Griebel/Volkmar Herre (eds.). August Kotzsch. 1836-1910. Photograph in Loschwitz bei Dresden. Dresden 1986, compare ill. p. 73.
Laurent, Jean -- Views of Spain: Aranjurez (Palacio Real); Granada; San Ildefonso (Palacio Real); Sevilla (Palacio de San Telmo, Alcazar) and many views of parks, temples and fountains. 1870s/80s. 34 albumen prints. Each circa 33 x 25 cm and reverse. Each with number and title in the negative in lower edge, tipped in corners to card (soiled, number in blue crayon on mount). Jean Laurent opened a daguerreotype studio in Paris under the name Laurent & Company in 1843. Circa 1857 he moved to Spain and established a studio in Madrid, becoming one of the great photographers of nineteenth century Spain and Portugal. He photographed a vast variety of subjects including city views, architecture, historic monuments, old master paintings and local inhabitants of all social classes. He first published his armor studies in 1868. His output was prolific and over 11,000 negatives have been attributed to the J. Laurent studio. – Most with fading in edges, some with light foxing, some handling creases, some with stronger creases, otherwise in good condition, several with strong contrasts.
Mecca -- Photographer: Charles Albert. View of Mecca and the Kaaba during the Hajj. 1894/95. Collodion paper print. 20 x 25,5 cm. Title, number and photographer's name in lower edge in the negative.Light pressure marks in corners from album slits, a few light handling marks, otherwise in good condition.Lit.: La Ilustración española y americana. XXXIX. No. 30. Madrid, August 15, 1895.
Plüschow, Guglielmo -- Cloaked youth in park of Villa Falconieri, Frascati. Late 1890s. Albumen print. 16,5 x 22,3 cm. Photographer's G. Plüschow, Corso Umberto I 333, Roma and number 1833 in blue crayon on the verso.Some light handling marks, a few light surface scuff marks, otherwise a rich dark print in very good condition.Lit.: Ulrich Pohlmann. Guglielmo Plüschow. Ein Photograph aus Mecklenburg in Italien. Munich 1995, ill. unpaginated (images from the same series).
Plüschow, Guglielmo -- Male portrait. Circa 1900. Albumen print. 22,5 x 16,5 cm. Number 6863 in blue crayon and photographer's stamp on the verso. Some fading in edges, a few light handling marks, otherwise in good condition.Lit.: Ulrich Pohlmann (Text). Guglielmo Plüschow. Ein Photograph aus Mecklenburg in Italien. Grevesmühlen 1995, ill. unpaginated (variant).
Portrait Album -- Commemorative portrait album for Dr. W. Hertzberg in Elbing. 1858. 13 salt prints (most oval). Each circa 14,5 x 11,5 cm. Each mounted to gilt-edged album page (slightly soiled, light foxing) and with gilt decorative frame line, bound in contemporary red velvet and gilt-stamped album (some scuff marks, lower corners slightly bumped).This very richly decorated commemorative album for "Dr. W. Hertzberg, Director der höheren Bürgerschule in Elbing", with a handwritten and drawn title page, contains a collection of intriguing portraits of teachers. There is also a very rare view of Elbing at the front, probably one of the earliest known views of this town. – Some with slight fading in edges, otherwise most with rich tones and in very good condition.
Woodbury, Walter Bentley / James Page -- "Atjeh (Aceh) - Eingang in den Kraton" (entrance to the Palace district); Poeloe bras and "Lingga bei Singapore". 1865 - 1870. 3 albumen prints with rounded corners. Each circa 19 x 24 cm. Each mounted to album page, annotated in German in ink below the images on the mount, 1 with Woodbury & Page, Java in the negative lower right one with number 32 in the negative lower left.After an apprenticeship in Manchester (1849-51) in a patent office, Walter Woodbury traveled to the Australia gold mines in 1852. After a number of jobs he took up professional photography and emigrated with James Page to Java in 1858, where the photographic firm of Woodbury & Page was founded in Batavia. He returned to England via Singapore, where in January 1863 he advertised his photographhic views for sale at John Little & Co. – Some handling creases, especially near edges, some light fading in edges, one with small spot near upper edge, one with small tear, otherwise strong prints in very good condition with a rich dark brown tone.
