1936 Mercedes-Benz 170V Roadster Transmission: manualMileage:The Mercedes-Benz 170V (W136) was the company's chief four-cylinder offering from 1935 through to 1955. It was available in saloon, cabriolet, roadster, cabrio-limousine and even pickup and van guises. Pre-1950 the range was powered by an engine of 1697cc capacity. Total production of the W136 line numbered some 158,196 units.This wonderful left hand drive 170V two-seater is believed to be one of only 13 dickie-seat versions remaining of circa 250 produced. It is thought to have come off the production line in 1936 and subsequently brought to the UK by its first keeper, a Baron Von Rautenburg, the then consul of the German embassy in London. First UK registered just nine days before the outbreak of WWII. While much of the history has sadly been lost, there are some early images of the car whilst owned by its second keeper an A J Ray Whiteway, who was Chairman of the Mercedes-Benz Club from 1963 to 1970. They even include shots of the car competing in the club's first ever concours d'elegance, which was held at Gerrards Cross in 1953. Club records suggest it was then owned by a D S D Lenoir before being acquired by the vendor in 1974. He apparently purchased it as a non-runner for £1,000 and had it restored in Oxfordshire, during which the colour was changed from white to its current livery of brown over yellow. The black vinyl interior trim is believed to be original and we understand the existing engine is, however, a 44bhp post-war unit of 1701cc, that appears to have been installed in the late 1960's / early 1970's. Evidently it has only done 200 miles since being thoroughly rebuilt some five years ago, at which time the brake system was overhauled and the clutch was inspected but deemed to be in good order. Recent maintenance has included the replacement of the water pump, front wheel bearings and tyres, while within the last 200 miles a reconditioned differential has been purchased from Germany and installed. The vendor now considers the powerplant and manual transmission to be in very good order.Black and white images by kind permission of the Mercedes-Benz Club Archives.Interested parties should note that contrary to the catalogue description, this example has not run in circa five years and as such general recommissioning will be required. However, prior to this five-year period the Mercedes was treated to a mechanical restoration, and we believe only light recommissioning will be required.
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1985 Volkswagen Scirocco GTi Transmission: manualMileage:80444The Scirocco is a three-door coupé undergoing two generations of development between 1974 and 1992 before being re-introduced for a third generation in August 2008. Volkswagen began work on the car during the early 1970's as the replacement for the ageing Karmann Ghia coupé. The platform of the Golf and Jetta was used to underpin the new Scirocco, although almost every part of the car was re-engineered in favour of a sportier drive and the model's all-new styling resulted in a sleeker and sportier car than either the Golf or Jetta. A heavily re-designed Mk. II variant went on sale in 1982; a unique feature of which was the location of the rear spoiler midway up the glass on the rear hatch. A mid-cycle update occurred in 1984 which included minor changes over the 1982 model; a redesigned air conditioning compressor, a modified brake master cylinder with in-line proportioning valves and a brake light switch mounted to the pedal instead of on the master cylinder, also a new space-saver spare wheel was added, which provided room for a larger fuel tank. Leather interior, power windows and mirrors, air conditioning, and a manual sunroof were options for all years. As with the first generation Scirocco's, the car was assembled on behalf of Volkswagen by Karmann of Osnabrück.This left hand drive, UK registered, totally original and rare example was supplied new to Germany and comes with a Certificate of Authenticity. It is presented in gleaming red with black GTi cloth interior and comes with, its original brochure, price list, radio, Scirocco Club register owner, electric windows, twin headlights and has low mileage considering its year of manufacture. These were striking looking sports coupés when produced originally and they have certainly survived the passage of time in terms of design. Great fun and very retro!
