A set of Katsumoto army samurai's brown armour from Edward Zwick's historical war epic The Last Samurai. Led by Katsumoto (Ken Watanabe), the samurai warriors wore their armour in multiple scenes, most notably as they prepared for battle against the Imperial Army.Made of durable vinyl with incorporated cotton straps, the armour components consist of a do torso piece (labelled "C7") decorated with a metallic gold circle on the front; two kote right-arm sleeves with patches of metal chain mail (labelled "Yoshio Miyaki, #14, Kote"); and a pair of suneate shin guards (labelled "C7"). The costume also includes a grey cotton wrap top (labelled "Ninja Kimono, #15 A21"), matching trousers (labelled "Ninja, 17A DBL"), a red fabric sash obi belt and a pair of black tabi cotton socks with a double toe (size M). Signs of wear include minor marks and light scratching on some armour pieces, while several holes are present on the top.Estimate: £1,000 - 1,500 M
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534297 Los(e)/Seite
A set of Katsumoto army samurai's green armour from Edward Zwick's historical war epic The Last Samurai. Led by Katsumoto (Ken Watanabe), the samurai warriors wore their armour in multiple scenes, most notably as they prepared for battle against the Imperial Army.Made of durable vinyl with incorporated cotton straps, the armour components consist of a do torso piece (labelled "A2"), a pair of sode shoulder guards, rubber chain mail kote armoured sleeves, a kusazari armoured skirt (labelled "Katsumoto Clan A5") and a pair of suneate shin guards. The costume also includes a navy blue cotton wrap top (labelled "C18"), matching trousers (labelled "SY25"), a red fabric sash obi belt and a pair of black tabi cotton socks with a double toe (size XL). The lot displays signs of wear, including minor marks and dirt remnants, with light scratching on some armour pieces.Estimate: £1,000 - 1,500 M
Naomi Dorrit's (Marsha Thomason) light-up satellite phone from the sci-fi television series Lost. Hired by Charles Widmore (Alan Dale), mercenary Dorrit used her satellite phone to contact The Kahana. Later, survivors of Oceanic Flight 815 also used the phone.This battery-operated grey plastic phone with a polymer screen features a green light powered by a battery pack embedded in the reverse. The lot is in good overall condition with its decals and branding information stripped by production. Dimensions: 20.5 cm x 6.5 cm x 5 cm (8" x 2 1/2" x 2")Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £1,200 - 1,500 Ω
Major Don West's (Matt LeBlanc) upper body armour from Stephen Hopkins' sci-fi adventure Lost in Space. The fighter pilot wore his body armour under his flight-combat suit when he and the Jupiter 2 crew boarded the Proteus ship. This version of the armour has remnants of blue paint, suggesting it was worn after he battled the ship's spider-like lifeforms.Made of rubber, the faux silver armour features decorative cable components and panel-line detailing. The armour is adhered to a black T-shirt labelled as a size medium. The armour displays light cracking, the paint finish has flaked away in places, and a small tear is present on the left shoulder.Estimate: £600 - 800 †Δ
Juliet's (Keira Knightley) wedding dress from Richard Curtis' romantic comedy Love Actually. Juliet wore her dress when she married Peter (Chiwetel Ejiofor), while his best man Mark (Andrew Lincoln) filmed the ceremony.Custom-made for the production, the dress consists of a white organza long-sleeved jacket with a sweeping train; a white lace asymmetrical top; a matching lace wrap-around skirt featuring a large metal brooch with pearl and diamantÃÆ’© detailing; a cream net asymmetrical dress decorated with sporadic white sequins; and a pale pink slip skirt.Feather and beading detailing adorn the dress and the collar of the jacket, and several of the garments display hook-and-eye fastenings. The dress is accompanied by a feather hairband and a small bridal bouquet made with artificial flowers. The costume displays signs of production use, including dirt marks on the slip skirt and light fraying to the hem of the lace skirt, and several of the leaves have fallen off the bouquet.Estimate: £3,000 - 5,000 †Δ
Melissa Lewis' (Jessica Chastain) EVA suit from Ridley Scott's sci-fi survival drama The Martian. Lewis wore her extra-vehicular activity (EVA) suit when operating the Manned Maneuvering Unit during the Hermes mission to rescue Mark Watney (Matt Damon) from Mars. The EVA costume was based on a version of a NASA suit used for moving outside the International Space Station, and created by costume designer Janty Yates, Scott's long-time collaborator. Yates and Scott have worked together on a number of sci-fi films, including Prometheus and Alien: Covenant.The suit is constructed primarily from a white synthetic material and comprises a helmet; a black-and-white skull cap; a torso with a backpack and GoPro camera housing attached; a pair of trousers; a set of gloves with rubber fingertip and palm detailing; and a pair of boots with rubber-sole crampons.The helmet is made of white metal and features a clear plastic front, a