Architecture -- Photographer: Sasha Stone (1895-1940). Front side of the German Pavilion at the World's Fair in Barcelona, designed by Mies van der Rohe. 1929. Vintage gelatin silver print. 15,5 x 22,8 cm. Berliner Bild Bericht agency stamp on the verso, mounted along upper edge to black paper.A rare documentation of the extremely modern, streamlined design by Mies van der Rohe of the German Pavilion for the World's Fair in Barcelona 1929. The structure was van der Rohe's first major work which was unfortunately torn down after the exhibition. – Some light surface rubbing, a few indentation marks, some handling marks, otherwise in good condition.Lit.: Vitra Design Museum (ed.). Mies van der Rohe. Möbel und Bauten in Stuttgart, Barcelona, Brno (exhibition catalogue). Weil am Rhein 1998.
Berlin -- Photographer unknown. Dramatic events during Oct. 25-28,1961, Checkpoint Charlie, Berlin. 13 vintage gelatin silver prints. Each circa 18 x 24 cm.These images show various scenes around Checkpoint Charlie during and after the dramatic events between Oct. 25-28, 1961 when American and Russian tanks threatened each other. The photographs come from an East Berlin archive of former GDR border troops and were taken from the East side. – Curled in edges, some with light handling marks, otherwise in good condition.
Edgerton, Harold -- "Milk Drop Coronet". 1957. Vintage chromogenic print on Kodak paper. 25 x 20,3 cm. EG & G. Inc. (Edgerton, Germeshausen and Grier Inc.) and No. 138265 stamps as well as A Kodak Paper watermark on the verso.A scientist and professor of electrical engineering at M.I.T., Harold Edgerton became interested in photography in 1931. He employed a stroboscope to generate extremely brief bursts of light in his photographic studies. These stop-action pictures made it possible to observe movements that were too fast for the human eye to see. In his milk drop images, Edgerton learned that the shape of the coronet was determined by three factors: the size of the drop, the height from which it fell, and the thickness of the film of milk on the surface from a previous drop. These studies are among Edgerton's most iconic images. The present photograph, printed by Edgerton at M.I.T., is a rare early chromogenic print with a glossy surface and saturated colors. – Buckled, small indentation mark in upper right near edge, small light crease near left edge, a few small nicks in edges, otherwise an early dye transfer print with rich, saturated colors and in good condition.Lit.: Keith Davis. An American Century of Photography: From Dry-Plate to Digital: The Hallmark Photographic Collection, ill. plate 236 (Milk Drop Coronet, variant).
Film Photography -- Photographer unknown. Portrait of Marlene Dietrich for "Dishonored". 1931. Vintage ferrotyped gelatin silver print. 23,5 x 17,8 cm. Typed press text and two newspaper stamps on the verso.Some handling/crease marks, a few light surface scratches, slight oxidation mirroring in lower edge, otherwise in good condition.
Fischer, Arno -- Reportage photo series of Equatorial Guinea. 1972. 37 vintage gelatin silver prints on doubleweight paper. Circa 40 x 30 cm and some smaller.Some slightly soiled on verso / in margins, some with light edge wear, otherwise in good condition.Lit.: Elke aus dem Moore (ed.). Arno Fischer. Fotografie (exhibition catalogue). Ostfildern 2009, ill. pp. 115-127 (images from the same series).Provenance: Arno Fischer Archive
Gyger, Emanuel -- Near Adelboden. 1930s. Vintage gelatin silver print. 29,5 x 19,5 cm. Signed and titled by the photographer in pencil in lower corners; photographer's stamp on the verso.Light fold in upper right corner, otherwise a fine tonal print in near excellent condition.Lit.: Paul Hugger. Das Berner Oberland und seine Fotografen. Thun 1995.
