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Indian Mutiny Medal - to Private D(avid) Greig, 90th Light Infantry, Lucknow and Defence of Lucknow clasps, renamed probably as the result of a spelling mistake as he appears as P Gregg on the medal roll. His discharge papers demonstrate the correct spelling. This document indicates his brief promotion to Corporal and his subsequent reduction to Private. (Copies available)
Samuel John Lamorna Birch, RA, RWS, RWA (British, 1869-1955) View of Halfpenny Bridge on the River Exe, near Bampton, Devon signed and dated lower left "S J Lamorna Birch / 1953" oil on canvas 54 x 74cm (21 x 29in) Unlined canvas. Condition is good. A few light scuffs but the paint layer is in good condition. Unvarnished. Colours fresh and good. Modern frame has some chips and would benefit from being changed.
§ Raoul Millais (British, 1901-1999) Figures Promenade, Midsummer signed lower left "Raoul Millais" oil on board 19 x 23cm (7 x 9in) Provenance: Sold at Christies, London, May 12th, 1994, lot 251Paint layer in good condition. Light varnish layer, slightly discoloured. Frame in good condition.
Gilbert Scott Wright (British, 1880-1958) Gone to ground signed lower right "G Wright" oil on canvas 34 x 50cm (13 x 20in) Provenance: Arthur Ackermann, 33 New Bond Street, London, W1.Condition in general is good. Paint surface is glossy and even. Some light surface dirt present with a few scattered accretions.
A 19th century three piece champleve enamel clock garniture, the bronze case surmounted by a two handled urn above 8.5cm gilt dial, bell striking drum movement, all flanked by two quivers of arrows, upon a shaped base and disk feet, with an accompanying pair of amorini stem three light candelabra (3) 41cm (16in) one candlestick repaired (see photo). Surface lacquer worn in places. Enamelling mostly in good order, though dirty in places. Movement not tested for any length of time.
An amethyst rivière necklace together with French silver chain mail coin purse, the necklace composed of nineteen graduated oval cut amethysts, each in a light double claw mount joined by elongated oval links of white metal, tests for sterling silver, length 42cm, largest stone measures 14.4 x 11.5mm, the smallest 10.5 x 7.3mm; together with a mesh purse, snap clasp revealing double pocket interior with firm edged divider; French mid-19th century 'head of Mercury' assay stamp for silver made for export, maker's lozenge stamp on the suspensory ring, 7.8cm wide
A collar necklace with blue stone pendant, the partially articulated circular reeded wire collar suspending a circular pendant with a light blue stone, possibly aquamarine, in a broad plaited ropetwist border to polished edge and bale, both pendant and necklace stamped '585' for 14ct gold; diameter of collar 14.3cm, length of pendant with bale 2.4cm
A three row pearl necklace with antique diamond clasp, the slightly graduated 7.5 - 10.2mm cultured pearls, individually knotted to a 19th century six point star clasp set throughout with old mine and rose cut diamonds, diameter 3.0cm, clasp with safety bar; length of shortest strand 47cm These are well-matched pearls: there are some small blemishes on the skins, but they are a pleasing colour and lustre. The stringing is sound and clean, knots still tight, though the pearls could benefit from a gentle buff with a soft cloth to remove light surface dirt. The clasp has probably been adapted from a brooch - it is in sound working order with a neat and sophisticated safety bar. The diamonds are not high quality and are very random old cuts, but to the naked eye they are bright and have good reflective sparkle.
An antique sapphire and diamond brooch, of pierced navette design with a central rectangular cushion cut light blue sapphire within an eight point diamond set star, interspersed with cushion cut sapphires, to a border set with pairs of diamonds in ray formation with further sapphires at the cardinal points; later brooch fitting stamped '9ct', clasp with safety catch; length 4.8cm
A blue and white paste crucifix, the Latin cross formed by channel set square and rectangular cut light blue stones, to an ornate pierced and foliate surround set throughout with white pastes, suspended from a bale set with a square cut white stone beneath a trefoil of similar round cut stones; length including bale 9.8cm; cased
A sapphire and diamond bracelet, set to the front with an octagonal step cut light blue sapphire to epaulette shoulders set with single cut diamonds in a bi-coloured precious metal feature, stamped '14ct, Pt', the remainder of the bracelet forming a line of expandable sprung links, clasp with safety catch; length 18.5cm
A framed poster depicting one hundred and seventy six Queen albums and singles sleeves, a limited edition print of Queen, the early years by Trevor Horswell numbered 40/199, a framed Brian May ‘Back to the Light’ CD together with two coins and two photos, a programme for the Brian May Band, ‘Back to the Light’ tour and a ditto ticket. Est £40-60
A homemade open diving helmet with single lamp:, 8 inch window with 3 inch lamp above, shaped shoulders with rubber hose attached to prevent rubbing, rear air inlet and hook, two vacant fixing apertures to the front 65cm high * Anthony Pardoe comments - The interesting part is the light above the window. We understand the helmet was used in a mine in North Carolina, which if flooded would have nil visibility. In these conditions the light would have been absolutely essential. The power for the torch type lamp came from the terminals inside the helmet, which possibly had wires going to it from a switch in the larger hole beneath the window. The power would have come from a battery or from the surface with the wire attached to the air line. There are no fixings for weights, therefore the diver would have worn a weight belt. The small hole on the lower front of the helmet possibly had a fitting onto which a jock strap was attached, passing through the legs and onto the hook on the back. see pages 20-21, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Two pairs of French light weight brass diving shoes by Joseph Scauda:, the patterned soles initialed 'JS' with integrated toe cap and remains of leather uppers. * Notes- Joseph Scauda began by repairing diving helmets made by Joseph Cabriol ,later designing and building his own equipment. He established a firm in 1896 specialising in nautical instruments. * see page 146, vol 2, 'Diving Helmets and Equipment Through The Ages'.
