A Victorian carved walnut and upholstered sofa, of diminutive proportions, later re-covered in striped fabric, the arched button back extending to carved scrolled terminals, and enclosing the sprung serpentine seat, above a channelled apron centred with a carved foliate crest, raised upon leaf carved French cabriole front legs, plain back swept rear legs and castors, 64cm H x 137cm W x 67cm DCondition reportLight water stain to the RHS of the seat, rubbed mark to the top of the back rest and also on the RH side, minor fading to the rear apron frame, general light marks and scuffs to the legs commensurate with age and use. Little or no play in the joints or frame.
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A 19th century mahogany wall shelf, the three shelfs united by ring turned uprights and lattice cross stretchers, 68cm H x 84cm W x 13cm D, along with a second mahogany wall shelf, the three tiers united by tapering supports, 50cm H x 61cm W x 20cm D (2)Condition reportBoth sets of shelves with little or no play in the joints, general light wear, marks and scuffs to both sets with no major visible splits, cracks or faults.
An early 19th century ash, elm and yew Windsor elbow chair, the arched back with a central pierced splat over the elm saddle seat, raised upon ring turned baluster legs culminating in peg feet and united by a crinoline stretcher, 90cm highCondition reportLittle or no play in the chair joints, general light wear commensurate with age and use, otherwise no visible cracks, splits, faults or repairs.
A Victorian figured walnut davenport, the raised back with a three quarter brass gallery over a hinged stationery compartment flanked by a bank of two drawers to both sides, above a skiver inset hinged slope and four drawers opposed by four faux drawers, raised upon a plinth base and castors, 100cm H x 56cm W x 56cm DCondition reportMinor water and ring marks to the top, also two lengths of inlay missing, both 5cm long. Split to the slope, 25cm wide, both bottom drawers are 'tight'. General light wear, marks and scuffs, patina is dull and would benefit from a clean and polish.
A George II style figured walnut desk, by Edwards & Roberts, late 19th Century, the rectangular book veneered top with a moulded edge over an arrangement of five drawers, applied with brass swan neck swing handles and flanked by canted and fluted corners, raised upon shell and foliate carved cabriole legs culminating in pointed pad feet, the central drawer stamped with the makers name, 73cm H x 118cm W x 57cm DCondition reportVery minor veneer blisters to the desk top along with two veneer repairs, each 5cm diameter, also general light abrasive wear, with some evidence of light sympathetic restoration.
A pair of early 20th century club chairs, later re- covered in Colefax & Fowler foliate pattern fabric, each with typical deep set arms and back rest above a sprung seat, raised upon front bun shaped feet with inset castors, 82cmCondition reportGeneral minor light stains and marks to both chairs, minor evidence of historic worm to the feet on both chairs (please see additional images), one chair has a 'soft' seat which appears to be compressed, the same chair has some slight movement in its joints.Condition of the chair frames is difficult to assess due to the upholstery and structure of the chair.
An early 20th century oak drop leaf table in the manner of Liberty, the rectangular top raised upon openwork supports in the form of stylised tulips, upon plain stile type feet, 74cm H x 90cm W x 39cm D extending to 129cmCondition report Some light scratches and worn patches to the table top, 1cm chip to gateleg support, joints appear firm with little or no play, further light rubbing marks and scuffs commensurate with age and use.
An Art Deco figured walnut dressing table of odeonesque design, with a circular mirror over a pair of quadrant shaped swing drawers, and three central frieze drawers flanked by pedestal cupboards, each enclosing sliding trays, raised upon an inverted plinth base, 143cm H x 123cm W x 49cm DCondition reportSome evidence of damp to the back panels, some fading and light water marks to the LHS. General light scuffs and wear to the plinth base, overall general light marks and fading commensurate with age and use.
An Art Deco figured walnut gentleman's wardrobe, the quarter veneered top above a single drawer and a pair of doors opening to a single shelf and two sliding trays, raised upon an inverted plinth base, 140cm H x 92cm W x 48cm DCondition report44cm interior depth.Overall light fading, 1cm scuff mark to the LHS, 3cm chip to rear LH corner, similar chip to the bottom LH corner on the same side.General light scuffs and fading to the plinth base.General light wear commensurate with age and use.