Gyger, Emanuel / Arnold Klopfenstein -- Alpine views: "Portjengrat"; "Nadelhorn. Der Dom"; "Bei Saas-Fee". 1930s. 3 vintage (2 brown-toned) gelatin silver prints. Each circa 20 x 29,5 cm. Each signed and titled by the photographer in ink in lower corners; each with number stamp and Photographische Werkstätte Emanuel Gyger, Adelboden printed on the verso.Arnold Klopfenstein started an apprenticeship with Emanuel Gyger in 1914, eventually becoming his business partner in 1928. He was a trained mountaineer and often took longer hikes with E. Gyger, when he made his picturesque alpine views. Klopfenstein and Gyger worked together very closely and their images are often indistinguishable from one another. – One print with light handling mark in upper left corner, one with oxidation mirroring in dark areas and edges, one with crease in lower left corner, otherwise beautiful tonal prints in very good condition.Lit.: Paul Hugger. Das Berner Oberland und seine Fotografen. Thun 1995.
Keetman, Peter -- "(Augen-)Blick". 1961. Vintage ferrotyped gelatin silver print on doubleweight Agfa paper. 30 x 23 cm. Signed, titled and dated by the photographer as well as number in pencil and photographer's stamp on the verso.Light buckling, a few small retouched spots, otherwise in very good condition.
Kessels, Willy -- Microphone. 1932. Vintage gelatin silver print. 24,8 x 16,8 cm. Photographer's blindstamp in lower right; photographer's stamp and annotated in pencil on the verso. Hinge-mounted in mat.Willy Kessels attended the Ecole des Beaux Arts in Gent and then moved to Brussels, where he worked as a sculptor and architectural draftsman in the 1920s. He began his photographic career in 1929, seeing photography as a modern means of representation. Kessels was very active during the 1920s-1930s, and his photo montages, aerial views, angles and use of light illustrate the modern movement of Belgian photography at the time. His attractive nudes also are a large part of his oeuvre. – A rich beautiful print in near excellent condition.
Klemm, Barbara -- Delhi, India. 1982. Gelatin silver print. 28,8 x 40,5 cm. Signed, titled and dated by the photographer in pencil and photographer's/copyright stamp on the verso.A few light handling marks, slightly buckled in side edges, retouched spot, otherwise a fine tonal print in very good condition.
McBride, Will -- Illustration for "Eltern", Munich. 1968. Unique vintage chromogenic print with reworked image. 30 x 39 cm. Mounted to board, signed, annotated and dated by the photographer in pencil and 2 photographer's stamps on the verso.A truly unique image which McBride composed very artistically with the small figure in the background positioned between the legs of the figure on the left, which he reworked with painting around the figure. – Some light surface scuffing/rubbing, a few small nicks in edges, otherwise in very good condition.
Muehl, Otto -- Photographer: Ludwig Hoffenreich. Materialaktion. 1960s. Vintage ferrotyped gelatin silver print. 23,6 x 17,7 cm. Photographer's stamp and layout notations in pencil/blue crayon on the verso.Between 1964-1966 Otto Mühl performed numerous so-called "Materialaktionen" involving objects, paint and material, which were often filmed/photographed by K. Kren and Ludwig Hoffenreich. As of 1966 the body itself became the "material" which Otto Mühl and Günter Brus increasingly worked with. – Stronger crease in upper right corner with crack to emulsion, a few light handling marks, otherwise in good condition.
Neusüss, Floris M. -- Berlin portraits. 1962. 2 gelatin silver prints on Agfa paper. Each circa 39,8 x 30 cm. Each monogrammed by the photographer in pencil and annotated/dated in ink on the verso.A few light handling marks, a few retouched spots, corners slightly bumped, one with small discoloration in upper left, otherwise in good condition.
Neusüss, Floris M. -- "Barbie and Ken". 1993. 2 vintage unique gelatin silver prints (photograms). Each 43,2 x 31,4 cm. Each mounted to board; signed, titled and dated by the photographer in pencil and photographer's stamp on mount verso.Each with crease in upper left corner, and light fold mark in lower right corner, left edge of Barbie print slightly bumped, otherwise in very good condition.
Ronkholz, Tata -- "Trinkhalle" series (Leverkusen - Rheindorf. Wupperstrasse 1). 1983. Vintage ferrotyped gelatin silver print. 24,7 x 34 cm (31 x 40,5). Estate stamp and number 406 in pencil on the verso.Slight buckling in edges, a few light handling marks, small scuff mark in lower right area, otherwise in very good condition.
