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534325 Los(e)/Seite
Los 88
Clarice Cliff (1899-1972), two pottery plates, c.1930, one 'Summer House', the other 'Farmhouse', printed marks,25.5 and 22.5cm diameter (2)Condition ReportFarmhouse: Light surface scratches and marks.Summer house: Crazing. Scuffs, scratches and minor loses to the surface. Pinholes to the edges.
Los 41
Josef Hoffmann (Austrian, 1870-1956) and Bernard Löffler (1909-1917), a Wiener Werkstätte silver bonbonnière, the decoration by Bernard Löffler, the lid embossed with a putto riding on the back of a fish, with beaded edge, gilt interior, stamped rose mark, 'WW' and Hoffmann monograms, and Austrian silver mark, 6.5cm diameter2.5cm highCondition ReportSome tarnishing, marks, and very light scratches and dents to the box commensurate with age and use. The interior to the base with some very minor indentations to the rim, however this does not affect the ability to close or open the box.
Los 69
P H Vogel & Co., an Art Deco chrome and Bakelite 'Cherry' cocktail set, c.1950, comprising six cocktail sticks and a cocktail shaker, stamped 'PHV&Co MADE IN ENGLAND EPNS', 11cm highCondition ReportStructurally sound. Some surface wear and nicks to the chrome. Very light wear to the bakelite elements upon close inspection. The lot presents well.
Los 37
â–² Robert 'Mouseman' Thompson (1876-1955) an oak dining suite, comprising:a refectory table,with an adzed top, raised on octagonal turned supports, with mouse signature, on sledge supports, united with a stretcher,183cm wide86cm deep73cm high,a pair of 'Coxwold' armchairs,each with a latticed back, tan leather seat and stud details, each with mouse signature,51cm wide50cm deep90cm high, seat 45cm high, andsix dining chairs,each with a latticed back, tan leather seat and stud details, each with mouse signature,44cm wide41cm deep85cm high, seat 45cm high (9)Condition ReportStructurally sound. Some light marks, scuffs, and staining to the table top commensurate with age and use. A few minor cracks to the edges of the table where the wood joins. Scuffs, scratches and minor chips to the chairs. There is wear to the leather seat pads including staining and light scratch marks. Subject to these points, the dining suite appears in good overall condition and presents well.
Los 254
Poltrona Frau, a contemporary dining suite, comprising:a Macassar ebony circular dining table,with a glass centre, raised on swept supports and a faceted plinth,180cm diameter75cm high, anda set of eight Poltrona Frau leather dining chairs,stamped 'Poltrona Frau', to include four elbow chairs,elbow chairs 54cm wide56cm deep79cm high, seat 47cm high (9)Condition ReportThe screws do not fully bite the holes so the base and table top are not stable. Some light scratches to the surface of the table commensurate with age and use. The table would require restoration before use. Expected wear to the chairs - particularly to the leather and to the arm rests where there is scuffs, wear and marks. Light scratches, scuffs and marks to the chair legs.
Los 40
After Carl Stock for Bruckmann & Söhne, an Art Nouveau box,import hallmarked for Walker & Hall, London, 1900,of rectangular form with integral feet, the front and reverse with the stylised face of a young woman with flowing hair and flanked by flowers, the side panels each depicting a dragonfly also amongst flowers, the hinged cover with a stylised scroll handle, gilded interior, stamped to the underside,13.7cm wide10cm deep10cm high12 3/4oztCondition ReportStructurally sound with clearly struck marks. Some marks, scuffs, and light scratches commensurate with age. Surface dirt to the crevices. Please see images of marks.
Los 175
Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), an 'EA 208' swivel office chair,58.5cm wide54cm deep85cm high, seat 51cm highCondition ReportStructurally sound. Some light wear to the leather, particularly to the sides of the seat. Scratches, scuffs, and marks to the aluminium.
Los 173
Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), a set of six 'DSS' stacking chairs, designed in 1955, fibreglass and steel,57cm wide46cm deep80.5cm high, seat 45cm high (6)Condition ReportStructurally, the chairs are sound. There is surface marks, scuffs and light scratches to the fibreglass seats commensurate with age and use. Some tarnishing to the chrome, particularly to the crevices. All of the rubber feet pads are present. Subject to these points, the chairs appear in good overall condition and present well.