functioning faux-gold sun visor, and lights on either side. The helmet is labelled "7" within. A chest pack is adhered to the torso and has a metal rig secured to the bottom. Orange-and-white "Lewis" insignia Velcro strips are attached across the suit. The skull cap displays a label on the inside reading "Ladies Stunt".Fitted to the helmet and chest pack are electronic components that allow them to illuminate with LEDs. The helmet is powered by a 12V lithium-polymer battery (not included) inserted into the backpack, and would have been activated by an external remote control. A 9V battery (not included) can be fitted into the chest to light up the blue LED digits on the front. The space suit shows minor distressing from use on production and is mounted to a custom-made display mannequin. Dimensions (displayed): 50 cm x 72 cm x 190 cm (19 3/4" x 28 1/4" x 74 3/4")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £12,000 - 16,000 †Δ
A City phone booth sign from the Wachowskis' sci-fi action film The Matrix. City signs were located around the top of public phone booths, which were used by freedom fighters from the real world to quickly exit the Matrix. Trinity (Carrie-Anne Moss) notably sprinted into a booth to pick up a ringing phone moments before Agent Smith (Hugo Weaving) drove a truck into the structure during the film's opening sequence. The green sign is made of acrylic and features the word "City" in white. It is designed to be placed in front of a light box to achieve an illuminated appearance. A keypad emblem displaying 12 buttons is situated to the right of the text. The lot shows signs of production use, including scratches, minor marks, small chips to the green finish and yellow glue remnants on the text. Dimensions: 16 cm x 58.5 cm x 0.3 cm (6 1/4" x 23" x 1/4")Estimate: £2,000 - 3,000 Ω
Trinity's (Carrie-Anne Moss) sunglasses from the Wachowskis' sci-fi action film The Matrix. Trinity wore her sunglasses throughout the film as she, Neo (Keanu Reeves) and the crew of the Nebuchadnezzar fought to bring down the simulated reality known as the Matrix.Custom-made for the production, the sunglasses have a uniquely shaped thin black metal frame featuring a separate nose-guard piece, with two pads situated between the smoke-tinted rimless lenses. The glasses are presented in a black plastic case which features the handwritten text "Trinity. B, D5 2nd 1/2 + D2" on two strips of masking tape. The arms and back of the frame display minor wear from production use and light scratches are present on the lenses. The strips of tape have become discoloured over time and have begun to peel away in some places. Dimensions (glasses): 15 cm x 14 cm x 4 cm (6" x 5 1/2" x 1 1/2"); (case): 8 cm x 16.5 cm x 5 cm (3 1/4" x 6 1/2" x 2")Estimate: £6,000 - 8,000 Ω
Neo's (Keanu Reeves) complete costume from The Wachowskis' sci-fi action sequel The Matrix Reloaded. "The One" wore his costume in scenes set within the simulated Matrix universe as he embarked on a quest to save the human race from extinction. Neo sported the same costume in the next installment, The Matrix Revolutions.One of the main factors costume designer Kym Barrett had to take into consideration was the practicality of the outfits and how they would withstand the complex stunt sequences. Several versions of Neo's costume were produced, using different fabrics suitable for the action during particular scenes, from straightforward conversation to flying and fist-fighting with Agent Smith (Hugo Weaving) in the storm-ridden City.The black costume consists of a pair of micro sunglasses featuring green-tinted lenses; a full-length ecclesiastical-style textured woollen coat (labelled "Keanu Reeves., #1 Hero Coat-Matt Wool"); a cotton shirt which displays a mandarin collar (labelled "Neo"); a set of cufflinks; a Zimmerli T-shirt (labelled "KR" and size M); a pair of Trafalgar elasticated braces; a pair of trousers (labelled "KR 32"); and a pair of Andre #1 patent lace-up boots with Kevlar heels (labelled "KR*"). Covered buttons run down the front of the coat and four popper fastenings are adhered inside the collar, with pleat detailing adorning the coat's rear. Intentional slits have been created underneath the sleeves to allow a harness and wires to be attached to Reeves.The costume is displayed on a custom-made mannequin mounted to a glass base, with a metal rod entering the heel of the right boot. Minor wear from production use includes make-up remnants on the inside of the coat collar and light scratches on the shoes, while some stitching has become loose within the coat. The costume is accompanied by a Warner Bros. certificate of authenticity and two production wardrobe tags stating that it was used for "Change #2".Special shipping required; see special shipping notice in the Buyer's GuideEstimate: £40,000 - 60,000 †Δ