[*] Ruscha, Edward -- Every Building on the Sunset Strip. Black and white photographs in 9 sections tipped together and folded as a leporello. 18 x 14,5 cm. Original white wrappers (corners bumped, spine with creases, front cover slightly soiled), with original silver paper covered slipcase (bumped along lower and upper edges, cracked along edges, creases, some light rubbing). Los Angeles, Edward Ruscha, 1966.First edition, second issue (as issued, without rear flap). The Open Book. Hasselblad Center. pp. 198-201. "Ruscha's books and the photos in them have had a greater influence on younger artists and photographers than his paintings" (101 Books). – Two pages with small light brown stain (double page with Weatherly cross street), otherwise very good copy inside.
Schensky, Franz -- Sea view. Circa 1910. Vintage platinum print. 16,4 x 22,8 cm. Photographer's blindstamp in lower right corner, mounted to card.Known for his dramatic views of the island Helgoland surrounded by a rough sea, Schensky was a master of capturing the atmosphere of the North Sea. The view offered here is a more unusual image by Schensky showing only the stormy sea. – A few light indentation/scuff marks in upper left corner, otherwise a fine tonal print in excellent condition.
Shulman, Julius -- Department of Water & Power, Los Angeles, California. 1965. 2 vintage gelatin silver prints, 1 on RC paper. 27,7 x 21,7 cm and 20,2 x 25,3 cm. Each with photographer's stamp, 1 with credit label on the verso. Julius Shulman's impressive photographs of California architecture are more than just documents of the buildings they depict. They were blueprints for living at the time they were taken and his photos were published in lifestyle magazines such as House and Garden, Good Housekeeping and Life, as well as in the professional press. They reflect the relaxed and cool Californian way of life and remain icons of design and style today.One view shows the Water and Power Office Building standing tall on Bunker Hill, the other is an interior of the building. – First print with a few handling marks, otherwise in very good condition.Lit.: Robert Elwall. Building with Light. The International History of Architectural Photography, London 2004.
Witty, Patrick -- New Yorkers, September 11, 2001. Chromogenic print on Kodak Royal paper. 23,4 x 34,5 cm (27,8 x 39,8 cm). Annotated in ink on the verso.With the Municipal building in the background, shocked New Yorkers on a Tuesday morning in Park Row behold the demise of the South tower of the World Trade Center. – Some light handling marks, otherwise in good condition.
World War I -- Souvenir album of a high-ranking German officer during WWI. Circa 1915. Circa 34 vintage gelatin silver prints. Various sizes, most 12 x 17 cm and smaller. Inserted in album window mats, bound in contemporary cloth album.An unusual album most likely documenting a propaganda trip of the German Kaiser and Field Marshal Hindenburg through various German cities after the so-called Battle of Tannenberg. The images show the entusiastic welcoming of Hindenburg by crowds during official events such as visiting old war veterans from 1870/71 and a military hospital for war injured. The popularity of Hindenurg in the Weimar Republic was greatly promoted by this event. – Some with fading in edges, some with light oxidation mirroring, a few with creases, small tears, otherwise most photos in good condition.
An 18ct gold brooch by Harriet Glen, modelled as a harvest mouse on a sheaf of corn, with circular-cut ruby eyes, signed HG and hallmarked for London 2000, length 4.3cmFootnote: Accompanied by maker's purchase receipt, dated 8 May 2001.Condition report: Fine split to reverse of panel, at base of corn sheaf. Light surface wear, scuffs and nicks throughout, commensurate for use. Marks are clearly struck. Clasp is functioning. Gross weight approx. 9.6gm.
An aquamarine and ruby dress ring, the octagonal step-cut aquamarine in raised part-collet setting, between stepped shoulders of rectangular step-cut rubies, 18ct white gold mounted, hallmarked for Birmingham 2010, with maker's mark A&W, numbered, aquamarine dimensions approximately 14mm length x 12.5mm width x 8.1mm depth, ring size Q½Condition report: The aquamarine has a light greenish-blue hue with shallow scratches and scuffs to the surface and small nicks/chips to facet edges. Rubies have slightly variable orangey-red and pinkish-red hues, of good transparency, some stones with small faint inclusions, some stones with small surface nicks/chips when viewed under magnification. One of the rubies appears to be chipped to the pavilion. The ring mount is modern, with light surface wear. Width of setting approx. 2cm. Gross weight approx. 11.2gm.