Los 105
Clarice Cliff (1899-1972), a 'Blue Chintz' pottery tea service, c.1930, 'Conical' shape, comprising a teapot, cream jug, sugar bowl, two teacups, two saucers, and a side plate, printed marks, teapot 11.5cm high (8)Condition ReportCrazing. Minor pitting and scuffs throughout. A bruise to the rim of one saucer. A firing crack to the interior of one of the cups. No obvious signs of restoration under UV light.
Los 234
Philippe Starck (French, b.1949) for Driade Aleph, a set of eight 'Driade Costes' chairs, originally designed in 1984, maple and steel with a leather seat, stamped maker's signature and applied manufacturer's label, 46cm wide55cm deep80cm high, seat 50cm high (8)Condition ReportStructurally each chair is sound. The leather is generally good with some light marks from use. Scratches and scuffs and loses to the black steel. One chair is missing one of the covers to the right arm. The wood has marks, scuffs, scratches and loses to each chair - particularly to the edges where there are some chips. Most of the scratches to the wood are to the backrest.
Los 19
Charles F A Voysey (1857-1941), an oak 'Essex' armchair, c.1900, designed for the Essex & Suffolk Equitable Insurance Society Office, partly constructed,66.5cm wide54cm deep139.5cm high, seat 42cm highProvenance: From the collection of John Brandon-Jones, who worked with Charles Cowles-Voysey, son of CFA Voysey. Now sold by the daughter of John Brandon-Jones.Condition ReportThe left arm rest and front horizontal wooden supports to the bottom of the chair are broken and unattach - they are currently held in place with string. Wear, marks, and light scratches to the leather which appears to be original. Some scuffs, marks, an loses to the wooden frame.
Los 323
â–² Desmond Fountain (Bermudan-British, b.1946), 'Whitney', a bronze sculpture of a girl, from an edition of 9, signed and numbered 'Desmond Fountain 6/9', 130cm long30cm wide49cm highCondition ReportThis lot is structurally sound. There are two scratches to the figure's left shoulder. There are three drilled holes to the base. A loss to the patina in places - particularly the feet. Some oxidation in places - particularly to the hair. Some further light marks and scratches. Subject to these points, the lot appears in good overall condition.
Los 328
Jeffrey Bernett (American, b.1964) for B&B Italia, a 'Tulip' armchair, c.2000, upholstered in purple fabric, raised on a brushed aluminium swivel base,79cm wide76cm deep68cm high, seat 44cm highCondition ReportStructurally the chair is sound. Some light marks and staining to the fabric throughout. Some wear and fading to the fabric, particularly to the arms. Some scratches to the aluminium base.
Los 35
â–² Robert 'Mouseman' Thompson (1876-1955), a pair of oak 'Monk' elbow chairs, each with a carved lattice back, raised on an 'X' form stretcher, with mouse signature,62cm wide55cm deep80.5cm high, seat 45cm high (2)Condition ReportStructurally sound. Scuffs, marks and light scratches to the wood commensurate with age and use. Staining and marks to the leather seat pads. The carved mouse on each chair appear in good overall condition. Some lighter areas to the wood in places.
Los 47
Émile Gallé (French, 1846-1904), an Art Nouveau walnut, rosewood and marquetry side table, c.1900, the shaped rectangular top with floral marquetry, above a conforming undertier, marquetry 'Gallé' signature,79cm wide50cm deep73.5cm highCondition ReportStructurally sound. There has been some sun staining to the wood. Some loses to the marquetry in places. Some light marks, scuffs, and very light scratches.
Los 180
Anglepoise, an Anglepoise 'model 1227' desk lamp, aluminium with a black moulded three-stepped base, stamped 'THE ANGLEPOISE PATS PENDING S. AF. PAT NO. 30/35, MADE BY HERBERT TERRY & SONS', 82cm high fully extendedCondition ReportStructurally sound and in working order. The lamp is fitted with a UK three-prong plug socket. Scuffs and loses to the shade commensurate with age and use. There is oxidation, marks, and scratches to the metal. The lot would benefit from a light clean.