A screen-matched Helium-3 canister from Duncan Jones' sci-fi mystery Moon. Canisters were used to store the alternative energy source Helium-3. Several marks on the handle of the canister screen match to the scene in which Sam Bell (Sam Rockwell) loaded a rocket and launched it to Earth at the beginning of the film. Made of wood and fibreglass, the canister features a circular carry handle, four protruding fins, bright orange-and-black decals, and "Sarang" stencilled on both sides of the body. The lot is finished in metallic faux-silver paint and has been intentionally weathered. There is minor damage to the top of the fins and the canister displays light scratching and scuffs. Dimensions: 27 cm x 27 cm x 71 cm (10 1/2" x 10 1/2" x 28")Estimate: £1,000 - 1,500 M
A Sarang Station command centre model miniature from Duncan Jones' science-fiction film Moon. Sam Bell (Sam Rockwell) solely oversaw an automated helium-3 mining facility on the Moon known as Sarang Station.Built by renowned film and television model maker Bill Pearson and his team, this detailed model featuring a ladder and adjustable satellite dish is constructed of resin and particle board painted grey with orange details. Rubber wiring is wound along the dish with "Lunar Industries" decals affixed throughout and grime applied to simulate moon dust. 20th Century Fox copyright information dated 1993 is moulded beneath the satellite. The model is in good but fragile overall condition with light chipping and scuffed paint from production and age. Dimensions: 55 cm x 39 cm x 44 cm (21 3/4" x 15 1/4" x 17 1/4")Estimate: £4,000 - 6,000 US
Mr. Bean's (Rowan Atkinson) costume from Steve Bendelack's comedy Mr Bean's Holiday. The accident-prone Mr. Bean wore his costume throughout the film, in which he won a holiday to Cannes in a local raffle and documented the eventful trip on his video camera.The costume comprises a brown tweed jacket featuring beige leather elbow patches; a white cotton shirt; a red tie decorated with a blue embroidered dot pattern; and a pair of brown woollen trousers. The label in the shirt displays a faded "B" written in black marker. Signs of production use include light plucking on the tie's pattern and minor stains on the shirt, notably inside the neckline.Estimate: £1,500 - 2,500 M
An fsociety face mask from the thriller series Mr. Robot. These masks became associated with a group of hacktivists known as fsociety, which was led by Mr. Robot (Christian Slater). They were first worn as part of the fsociety costume in one of the group's manifesto videos.Made of vacuum-formed plastic, the skin-coloured mask features prominent black eyebrows and an upturned white moustache. Holes are present for the eyes and nostrils, while a small slit is located at the mouth. A piece of white elastic is adhered to the back. The lot exhibits minor wear from production use, including light scuffs on the moustache and dirt remnants on the reverse.Estimate: £600 - 800 †Δ
A set of Stephen Forrest-Smith hand-drawn storyboards from the production of Stephen Sommers' action adventure The Mummy. Consisting of 72 storyboards, the set depicts Ardeth Bay (Oded Fehr) and his group of Medjai warriors attacking the campgrounds, including the moment he came face to face with Rick O'Connell (Brendan Fraser) holding a stick of dynamite.The storyboards are rendered in pencil with ink outlining, and the images are stuck together with tape to form 27 sheets. Each drawing is labelled "Sc 49", with a brief description, notes on camera angles, and some display arrows directing the action as it would appear in shot. The lot exhibits signs of production use, including minor edge wear, light creasing, pencil smudging and Tippex applied to one sheet. Dimensions (larger sheets): 46.5 cm x 29.5 cm (18 1/4" x 11 1/2"); (smaller sheets): 33.5 cm x 30 cm (13 1/4" x 11 3/4")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M
Egyptian model miniatures and a crew hat from the productions of Stephen Sommers' action horror films The Mummy and The Mummy Returns. Model miniature sets of ancient Egyptian sites, including the City of Thebes, were constructed for special effects inserts by Industrial Light & Magic (ILM).This lot consists of a brown biscuit foam seated Egyptian deity statue carved with decorative hieroglyphics; a hand-painted turquoise and red resin Anubis statue mounted to a particle board base; a grey biscuit foam Amon ram statue with a detailed fibreglass shell and goldtone horns; and a green nylon Port Authority hat embroidered "The Mummy Returns ILM Crew 2001" on front with a Scorpion King emblem on the reverse. The lot is in good overall condition with visible discolouration, paint cracking, and detached pieces throughout the miniatures from production. Dimensions (largest): 45.25 cm x 73.75 cm x 89 cm (17 3/4" x 29" x 35"); (smallest): 29.25 cm x 14 cm x 17 cm (11 1/2" x 5 1/2" x 6 1/2")Estimate: £2,000 - 3,000 US
A set of Allan Cameron hand-drawn colour concept artworks from the production of Stephen Sommers' action adventure The Mummy. The lot consists of eight pieces of artwork depicting the ancient city of Thebes, the chamber containing the statue of Anubis, and the labyrinth hidden within Hamunaptra where a swarm of scarab beetles attacked Beni (Kevin J. O'Connor). Presented on sheets of paper, the drawings are rendered in a combination of pencil, ink and watercolour. Situated underneath each piece of artwork is production designer Cameron's signature and a brief title. The lot displays small tears, light creasing and pin holes, and there are signs of water damage on the piece titled "Thebes 2780 BC". Dimensions (each sheet): 29.5 cm x 42 cm (11 1/2" x 16 1/2")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M
