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534325 Los(e)/Seite
A good quality 17th century style light oak court cupboard, 20th century, having a carved frieze, over panelled doors and drawers171w x 48d x 131h cmOverall condition is solid and usable. It was bespoke made for the house around twenty years ago, so has been used. Made in an 18th century style but has no obvious damage or repairs. Has keys. Collected from a local house move.
An Alston cream and gold striped two seater sofa, 200cm, together with a pair of matching armchairs and a footstool (4)Overall condition is complete, with only light signs of use. Collected from as house clearance, so has been used. The colours are quite muted, they pick up some blue in certain lights, but are more beige and gold.
A later 20th century French limed and cream check upholstered double bedstead, with a slatted wooden base, 147cm wideOverall looks to be usable. The fabric is undamaged, but with some light marks. One bolt is missing. The overall width is 147cm. Internal dimensions are 139w x 202 long, which is curved at the base.
An 18th century Welsh oak dresser, having a boarded back, over an arrangement of short drawers and cupboards, on bracket feet, accompanied by a copy of a photograph showing the dresser in the family home circa 1914.166w x 48d x 205h cmOverall condition is complete, solid and usable. The back boards have been covered with a dark paper. The front edge of the base has been repaired. Drawers run ok, but have later kite shaped escutcheon plates. Some locks in place, but no keys. Quite a few light marks, knocks and losses, most noticably to corners and edges. Handles replaced. Generally dry and dirty, having come straight from a house clearance, so unrestored. Has been in the same family since the 19th century.
An 18th century style oak dresser base, with a pot board below153w x 46d x 82h cmOverall condition is complete and usable. It was made around twenty years ago, in an 18th century style. Some drawers are slightly tight, but may just need swapping around. Removed from a house move, so has light signs of use and is dusty.
A set of ten oak ladderback dining chairs, 20th century, with rush seats, on turned legs (10)Overall condition is complete and usable. The appear to date to the later 20th century. All the frames are solid. They are dusty with some very light marks as expected with use, which would likely polish away. The rush seats are removable and in complete condition, but would benefit from a clean. Each chair measures 47cm wide across the front and 46cm high from the floor to the top of the seat.
Robert 'Mouseman' Thompson, of Kilburn, a light oak standing corner cabinet, enclosed by a lead glazed door, over a panelled door, carved with a mouse to the front, on a plinth base73w x 41d x 190h cmOverall condition is complete and sturdy. Slightly dirty with light signs of use, but no obvious damage or repairs. Has a key. Collected from a local house clearance.
A William IV upholstered rosewood and mahogany elbow chair, on turned and fluted legsOverall condition is complete and usable. The top rail is slightly loose. The tip of the back leg has been replaced. Various light marks to the frame as expected with age/wear. The fabric looks old, but is complete.
A pair of contemporary B & B Italia chrome and leather upholstered open armchairs (2)Overall condition is complete and usable. They have some very light marks to the leather, as expected with use, but no damage. The frames have very light surface marks and one chair is missing three tips off the feet.
An early 20th century double cane bergere sofa, with yellow upholstery by Merryweather186w x 72d x 93h cmOverall condition is complete and usable. The frame is complete and the cane is undamaged, but there are some light scuffs and marks to the frame from moving it, which look like they could be polished away. The fabric is clean and looks recent. The frame is dusty and needs and clean.
An 18th century Staffordshire pearlware blue and white child's part teaset, decorated in the Willow pattern, to include a teapot, 9cm high, four matching teabowls and saucers, a sparrow beak jug and a collection of various 18th century English and Chinese teabowls and saucersOverall condition is quite damaged. The teapot has a crack to the body. The cream jug is chipped. Most cups have chips to either the top or footrim. Chinese items: teabowl and saucer has light wear to the surfaces. Blue and white teabowl is chipped. Famille rose teabowl is restored and over sprayed.