An Edwardian Sheraton Revival rosewood ladies break front writing desk, the shaped central frieze drawer inlaid with foliate detail and flanked by a pair of drawers to each side, raised upon slender legs of tapering square section and ceramic castors, 73cm H x 91cm W x 49cm D Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for a de minimis exeemption licence for the ivory in this lot. Refernence 6H7717Y1Condition reportOne drawer handle detached, very minor chips and losses to inlay on the drawer, further minor losses to the stringing on the front legs, 2cm long.Overall good condition with general light wear only commensurate with age and use, no visible cracks, splits, faults or repairs.
An assortment of vintage 20th century fine bone china cups & saucers. The lot to include a Royal Albert "Country Roses" cup & saucer, a Royal Albert "Lady Carlyle" cup & saucer, two Czechoslovakian light blue & cobalt cups & saucers with gilt decorations, an Imperial Porcelain St. Petersburg "Mockba" cup & saucer, an unmarked cup, saucer & plate (trio), together with a coffee cup & saucer with applied ceramic detailing in floral patters & a butterfly shaped handle.
A CULTURED PEARL, OPAL AND DIAMOND NECKLACEThe graduated cultured pearls measuring approximately 6.65 - 9.15mm strung as a three-row necklace, interspersed with oval opal cabochon and brilliant-cut diamond clusters, leading to a similarly-set pear-shaped cluster frontispiece and drop, the clasp en suite, mounted in 18K gold, indistinct assay marks, diamonds approximately 4.25cts total, length 40cmCondition Report: Cultured pearls: Creamy off white body colour with mostly yellow and some pinkish overtones, soft-medium lustre, typical surface blemishes and dimpling, scratches and some small patches of peeling evident under close inspection. Some knots frayed and some with adhesive evidentDiamonds: Bright and lively - approximately VS2-SI2 clarity, cannot be accurately assessed for colour due to yellow settingsOpals: Translucent whitish body colour, water opal appearance, mostly green flashes, some blue/purple and red to one at certain angles. One opal crazed throughout. Others with some small inclusions and veinsTwo indistinct marks to tongue. Clasp secureGold with light wear consistent with occasional use, overall good conditionTotal gross weight approx. 127.5g
A DIAMOND DRESS RINGThe pear-shaped diamond of yellow tint in a rubover setting, within a surround of brilliant-cut diamonds and between similarly-set shoulders, with openwork scrolled gallery and engraved foliate shank, mounted in 18K gold, ring size M Condition Report: Principal diamond in almost fully closed-back yellow setting (small hole under culet but cannot be accessed for depth measurement) - spreads at approximately 13.26x9.16x5.63mm - very approximately 4.20ctsDue to yellow setting colour cannot be accurately graded - estimated clarity VS1/2 clarityRemaining diamonds bright and lively Stamped 750 and 18K - light wear, overall good condition Total gross weight approx. 11.3g
A RUBY AND DIAMOND CLUSTER RINGThe cushion-shaped ruby weighing approximately 2.15cts within a surround of old brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 2.20cts total, ring size SAccompanied by a report from GCS laboratory in London stating that the ruby weighing approximately 2.15cts is of Burmese origin, with no indications of heating. Report no. 5782-1719, dated April 29th 2022Condition Report: Ruby: of pinkish-red hue, medium tone, strong saturation, good transparency, minor natural inclusions visible under a bright light source, minor pits visible with 10x magnificationDiamonds: approx. 2.20cts total, estimated colour H/I, estimated clarity VS-SIYellow metal and white metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 6.30g
AN EMERALD AND DIAMOND CLUSTER RINGThe central circular-cut emerald weighing 5.89cts within a brilliant-cut diamond frame and further circular-cut emerald accents, mounted in 18K gold, diamonds approximately 0.50ct total, French assay mark, ring size PAccompanied by a report from CISGEM in Milan, stating that the emerald weighing 5.89cts is Colombian origin, with moderate clarity enhancement. Report number 18382, dated March 17th 2021Condition Report: Emerald: of bluish-green hue, medium tone, good transparency, natural inclusions visible under a bright light source (surface reaching one present), facets are smoothDiamonds and remaining emeralds: bright and respectively well matched in colourEagle's head mark for French 18K gold located on the outside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 6.2g