A cultured pearl ring and ear clips suite, each designed as a lattice-work panel, interspersed with graduated cultured pearls, stamped 'K18', ring size Q, ear clips length 1.75cm (2)Condition report: Surface scuffs and nicks to cultured pearls. Light surface wear, scuffs and nicks to mounts. The hinged clip fittings are functioning. Metal standard is untested. Approximate gross weights: ear clips 10gm, ring 6.2gm.
A blue topaz single stone ring, the pear-shaped mixed-cut blue topaz in claw setting, white precious metal mounted, stamped '18K 750', ring size Q½Condition report:Topaz is untested for treatments and origin, dimensions approx. 20mm length x 15mm width x 10mm depth. Topaz has a light to mid blue hue of fairly even saturation, with light scuffs, scratches, nicks and chips to the surface. The ring mount is modern, with surface wear throughout, and heavier scuffs/nicks to the back of the shank. Metal standard is untested. Gross weight approximately 13.8gm.
A blue topaz and diamond pendant on chain, the pear-shaped mixed-cut blue topaz in part collet setting, surmounted by a wishbone-shaped channel of round brilliant-cut diamonds, white precious metal mounted, stamped '750', suspended from a spiga-link chain, with clasp stamped '750', topaz dimensions approximately 45mm length x 34.5mm width x 25mm depth, total diamond weight approximately 0.15ct, pendant length 5.1cm, chain length 49cmCondition report:Topaz is untested for treatments and origin. Topaz has a light blue hue of fairly even saturation, with light scuffs, scratches, nicks and chips to the surface. Diamonds are well matched, bright and lively, estimated VS1 to SI1 clarity and H to J colour, assessed mounted. The pendant mount appears to be hand finished and has surface wear throughout, with scuffs and nicks, and a small split to the setting, near to the tip of the topaz. Metal standard is untested. The chain has a slight yellowish hue in places and kinks to the links. The hook clasp is functioning. Metal standard is untested. Gross weight of chain approx. 16gm. Gross weight of chain and pendant combined approx. 110gm.
A green tourmaline three stone brooch, the rectangular step-cut tourmalines in four claw settings, each with pierced gallery, yellow precious metal mounted, length 4.75cmCondition report: Tourmalines are well matched, of good transparency, with light surface wear and occasional nicks/small chips to facet edges. The principal stone has a slightly bluish-green hue, the outer stones have slightly yellowish-green hues. One of the outer stones has faint linear inclusions/colour zoning. The brooch mount has light surface wear, scuffs and nicks and the pin fitting is functioning. Metal standard is untested. Gross weight approx. 10.4gm.Dimensions of tourmalines approximately: 17.2mm length x 11.8mm width x 7.6mm depth; 13.3mm length x 8.6mm width x 5.3mm depth; 13.2mm length x 8.7mm width x 5.3mm depth.
A mabe pearl and diamond cluster ring, the mabe pearl of yellowish hue, measuring approximately 18.4mm diameter, bordered by round brilliant-cut diamonds, two colour precious metal mounted, stamped '750', total diamond weight approximately 1ct, ring size PCondition report:Light surface scuffs, scratches and nicks to mabe pearl, some ripples to nacre surface, subtle iridescence to nacre when rotated. Diamonds are well matched, bright and lively, estimated VS1 to SI1 clarity and H to J colour, assessed mounted. Ring mount of modern manufacture with light surface wear throughout, a very fine split to the base of the setting and a solder join to the back of the shank. Some deeper scuffs and nicks to back of shank. Metal standard is untested. Gross weight approx. 19.2gm.
A yellow precious metal collar necklace, designed as two entwined strands of woven ropetwist links, applied with beaded decoration, stamped '750', length 45.5cmCondition report: Light surface wear, scuffs and nicks throughout, commensurate for use. Small loss of links to one of the woven ropetwist strands, to the front off-centre of the necklace. The clasp is tight fitting. Metal standard has not been tested. Gross weight approx. 32.5gm.