Los 135
Gunnel Nyman (Finnish, 1909-1948) for Nuutajärvi Notsjö, a 'Serpentiini' glass vase, dated 1957, originally designed in 1947, of tapering form with an opaque spiral trail encased within a pale grey ground, engraved signature 'G Nyman Nuutajärvi Notsjö - 57',46cm highCondition ReportSurface scratches to the underside of the foot rim. Minor surface wear and some light staining to the inside of the vase. The date number is quite poorly engraved, however, we believe it to be '57'
Los 226
Quentin Bell (1910-1996) for the Fulham Pottery, a glazed earthenware bowl, centred with a silhouette of a female, with a rosette-decorated border, signed 'Quentin Bell Fulham Pottery', 23cm diameterProvenance: The collection of David and Sandy Fuller.Condition ReportStructurally the bowl appears sound. Examination under UV light reveals no fluorescence. Some minor loses to the glaze - notably to the underside near the surname on the signature.
Los 36
â–² Robert 'Mouseman' Thompson (1876-1955), a pair of oak corner cabinets, each with a glazed cupboard enclosing three glass shelves, over a further cupboard below with wrought-iron handles and hinges, each with mouse signature,61cm wide42cm deep187.5cm high (2)Condition ReportStructurally sound. Some light marks, scuffs, and wear to the wood commensurate with age. Some wear to the iron hinges and handles. Minor loses to the bases.
Los 18
Charles F A Voysey (1857-1941), a pair of oak 'Essex' armchairs, c.1900, designed for the Essex & Suffolk Equitable Insurance Society Office,66.5cm wide54cm deep139.5cm high, seat 42cm high (2)Provenance: From the collection of John Brandon-Jones, who worked with Charles Cowles-Voysey, son of CFA. Voysey. Now sold by the daughter of John Brandon-Jones.Condition ReportStructurally sound. The left arm to one of the chairs has been broken and subsequently restored. Marks, wear, and light scratches to the leather which appears to be original. Some cracks, chips and loses to the wood. Surface wear and marks to the wood.
Los 16
Martin Brothers, a stoneware twin-handled vase, 1884, decorated with aquatic creatures, signed and dated 'R W Martin & Bros London & Southall 5-1884',31cm wide30.5cm highCondition ReportStructurally, the vase appears sound. There is a hairline crack to one side which extends from the mouth rim to the foot rim, however it appears surface level. There are chips and some restoration to the top of one handle towards the head of the aquatic creature. There is loses to the glaze in one area of the body, possibly from production. There is scattered surface marks, dirt, loses and surface scratches commensurate with age and use. Examination under UV light shows no fluorescence. Subject to these points, the vase presents well and the aquatic figures have good expressive quality.
Los 208
Possibly Italian, an adjustable three-light floor lamp, 20th century, brass, with black-enamelled shades, base and central column, 133cm wide 123cm deep 118cm high Condition ReportWith marks and dents to the polished gold tone part of the shades commensurate with use. The mount has come loose from one of the shades. With small marks and scratches throughout commensurate with use. Please see additional images. There is PAT test - Passed
Los 178
Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), an 'EA 208' swivel office chair,58.5cm wide54cm deep85cm high, seat 51cm highCondition ReportStructurally the chair appears sound. Some scratches and scuffs to the aluminium commensurate with age and use. Some light wear and marks to the leather. The adjustment mechanism is functional as expected.
Los 244
A Victorian silver hip flask, Birmingham 1889, 6.9 oztLid doesn't secure down flush but is secure, slight play in the hinge but firm, light wear to the outside body, and scuffing/heavier wear to the internal where the case has been sliding in and out, it is a tight fit, cork heavily worn, no personal engraving found, no obvious dents or creases found
Los 562
A Victorian walnut and marquetry pier cabinet, c.1860, the rectangular top above a glazed single door enclosing shelves, on a shaped plinth base, with all-over floral and foliate decoration, 86cm wide 37cm deep 106cm highCondition ReportONE KEY PRESENT. Old scratches, knocks, chips, and losses throughout commensurate with age and use. Areas of loss to gilt metal beading with some fading, discolouration, and evidence of minor historic cosmetic work. Light wear to glass silk, possibly later interior. Joints are sound and solid.