1979 Mercedes-Benz 450 SLC Transmission: automaticMileage:73000The SLC model was based on a lengthened version of the chassis from the R107 SL. Introduced in 1971 as the replacement to the W111 coupé it continued in production until 1981 when the S-Class C126, better known as the SEC model, replaced it. A total number of 62,888 SLC models were produced making this the third most rare model of Mercedes-Benz. The 450 SLC 4.5 model numbering just 31,739.Registered in August 1979, this C107 series has covered 73,000 miles. With a comprehensive history file and a documented restoration to bodywork, including sills and bulkhead areas completed in 2017, this 450 SLC presents and drives superbly. Finished in Astral Silver metallic paint with contrasting Anthracite velour trim and walnut wood veneer centre console. With standard equipment including all electric windows, central locking, power steering. This car has the factory fitted electric sliding steel sunroof, 14€ Bundt light alloy wheels fitted recently with four new period correct tread tyres, a re-trimmed OEM (new old stock) interior trim, and seat belt feeders. The most recent owners have made several improvements during their ownership to include the addition of a Blaupunkt CD/radio with full Bluetooth connectivity, all ceramic electrical fuses have been replaced and new front fog lamps and brackets fitted. The C107 models have been steadily appreciating in value during the past few years, especially cars of this standard which has featured in Mercedes Enthusiast magazine.
1983 Mercedes-Benz 500 SL Transmission: automaticMileage:185512The Mercedes-Benz SL is a roadster manufactured since 1954 and the designation SL derives from the German 'Sport Liecht' or 'Sport Light' and was first applied to the 300 SL 'Gullwing' named after the upward-opening doors. The term SL-Class refers to the marketing variations of the vehicle, including the numerous engine configurations spanning five design generations. The Mercedes-Benz R107 and C107 automobiles were produced from 1971 through to 1989, being the second longest single series ever produced by the Mercedes-Benz, after the G-Class. The R107 took the chassis components of the mid-size W114 model and mated them to the larger engines from the S-Class (W116). The SL variant was a two seat convertible/roadster with standard soft top, hardtop and optional foldable seats for the rear bench. Volume production of the first R107 car, the 350 SL, started in April 1971 alongside the last of the W113 cars.This Mercedes-Benz 500 SL is a fine example of a classic sports car. Fitted with the superb five litre V8 engine, we are informed the drive is effortless and listening to the 'purr' of the engine enhances the enjoyment of owning such a vehicle. Finished in light metallic blue with contrasting interior and with the desirable hardtop, this car is supplied with a V5C registration document and MoT test certificate valid until December 2023. This fine example can be enjoyed immediately and is ready for the coming summer months.
ART DECO BLACK VITROLITE GLASS BATHROOM SPLASHBACK with canted swivel mirror above shelf and two holders83cm high, 56cm wideShelf has a chip rear right corner as well some visible scratches; usual wear to chromed finish; distress to the silvering of mirror lower section; slight fritting and nibbles to outline and light general wear; lower left fixture somewhat loose
MODERNIST SCOTTISH SILVER PENDANT ON CHAIN MAKER S.M.S, EDINBURGH the pendant with hammered finish, suspended on a chain with Sterling silver clasp, gold toned spacers, lapis lazuli and rock crystalthe chain 40cm long overall, the pendant 3.7cm longSome slight surface nicks to the silver, outline of pendant slightly uneven but this is a handmade hammered piece so likely by design, light general wear but no major issues to note
VIOLET ELMER FOR CARLTON WARE, ART DECO 'FANTASIA' PATTERN VASE CIRCA 1930-39 decorated with a repeated design of exotic birds against draped foliage, highlighted in gilt against a pale blue ground, the interior glazed in fuschia, no. 5/2596 and 3427 with Carlton Ware Made in England Trademark to base10cm highSome light crazing, some very slight rubbing to the gilt at the rim, some very slight and small glaze scarcthes to the powder blue, slight underglaze firing spots and blemishes, otherwise in good order with no visible cracks or restorations; additional images available
CONNUBIA CALLIGARIS, PAIR OF 'JAM' DINING CHAIRS EARLY 21ST CENTURY with pierced bicolour polycarbonate seat in white and fuschia, raised on chromed tubular supports, stamped to underside81cm highQty: 2Both with light surface scratches, one with more pronounced to seat; some slight surface hairlines around the pierced sections; general marks and scuffs, would benefit from a thorough clean and light overall reconditioning but no structural issues; additional images available
A BORDER FINE ARTS TABLE LAMP 'TALLY HO!' B1021, in the form of a tree trunk, a rider on a grey horse jumping a fence with three hounds following, signed Annie Wall, on a circular wooden base, height 32cm, width 24cm, together with six clover leaf place mats and coasters, 'Old Hunting' design, boxed (3) The lamp is in overall good condition, however, you will need to fully replace the light fitting and lead
EBEL STAINLESS STEEL QUARTZ WRIST WATCH the round orange dial with Roman hour markers, outer seconds track in black, 24mm case, on a stainless steel bracelet with concealed clasp, in box, with papersMOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.CLASP: Working order.