A RARE & COLLECTIBLE MYSTERY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH, BY VAN CLEEF & ARPELS The realistically modelled flowerhead mystery-set throughout with calibré-cut sapphires, with a brilliant-cut diamond cluster to the centre, mounted in 18K gold, signed Van Cleef & Arpels, numbered, maker’s mark for VCA, French assay marks, length 4.8cmPatented in 1933, Van Cleef & Arpels celebrated ‘Serti Mystérieux’ or ‘Mystery Setting’ marked a serious advancement in jewellery making. Developed by the renowned jeweller Alfred Langlois, who had been creating work exclusively for the maison since the year prior, the technique which would soon become synonymous with fine jewellery craftmanship was simple in concept but complex in execution. Although other maisons such as Cartier and Chaumet had also investigated this technique in their respective workshops, it would Van Cleef & Arpels that would release this revolution in jewellery making to the world.The Mystery Setting “is a technique which allows the jeweller to model any form, any movement”. The setting is so called for the apparently invisible mounting of the stones, an effect which makes them almost look as though they are floating. The method involves setting precious stones independent of any visible claws or prongs, allowing the full richness of the stone to create a dazzling landscape of colour for the viewer without the intrusion of metals. However, achieving this effect requires great skill from the jeweller, of which only a few in the world hold the ability, and it can take months to produce just one piece of jewellery. First, the stones must be cut to size, creating even, small chips that will lay alongside each other in perfect symmetry. These small chips are then whittled even further to create a groove at their base. This groove then allows the stone to slot neatly into the lattice that will secure it in place. The lattice, or rail, which consists of tiny wires no more than 0.2mm thick, is then placed in the main structure of the piece, acting a keystone by locking the stones in position. Each stone must line up exactly with one another to remain set and avoid gaps to create the seamless look that catapulted Van Cleef & Arpels to the lofty position they hold in the jewellery world to this day.Once the technique was mastered, the maison moved quickly and the Mystery Setting would feature heavily in their output. Initially the setting could only be applied to flat surfaces, such as cigar boxes and beauty compacts, but in 1935 the highly coveted Boule ring would be released, a design consisting of a thick, convex dome studded with rubies and sapphires that still appears prominently in the maison’s contemporary collections. A flood of brooches, necklaces and bracelets would follow and with them, the attention of the era’s style icons, such as the Duchess of Windsor. The ‘Deux feuilles’, or two leaves, design in particular, lent itself well to capturing the depth of colour the Mystery Setting evokes.Other techniques would be developed from the Mystery Setting by Van Cleef & Arpels; the Navette Mystery Set, created in 2000, utilises marquise-cut stones to create a more 3D effect echoing the depth of a bird’s plumage and flower petals, while the Vitrail Mystery Set, created in 2012, also conceals the back of the mount and gives the stones a translucency that plays with light and reflection. Although rubies were initially preferred for the setting, the maison would gradually enter sapphires, emeralds (previously deemed too brittle), and diamonds into the roster, such as in the ‘Licorne’ brooch from their 2016 Noah’s Ark collection which featured sapphires, emeralds, diamonds and turquoise in the traditional Mystery Setting.The consistent appearance of the Mystery Setting speaks to its perfection as a method and in the resulting jewellery.Condition Report: Sapphires: Generally well matched and with good transparency, medium tone. Some with zoning at certain angles. One sapphire deficient, two sapphires next to the deficient sapphire loose with chip and would also need to be replaced.Diamonds bright and livelyFrench eagle’s head assay mark for 18K gold, dog’s head for platinum, maker’s mark for VCA, signed, numbered M39819Clip with good tension, one pin slightly misshapenGold with light wearTotal gross weight approx. 27.8g
A PAIR OF CULTURED PEARL AND DIAMOND EARRINGSEach set with a row of brilliant-cut diamonds and terminating in a baroque-shaped cultured pearl measuring approximately 17.2 x 14.2mm and 15.3 x 15.0mm, mounted in 18K gold, Italian registry mark, length 2.7cmCondition Report: Cultured pearls: Whitish body colours with pink and grey overtones, medium-soft lustre, typical uneven skins with dimpling, spots, signs of sub surface crazing etc. Adhesive evident around settingsHook and clip fittings - clips with good tension Stamped 750 for 18K gold and with Italian assay mark Light wear, overall good condition Total gross weight approx. 15.3g