A 'Trinity' ring by Les Must de Cartier, designed as three entwined rose, white and yellow bands, signed and stamped '750', numbered 54, ring size approximately NCondition report: Scuffs, scratches, nicks and chips throughout, commensurate for regular use. May benefit from re-polishing. Light wear to signature, interior marks are clearly struck. Gross weight approximately 8.2gm.
A fancy-link bracelet designed by Elsa Peretti for Tiffany & Co., of mesh-link design, with T-bar fitting, signed Elsa Peretti and Tiffany & Co., stamped '925', accompanied by maker's pouch, length 18cmCondition report: Light surface wear throughout, occasional snags to the mesh links. Marks are clearly struck. Gross weight approx. 20.5gm.
A 'Scarf' necklace and ear pendants suite designed by Elsa Peretti for Tiffany & Co., each of mesh-link design, the necklace signed T&Co. and Peretti, stamped '925', the ear pendants on wire fittings, signed T&Co. and Peretti 1981, also stamped '925', accompanied by maker's case and pouch, necklace length 92cm, ear pendants length 8cm (2)Condition report: Necklace: occasional light snags to mesh and occasional losses of small links to mesh. Light surface wear and faint tarnishing throughout. Marks are clearly struck. Gross weight approximately 66.5gm. Ear pendants: light surface wear throughout, no apparent losses of links. Marks are clearly struck. Gross weight approximately 3.9gm.
A late Victorian diamond and enamel memorial ring, the tapered black enamel hoop with beaded white enamel accents, centred with a single-cut diamond in star-shaped setting, 18ct gold mounted, hallmarked for Birmingham 1890, maker's mark A&W, ring size L½Condition report: Large chips and losses of enamel to both sides of the hoop. There is also a repair to the black enamel on one side, causing loss of some of the white enamel bead details. Remaining enamel is heavily scuffed, scratched and chipped. The mount has general surface wear throughout, commensurate for age and use. Hallmarks are fairly clear, with patchy light wear. Further scratch marks to interior of mount. The diamond has a fairly bright and lively appearance, measuring approx. 0.03ct. Gross weight approx. 3gm.
A synthetic emerald and diamond three stone ring, the circular mixed-cut synthetic emerald in rubover setting, between two similarly set old-cut diamonds, yellow precious metal mounted, total diamond weight approximately 0.50ct, ring size QCondition report: Diamonds are well matched, bright and lively, but both stones are drawing a light yellowish tint and both have localised facet edge abrasion to the crown facets. One diamond also has a small central chip, positioned just outside the table facet. Estimated SI2 to P2 clarity (due to chip) and K to M colour, assessed mounted. The edges of the diamond settings are very heavily worn, with splits and losses to the metal. The synthetic emerald is heavily scuffed to the surface and may be a later replaced stone. There is a small split to one side of the setting and the ring mount has scuffs, scratches and nicks throughout, commensurate for use. The back of the shank has been re-sized with a later added section and has associated solder joins with porosity. Metal standard is unmarked and untested. Gross weight approx. 5.5gm.
An emerald and diamond dress ring, the oval mixed-cut emerald claw set between stepped shoulders of baguette-cut diamonds, 18ct white gold mounted, signed Iliana, total diamond weight approximately 0.25ct, ring size O½Condition report: The emerald is untested for origin and treatments and has a light to mid bluish-green hue, with chips and fractures to the surface and a larger chip to one edge of the central table facet. The emerald contains fracture, fissure and mineral inclusions, some of which are surface-reaching, located mostly to one side of the stone. The emerald measures approx. 8mm length x 6mm width x 4.5mm depth. Diamonds are well matched and fairly bright. The mount has scuffs, scratches, nicks and chips throughout and will require re-polishing. Gross weight approx. 4.4gm.