ROTARY NINE CARAT GOLD QUARTZ WRIST WATCH the round cream dial with baton hour markers, 17mm case, on a nine carat gold bracelet, 13.8g, lacking box and papersMOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.CLASP: Working order.
ACCURIST NINE CARAT GOLD QUARTZ WRIST WATCH the oval white dial with Roman hour markers, 15mm case, on a nine carat gold bracelet, 15.2g, lacking box and papersMOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Fair condition.CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.CLASP: Working order.
ROTARY NINE CARAT GOLD QUARTZ WRIST WATCH the round cream dial with baton hour markers, 18mm case, on a nine carat gold bracelet, 12.7g, lacking box and papersMOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.CLASP: Working order.
ORIS GOLD PLATED AUTOMATIC WRIST WATCH the round silver coloured dial with wedge hour markers, outer seconds track in black, 32mm case, on a tan pig skin strap, lacking box and papersMOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.
DREYFUSS & CO EIGHTEEN CARAT GOLD the square textured dial with Roman hour markers, outer seconds track in black, subsidiary dial at 6, 22mm case, on a brown leather strap, in box, with papersMOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Well wornCLASP: Working order.Box is in bad condition.25.2g
OMEGA MANUAL WIND WRIST WATCH the round cream dial with baton hour markers, 20mm gold plated case, on a nine carat gold bracelet, 16.5g, lacking box and papersMOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.CLASP: Working order.
TAG HEUER GENTLEMAN'S TAG HEUER LINK STAINLESS STEEL QUARTZ WRIST WATCH the round black dial with wedge hour markers, outer seconds track in black, date aperture at 3, 38mm case, on a stainless steel bracelet with concealed clasp, in box, lacking papersMOVEMENT: Ticking at present. WEAR: Well worn. Scratched all over. DIAL: Marks and nicks visible. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Heavily scratched. CLASP: Working order.
RAYMOND WEIL LADY'S RAYMOND WEIL PARSIFAL STAINLESS STEEL QUARTZ WRIST WATCH the round mother of pearl dial with diamond dot hour markers, 22mm case, on a stainless steel bracelet with concealed clasp, in box, with papersMOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Good condition. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Worn, stretched. CLASP: Working order.
RAYMOND WEIL LADY'S RAYMOND WEIL SHINE DIAMOND SET STAINLESS STEEL QUARTZ WRIST WATCH the rectangular dial lacking hour markers, diamond inner track, bezel and lugs, 19mm case, on a stainless steel bracelet with concealed clasp, in box, with papersMOVEMENT: Not ticking at present. WEAR: Heavily worn. DIAL: Discoloured/dirty. CRYSTAL/ACRYLIC: Some light marks visible. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Heavily worn.CLASP: Working order.
BREITLING GENTLEMAN'S BREITLING SUPER AVENGER II STAINLESS STEEL AUTOMATIC WRIST WATCH A1337111, 2906048, the round black dial with baton hour markers, outer seconds track in white, date aperture at 3, three subsidiary dials, 48mm case, on a stainless steel bracelet with foldover clasp, in box with papersMOVEMENT: Ticking at present.WEAR: Well worn. Scratched, nicked, etc.DIAL: Fair condiiton.CRYSTAL/ACRYLIC: Some light scratches visible.HANDS & MARKERS: Intact.CROWN: Intact.BRACELET/STRAP: Generally worn.
Exhibition Poster Contemporary Japanese Prints, a travelling exhibition arranged by the Circulation Department of the Victoria and Albert Museum, designed by H.M.S.O, printed by Swindon Signcraft Ltd., rolled, 19 ¼ x 29 inches. Condition Report: light creasing, overall good condition with strong colour.