A TURQUOISE AND DIAMOND DRESS RINGSet with an oval-shaped turquoise cabochon at the centre, within a surround of brilliant-cut diamonds, mounted in gold, diamonds approximately 2.70ct total, ring size O½Condition Report: Turquoise: A chip visible under a bright light sourceDiamonds: approx. 2.70cts total, unable to assess colour due to yellow mount, estimated clarity VSYellow metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear - apart from chip on turquoise, in good conditionTotal gross weight approx. 10gPurchased at Sotheby's, sale July 5th 2019, lot 156 (estimated CHF2,000-3,000 - sold (including premium) CHF 4,000
A DIAMOND ETERNITY RING, BY CARTIERThe continuous line of brilliant-cut diamonds within claw-setting, mounted in platinum, signed Cartier Paris, with maker's mark (indistinct), French assay mark, ring size PCondition Report: Diamonds: approx. 0.84ct total, estimated colour F/G, estimated clarity VS (some facet abrasions visible under 10x magnification with bright light source)Signature: Cartier Paris, located on the side of the hoop (starting to rub away)Dog's head for French platinum located on the side of the hoopMaker's mark, indistinct, also located on the side of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g
A PAIR OF 'MEDITERRANEAN EDEN' EARRINGS, BY BULGARISet with polished amethysts each inlaid with a brilliant-cut diamond suspending a spinning gold disc with 'Bvlgari' inscriptions, polished peridot and gold bead drop, mounted in 18K gold, signed Bvlgari, Italian registry marks, with maker’s case, length 3.6cmCondition Report: Gemstones bright and lively with good transparency Post and clip fittings, clips with good tension Italian assay marks, 750 for 18k gold, signed, numbered AK7WHV and with MADE IN ITALY Light wear, overall good condition Total gross weight approx. 18.3g
A GEM-SET LARIAT NECKLACE, BY BULGARIThe blue cord lariat with a gold zip-like slider set with a sapphire cabochon, with step-cut diamond and ruby cabochon highlights, mounted in 18K gold, signed Bvlgari, Italian registry mark, with maker's mark, French import marks, length adjustable Condition Report: Gemstones bright and livelyConstruction pin to reverse of slider not flushSigned. Italian assay mark, 750 for 18K. Two French owl import marks. ‘Sté AP’ in oval punch. Indistinct engraving - possibly ‘cm 1.69’Light wear, overall good condition Total gross weight approx. 22.5g
A TITANIUM AUTOMATIC 'H08' CALENDAR BRACELET WATCH, BY HERMÈSThe 28-jewel Cal-H1837 automatic movement, circular black and grey dial with applied Arabic numerals with luminous inserts, inner minute markers, date aperture between 4 & 5 o'clock, polished baton hands with luminous inserts, polished centre seconds with orange tip, sunburst satin-brushed titanium bezel, crown with H logo, back secured by 6 screws with glazed aperture revealing movement, case no. SP1.741, fitted satin brushed and polished titanium bracelet with double folding clasp, dial, movement, case and bracelet clasp signed, with four extra links, serial no. 35537**, with maker's case and outer box, case 38mmAccompanied with its certificate of authenticity from Hermès in Milan, dated May 21st 2022Condition Report: Glass: no scratches observedCase: a minor scratch visible above the crown, under a bright light source when tilting the watchBracelet: superficial to no signs of wearExtra four links: superficial to no signs of wearMovement signed Hermes - movement clean - in running condition at the time of inspectionRetail price as per receipt provided by client: €5,600An external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
AN EMERALD AND DIAMOND CLUSTER RINGThe collet-set oval-shaped emerald within a double brilliant-cut diamond frame, mounted in 18K gold, diamonds approximately 1.80ct total, ring size OCondition Report: Emerald: unable to gauge a carat weight due to collet setting - of bluish-green hue, medium tone, good transparency with natural inclusions visible under a bright light sourceDiamonds: approx. 1.80ct total, unable to assess colour due to yellow mount, estimated clarity SINormal signs of wear, overall in good conditionTotal gross weight approx. 8.6g
