FOUR BOXED 1:72 SCALE LIMITED EDITION CORGI AVIATION ARCHIVE DIECAST MODEL AIRCRAFTS, the first and second are both a P-51D Mustang models both numbered AA32208, the third is a P-51D Mustang numbered US32214, the fourth is a P-47D Thunderbolt numbered AA33806, all models appear in good condition however contents has not been checked for their completion, housed inside their plastic casing and outer cardboard boxes, outer boxes are in good condition some light wear and scuffs to sharp edges and corners most with light dust
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THREE TRAYS OF MOSTLY BOXED LLEDO DAYS GONE MODELS AND OTHERS, some of the Days Gone models include a horse drawn Lond fire brigade model, a Mayflower Transit Co. van, Royal Mail collectors series model delivery vans, some promotional models to include lifeboats, Rowntree's, a commemorative collection PDSA Horse Drawn Mobile unit and many more, other models include a EDOCAR Oldtimer Series, EA-8 1934 Chevrolet Van, an EDOCAR Oltimer Series EA-4 1934 Dennis Van, a Matchbox West Somerset Railway model, an Oxford Diecast model Post Office Radio Service vehicle, all models appear in good condition however contents has not been checked for their completion, housed inside their plastic and cardboard boxes, outer boxes appear in good condition some with light wear to sharp edges and corners and light dust
TWELVE BOXED VANGUARDS 1:64 AND 1:43 SCALE DIECAST MODEL VEHICLES, this is split into ten 1:64 scale models and two 1:43 scale models, the first model is a VA16000 Carlsberg, the second is a VA8001 Kodak, the third a VA9000 North Estern Gas, the fourth a VA7000 Regent, the fifth a VA24000 Rail Express Parcels, the sixth a VA18000 Ever Ready, the seventh a VA20000 Power Petrol, the eighth a VA8000 Heinz, the ninth a VA15000 Milk Marketing Board, the tenth VA28000 Shell Electrical Oil, the eleventh is a VA22001 AA Reliant Regal and the twelfth is a VA22000 Royal Mail, all models appear in good condition however contents has not been checked for completion, boxes appear in good condition some light wear to sharp edges and corners but generally very good
Mario Sanzone (Italian, b. 1946) Positano - 2008 Oil on canvas Signed, titled and dated by the artist Measures approx. 133cm x 185cm (51" x 70.5") Mario Sanzone (Italian, b 1946) attended the Fine Art Academy in his native city, where he continues to live and work. After his studies, he started and has industriously continued to take part in exhibitions, both in Italy, across Europe and the USA. Sanzone is perhaps best known for his atmospheric portrayals of the Amalfi coastal, which perfectly convey the richness and atmosphere of the Mediterranean. He loves to paint the towns and cities of Europe both basking in the heat of the mid-day sun as well as the subtle twilight effects of night. His stunning original paintings have a fascinating quality. He has taken classic Impressionism and given it a fresh, modern twist, making his style truly timeless. With his vivid palette of rich blues, greens and sparkling yellows Sanzone captures the beauty of The Amalfi Coast and beyond in an extraordinary way. With twinkling lights in the distance Sanzone’s original paintings offer a unique, rarely-seen perspective of his chosen enchanting locations. Sanzone’s dazzling landscapes become increasingly abstract when viewed more closely, thanks to his amazing use of light and colour and quick brushstrokes in traditional oil paints. Sanzone has always received great acclaim from critics and the public alike, especially for his luminous palette and original technique. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Glossy porcelain. Features a young girl in a light blue dress decorated with white flowers, holding a small bouquet of pink flowers. Royal Doulton backstamp. Artist: Peggy DaviesIssued: 1953 - 1973Dimensions: 5.25"H x 4''diaManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Part of the Cheerful Times collection. Figural is made from clear and frosted crystal. 50 rose crystals adorn the skirt and her hair with light sapphire crystal eyes. Swarovski backstamp. This item has its original box: 8"L x 8"W x 6"H. Artist: Martin ZendronIssued: 1999 - 2008Dimensions: 5.75"H x 3.25" dia.Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Säbel für Mannschaften der leichten Kavallerie, 1. Viertel 19. Jhdt. Kräftige, leicht gekrümmte Rückenklinge (teils narbig) mit beidseitiger Hohlbahn, am Rücken der Stempel "(P)ARIS", quartseitig eine kreisförmige Marke. Buntmetallbügelgefäß mit zwei Terzspangen, "Mitteleisen", belederter Hilze und dreifacher Kupferdrahtwicklung. Teils leicht beschädigt, Altersspuren. Länge 100 cm. A sabre for light cavalry troopers, 1st quarter of the 19th century A sabre for light cavalry troopers, 1st quarter of the 19th centuryKräftige, leicht gekrümmte Rückenklinge (teils narbig) mit beidseitiger Hohlbahn, am Rücken der Stempel "(P)ARIS", quartseitig eine kreisförmige Marke. Buntmetallbügelgefäß mit zwei Terzspangen, "Mitteleisen", belederter Hilze und dreifacher Kupferdrahtwicklung. Teils leicht beschädigt, Altersspuren. Länge 100 cm.Condition: II - III
Säbel M 1822 für Mannschaften der leichten Kavallerie Kräftige, beidseitig gekehlte Rückenklinge (Rostspuren), am Rücken die geätzte Herstellersignatur von Chatelleraut 1882. Messingbügelgefäß mit zwei Terzspangen, der Bügel gestempelt "1345", Hilze mit Lederummantelung (Fehlstelle) und Drahtwicklung. Schwere Eisenscheide (rostig, vereinzelt Dellen) mit einem beweglichen Tragering. Gebrauchs- und Altersspuren. Länge 110 cm. Getragenes, genuines Stück. A sabre M 1822 for light cavalry troopers A sabre M 1822 for light cavalry troopersKräftige, beidseitig gekehlte Rückenklinge (Rostspuren), am Rücken die geätzte Herstellersignatur von Chatelleraut 1882. Messingbügelgefäß mit zwei Terzspangen, der Bügel gestempelt "1345", Hilze mit Lederummantelung (Fehlstelle) und Drahtwicklung. Schwere Eisenscheide (rostig, vereinzelt Dellen) mit einem beweglichen Tragering. Gebrauchs- und Altersspuren. Länge 110 cm. Getragenes, genuines Stück.Condition: III
Säbel M 1822 für Offiziere der leichten Kavallerie Kräftige, leicht gekrümmte Klinge à la Montmorency (fleckig), auf dem Rücken die geätzte Herstellerbezeichnung der Königlichen Manufaktur Klingenthal 1823 und ovale Abnahmen. Glattes Messingbügelgefäß (gedunkelt, neu vernietet) mit zwei Terzspangen, der Bügel gestempelt, schwarz belederte Hilze mit Messingdrahtwicklung. Eiserne Scheide (sauber nachgeschwärzt) mit zwei beweglichen Trageringen. Gebrauchs- und Altersspuren. Länge 110 cm. Seltenes frühes Exemplar. A sabre M 1822 for light cavalry troopers A sabre M 1822 for light cavalry troopersKräftige, leicht gekrümmte Klinge à la Montmorency (fleckig), auf dem Rücken die geätzte Herstellerbezeichnung der Königlichen Manufaktur Klingenthal 1823 und ovale Abnahmen. Glattes Messingbügelgefäß (gedunkelt, neu vernietet) mit zwei Terzspangen, der Bügel gestempelt, schwarz belederte Hilze mit Messingdrahtwicklung. Eiserne Scheide (sauber nachgeschwärzt) mit zwei beweglichen Trageringen. Gebrauchs- und Altersspuren. Länge 110 cm. Seltenes frühes Exemplar.Condition: II
A PAIR OF EBONISED AND PAINTED GILT CONVEX MIRRORS IN REGENCY STYLE MODERN Frame decorated with stars 73cm diameter Together with a similar ebonised convex mirror Modern 52cm diameterSaleroom Notice: The frames are painted gilt and not parcel gilt as previously catalogued. Condition Report: As catalogued these are of fairly recent manufacture and the appearance reflects this, some light signs of age and use in a domestic setting, some slight uneveness to the painted surfaces which appears to be from manufacture. The frames with painted gilt surfacesOverall presentable appearance Please see additional images for visual reference to condition Condition Report Disclaimer
A PAIR OF SIMULATED BAMBOO STEM TABLE LIGHTS IN THE MANNER OF VAUGHAN MODERN With black hand painted shades above twin light fitting and bronze mounts to the part ebonised beech stems 73cm high including current shades Condition Report: Modern, decorative, little sign of wear- apart from some hand retinting to top edges of shades- shades with some wear marks from use and handlingCondition Report Disclaimer