PAIR OF LIGHT BROWN DIAMOND STUD EARRINGS CERTIFICATED set with round brilliant cut diamonds totalling approximately 1.44 carats, in eighteen carat rose gold, with accompanying WGI report number WG9624140709Colour O-P, Clarity SI2Lightly worn. Some opacity to the stones. All claws intact. Stones secure. Colour graded as O-P, clarity SI2
Edwin L. Meadows (British fl.1854-1872) "Chat by the Wayside" Unsigned, titled on gallery label - 'Ryland Fine Art' verso, oil on canvas.49cm x 74.5cm (19.25in x 29.25in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is some minor cracking across the surface of the painting and one or two small scratches and scuffs near the lower edge of the canvas. The painting is ornately framed but not glazed.
A selection of 18th century silver spoons, A selection of 18th century silver spoons, old English pattern, various hallmarks London 1746-1763, gross weight 12.04ozt. Overall condition good to fairSome marks partially indistinctTwo Elizabeth Tookey, London, 1759 - W.I.M scratchmarks to terminal, marks clearFour James Tookey, London, 1763, crest to terminals, some light dents to bowlsOne sponsor's mark indistinct, London, 1746, with crest to terminal, small dents to bowlsOne sponsor's mark JG, London, date letter indistinct, crest to terminal - scratched to terminal near bowl '2=7=1/2'
English School (19th century) Two portrait miniatures Depicting John Yeoman of Ruebury, Osmotherley and John Austwick, both unsigned, titled on verso, watercolour and cut paper silhouette (2).14.5cm x 11.5cm (5.75in x 4.5in) and 10cm x 8cm (4in x 3.25in)Qty: 2The miniatures are both in very good, original condition. The silhouette backing paper has browned universally and there is some light time staining and browning around the edges of the paper near the mount board of the watercolour. There are some minor spots of foxing across both the sheets. The miniatures are both ornately framed and glazed. The frame have some scuffs and knocks.
Constantin Baumgartner-Stoiloff (Austrian/Russian 1850-1924) Advancing cossack convoys Both signed, a pair, oil on canvas (2).each 66.5cm x 103cm (26.25in x 40.5in)Qty: 2The painting are both in good, restored condition. The paintings have been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed in areas across the paintings. The paintings are both ornately framed but not glazed. The frames have some knocks and losses.
A selection of silver, A selection of silver, to include a Victorian silver vinaigrette, a coin case and and a silver mounted coin purse (3).Overall condition fair to goodCoin case - Cohen & Charles, marks indistinct, shuts to, dent and thinning - leather liningVinaigrette - Hilliard & Thomason, Birmingham, 1888, shuts to, marks clear, light dentsCoin purse- fair to poor condition - chain base metal, hallmarks for London, 1900, sponsor's mark indistinct
A Victorian three piece silver tea set, A Victorian three piece silver tea set, William Richards, London, 1841, gross weight 47.08ozt. Overall condition good to fairScratches, dents and discolouration in keeping with age and useMarks - clear and legible, some slight wear around sponsor's mark but clearJewellers inscriptions to the base of the itemsSits squareTeapot - light scratches in keeping with age and use, lid shuts to, some splitting and discolouration to insulatorsMilk jug - pinpoint and larger shallow dents throughout Sugar pot - pinpoint and shallow dents mainly to one side
Orientalist School (19th century) "The Harem Girl" Unsigned, oil on canvas.89cm x 68cm (35in x 26.75in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and the surface is grubby. There are some surface marks, scuffs, dints and flecks of paint loss across the painting. There is some minor craquelure in areas across the surface of the painting. The painting is ornately framed but not glazed. The frame has some knocks and losses.