A PAIR OF GEM-SET CORAL AND WOOD EARCLIPS, BY FREDERIC BEZIAT FOR L'ORÉE DU BOIS, CIRCA 1990Each set with a circular coral cabochon within a petal surround of pear-shaped citrine cabochons applied to a ebony wood plaque, mounted in 18K gold, signed, maker’s mark, length 2.8cm** Please note that this lot contains coral and might be subject to CITES regulations when exporting outside of the EUCondition Report: Coral: Salmon coloured, whitish veining and mottling, natural structure evident under 10x magnification, some pittingCitrines: Very good transparency with some residue/foxing evident through stones between settings, some minor abrasions evident under 10x magnification. Gold collets with some discolouration Clips with good tension Signed and with maker’s mark ‘Sté B F’, stamped FRANCE and 750 for 18K gold, clips additionally stamped - indistinct, possibly ‘SGD?’Light wear, overall good conditionTotal gross weight approx. 39.7g
AN EMERALD AND DIAMOND CLUSTER RINGThe rectangular cut-cornered emerald within a four-claw setting to a brilliant-cut diamond frame with two baguette-cut diamond accents, mounted in 18K gold, diamonds approximately 1.30cts total, ring size PCondition Report: Emerald: approx. 1.90ct, of bluish-green hue, light to medium tone, good transparency, minor inclusions visible with naked eye under a bright light sourceDiamonds: approx. 1.30ct total, unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 5.7g
A DIAMOND THREE-STONE RINGThe central old-cut diamond within a six-claw setting and between two old cushion-cut diamonds, mounted in 18K gold, principal diamond approximately 1.00ct, remaining diamonds approximately 0.80ct total, ring size MCondition Report: Principal diamond: approx. 1.00ct, estimated colour I/J, estimated clarity SIRemaining diamonds: approx. 0.80ct total, estimated colour one H/I, one I/J, estimated clarity SI (one small chip near claw visible with great attention under a bright light source with naked eye)Normal signs of wear, overall in good conditionTotal gross weight approx. 4.3g
A DIAMOND BROOCH, CIRCA 1960The stylised spray of scroll and foliate design, set throughout with brilliant, single and baguette-cut diamonds, mounted in platinum, diamonds approximately 3.00cts total, length 4.7cmCondition Report: Diamonds: approx. 3.00cts total, bright and livelySmall yellow metal repair to baseReverse with some solder around fittings - possibly replacementMetal with light surface wear otherwiseWhite metal unmarked, tested by the jewellery department to be platinumTotal gross weight approx. 14.8g
A SAPPHIRE AND DIAMOND DRESS RINGThe central cushion-shaped sapphire weighing 5.59cts within a four-claw setting and between half-moon-shaped diamond shoulders, mounted in 18K gold, diamonds approximately 0.70ct total, ring size L¼Accompanied by a report from GCS laboratory in London stating that the sapphire weighing 5.59cts is of Sri Lankan (Ceylon) origin, with no indications of heating. Report number 5782-2265 dated June 29th 2022Condition Report: Sapphire: of cornflower blue hue, medium tone, good transparency, some natural inclusions in the form of silk and needles visible under a bright light sourceDiamonds: approx. 0.70ct total, estimated colour G/H, estimated clarity VSSuperficial signs of wear, overall in good conditionTotal gross weight approx. 5.7g
A SAPPHIRE AND DIAMOND RING, BY CARTIERThe central oval-shaped sapphire weighing approximately 5.00cts within eight-claw setting accented with brilliant-cut diamonds to similarly-cut diamond shoulders, mounted in 18K gold, signed Cartier, numbered, with maker's mark, French assay mark, Swiss assay mark for Bienne, International convention mark, ring size O½ (56)Condition Report: Sapphire: unable to gauge precisely the dimensions due to claws and unable to measure depth - approx. 13.57x10.25x5.10 = approx. 5.67cts - of blue hue, medium to dark tone, good transparency, colour zoning visible under a bright light source, facets are smoothDiamonds: too small to assess approx. weight and colour or clarity - overall bright and well matchedEagle's head for French 18K gold located on the outside hoopNumbered ON2087, maker's mark, Swiss assay mark, international convention mark, ring size 56 and signature, all located on the inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 7.5g
A SILVER BANGLE, BY HERMÈS, CIRCA 1970The openwork cuff of stylised H design, with hinged buckle clasp to the front, in silver, signed Hermès, French assay marks, with maker's pouch & case, inner diameter 6cmCondition Report: Signed Hermès, stamped S, LG, Ag925 and A.D, with French assay marks Surface wear, some discolouration and some long light surface scratches to reverse, overall good condition Total gross weight approx. 117.6g
