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Preisdatenbank abonnieren*Lace. A large length of Bruges bobbin lace, 19th century, cream lace flounce, hand-worked with large tulips and other flowers, ferns, trefoil leaves, scrolls, etc., some breaks in bridges (and a few small repairs), occasional light foxing and marks, 47 x 447 cm (18.5 x 176 ins)QTY: (1)NOTE:A substantial and attractive length of lace, with a hint of Ghent Valenciennes in design.
* Harp Lute. A rare George III period harp-lute by Edward Light circa 1800, the black lacquered body with fluted column and gilt carved wood eagle terminal, decorated in gold with maker 'Light Foley Place London Patent No 8', with a beehive to the floral border, lacking strings and general damage and wear commensurate with age, 84.5 cm QTY: (1)NOTE:Edward Light (circa 1747 - circa 1832) was an English musician and inventor of the harp-lute. Very little is known about his life although at one time he was the organist at Trinity Chapel, Conduit Street, London.
* Painted panels. A pair of floral silk panels, French, mid-late 19th century, two matching panels, each hand-painted with swags of flowers caught up by pink bows, including tulips, roses, hydrangeas, and carnations, on a pale turquoise silk satin ground, one with pencil inscription on verso 'enface a la Chimine Panneau avec Poste opposite fireplace', edges either selve or raw where cut from larger pieces, some fraying, mostly to edges, and scattered spotting or light marks, each approximately 38 cm (15 ins) high, width 249 cm (98.5 ins) and 269 cm (106 ins) QTY: (2)
* Lace samples. A collection of lace samples, ribbon samples, & Berlin work charts, late 19th-early 20th century, 100+ lace samples on 12 card mounts, various widths and styles, a few samples with portion missing, some toning and light foxing, 3 samples on one mount each with annotated printed label 'Idaiyangudi Lace School', sheet size approximately 30.5 x 42 cm (12 x 16.5 ins), together with 250+ French satin ribbon samples mounted on 12 large card sheets, each with pattern, mostly woven, including flowers, stripes, plaid, paisley, foliate, moiré, damask, etc., some adhesive show-through, each sheet with numeral ink stamp to upper margin '1846' or '1849', sheet size approximately 55.5 x 42 cm (21.75 x 16.5 ins), plus 3 hand-coloured charts for Berlin woolwork by Hertz & Wegener, some edge-fraying and marks, one with printed label 'Jancowski's Wholesale & Retail Berlin Repository, 7, Stonegate, York', sheet size 17 x 53 cm (6.75 x 21 ins) and slightly smaller, and a printed Berlin chart from the Journal des DemoisellesQTY: (28)NOTE:The Idaiyangudi Lace School was established by Eliza Caldwell (1822-1899), daughter of missionaries Charles Mault (1791-1858) and his wife Martha (1794-1870) who set sail for India in 1818, just after their marriage. By 1821 Martha, against much opposition from the local people, had started the first of many schools for Indian girls, and this work was carried on by Eliza. From the outset these schools had a lace-making class. Martha had brought the necessary materials and equipment with her from England, having learned the techniques at home in St Neots. Lace-making provided the girls with an income, and for some who were slaves it was the means to buy their freedom, as Martha wrote in a letter dated 1830: " ... not a few of these girls are slaves ...We teach them in preference to others to make lace, and as soon as their earnings amount to more than their support, a portion of their work is reserved for the purchase of their liberty." Eventually lace-making provided employment for thousands of women, and a guide book from the 1930s states: "The lace industry started by the missionaries grew to large proportions and continues to this day, making available most beautiful hand-made lace that will rival any made in the world." (E. G. Hatch, Travancore: A Guide Book for Visitors, OUP, 1933)
Vintage MULBERRY Cross-body messenger (pre-curser to the Antony bag) handbag in cognac smooth leather with canvas strap and rare striped canvas lining with two inside pockets and a side pocket. Silver hardware. Carrying serial number 405437Condition Report: Good condition commensurate with age Some marks to the leather commensurate with age and relevant patina with small ink stain inside from the side pocket. Tan wax polish will buff up light wear marks
Rare late 1950s early 1960s YVES SAINT LAURENT for Fortnum and Mason ladies black satin frock coat. Double breasted with half belt at back and covered buttons. Fully lined, two hip pockets and cuff belt details. Classic bracelet length sleeves. Fits UK12-14Condition Report: Good condition commensurate with age. Some creasing and a light mark at the back.
OSSIE CLARK for Radley early 1970s dusk-pink belted moss crepe-de-chine "Angel" maxi dress UK14 with wide sleeves. This lot contains item(s) mentioned in the description. Accessories are shown for illustration purposes only. Condition Report: Good condition commensurate with age. Some light snags and marks.