A Swedish 4 bolt two piece diving suit and equipment:, the top section glued to a brass 4-bolt recessed collar with rubber cuffs, the bottom section glued to a 4 inch copper waistband with weight hooks, together with a submersible airline, diving light and regulator valve by Grieff in an associated trunk. (some mildew and vulcanisation to suit) * see page 169, vol 2, 'Diving Helmets and Equipment Through The Ages'.
A Perspex diving helmet viewing port:, the sealed air compartment inside the Perspex enables the diver to inspect or view objects by pressing the face plate against the item to be viewed and shining a light through the side of the viewer which illuminates the area immediately in front of the face plate, 17cm high. * see page 181, vol 2, 'Diving Helmets and Equipment Through The Ages'.
A display mounted half section 12-bolt square corselet helmet by C E Heinke & Co Ltd, London, and a Siebe Heinke divers knife and sheath:, together on a green baize with maker's plate, the helmet section fitted interior display light, 65cm x 52cm. * see page 98, vol 1, 'Diving Helmets and Equipment Through The Ages'.
AFTER WILLIAM POWELL FRITH, RA (1819-1909) COMING OF AGE IN THE OLDEN TIME lithograph, 68 x 94cm and a pair of contemporary mid 19th c hunting prints, mixed method engravings, all in birds eye maple frames (3) ++Print after Frith in poor condition with repaired tears and small losses, laid down, frame with some repairs and many old knocks and scratches, the pair of hunting prints in much better condition with light overall time staining, in particularly attractive richly figured and well preserved birds eye maple frames
BOER WAR. A PORTABLE BRASS FUSEE TIMEPIECE with enamel dial, subsidiary seconds dial and blued steel hands, the door with bevelled glass light and engraved 76 TH BATTERY RFA OFFICE, 19cm diam, in contemporary varnished wood case with brass handle ++Dial chipped around winding aperture, otherwise in very good condition, working order the movement running when wound
A GEORGE III ROCOCO SILVER COFFEE POT, 23cm h, by William and James Priest, London 1766, 28ozs gross ++Fully marked underneath and on lid. Evidence of light erasure from one vacant cartouche on one side, very slight 'give' when pressed. The crisp floral and rocaille chasing of the period, little play in hinge, no repair, the marks well spaced and struck, the wood handle a replacement
A SET OF SEVEN REGENCY ROSEWOOD DINING CHAIRS BY GILLOWS, C1820 with caned seat and taped velvet squab cushions, 86cm h, rail stamped HH Of these fine 'Handsome Rosewood Chairs', other examples and variations on the design by Gillows are recorded. Furthermore, the initial stamp HH is clearly that of a journeyman, very likely Henry Holmes who worked at least for part of his career for Gillows, since it is one of the most common such stamps to be found on chairs dating from the first half of the 19th century. This design and the maker's stamp are extensively discussed Stuart (S E) Gillows, Woodbridge 2008, Vol I pp222-3 and Vol II pp244-5; see also Vol I plt 212 for an almost identical set of marked Gillows chairs. ++In good condition with some light cosmetic restoration, ie recaning, the brown velvet cushions slightly faded and stained
†MAJOR G A CATTLEY (1896-1978) EQUESTRIAN PORTRAIT OF A FOX HUNTER IN A ROLLING LANDSCAPE; PORTRAIT OF THE HUNTERS "SANDY HILL" AND "BENDUN" THE PROPERTY OF MISS ANNE HOLT two, both signed and dated 1950 or 1960 respectively, oil on hardboard, 51 x 74cm and 41.5 x 67cm (2) ++Both in good condition requiring a light clean only

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