AN EMERALD, ROCK CRYSTAL AND DIAMOND RINGThe rectangular-cut emerald at the centre with a double frame of brilliant-cut diamonds within a surround of fancy-cut rock crystal plaques accented with similarly-cut diamonds and shoulders of similar style, mounted in 18K gold, ring size NCondition Report: Emerald: of bluish-green hue, medium tone, natural inclusions visible under a bright light sourceRock crystal plaques: in good conditionDiamonds: overall bright and well matchedStamped 18K inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 11.30g
A DIAMOND ‘PERLÉE’ RING, BY VAN CLEEF & ARPELSThe slightly bombé ring of tapering design and pavé-set to the front with brilliant-cut diamonds, all within a beaded border, mounted in 18K gold, signed VCA, numbered, with maker’s mark ‘Sté MB’, French assay mark, ring size MCondition Report: Diamonds: Estimated colour F/G, estimated colour VSEagle’s head assay mark for French 18K gold, maker’s mark ‘Sté MB’, signed VCA, 750 for 18K, numbered B5926D16 Light wear to gold, overall good conditionTotal gross weight 10.5g
A GEM-SET AND DIAMOND RING, BY CARTIER, CIRCA 1980Of bombé design, the frontispiece set with calibré-cut rubies, sapphires and emeralds alternated between rows of brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.60ct total, signed Cartier, with maker's mark for 'Cartier Société Anonyme', French assay mark, with UK retail mark 'JC' (Jacques Cartier), UK hallmarks for London 1980, numbered, ring size LCondition Report: Diamonds: approx. 1.60ct total, unable to assess colour due to yellow mount, estimated clarity VSRubies: of purplish-red hue, good transparency, well matched in colour, some minor wear abrasions on some, visible under a bright light sourceSapphires: of blue hue, good transparency, well matched in colour, some minor wear abrasions on some, visible under a bright light sourceEmeralds: of bluish-green hue, good transparency, well matched in colourMaker's mark for Cartier Société Anonyme and eagle's head for French 18K gold, located on the outside hoopMaker's mark for JC & London hallmarks located inside hoopSignature (partially visible) located inside hoop, numbered 203554 & R910Normal signs of wear, overall in good conditionTotal gross weight approx. 7.10g
A LADY'S 18K GOLD 'BAIGNOIRE' WRISTWATCH, BY CARTIER4-jewel quartz movement, silvered dial with black Roman numerals, secret signature at 10, blued steel sword hands, polished oval case with back secured by 4 screws, Cartier gold buckle, Cartier black alligator strap and blue cabochon crown, dial, case and movement signed, case with maker's mark for Cartier, model no. 1955, case no. 683381**, Swiss assay mark, European convention mark, with maker's case, case 22mm, length 20.6cm** Please note that this lot contains alligator and may be subject to CITES regulations when exporting outside of the EUCondition Report: Glass: a scratch visible under a bright light source located at 1 o'clockBezel: normal signs of wearCase: normal signs of wearBracelet: Black alligator - new - replaced by the client at Cartier before consignmentBuckle: normal signs of wear - signed - with Swiss assay mark & 750Movement: signed - clean, in running condition at the time of inspectionAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
AN EARLY 20TH CENTURY GOLD LONG CHAIN Formed as an alternating series of tapering openwork plaques with reeded detailing and curb-link connectors, to a lobster clasp terminal, in gold, with maker's mark 'AC', length 152cmCondition Report: Stamped 12 - probably for 12K gold. Stamped AC Lobster clasp attaching to bolt claspGold with light wear, overall good condition Total gross weight approx. 32.3g
AN 18K GOLD MANUAL WIND WRISTWATCH, BY BUCHERER, CIRCA 197017-jewel manual wind movement, the circular champagne dial with gilt baton for numerals, pointed gilt hands, polished gold cushion-shaped case with snap on the back no. 951, case no. 25**, brown alligator strap, dial and movement signed, case 29mmCondition Report: Glass: minor pit visible under a bright light source between 9 and 10 - superficial scratches visible under a bright light sourceBezel and case: normal signs of wearBracelet: unsigned - superficial signs of wear - brown alligatorBuckle: unsigned - probably gilt/plated - minor signs of wearMovement: movement clean, in running condition at the time of inspectionAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
AN ART DECO SAPPHIRE AND DIAMOND CLIP, CIRCA 1930Set with a cushion-shaped sapphire within collet-setting, in a pierced surround set throughout with vari-cut diamonds, mounted in platinum and gold, diamonds approximately 3.30cts total, length 4cmCondition Report: Diamonds: Bright and lively, estimated colour H/K, estimated clarity VS-SISapphire: Approximately 8 x 7.5 x 4.7mm. Good transparency, some windowing at certain angles under a bright light sourceSpot solder repairs in areas, on reverseClip with good tensionMetal unmarked, tested by the jewellery department to be: setting platinum, catch 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 11.9g