Los 352
A pair of Empire-style onyx and gilt-metal-mounted cassolettes, 19th century, French, each with swan-neck scroll handles and shell detail, over a shaped base and bun feet, 16cm wide 11.5cm deep16.5cm high (2)Condition ReportSmall nibbles to the stone. Light tarnish to metal componenets. Overall good condition and ready for placement.
Los 563
A George III-style satinwood and marquetry revolving bookcase, late 19th century, in the Sheraton taste, with three independently rotating tiers on a tripod base, each inlaid with a classical urn, on four outswept supports with brass paw feet and castors,47cm diameter 142cm highProvenance: From the Collection of Nigell and Heather D’Oyly.Condition ReportGeneral light surface wear and scratches throughout commensurate with age and use. Some small chips, knocks and losses to edges. Wear, damage and lifting to velvet linings. Some small knocks, wear and repairs to supports. Joints sound and solid. Tiers revolve well. Castors wheel freely. Overall appears in fairly good structural and cosmetic condition.The internal height of the upper section is 24cm, space between pilaster is 18cm and depth to central pillar 17cm.The internal height of the midde section is 24cm, space between pilaster is 21cm and depth to central pillar 18cm. The internal height of the lower section is 28cm, space between pilaster is 23cm and depth to central pillar 19cm.
Los 315
A Victorian brass skeleton clock by Beha, Lickert & Schwerer of Norwich, c.1870, the pierced silvered dial with Roman numerals, with a single chain-driven fusee movement and an anchor escapement, inscribed with the maker's name to the front, raised on a stepped oval marble base, 33cm wide18cm deep36cm highCondition ReportLacking key or glass dome. Pendulum lacking suspension spring. General light knocks, surface wear, tarnish and discolouration. Appears to tick when wound, however we cannot guarantee that this represents full and complete working order and would always advise inspection by a professional.
Los 567
A pair of giltwood convex mirrors, 19th century and later, each mirror with an eagle surmount with foliate scrolls, the frame decorated with balls to the slip and enclosing a later glass plate,65cm diameter 101cm high (2)Condition ReportEvidence of alterations, repairs, and restoration Later regilded with rubbing, cracks, chips, and losses to the finish General knocks, losses, splits, and wear to the frames Generally sturdy and stable General light wear to the later glassSome chips and wear. Losses to the base mounts, one with later boarded back.
Los 299
A Napoleon III patinated bronze and marble mantel clock, 19th century, French, the 8-inch enamel dial with Roman numerals and inscribed 'GROS A LYON', surmounted by a reclining classical maiden playing the lyre, raised on a stepped marble base with ormolu mounts, the movement with impressed numerals '408 48',40cm wide14cm deep31cm highProvenance: The David and Sarah Battie Collection.Condition ReportWith key. Light tarnish to metal components. Small area of in-fill to the base at the back. Movement ticks when wound and chimes on the hour/half-hour but we cannot guarantee accurate timekeeping. No bell.
Los 193
Two Meissen porcelain figures allegorical of Spring and Summer after models in the Four Seasons group by Johann Joachim Kandler in 1764 and 1768, each in the form of a putto, Spring with a basket of flowers and Summer with a scythe and wheat, both with blue crossed swords, damages, 7cm wide 13cm high (2)Literature: Each model is illustrated Laurence Mitchell, ''Meissen: Collector's Catalogue', Woodbridge, Suffolk, 2004, pp. 74-75, pl.7, figs. A64 and A67. Condition ReportSummer missing its scythe, light chips to the wheat. Summer with possible repair to hand. Both with dust and small nibbles.
Los 576
A Louis XVI-style carved giltwood and gesso overmantel mirror, late 19th century, with acanthus-carved ornament and a foliate crest, above a pair of fluted column pilasters surrounding a rectangular mercury glass plate, bearing stencilled inscription to back 'C. Nosotti 397-398 Oxford Street London',150cm wide 210cm highCondition ReportDirt, dust, knocks, splits, and losses to frame which are not particularly significant. The right-hand return of corner is loose and unstable. Generally, joints are solid with light wear and some moulding/degradation to plate. Overall appears in fair order,
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534325 Los(e)/Seite