A PAIR OF MAHOGANY AND BRASS ADJUSTABLE FLOOR LAMPS/READING LAMPS BY BESSELINK AND JONES, LONDON, 20TH CENTURY Each with an articulated light fitting, a mahogany tier with brass gallery and blue and white pleated shades 169cm high overall, 36cm diameter Condition Report: in good conditionCondition Report Disclaimer
AN ITALIAN BRASS FRAMED, GLASS MOUNTED, EIGHT LIGHT CHANDELIER LATE 19TH/EARLY 20TH CENTURY Fitted for electricity, with scrolling coronet above scrolling open frame, with teardrop and shaped leaf drops, lampshades from Flamant Interiors Approximately 107cm high overall, 72.5cm wide Provenance: Purchased from Porta Romana Lighting, London
FOLLOWER OF BALTHASAR VAN DER AST STILL LIFE OF FLOWERS Oil on panel 35 x 26cm (13¾ x 10 in.) Unframed Condition Report: The edges of the board are uneven with some damages and losses, especially to the right hand edge. There is some further paint loss to the upper edge and to the flowers at the centre of the composition. The paint surface is dirty throughout. Ultraviolet light reveals retouching to what appears to be an old repaired split to the panel, running approx 5cms off the centre of the lower edge, also visible to the naked eye. There is further scattered retouching throughout and a green masking varnish. Condition Report Disclaimer
VLADIMIR PAVLOVICH BOGOMAZOV (1916-1994) THE YOUNG WRESTLER Oil on canvas Indistinctly inscribed and dated 1958 (verso) 31 x 25cm (12 x 9¾ in.) Provenance: Purchased from Hawkins, Paul Galleries, Mayfair, London in March 1997 Condition Report: Unexamined out of glazed frame. Ultraviolet light reveals retouching throughout, notably to the hair, outline of the body and along the lower edge. Condition Report Disclaimer
AN EBONISED TURNED STANDING LAMP BASE MODERN With bamboo style stem and hand-painted shade 136cm high overall including current shade Together with a pair of mahogany standard lamps, with table mid-tiers and fluted silk shades, 152cm high including current shades Condition Report: Mid tier tables: The table tops are 69cm high from the floor, the top of the central upright is 105cm high at its lowest, the top of the shade is 136cm high from the floor in its lowest position, at the highest position they are 140cm high and 170cm respectively, the table top height doesn't change, the table tops are 35.5cm diameter overall, the internal diameter between the rails is 32cm Condition reflects lack of great age and likely light use in a domestic setting The bamboo style lamp in similar conditionAll are sold as decorative furnishing items and not as working electrical lamps, these would need to be tested and possibly re-wired prior to use in a domestic settingPlease see additional images for visual reference to condition Condition Report Disclaimer
Achille Castiglioni (Italian, 1918-2002) and Pier Giacomo Castiglioni (Italian, 1913-1968), an Italian 'Viscontea' pendant light, designed in 1960 for Flos, the cocoon resin shade suspended on a shaped metal frame, 70cm diameter50cm high excluding suspensionCondition ReportThe bottom of the shade with a tear to the cocoon. With some stretched areas over the frame where the integrity of the cocoon appears slightly weak. With a small hole to the top half of the cocoon. The frame with some rusting in areas. The shade with some stains in areas. Additional images uploaded.Pat Test Passed.
A WAS Benson brass and straw opalescent glass ceiling light, c.1900, the six-division fitting supporting a James Powell & Sons straw opalescent glass shade,shade 14cm highfitting to rose 46cm highCondition ReportVery small nibble to the point of the shade finial. Minor wear to the fittings which are in good order. Opening 8cm diameter, shade 13cm diameter. Additional images uploaded.Pat Test Passed.
â–² John Ward (1938-2023), a stoneware pot, in mottled matt brown and turquoise green glazes over a textured surface, the rounded base into an octagonal body, with a shaped rim, impressed seal 'J' and monogram 'JW', 17.3cm diameter16.5cm highExhibited: With Beaux Arts, Bath, 1989, no.42.Condition ReportGood overall. The body with some pitting. When tapped, it emits a good ring, suggesting an absence of structural imperfections. One side with a small white mark. No signs of restoration or overpainting when viewed under UV light. Additional images uploaded.