A SAPPHIRE CLIP BROOCH, BY CHAUMET, CIRCA 1940The undulating scrolls with a row of cushion-cut sapphire highlights, mounted in 18K gold, signed CHAUMET & CIE, French assay marks, rubbed maker’s mark, length 3.7cmCondition Report: Sapphires: Well matched, good transparency, some zoning evident at certain angles under close inspectionClip with good tensionFrench eagle’s head assay marks, signed, edge of lozenge punch visible but rubbed, clip stamped DEPOSE SSMGold with light surface wear and scratches, overall good conditionTotal gross weight approx. 17.6g
AN 18K GOLD MANUAL WIND 'TANK' WATCH, BY CARTIERThe 17-jewel Cal. 78/1 manual wind movement , white dial with black Roman numerals, inner 5 minute divisions, blued sword hands, polished gold bezel and brushed gold case with blue cabochon crown, fitted Cartier leather strap with 18K gold signed folding clasp, dial, case and movement signed Cartier, case no. 7808799**, with maker's mark, partial Swiss assay mark, French assay marks, with maker's pouch, 20mmCondition Report: Glass: minor scratches visible under a bright light sourceCase and folding clasp: signed Cartier - normal signs of wearBracelet: possibly black alligator - obvious wear - can still be usedMovement: normal use, In running condition at the time of inspectionTotal gross weight approx. 30.6gAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
A GEM-SET NOVELTY CLIP BROOCH, FRENCH, CIRCA 1960The faceted agate face framed by woven gold hair beneath, with applied green hardstone eyes, gold lips and a ruby bead and seed pearl necklace, mounted in 18K gold, French assay marks, length 3.8cmCondition Report: Agate face: Straight zoning evident when held up to light source, indistinct light abrasions evident under 10x magnification Rubies: Too small to accurately assessSeed pearls: Uneven skins and dimples, spots, etc., as typical for material Clips with good tensionFrench eagle’s head assay marks for goldUnsignedLight wear, overall good condition Total gross weight approx. 17g
A DIAMOND AND MOTHER-OF-PEARL 'HAPPY HEARTS' BRACELET, BY CHOPARDThe thin polished gold bangle, one terminal with glazed heart-shaped compartment revealing a floating brilliant-cut diamond within collet-setting and the other terminal with larger heart-shaped mother-of-pearl plaque within polished gold frame, mounted in 18K rose gold, signed Chopard, numbered, with Swiss assay mark, International convention mark, with maker's case and outer box, inner diameter 5.5cmAccompanied with its certificate of authenticity from Chopard & Cie., dated June 21st 2022,Condition Report: Some minor scratches visible under a bright light source, located on the gold frame of mother-of-pearl frame - (can be re-polished by a jeweller), otherwise superficial signs of wearTotal gross weight approx. 10.4gAccompanied with its certificate of authenticity from Chopard & Cie., dated June 21st 2022Retail price: €3,050
A SAPPHIRE, DIAMOND AND GOLD BRACELET, CIRCA 1960The tapering woven ropetwist bracelet with a row of graduating circular-cut sapphires, leading to an applied foliate spray set with vari-shaped sapphires, brilliant and single-cut diamonds, with ropetwist and polished wire detailing, mounted in gold, diamonds approximately 0.80ct total, with case from 'Nagib Tabbah Joaillerie, Beyrouth', length 18.5cm Condition Report: Diamonds: Bright and livelySapphires: Good transparency, some zoning evident under a bright light source, smaller sapphires too small to accurately assess. One pear-shaped sapphire with chip visible under a bright light source - not affecting overall aestheticTongue misshapen and bracelet not closing, small repair requiredMetal unmarked and untested, light wear, overall good conditionTotal gross weight approx. 57.9g
A GEM-SET NOVELTY BROOCH, CIRCA 1965Modelled as a cat with green chrysoprase cabochon body and red hardstone cabochon head, with gem-set eyes and gold whiskers and tail, mounted in 18K gold, length 2.4cmCondition Report: Stamped 750 for 18K gold and indistinctly numbered, possibly 608APin slightly misshapenGem-set eyes rubbed and settings slightly misshapen Otherwise light wear, good condition Total gross weight approx. 4.3g