A lady's 18ct gold 'Panthère Vendôme' bracelet watch by Cartier, the circular dial with Black Roman numerals and blued steel hands, to a quartz movement, on a brick-link bracelet with foldover clasp, with Swiss gold marks and 18ct gold convention marks, dial, case and bracelet signed, case numbered 669200699, case width 2.3cmFootnote:Accompanied by a watch guarantee card issued by George Pragnell, dated 25 September 2012.Condition report:Light surface wear to dial, some faint spotting to numerals. Minimal wear to glass. Scuffs, scratches, nicks and chips throughout case and bracelet, commensurate for regular use. The winder and hands appear to be functioning. The bracelet clasp is tight fitting. Signatures and marks are clearly struck, with patchy light wear. The screw-down case back has not been removed and the movement has not been viewed. The movement is not currently running and may require a new battery, but working order has not been tested and cannot be guaranteed. Gross weight of watch, including movement, approx. 62gm. Overall length approx. 16 - 16.5cm, would suit a small to medium wrist size. Original case and papers not included.
An enamel and gem set spray brooch, designed as a textured ribbon with scalloped blue enamel border, edged with circular mixed-cut rubies, applied with a wirework spray of circular-cut ruby, sapphire and diamond accents, 18ct gold mounted, length 6.1cmCondition report: Of modern manufacture, with 18ct gold import marks for possibly 1991. Rubies are slightly variable, of light to mid pinkish-red hues, containing natural inclusions and some surface-reaching fractures/fissures visible under magnification. Sapphires are variable, some stones with a near-opaque appearance and colour zoning/natural inclusions visible under magnification. Sapphires and rubies have surface wear, scuffs and nicks. The diamond has a surface-reaching fracture/chip but is relatively bright. Scuffs, scratches and nicks/small chips throughout the mount and scuffs/nicks to the enamel decoration. The pin and visor catch are functioning. Gross weight approx. 14gm.
A ruby and diamond set collar necklace/brooch, the tapered herringbone-link collar centred with a detachable ruby and diamond set pendant/brooch, of abstract spray design, horizontally claw set with a line of pear-shaped mixed-cut rubies framed by scatter set round brilliant and circular-cut diamonds, on a hinged double pin fitting, accompanied by a ruby and diamond set dress ring, of tapered fluted design, horizontally claw set with a line of circular mixed-cut rubies, bordered by rows of single-cut diamonds, stamped '18ct', in fitted case, total diamond weight approximately 0.80ct, collar length 41.5cm, pendant/brooch length 3cm, ring size M (2)Condition report: Collar necklace: kinked to one side of the central panel fitting, further shallow kinks throughout. One of the woven strands is broken to the underside of the collar, just over 3cm from the clasp. The central panel fitting has a split and crease to one corner. The clasp is tight fitting. Metal standard is untested. Gross weight approx. 40.5gm. Pendant/brooch: rubies are well matched, of pinkish-red hues, with small natural inclusions and light surface wear visible under magnification. Diamonds are well matched, bright and lively, estimated VS1 to SI2 clarity and H to J colour, assessed mounted. The mount has light surface wear and the double pin fitting/safety clasp are functioning. Metal standard is untested. Gross weight approx. 13.6gm. Ring: rubies are well matched, of pinkish-red hues, with natural inclusions, surface wear and occasional small chips visible under magnification. Diamonds are well matched, bright and lively, estimated VS1 to SI2 clarity and H to J colour, assessed mounted. The mount has surface wear, scuffs, scratches and nicks/chips, commensurate for use. Metal standard is untested. Gross weight approx. 11.1gm.
A pair of ruby and diamond cluster ear clips, each designed as a stylized flowerhead, centred with a bombé cluster of graduated circular mixed-cut rubies and round brilliant-cut diamonds, within an undulating border of graduated baguette-cut diamond petals, stamped 'PALLADIUM', on hinged clip fittings stamped '18CT W.G.', total diamond weight approximately 3.20ct, length 2.25cmCondition report: Rubies are well matched, of pinkish-red hues, some stones containing faint colour zoning and mineral and fracture inclusions that are visible under magnification, occasional with surface-reaching inclusions. Some of the rubies also contain areas of 'silk' inclusions. Rubies have light surface wear and graduate from approximately 2mm to 2.5mm in diameter. Diamonds are well matched, bright and lively, with estimated VS1 to SI1 clarity and H to J colour, assessed mounted. Diamonds graduate from approximately 0.20ct to 0.03ct each. The earring mounts have light surface wear, nicks and scuffs and the hinged clips are functioning. Gross weight approximately 16.1gm.