A functional hero Book of the Dead from Stephen Sommers' action adventure The Mummy. The Book of the Dead was one of two prominent Ancient Egyptian artefacts to feature in the film, and was first discovered in a chest located at the Statue of Anubis by a group of American treasure hunters. Evelyn Carnahan (Rachel Weisz) and Rick O'Connell (Brendan Fraser) accidentally used the book to raise the ancient priest Imhotep (Arnold Vosloo) from the grave.The heavy book is primarily made of resin finished in black to resemble obsidian, and features several intentionally tarnished brass metal components. Intricately decorated, the front cover features sporadic curved lines, an Egyptian hieroglyph insignia on the left side, and raised scarab beetle emblems. Finished in shades of faux bronze, the large circular resin lock section displays an embedded sun-shaped emblem, where a key would have been inserted.The embellished metal spine displays 12 individual strands attached to each internal page. Designed to hold the front cover in place, four metal vulture-like clasps are inserted into the scarab beetle emblems and are adjoined to uniquely designed hinges. Located within the book are 12 resin tablet pages covered in ornate hieroglyph detailing. To open the book, the circular mechanical emblem on the cover must be twisted in an anticlockwise direction, which causes the two clasps on the right side to pop up. To close the book, the two clasps should be pushed down into their corresponding slots and held. The emblem should then be turned clockwise causing the locks to fix back into place.Intentionally distressed for the production, the weighty book exhibits minor wear from use and remains in a fragile state. The front shows minor paint wear and glue remnants. A small hairline crack is present within the lock section, and the back displays light coloured spots. The book is accompanied by a promotional still showing Imhotep holding the book. Dimensions: 37 cm x 37 cm x 12 cm (14 1/2" x 14 1/2" x 4 3/4")Contains mechanical components; see mechanical components notice in the Buyer's Guide.Estimate: £20,000 - 30,000 M
Takeshi's (Rick Yune) hero sword from James McTeigue's action thriller Ninja Assassin. Takeshi wielded his double-bladed sword in various fight scenes, most notably in his fight against his younger brother Raizo (Rain) in the burning Ozunu Clan training hall.The sword comprises an aluminium blade, a wooden grip wrapped in black leather, and a thin metal square-shaped tsuba. A blood groove runs along the majority of the blade length and the bottom of the sword features a mount where the other half of the weapon would have attached. The blade exhibits minor wear and light scratches, and the leather has begun to unravel slightly at the bottom of the grip. Dimensions: 100 cm x 5 cm x 4 cm (39 1/2" x 2" x 1 1/2")Estimate: £800 - 1,200 â€
A third draft script and a collection of production paperwork from Graham Baker's horror sequel Omen III: The Final Conflict. This lot was originally obtained from the family of production designer Herbert Westbrook.This third draft script is credited to Andrew Birkin and comes unbound within a dark blue card cover. Dated "14th January, 1980", the document comprises 127 light blue US Letter pages, with dated revised pages printed on pink paper.The accompanying collection of paperwork includes additional script revision pages, a cast list, shooting schedules, unit lists, budget lists, a film negative and a photo processed from the negative. Some of the sheets display Westbrook's name, and there are several handwritten annotations. Presented in a pink folder labelled "The Final Conflict", the set displays some signs of age, including minor edge wear, creasing, folded corners and staining on some script pages. Dimensions (script): 28.5 cm x 22 cm x 2 cm (11 1/4" x 8 3/4" x 3/4")Estimate: £400 - 600 †Δ
A red miner spacesuit from Peter Hyams' sci-fi film Outland. Spacesuits were worn by the Con-Am 27 workers in various scenes as they mined for titanium on Jupiter's moon Io. Created by Oscar®-winning costume designer John Mollo, the intentionally distressed suit is constructed from red cotton and decorated with quilted sections, a "Burke" name patch, a Con-Am 27 patch and strips of webbing edged with blue piping. Four detailed resin components with faux-silver dressing adorn the front. Accompanying the suit is a helmet consisting of a vacuum-formed plastic shell with affixed non-functioning lights and a clear acrylic visor. The inside is lined with cushioned PVC and is labelled "No. 11". Presented on a custom-made display, the costume shows several dark stains and glue remnants on the left sleeve, while the helmet visor exhibits light scratches. Two cut wires run out of the back of the helmet and the lights on the front-right side and interior are missing. Dimensions (displayed): 38 cm x 57 cm x 202 cm (15" x 22 1/2" x 79 1/2")Contains electronics: see electronics notice in the Buyer's Guide.Special shipping required: see special shipping notice in the Buyer's Guide.Estimate: £4,000 - 6,000 †Δ
