c. 400. Late Roman. A beautiful light blue jug comprising a slightly tapering body, a long straight neck, a wide flaring, outward flexed rim, and an applied handle. This jar is decorated with applied trailed decoration in a zig-zag pattern which links the rim and the body. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Good Condition. Size: L:160mm / W:55mm ; 62g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.
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Ca. 1-300 AD Roman. A beautiful light green jug with a long straight neck, flat, discoid outward flexed rim, a flaring globular body decorated with an applied trail of red glass, and an applied handle. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Excellent Condition. Size: L:100mm / W:70mm ; 85g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
Ca. 1-300 AD Roman. A beautiful light green flask with a long, outward flaring neck, rounded rim, and a flaring globular body punctuated with indents intended to make holding and pouring liquids from the flask easier. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Good Condition. Size: L:100mm / W:60mm ; 22g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.
1-300 AD Roman. A beautiful light green jar comprising a rounded globular body, a short straight neck, and a wide flaring, outward flexed rim. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Good Condition.Size: L:65mm / W:65mm ; 55g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
1-300 AD Roman. A beautiful light green jar comprising a globular body, a short flaring neck with double outurned rims, and three delicate pinched feet . Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Good Condition.Size: L:80mm / W:45mm ; 35g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
1-300 AD Roman. A beautiful light blue jar comprising a square body, a squat tubular neck, and a thick outward flexed rim. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Good Condition. Size: L:65mm / W:45mm ; 120g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.
1-300 AD Roman. A beautiful light blue jar comprising a rounded globular body, a squat flaring neck, and a thin flexed rim. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. Good Condition.Size: L:80mm / W:65mm ; 35g; Provenance: From an old British collection, acquired on the UK art market in the 1970s.
Ca.1070-945 BC Egyptian. Beautiful light blue faience ushabti figure wearing a tripartite wig, a false beard and holding a two elongated objects. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Good condition. Size: L:240mm / W:45mm (with stand); 220g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.
Ca.1070-945 BC Egyptian. A light green faience ushabti figure wearing a tripartite wig, a false beard and holding two hoes. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Good condition.Size: L:210mm / W:45mm (with stand); 210g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
Ca.1070-945 BC Egyptian. A light blue faience ushabti figure wearing a tripartite wig, a false beard and holding two flails. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Good condition.Size: L:170mm / W:40mm (with stand); 120g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
A Set of Three Victorian Plated Graduated Oval Meat Dish Covers, of slightly lobed form, the handles chased and cast with leaf scroll and floral ornament, 20ins x 15ins x 11.5ins high, 18ins x 13.5ins x 10ins high, and 13.75ins x 11.25ins high x 8.25ins high and a pair of plated five-light candelabra and three plated telescopic candlesticks, the candelabra with four branch candelabra fitments, the whole with scroll and floral cast mounts, on tapered stems and conforming square moulded bases, 20.5ins high, the three candlesticks with reeded mounts, urn pattern sconces, cylindrical stems on circular bases, 9.75ins high
Three Schuco Tin Plate Clockwork Cars, comprising - "Examico 4001", green with red interior, "Akustico 2002", red with green interior, "Tacho-Examico 4002", light blue with red interior, all made in the US zone Germany, and a Triang Minic Toys No. 2 clockwork sports car with horn, blue plastic body, tin plate base plate and red seats, all with keys
A Mid 19th Century French Gilt Brass and Siena Marble Three-Piece Clock Garniture of "Empire" Design, by Japy Freres, No. 1842, the 3.25ins diameter cream enamel dial with Roman numerals and cloud motifs to centre, the outer dial with cast gilt brass signs of the Zodiac, to the eight day two train movement striking on a bell and with sunburst pattern pendulum, contained in gilt brass drum pattern case supported by four leaf capped columns and surmounted by two-handled classical urn, on rectangular plinth base, 18.5ins high, and a pair of five-light candelabra with leaf capped branches and flambeau finials, on square stepped bases, 20.75ins high
A Late 19th/Early 20th Century French Gilt Brass and Champleve Enamel Three-Piece Clock Garniture of "Louis XV" Design, retailed by Maple & Co. of Paris, No. 2491, the clock with embossed gilt brass dial with raised Arabic numeral cartouches, to the eight day two train movement striking on a bell, contained in balloon pattern case surmounted figure of a Cupid and with bold leaf and shell pattern mounts, the champleve enamel ground decorated in Royal blue, pale blue and cream, with trailing leaf and floral ornament, the shaped base with paw feet, 11ins high, and pair of conforming two-light candelabra, each supported by standing figure of Cupid and each on four turned feet, 7.25ins high
A Schoenau & Hoffmeister bisque socket head doll, blue glass paperweight sleeping eyes, open mouth, four top teeth, light brown wig, jointed composition and wood limbs, light blue lace trimmed dress and bonnet, socks and leather shoes, 26" high, marked S PB(in a star) H 914 11 (Est. plus 21% premium inc. VAT)
A group of seven Victorian fairings, comprising The Night Cap, Going To The Ball Returning At One O'Clock In The Morning, The Wedding Night, Twelve Months After Mariage (sic), The Last In Bed To Put Out The Light, Sarah's Youngman, together with a figural ceramic match box and cover, with striker to base, a/f several with damage. (8)
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