A collection of designer vintage items a JOHN GALLIANO rust coloured jacket UK 10, * MOSCHINO Cheapandchic monochrome spotty skirt UK 10, * 1980s GIANFRANCO FERRE umbrella, * 1970s, a heavy linen floral duster coat in brown floral design UK10, * 1970s heavy linen peasant dress in cream with label "FM" UK10 * a VERSACE ladies monochrome checked jacket UK10-12 Condition Report: Good condition with light marks commensurate with age and use.
BIBA. A collection of three late 1960s and early 1970s ladies blouses. One duck-egg blue thick cotton (Marked under arms with small holes) size UK10 * one cream thick cotton with French cuffs (Good condition commensurate with age) UK8-10 * one dusky pink Moss Crepe with leg-o-mutton sleeves (Good condition commensurate with age) UK8-10 and SIX black plastic carrier bags of various sizes from BIBA and BIG BIBA stores in 1970s London. Light marks and small holes. This lot contains item(s) mentioned in the description. Accessories are shown for illustration purposes only. Condition Report: As in listing.
A rare good-sized 1930s-40s original long floral ballgown in bright colours. Short puffed sleeves, yoked neck with bow, half-belt at waist and tiered effect front with bow. fastens at the side with press-studs. Pit-to-pit 49cm (Approx. 38" Bust) * (Waist side-to-side laid flat) 42cm (Approx.33" Waist) * Shoulder to hem 143cm UK10-12-14Condition Report: Very good condition. Light marks nothing obvious
An antique possibly French 18c silk and gold lame panel finely embroidered silk-thread tapestry wall-hanging with hessian backing (90 x 176cm) Good condition with wear commensurate with age. With separate cotton backing with some watermarks.Condition Report: Commensurate with age and use with some light damage and appropriate wear.
A boxed HERMES silk scarf DIES ET HORE Astrologie - Dies et Hore Hermes scarf was designed by Francoise Faconnet and first issued in 1963. The Astrologie, its official title, and not Dies et Hore as it is often mistakenly called, has been re-issued numerous times.Condition Report: Signs of wear but good condition. Light marks as shown.
A LOUIS VUITTON Marc Jacobs/Takashi Murakami collaboration neo-pop monogram "Speedy" 30" bag. 33 colours Multicolour Blanc Monogram Multicoloure with leather fob, two keys, original care booklet and card and red textile (suede?) lining.Condition Report: Excellent condition with very light scratches on brass plates.
Addendum description. COURREGES PARIS 1960s original cream A-line silk-lined, heavy waffle-weave cotton shift dress,with wool cream satin-lined double-breasted coat (two items) made for H.R.H. Princess Alexandra of Kent (The late queen's cousin and one of her bridesmaids.) UK10Condition Report: Dress has marks as shown in photos. The coat has some light colour fading
An elaborately embroidered cream silk Japanese late Shōwa era possibly wedding kimono depicting fine silk embroidery of white egrets and a stitched Kamon symbol on right sleeve. Padded hem and silk tassels to sleeves. Floor-length (shoulder to hem 147cm) Condition Report: Good condition commensurate with age and use. Some light marks on hem. Loose stitching on left shoulder
A CHANEL BOUTIQUE classic black wool, black silk-lined mini skirt with silk-lined hip pockets fits UK12-14 (30" waist x 18.5" length (76cm x 47cm)) with CHANEL signature buttons and original white CHANEL ribbon and large CHANEL black card shopping bag (50 x45 cm)Condition Report: Excellent condition. Light mark at the ack by zip
A Collection of Assorted Silver and Silver Plate, the silver including dressing-table items; condiment items; a capstan inkwell a toastrack and other items, the silver plate including a three-light candelabrum and other items; Together With a silver overlay green glass decanter and six glasses (two trays)
Circa 1890 Silk Log Cabin Quilt, incorporating multi coloured silk patches, within a silk scalloped border, backed by a printed silk gauze shawl, 200cm by 225cmSome wear to the silk patchworks, some loose, light staining, wear - but overall in reasonable condition, fading to the silk trim, backing cloth shows some discolouration and wear. Has a cotton mount to the back for hanging.
Dosemealti Carpet, the blood red field with columns of cruciform guls enclosed by indigo borders of stylised plants and stellar motif guard stripes, 408cm by 304cm Free from any tears, holes and repair. General allover fading and light discolouration. One notable central horizontal wear patch. Generally in fair condition.
Antler Furniture: Antler Mounted Chandelier, circa late 20th century, an antler mounted three-light chandelier, formed with six cast deer antlers, fitted with three matching glass shades, width 66cm, height 53cm.For safety reason this will require re-wiring, imported from continental Europe. 20/06/23
Antler Furniture: Antler Mounted Chandelier, circa late 20th century, an antler mounted three-light chandelier, formed with three cast Red deer antlers, fitted with three matching amber glass shades, width 71cm, height 81cm.For safety reason this will require re-wiring, imported from continental Europe. 20/06/23
French School, circa 1900 Two portrait miniatures of French military commanders, thought to be Marshals of the Empire, the first possibly identified as Louis-Nicolas d'Avout, 1st Duke of Auerstaedt, 1st Prince of Eckmühl signed 'Rédha' and 'Rosèl' (lower right)watercolour on ivory6.5cm (2)These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned an exemption certificate, Ref. No.RSN5N18R and 3R6GZ6P1First - discoloured around the edges. The reds appear to have faded - visible in the sash and ribbon. Examined out of frame. Second - Possible light fading to the red pigments. Not examined out of frame.