An 18ct gold half hunter pocket watch, the white enamel dial with black Roman numerals and subsidiary second dial, to a keyless wind ¾ plate movement, the case with blue enamel chapter ring, hallmarked for London 1914, movement and case numbered 39902, monogrammed and inscribed, accompanied by a curb-link Albert chain, with Swivel clasps, stamped '9.375', with coin suspension, watch case diameter 5.2cm, chain length 50cm (2)Condition report: Pocket watch: general surface wear, spotting and dust to dial, glass has not been removed to check dial edges. Surface wear, scuffs and nicks to glass. Scuffs, scratches, nicks and chips throughout case, heavier scuffs to hinges, knife marks to case edges. Shallow ding/impression to case back. Large losses to enamel on chapter ring. The inner case back has paper residue from previous fitting of a photograph to interior. The front and back of the case close fairly tightly when the photograph is removed. Hallmarks are clearly struck, with patchy light wear. The engraved inscription and monogram are fairly crisp, with patchy light wear. The movement runs and winds but is not tested for working order, which cannot be guaranteed. Gross watch weight, including movement, approx. 132gm. Chain: in heavily worn condition, with thinning to the ends of the links. The clasps are functioning but do not match each other. Gross chain weight approx. 22.4gm. Wear to coin suspension, the mount is untested for metal standard.
A lady's 9ct gold bracelet watch by Omega, the oval dial with gilt Roman numeral quarters and baton markers, to a quartz movement numbered 46889605, on a slightly tapered mesh-link bracelet, the dial, movement, winder, case and bracelet signed, the clasp also signed CB, (bracelet detached to one side), case width 1.7cmCondition report: Patchy bluish staining/residue to one edge of dial between 10 and 12. Light surface wear to remainder of dial and glass. Surface wear, scuffs and nicks to case and bracelet. One side of the bracelet is detached from the case and will require a solder repair. The movement is not currently running and working order cannot be guaranteed. The bracelet is hallmarked and all marks have patchy wear. The clasp is functioning and closes tightly. Approximate gross weight, including movement: 22gm.
A gentleman's 18ct gold dress watch by Audemars Piguet, the cushion-shaped gilt dial with tapered hands, to a herringbone design case, with 18ct gold convention mark and Swiss gold mark, numbered B61047 and 047, the jewelled manual wind movement numbered 210816 and 2003/1, dial, case and movement signed, on a later unassociated leather strap, case width 2.8cmCondition report: Minimal wear to dial. Small nick/chip to outer edge of glass, light surface wear to remainder of glass. Light scuffs, scratches and nicks to case, patchy light tarnishing. Some deeper scuffs, scratches and knife marks to case back. Marks to case are clearly struck. Winder is not signed but appears to be functioning. Movement runs when wound but is untested for working order, which cannot be guaranteed. Gross weight including strap and movement approx. 28gm.
A gentleman's 9ct gold wristwatch by Jaeger-LeCoultre, the circular silvered dial with gilt baton markers and centre seconds hand, to a jewelled manual movement numbered 1553711, dial and movement signed, the case hallmarked for London 1965 and numbered 9970, maker's mark DTE, on an unassociated leather strap, case width 3.3cmCondition report: Spotting and light scuffs to dial and hands, surface scuffs and scratches to glass. Surface scuffs, scratches and nicks/chips to case, some deeper knife marks to case back. Winder is not signed and may be replaced. Movement runs when wound but is untested for working order, which cannot be guaranteed. Later leather strap is worn.
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![[*] Kotzsch, August -- Kotzsch house with view over the Elbe river in winter, Loschwitz. 1870. Albumen print in oval. 15,5 x](https://cdn.globalauctionplatform.com/7d1a1ea4-b052-48e9-a52b-ad2e00903413/b87d0ed0-6cf2-42d5-9d87-ad2e0094ed3d/468x382.jpg)
![[*] Ruscha, Edward -- Every Building on the Sunset Strip. Black and white photographs in 9 sections tipped together and folde](https://cdn.globalauctionplatform.com/7d1a1ea4-b052-48e9-a52b-ad2e00903413/d6047501-61a6-4429-b5a6-ad2e00a77bfd/468x382.jpg)