A PAIR OF MID-20TH CENTURY SAPPHIRE EARCLIPS, BY MARIO BUCCELLATIThe tapering bombé plaques each with an applied sapphire cabochon in a gold foliate surround of flowerhead design, with similarly-decorated gold borders, mounted in 18K gold, signed Mario Buccellati, French import marks, with maker's case, length 1.8cmCondition Report: Sapphires: cornflower blue, some nicks visible under 10x magnificationClips with good tension - for non pierced ears Signed, stamped 750, French owl import marks to clipsGold with light wear, overall good condition Total gross weight approx. 11.4g
AN INTERCHANGEABLE ‘PHILIPPINE’ GEM-SET PENDANT ON CHAIN, BY VAN CLEEF & ARPELS, CIRCA 1970The bombé surmount set with single-cut diamonds in a rope twist border, accompanied by four interchangeable polished pendant hoops, to include tiger’s eye, chrysoprase and lapis lazuli... suspended from a faceted cable-link chain, mounted in 18K gold, signed VCA, numbered, maker’s marks 'P&Fils' for Pery Fils, French assay marks, length 45cmCondition Report: Light surface wear and scratches - lapis and tiger’s eye with typical veinsPendant stamped: VCA, 750, ©, 75, B, French eagle’s head assay, 4140, A150 and with P. Fils maker’s markClasp section similarly fully stamped and numbered Clasp discoloured, overall good condition Total gross weight approx. 13.4g
A GEM-SET NOVELY BROOCH, CIRCA 1970Realistically modelled as a turtle with articulated head, the shell set with circular pink tourmaline cabochons, and the eyes with circular-cut diamond highlights of yellowish-brown tint, mounted in 18K gold, Italian registry mark, length 3.6cmCondition Report: Tourmalines: of purplish-pink hue, overall well matched, good transparency, typical inclusions evident under 10x magnificationDiamond eyes: too small to assess in detail- have not been tested for natural fancy colour - both well matchedStamped 750 for 18K gold and with Italian assay mark. Numbered 8Gold light wear, overall good condition Total gross weight approx. 13.1g
A CORAL AND DIAMOND NECKLACE, BY MEISTER, CIRCA 1980The realistically carved corallium rubrum coral bull’s head with marquise-cut diamond eyes, suspended from reeded bicoloured gold collets set with brilliant-cut diamonds, on cable-link chains to a detachable bale of similar design, the cable-link necklace with a diamond-set lobster claw clasp, mounted in 18K gold, signed EM for Emil Meister, maker’s case, chain length 38.5cm, bull’s head diameter 9.5cm** Please note that this lot contains coral and might be subject to CITES regulations when exporting outside of the EUMeister was founded in 1881 by Emil Meister, a bold minded goldsmith and remains a family jewellers based in Zurich, Switzerland. For more than twenty years now, it has been in the capable hands of two brothers Adrian Meister and Roland Meister, the fourth generation to run the company. The tradition of style, top quality, competence and trust has been upheld in the company through the generations.From humble beginnings, Meister began trading jewellery and silverware in a shop in Münsterhof 16 and flourished over four generations into a powerful company, currently with 3 shops located in prestigious areas of Zurich, selling gold and diamond jewellery, watches, silver and crystal glass objects porcelain and renowned top-quality brands.The company experienced tremendous growth between 1950 and 1980, with Walter Meister at the helm, taking the company from strength to strength and reinforcing his commitment to top quality goldsmiths. Meister won the coveted Diamonds International Award a total of seven times and has been a member of the Diamond International Academy since 1968.Meister is known for its large selection of precious stones and pearls. The gemmologists at Meister travel far and wide, inspecting and purchasing beautiful stones which become the pillar of Meister jewellery. All jewellery is designed and made in house, they specialise in using a wide range of coloured gems in striking and unusual colour combinations, which take centre stage in the classic styles and in the modern timeless designs.Condition Report: Coral: Strong red colour, some whitish mottling and natural surface features, veins etc evident to reverse. Very fineDiamonds: Bright and livelyChain clasp and pendant all stamped EM and 750 for 18K gold Light wear, overall good condition Total gross weight approx. 103.2g
TUDOR LODGE - TUDOR LODGE Vertigo 6360 043 LP textured foldout sleeve swirl label (Vinyl: light surface wear but generally good, sleeve - good) The vinyl is in good condition with no obvious scratches or other blemishes. Probably little played, original Vertigo inner not warped. Sleeve in good condition with no tears about 90%+ (minor nicks to edges, couple of crimps to spine.

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