André Mounique (French, 20th century), a French 'Model 71' desk light, 1950s, designed for Jumo, the ribbed black shade with brass ends, raised on articulating tubular brass supports, the ribbed black foot with brass detailing, 45cm wide14cm deep42cm highCondition ReportWith spotting to the brass. The shade with some scuffs and scratches. The toggle switch with some discolouration.Pat Test Passed.
â–² Dame Lucie Rie (Austrian, 1902-1995), a porcelain bowl, with a yellow glaze and manganese rim, impressed to the bottom of the foot with the artist's seal, 19cm diameter10cm high Provenance: Henry Rothschild Associates Ltd. at Kettle's Yard, Cambridge, 30 March 1981;the late George John Lewington (1931-2023).Condition ReportThe glaze with even and consistent crazing throughout. No detected chips or areas of restoration to the bowl. The rim with a small piece of kiln debris settled in the manganese glaze. The foot with some faint traces of a previous label having been applied. The foot with a small area where the glaze has not covered completely. Additional images uploaded. No signs of overpainting or restoration when viewed under UV light.
A WAS Benson copper ceiling light, c.1900, with a six-division fitting, stamped 'Rd' number, supporting a James Powell & Sons straw opalescent glass shade,shade 12.6cm highfitting to rose 59cm highCondition ReportChips to the rim where the shade is mounted. Wear and rubbing to the metal frame. 12cm diameter for the shade fitting. 14cm diameter at the widest point. Additional images uploaded.Pat Test Passed.
â–² Ralph Adron (1939-2023) an elaborate wall mirror, 1994, surmounted by three pierced triangular cornices, the sides mounted with sconces supporting sculpted and painted branches, hung throughout with gilt plaster swags, the frame with gilt cartouches, signed and dated to the cornice,104cm wide140cm highProvenance: The Estate of Max Clendinning and Ralph Adron, made for the artists' home in Italy.Condition ReportThe gilded elements rubbed in places. The top corners with cracks to the joins. No detected losses or chips throughout. With some buildup of dried dust to the resources. Would benefit from a light clean. Additional images uploaded.
A pair of Art Nouveau figural vases, early 20th century, manufactured by Royal Dux, each decorated in a matt ivory glaze depicting semi-clad maidens amongst water lilies, applied factory pink triangle mark and impressed numerals '606 30/607 30', 43cm high (2)Condition ReportNeither example showing signs of restoration when viewed under black light. The bases with some minor scuffs and marks.
BEN JOHNSON (b.1946) A framed and perspex glazed limited edition lithographic print 'Pool of Light'. Pencil signed and numbered 4/50. Image size 61cm x 87.5cm, overall 75cm x 103.5cm After graduating at The Royal College of Art, Ben has exhibited worldwide with works in many prestigous and public art collections
PHILIP RASKIN (SCOTTISH b. 1947) Oils on board of a large sky with sun breaking through. Label Verso. Born in 1947, Philip studied at the Glasgow School of Art in the 1960s. However, due to his father's untimely death, he had to postpone his career in art and left art school to enter the business world where he stayed for the next 30 years. For 20 of those years, he was the well known proprietor of The Inn on the Green, a celebrated jazz restaurant, in Glasgow. During this time, he maintained his contact with the world of art however, by running a schedule of art exhibitions and openings within the venue. Upon leaving the restaurant in the 1990s, Philip returned to his easel and brushes and since then has become a successful full time artist with broad appeal. He now lives and works from his studio just outside Glasgow. Philip's unique style is instantly recognisable combining a heavy impasto application of the paint alongside more delicate and sensitive brush strokes. Focussing mainly on landscape painting, his inspiration comes from the islands of the west coast of Scotland with Barra, Islay, Jura and Arran being some of his favourite locations. He deftly captures the essence and light of the landscapes through his work, the rugged shorelines, dramatic seascapes and ever changing skies. "I tend to paint very private places for the viewer to own and enjoy. No people, no houses, no telegraph poles; just expansive skies, mist tumbling on a distant hillside and a silence broken only by lapping water and gulls ascending". 22cm x 22cm image. 35cm x 35cm with frame.

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