A large continental carved wood centre table, 20th century, the rectangular marble top, on an ornate shell and scroll carved base, united by an undertier187w x 92d x 83h cmOverall condition is complete but dirty, with light signs of use. It looks to date from the later 20th century, but is well made. It is very heavy requiring at least three people to move it. Collected from the barn of a local house.
A large ruby glass five light chandelier, believed Murano, Venice, probably circa 1970, with five scroll arms holding bell shaped shades, a further central shade with pendant drops, all held on a central stem and suspended from a ceiling rose (fitted for electricity but not tested). Currently dismantled for transport. This item appears largely intact. One shade has a section missing but will still suspend. It was safer to leave dismantled in the saleroom to avoid potential breakages
A group of Plastic Model Kits from various makers to include Airfix Junkers Ju87B-2 Stuka 1/24, Tamiya Mitsubishi AGM5.c Zero Fighter Zeke, Minicraft Model Kits Usaf C-130B, Italeri BT-5 Soviet Light Tank plus others as shown. All appear complete, prep tape to Wingnut Junkers D1. and ICM Model T 1917 Ambulance with US Medical Personnel. Storage wear to some boxes.
A 19th century Coachman's / Horseman's multitool pocket knife by H.G Long & Co. Sheffield (Length 10cm) together with another similar example (Length 9cm). (2) In original condition. generally good, strong spring on bone handled knife, slight movement on the horn handled example with light wear to case.
Boxed Hornby Dublo 4620 'Breakdown Crane' suitable for 2 or 3 rail running, (complete with four original outriggers). Together with boxed 4605 40-Ton Bogie Well Wagon, 33082 Tank Wagon 'Shell' and 4649 Low-Sided Wagon With Tractor Breakdown Crane in good condition, slight paint loss to two corners. (above average) box good, clean free of repairs or damages. Light rubbing to corners. Other boxes and wagons are in good order.
Cartier: An Enamel and Stainless Steel Alarm Desk Timepiece, signed Cartier, ref: 2746, circa 2005, quartz battery movement, silvered dial with Roman numerals and signed, secret Cartier signature at 7, case with guilloche light pink enamel front, case back signed and numbered 123804GD 2746, case back with alarm and hand setting crowns68mm x 80mmCase with light surface scratches, very minor dents to the case edges in parts, front enamel in good condition, dial is clean, movement has not been tested with a new battery, movement not working. Cartier booklet is later and is not the original for this timepiece.
Omega: A Steel and Gold Electronic Mega Quartz Day/Date Centre Seconds Wristwatch, signed Omega, Mega Quartz 32 KHz, model: Constellation,ref: 196.0019, 1972, (calibre 1310) quartz battery driven movement signed and numbered 35861203, silvered dial with baton markers, day/date apertures (in French), tonneau shaped case with a gold bezel, adjustment pushers in the band, back cover with a Constellation logo and secured by four screws, inside back cover stamped with maker's mark Omega Watch Co and numbered 396.0810, Omega steel and gold bracelet with a deployant clasp numbered 1211/20236mm wideCase and bracelet with very light surface scratches, glass is clean, dial is clean, calendars are changing correctly, hand setting correctly, movement in going order.
Two George III Silver Two-Light Candleabra, One Base by Ebenezer Coker, London, 1760, The Other Base by Louis Black, London, 1761, The Branches With Indistinct Marks, Circa 1760 each on triangular base, each foot stamped with scrolls and with quilting above, further decorated with beading and shells and with similarly decorated stem, terminating in spiral-fluted socket, with detachable candle-arms, each scrolling foliage-cast branch terminating in spiral-fluted socket and with leaf-cast wax-pan, with central openwork finial, the bases later engraved with a coat-of-arms, one base filled40cm high, weighable silver 75oz 7dwt, 2,344gr (2)Each marked on edge of base and on branches. The sockets of the bases each further marked with a lion passant mark only. The marks on the bases are generally clear. The marks on the branches with wear and some are only just visible. There is some overall surface scratching and wear consistent with age and use. The wear is noticeable as a softening to the high points. There have been some repairs where the branches meet the central socket. One base is filled. The engraved coat-of-arms on the base is modern.