Circle of Henry Edridge, ARA (1768-1821) Portrait miniature of George Coulson (1771-1861)signed and dated indistinctly lower leftwatercolour on ivory7.4cmThe present miniature could perhaps be attributed to David Gibson (fl. 1788-1802) but the signature appears indistinct.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No.C3P5HV5JSlight warping to ivory. Little fading to centre right edge. There appears to be a layer of thick yellow substance which has accumulated along the top right edge - this is visible when examined more closely in raking light. Indistinctly signed and dated '(Gibson? / ??dron?) / [1]801' lower left. Examined out of frame.
Eliza Delbovier, circa 1900 Portrait miniature of a gentleman thought to be George IV as Prince Regent wearing the Garter Starsigned indistinctly 'Eliza (Delbovier?)' (lower right)watercolour on ivory7.5cm; together withEnglish School, circa 1800Gentleman in a grey coatwatercolour on ivory6cm; English School, circa 1780Gentleman in a turquoise coat and lace cravatwatercolour on ivory5.5cm; French School, circa 1900Gentleman in a light blue coat and yellow waistcoatwatercolour on ivory5.5cm (4)These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned an exemption certificate Ref. No. 6KMC1MLU
J. Wheeler (fl. early 19th century) Portrait miniature of Edward Lyon (1797-1861)inscribed 'Painted by J.Wheeler' (lower right) and 'Portrait of/ Edward Lyon of/ (Kensington?)/ born/ 14th Feb 1797/ Jan 24th 1861' (to the reverse)watercolour on paper9.5cm; English SchoolGentleman in profile en grisaillewatercolour on card7cm; Attributed to W. Hargreaves (fl. 1813)Unfinished miniature of a gentlemaninitialled 'W.H. (lower right)watercolour on card6.5cm (3)J. Wheeler - Discoloured. Light surface dirt. Small foxing spot above the sitter's left shoulder. A blue spot lower centre and another mark near the lower right hand edge slightly concealed by the mount. There appear to be small losses in the sitter' hair and the paint is starting to flake. Not examined out of frame.English School - Few small losses and damages around the edges. Sits rather tightly in its frame. Unglazed.Attributed to W. Hargreaves (fl. 1813) - Some surface dirt and very slight discolouration.
English School, circa 1800 Portrait miniature of Mr Egerton reading in his studyinscribed with identity (to the reverse)watercolour on ivory10cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No.75GXGV4CSlightly loose in its frame and secured with a masking tape. Few losses around the edge and in the background left of the sitter. A vertical line possibly due to discolouration in the background. Some light surface scuffs and dirt. Under UV, some spotting can be observed in the sitter's coat which is also visible under raking light.
Continental School, circa 1800 Portrait miniature of a gentleman in burgundy coat with embroidered lapelsindistinctly signed '...(car?)' (centre left)watercolour on ivory, circular6cm; together with French School, circa 1780Gentleman in brown coat with cravatwatercolour on ivory, circular4.5cm; Continental School, circa 1820Gentleman in black coatwatercolour on ivory, circular5.7cm (3)These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned an exemption certificate Ref. No. ZIELG84PGentleman in burgundy coat - Several losses in the sitter's coat especially around his shoulder and the buttons. The paint appears to be flaking in this area. Further losses or fading near the right hand edge. Some surface scuffs left above the sitter's head. Not examined out of frame.Gentleman in brown - flaking in the coat area especially along the bottom edge. Further damages and visible flaking all around the edges. Discoloured around the edges. Some surface dirt. Although this was purchased by Barry Lock as being on ivory, the support could instead be vellum. There appears to be either a small tear or small crack above the sitter's head. Not examined out of frame.Gentleman in black - Surface dirt. Light fading in the background. Not examined out of frame.
Attributed to Charles Hayter (1761-1835) Portrait miniature of a gentleman in a navy blue jacketwatercolour on ivory7.5cm; together with English School, circa 1800Portrait of a lady in black coat and hatwatercolour on ivory7.5cm (2)These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned an exemption certificate, Ref. No.TAUZTA14 and TBLYGYA2Gentleman - Stuck down to card. Some light scuffs and wear around the edges. It appears to be slightly discoloured especially along the edges. The mount is a little loose in its frame. Examined out of frame. Lady - A scuff approximately 3/4 inch long in the sitter's left shoulder which is slightly concealed by the mount. There appears to be some discolouration in the background. Some wear to the paint layer in the feather of the lady's hat. Not examined out of frame.
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