Jim Preston's (Chris Pratt) shirt, trousers and belt from Morten Tyldum's sci-fi drama Passengers. Jim changed into his clothes after he was inadvertently awoken from hibernation on a colonial spaceship 90 years too early. He later wore them after waking Aurora Lane (Jennifer Lawrence) from hibernation. The long-sleeved shirt (size "XL") is light blue and features two chest pockets. The trousers are dark grey Ralph Lauren® jeans with no size labelling. The belt is made of brown leather with a metal buckle. The clothes appear worn and have some wear from production use and storage, including creasing.Estimate: £800 - 1,200 M
A Davy Jones digital animation reference bust and production ephemera from Gore Verbinski's fantasy swashbuckler Pirates of the Caribbean franchise. This bust was sculpted by Industrial Light & Magic's (ILM) Richard Miller as a physical reference piece for the digital animation team working on the Davy Jones character, who benefitted from seeing a 3-D model of Jones while animating. The bust may have also been used for digital scanning; several castings were made during production to be used as needed.The highly detailed fibreglass Jones (Bill Nighy) bust was created with a separate pirate hat (which has had some repair work carried out after production) and particle board base painted coppertone and silvertone. Also included are three ILM VFX crew hats from the first three films, respectively; and four cotton crew T-shirts from the films, ranging in size from M to XL. The lot is in good overall condition with wear and flaking paint from production. Dimensions (largest): 66 cm x 43.25 cm x 33 cm (26" x 17" x 13"); (smallest): 6.5 cm x 4 cm x 4 cm (2 1/2" x 1 1/2" x 1 1/2")Estimate: £2,000 - 3,000 Ω
Captain Jack Sparrow's (Johnny Depp) skull ring from Rob Marshall's action-adventure sequel Pirates of the Caribbean: On Stranger Tides. One of a set of four, the ring was worn by Sparrow on his right-hand index finger throughout the film as he joined Blackbeard (Ian McShane) and Angelica (PenÃÆ’©lope Cruz) in their search for the Fountain of Youth.The ring is made of faux-silver metal with an inlaid green glass jewel in the centre. It features a headpiece with four cast skulls flowing into winding details down the ring's band. The lot exhibits signs of production use, including the squaring off of the bottom band for a comfortable fit, and light surface scratches on the jewel. Dimensions: 3.5 cm x 2.5 cm x 1.5 cm (1 1/2" x 1" x 3/4")Estimate: £2,000 - 3,000 †Δ
Captain Jack Sparrow's (Johnny Depp) pirate hat from Rob Marshall's action-adventure sequel Pirates of the Caribbean: On Stranger Tides. The tricorn hat was one of the key components of Captain Jack's iconic costume, designed by Oscar® winner Penny Rose. Johnny Depp worked closely alongside Rose and chose a leather tricorn to ensure Sparrow's hat remained distinct from those worn by the other characters in the film series.Jack retrieved his hat from a horse after he rescued Gibbs (Kevin McNally) from being hanged, and donned his hat in early scenes during his time in London, including the moment he discovered a pirate posing as him was his former lover Angelica (PenÃÆ’©lope Cruz).The tricorn hat is made of brown leather and a cross stitch in brown thread adorns the two front sides. "Jack" is handwritten in black marker inside. A weathered look has been intentionally applied all over. The hat exhibits minimal signs of wear, light marks are present on the interior, and there is an indent on the back of the crown.Estimate: £10,000 - 15,000 M
Santa's sleigh bells, reindeer harness test samples and hand-painted designs from the production of Robert Zemeckis' animated adventure film The Polar Express. Santa's reindeer wore red-coloured harnesses decorated with rows of silver bells when they appeared in the North Pole Square. Only children who truly believed in Santa Claus heard the ringing of the bells, and the sound of these bells matches the jingling heard in the film.The lot consists of two intricately embossed red leather strips, one of which features two attached metal bells; two leather samples displaying numbered shades of red paint; and two sheets of watercolour-and-pencil harness pattern designs. There is light paint wear and scuffing on the samples, minor signs of verdigris patina on the bells, and a minor tear on one of the design sheets. The lot comes with a letter of authenticity from from a senior crew member. Dimensions (sample with bells): 9.5 cm x 35 cm x 5 cm (3 3/4" x 13 3/4" x 2"); (each design sheet): 30.5 cm x 40.5 cm (12" x 16")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M