Three lighters, Three lighters, to include a George V silver lighter, Hamilton & Co., Birmingham, 1926, an Omega stainless steel lighter and a 900 silver lighter (3).Overall condition fairHamilton - marks worn but partially distinct - lid shuts to, light scratches and dents in keeping with ageOmega - wear and discolouration900 lighter - scratches in keeping with age
Manner of Jacob Gerritsz. Cuyp (Dordrecht 1594-1651/2) Haymaking Bears signature, oil on canvas laid on board.40cm x 33cm (15.75in x 13in)The painting is in fair, restored condition. The painting has been laid onto board. Under UV light there is evidence of extensive cleaning and overpainting. The varnish has yellowed in areas across the painting and there are some light creases to the canvas. The board has dropped slightly within the frame. The painting is ornately framed but not glazed. The frame has some knocks and losses.
After William Mulready R.A. (British 1786-1863) "Choosing The Wedding Gown" Unsigned, oil on canvas.74.5cm x 64.5cm (29.25in x 25.5in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of repairs and overpainting. The surface is a little grubby and there are some scuffs and small areas of paint loss around the edges of the canvas. There is craquelure across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some minor knocks and losses.
Circle of George Morland (British 1763-1804) Sheep Bears initials, oil on canvas laid on board.24.5cm x 29.5cm (9.5in x 11.75in)The painting is in good, restored condition. The canvas has been laid on to board. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed in areas and the surface appears to be grubby with some minor scuffs and other surface marks across the painting. There is craquelure and cracking across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
A selection of silver, A selection of silver, to include a Christening mug by Sterling Silver Manufacturing Company, a silver miniature hip flask, two egg cups and a mother of pearl fruit knife, gross weight 6.32ozt. Overall condition good to fairChristening mug - Engraved 'Mary E' , numbered 0907, stamped SSMC SterlingHip flask - length 9.5cm, personal inscription dated 1911, hallmarks for G & J W Hawksley, Sheffield, 1909, dents throughout, lid closes toEgg cups - hallmarks for B&Co, Birmingham, 1965 and Hilliard & Thomason, Birmingham, 1895, light dentsFruit knife - hallmarks for White, Henderson & Co, Sheffield, 1870, doesn't fold to, reverse panel chipped
An Archibald Knox for Liberty & Co. Tudric pewter and enamel mantel clock, An Archibald Knox for Liberty & Co. Tudric pewter and enamel mantel clock, no. 0609, circa 1900-1905, Arabic markers to chapter ring, vari shade enamel dial and rectangular pewter case, Lenzkirch movement signed and numbered L191, 73***7, height 20cm. This clock model by Archibald Knox was featured on a 1989 postage stamp from the Isle of Man.Stephen Martin, Archibald Knox, London, 1995, p. 89Overall condition good to fairGlass deficientJewellers inscriptions to inside of caseWith keyBase marks covered by fabric and adhesive - some wear to fabric and snaggingSome light nibbles and losses to enamel in keeping with age, most noticeable to 3Key numbered 175 325The balance wheel starts but slows after a few seconds, eventually coming to a stop. Will require cleaning or further refurbishment to run.
Herbert St. John Jones (British 1872-1939) "The Old Lamb Hotel, Hospital Street, Nantwich, about 1830" Signed, inscribed, dated 1913 and further inscribed "Original copyright sketches of Sporting Cheshire" on verso, oil on canvas.29.5cm x 45cm (11.75in x 17.75in)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed.
After Raphael (Italian 1483-1520) "Madonna della Sedia" Unsigned, tondo, oil on panel.diameter 31.5cm (12.5in)This composition is after the original currently held in the permanent collection of the Palazzo Pitti, Gallerina Palatina, Florence, painted in 1514.The painting is in good, restored condition. Under UV light there is evidence of repairs and overpainting. There is extensive craquelure and cracking across the surface of the painting together with areas of bitumen deformation. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Edwin Frederick Holt (British 1830-1912) "The Family Hunting Party, After The Kill" Signed and dated 1863, oil on canvas.59.5cm x 49cm (23.25in x 19.25in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is some minor cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Herbert William Weekes (British 1841-1914) Cowering dog with two cats Signed, oil on canvas.39cm x 29cm (15.25in x 11.5in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
William Mellor (British 1851-1931) "On the Llugwy, North Wales" Signed, oil on board.15.5cm x 33.5cm (6in x 13.25in)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is a small surface scuff near the upper centre edge of the painting. The painting is ornately framed but not glazed.
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