A George I Silver Salver, by Edward Vincent, London, 1726, Britannia Standard hexafoil and on three openwork tapering panel feet, engraved with a coat-of-arms within foliage cartouche31cm diameter, 28oz 13dwt, 891grThese arms are those of Ranson, Hinson or Waltham, with a crescent for difference, impaling another.As recorded by Arthur Grimwade the early ledgers which are preserved at Goldsmiths' Hall in London have no page for the letter V in largeworkers register, it believed to have fallen out, so it is not entirely clear who Edward Vincent was apprenticed to (A. Grimwade, London Goldsmiths 1697-1837, Their Marks and Lives, London, 1990, pp. 689-690). His first recorded mark is 1739 and shows him to be the son of William Vincent, a yeoman from Hendon in the county of Middlesex. This entry suggests that he was apprenticed to Robert Cooper in 1699 and free by July 1712. It is generally accepted that the EV mark that appears on the present hexafoil salver was the second mark he registered, in around 1720, when the sterling standard was re-introduced. His existing body of work suggests that he was a prolific maker of a wide range of plate through the 1720s and 1730s. Among the exisiting plate with his mark is a seal salver of 1728 which is engraved by Charles Gardner for Sir Robert Eyre with the seal of the Lord Chief Justice of the Common Pleas. The salver is accompanied by a matching example of 1735 by John Liger (Sotheby's, London, 5 July 2017, lot 23). His other works include a wide range of silver such as a wall-light of circa 1720 (Sotheby's, New York, 28 October 2004, lot 458); a kettle, stand and lamp of 1734, engraved with the coat-of-arms of Richard Turbutt of Doncaster (Christie's, New York, 19 October 2004, lot 1061) and a beer-jug, engraved with the arms of Sir Robuck Lynch, 4th Bt. (Christie's London, 29 November 2007, lot 570). Of Edward Vincent's work Grimwade notes 'The author was in no doubt, however, about the silversmith’s surviving work, writing that he must have been ‘...of considerable rank producing high-quality hollow-ware, coffee-pots, cups and salvers. His masterpiece is with little doubt the superb oblong salver of 1729 of the Middle Temple of which Lamerie would not have been ashamed.’ (op. cit., p. 690). With that said his career was not without some problems as he would seem to have been declared bancrupt on two occasions, first in 1722 and again in 1743, though like his early career there remains some question if these references refer to him or another silversmith. He is variously recorded as working in Dean Street, Fetter Lane and later in the Strand, before ending up back in Dean Street. Fully marked near rim and further part marked on each foot. The marks near the rim with some wear, though all excluding the maker's mark are still legible. The marks on the legs generally clear. There is some overall surface scratching and wear, consistent with age and use.
Omega X Swatch: A Bioceramic Chronograph Wristwatch, signed Omega X Swatch, model: Speedmaster MoonSwatch Mission To Jupiter Collection, ref: SO33C100, circa 2022, quartz battery movement, beige coloured dial with baton markers, outer fifth of seconds track, three dials for seconds and chronograph registers, case with buttons in the band to operate the chronograph, tachymeter scale bezel, Omega X Swatch black velcro strap, with Omega X Swatch box, booklet and purchase/guarantee paper40mm wideCase with very light surface scratches in parts, lugs with very minor dents visible under an eyeglass, pleix glass with minor scratches, dial is clean, strap is clean, hand setting correctly, chronograph is working correctly, movement in going order.
A Pair of Portuguese Silver Five-Light Candelabra, by Topázio, Second Quarter 20th Century in the rococo style, the base cast and chased in high relief with foliage scrolls and shells on a textured ground, the baluster stems similarly decorated, the branches with four arms and a central branch, each terminating in a foliage-cast socket with wax-pan37cm high, 69oz 10dwt, 2,162gr (2)Marked on base with maker's mark and stamped 925, Portuguese standard mark lacking. The bases further marked with Austrian import mark. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to the branches, some of which are out of alignment.

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534325 Los(e)/Seite