Vivian Ward's (Julia Roberts) boots from Garry Marshall's romantic comedy Pretty Woman. Escort Vivian wore her thigh-high boots as part of her signature look at the beginning of the film, including the scene in which she first met high-class lawyer Edward (Richard Gere) on Hollywood Boulevard and accompanied him to his hotel in Beverly Hills. These are the boots which feature on the iconic promotional poster for the film, which shows Vivian standing back to back with Edward while holding onto his tie. The boots were worn by Roberts' uncredited body double Shelley Michelle during the poster photoshoot and Roberts' head was digitally added to create the well-known image. It is suggested that Michelle also acted as Roberts' body double on screen. The lot originally came from Michelle, who retained the boots after production was completed.Made from patent black leather, the thigh-high boots feature pointed toes, 3 1/2" stiletto heels, a full-length zip fastening, and an elasticated segment at the top for comfort. The boots exhibit creasing, light plucks on some of the visible lines of stitching, scuffing on the soles, and minor general wear from use on production, most notably on the heel of the right boot. Included in the lot is a landscape version of the famous poster featuring the boots.Estimate: £10,000 - 15,000 M
A royal palace guard tabard from Rob Reiner's fantasy adventure The Princess Bride. Guards wore their tabards while they were stationed around Prince Humperdinck's (Chris Sarandon) castle, notably when Buttercup (Robin Wright) was first introduced to the people of Florin as their new queen.Made from blue felt and lined with grey cotton, the front of the tabard features a black diagonal stripe and a large, yellow griffin emblem. The sides are laced up with brown cord and a Bermans & Nathans costumiers label is sewn into the lining, which reads "4892, Princess Bride". The tabard displays light wear, with several marks on the front, while the blue paint on the griffin's eyes and tongue has worn away, exposing the original red colour underneath.Estimate: £400 - 600 â€
David's (Michael Fassbender) screen-matched light-up space suit bay panel from Ridley Scott's sci-fi prequel Prometheus. Panels hung behind the Prometheus crew's spacesuits as they prepared to visit the alien ruins on LV-223. The panel matches the one seen behind David's suit through the markings on the metal grate. The panel itself is constructed from wood and painted matt grey and white. The panel features two display screens, three acrylic button pads and a gun compartment behind a metal grate lid. The screens display an array of moving data and the Weyland-Yutani logo, with graphics cycling on a loop when the panel is powered with its European plug, activated by a switch at the bottom. The gun compartment features a futuristic weapon-shaped cutout in black foam. The panel is accompanied by a remote control and instructions for use. There is some wear from production use and age, including some scuffing to the paintwork on the front and on the compartment handle. There are holes drilled into the top and bottom of the panel, where it was secured to the set. Dimensions: 15 cm x 61 cm x 99 cm (6" x 24" x 39")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £1,500 - 2,500 M
Nick Walker's (Ryan Reynolds) light-up hero handcuffs from Robert Schwentke's supernatural detective comedy R.I.P.D. After his murder, Sergeant Walker was recruited to The Rest in Peace Department, where officers used illuminating handcuffs to capture deados masquerading as humans. This hero pair of Walker's handcuffs is constructed of metal with steel hinges and an aluminum chain. Each cuff is inset with LED light strips on their undersides which illuminate when the cuffs are tightened. The handcuffs are in functional and excellent overall condition with minor scuffing to the metal. Dimensions: 43.25 cm x 18 cm x 5 cm (17" x 7" x 2")Contains electronics; see electronics notice in the Buyer's Guide.Contains mechanical components; see notice in the Buyer's Guide.Estimate: £1,000 - 1,500 Ω
Ray Donovan's (Liev Schreiber) Omega Seamaster Professional watch from the crime drama series Ray Donovan. Fixer Donovan wore a variety of high-end watches throughout the series, with the Omega Seamaster Professional his signature choice.This lot consists of a stainless steel Omega wrist watch with a dark grey dial featuring a pattern of waves and a small calendar window. It is housed in a blue leather Omega case around a black velvet-covered soft foam cylinder. The watch is in excellent overall condition with minimal wear from production, including some light scratching throughout. Dimensions: (case): 10.25 cm x 9 cm x 9 cm (4" x 3 1/2" x 3 1/2"); (watch): 10.25 cm x 4 cm x 2 cm (4'' x 1 1/2'' x 1'')Contains mechanical components; see mechanical components notice in the Buyer's GuideEstimate: £2,000 - 3,000 ΩΔ
Jack Bauer's (Kiefer Sutherland) CTU badge from the award-winning Fox television series 24. Counter-terrorist agent Bauer wore his badge around his neck in numerous episodes throughout the first six seasons.Made of metal, the gold-coloured shield badge features an eagle motif at the top, engraved blue text reading "Counter Terrorist Unit", a blue CTU emblem at the centre, and a pin-back fastening. The shield is secured to a black leather holder with a snap fastening and is suspended from a metal ball chain, with an additional metal clip attached to the back. The shield displays minor wear from production use, including light scratches on the holster's leather, and is accompanied by a letter of authenticity signed by property master Randy Gunter. Dimensions (laid out): 42 cm x 6 cm x 2 cm (16 1/2" x 2 1/4" x 3/4")Estimate: £2,000 - 3,000 M
A snake amulet from John Madden's period comedy-drama Shakespeare in Love. William Shakespeare (Joseph Fiennes) handed Rosaline (Sandra Reinton) the ornate amulet with a secret message hidden in its mouth, shortly before learning that she was with another man.The amber-coloured resin bangle is decorated with black, metallic green and gold-coloured painted dots, and features sporadic sequins, some of which have small, pink-painted embellishments. Metallic faux-gold trim adorns the neck, and is also wrapped around the tail. A hole is present in the mouth where a paper message was inserted. The amulet exhibits light paint wear from use on production. Dimensions: 9.5 cm x 9 cm x 5 cm (3 3/4" x 3 1/2" x 2")Estimate: £800 - 1,200 M
A shooting script from the production of Edgar Wright's horror comedy Shaun of the Dead. Bound with a metal clip, the front cover features a black-and-white illustration of Shaun (Simon Pegg), Ed (Nick Frost) and Liz (Kate Ashfield) wielding weapons, with "SOTD, Shooting Draft, 29/04/03" written in black marker along the spine. Credited to Edgar Wright and Simon Pegg, this script comprises 124 unannotated pages, printed single-sided on white A4 paper. Signs of production use are present, including light edge wear, and the back page displays a minor crease line and corrosion marks near the clip. Dimensions: 30 cm x 21.5 cm x 2 cm (11 3/4" x 8 1/2" x 3/4")Estimate: £400 - 600 †Δ
Two production-used clapperboards from Guy Ritchie's detective adventure Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows. Used by the 'A' camera unit during filming, both clapperboards consist of an acrylic slate with a wooden clapper fixed to the top. The production titles "Sherlock Holmes" and "Sherlock Holmes II" are engraved in black along the top, and the names of director Guy Ritchie and Director of Photography Philippe Rousselot feature on both. The clapperboards display fields titled "Slate", "Take" and "Roll", which are filled in with black ink. The "Sherlock Holmes" board is dated "3rd December 2008" and the "Sherlock Holmes II" board is dated "4-2-2011". Minor wear from production use is present on both boards, including light scuffing to the paint on the clapper arms and light surface scratches to the acrylic. Dimensions (each clapperboard): 4 cm x 28 cm x 24 cm (1 1/2" x 11" x 9 1/2")Estimate: £1,000 - 1,500 M
Sir Christopher Lee's personal filming script autographed by the cast from the production of Tim Burton's fantasy horror Sleepy Hollow. This lot comes from the personal collection of legendary actor Sir Christopher Lee. The white card cover bears the production title and features personalised inscriptions in black ink, dedicated to Christopher, from Johnny Depp and Tim Burton. The story is credited to Washington Irvin, with screenplay credit given to Kevin Yagher and Andrew Kevin Walker. Bound by a metal script clip, the document comprises 106 pages printed single-sided on white A4 paper, with additional pink and blue revision pages. The lines for Lee's character, The Burgomaster, are highlighted in yellow, and there are annotations in pencil present on the back. The script shows signs of production use, including light edge wear to some pages, marks and light creasing, and a small tear is present along the top edge of the card cover. Dimensions: 30 cm x 21 cm x 1.5 cm (11 3/4" x 8 1/4" x 1/2")Estimate: £1,500 - 2,500 M
Jack Traven's (Keanu Reeves) costume from Jan de Bont's 1994 action film Speed. Jack wore his costume for most of the film as he tried to save the passengers of a bus rigged with a bomb. The costume consists of a jacket, shirt, T-shirt, trousers and boots. The Quiksilver jacket (size "L") features a blue-and-brown plaid pattern and has two chest pockets; the Banana Republic shirt (size "M") is a blue cotton button-up; the T-shirt (size "L") is a white Calvin Klein; the AGOLDE jeans (size "31") are light brown; and the boots are brown leather Vasques.The costume has some wear from production use and age. The jacket has faded over time, the shirt has some minor staining and several small holes on the front, the jeans have some brown staining around the shins, and the boots show wear to the heel and soles, with dried dirt on the soles.Estimate: £3,000 - 5,000 M
A light-up Bajoran tricorder from classic sci-fi TV show Star Trek: Deep Space Nine. Tricorders were used by different races across the galaxy to gather sensor readings, and record and analyse data. Major Kira Nerys (Nana Visitor) used a tricorder in the Season 4 episode "Indiscretion", in which she searched for the missing crew of a downed Cardassian freighter.The Tricorder is hollow, cast from resin and finished predominantly in bronze, gold and black paint, consistent with the Bajoran aesthetic. Small red-and-green pieces of acrylic have been added for detailing, to give the appearance of buttons. When the black button is pressed, the display screen illuminates and the red-and-green acrylic pieces flash. The device has some wear from production use and age, including scuffs and scratches. There are small areas where paint has chipped away, revealing the resin underneath. Dimensions: 15 cm x 8 cm x 5 cm (6" x 3" x 2")Estimate: £800 - 1,200 M
Mobar's (Gregg Daniel) "talisman" scanner from the sci-fi television show Star Trek: Voyager. Mobar used his scanner, which he claimed was a religious talisman, to download information about Voyager as part of a con in the Season 6 episode "Live Fast and Prosper". The scanner is made predominantly of resin and features a long metal chain so it can be worn as a necklace. It has three buttons, two on the front and one on the side. The front buttons activate lights at the bottom and beneath the graphic in the middle of the scanner, while the side button activates a pulsing green light at the top. The scanner is powered by four AAA batteries. There is some wear from production use, including scuffing and scratches, most notably on the back. The metal chain is missing a link and is no longer complete. Dimensions (chain extended): 97 cm x 9 cm x 4 cm (38 1/4" x 3 1/2" x 1 1/2") Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £800 - 1,200 M
A light-up Lokirrim scanner from the sci-fi television series Star Trek: Voyager. The Lokirrim used their scanners in the Season 7 episode "Body and Soul" after they took Ensign Kim (Garrett Wang), the Doctor (Robert Picardo) and Seven of Nine (Jeri Ryan) captive. Lt. Jaryn (Megan Gallagher) scanned the Doctor to confirm he is a hologram. The scanner is made of plastic and painted to look like bronzed metal. A small black button on the right of the scanner can be pressed to activate green lights around the edge and illuminate the centre screen with flashing lights. Solid black buttons are present on the front for added detail. The scanner is intentionally distressed to look worn, and displays some wear from production use and age, including some scuffing and scratches. Dimensions: 12.5 cm x 8 cm x 3 cm (5" x 3 1/4" x 1 1/4")Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £1,000 - 1,500 M
A screen-matched, light-up, battle-damaged USS Enterprise hull insert section model miniature display from Nicholas Meyer's Star Trek II: The Wrath of Khan, its immediate sequel, Star Trek III: The Search for Spock, and Star Trek VI: The Undiscovered Country. After taking control of the USS Reliant, Khan Noonien Singh (Ricardo Montalban) opened fire on the Enterprise's secondary hull, severely crippling the ship.While models of the Enterprise from the production of Star Trek: The Motion Picture were used throughout filming, this ornately detailed, hand-painted model miniature was constructed by Industrial Light & Magic (ILM) to appear specifically battle-damaged during the attack sequence in The Wrath of Khan. It was then reused for insert shots of the ship in both The Search for Spock and The Undiscovered Country. The battle-damaged section screen-matches to shots in the third film, while its many lights screen-match to shots in the sixth.This electronic display consists of the hull section model miniature and two plastic-paneled wood wing pieces with miniature illuminating spotlights all mounted to a particle board base marked "These bulbs are 3 1/2 volts max!" designed to control small lights installed throughout the model. The electronic base features two Starfleet emblems and five switches labeled "Main", "Interior Lights", "Exterior Lights", "Arm Photon", and "Fire Torpedo" which activate various illuminating sections of the hull. The model itself is constructed of resin, wood, paper, and paneled plastic with internal steel and aluminum components, some of which are exposed around the battle-damaged area. It is painted grey and blue with red, blue, white, black, and yellow decals applied throughout, and lined with lights. The lot exhibits clear signs of use and handling, including scuffed and discoloured paint, loose paneling, and scratched wood, but it remains in excellent overall condition. Dimensions: 139.75 cm x 147.5 cm x 76.25 cm (55" x 58" x 30") Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: £15,000 - 20,000 Ω
A copy of Star Wars: The Visual Dictionary autographed by three main cast members of George Lucas' Star Wars prequel trilogy. Written by David West Reynolds, the hardcover book contains 64 pages featuring annotated colour images and comprehensive insights into the characters, weapons and vehicles of the original trilogy. The first two pages of the book are autographed in black marker by Samuel L. Jackson, Ewan McGregor and director George Lucas. All three autographs have written messages dedicated to property master Ty Teiger. The dust jacket displays light edge wear and minor marks, and a notable rip is present on the back. Dimensions: 31.5 cm x 26.5 cm x 1.5 cm (12 1/2" x 10 1/2" x 1/2")Estimate: £400 - 600 †Δ
A collection of autographed promotional stills and screening tickets from the production and promotion of the Star Wars prequel trilogy. The five stills feature George Lucas, Ewan McGregor, Hayden Christensen, Natalie Portman and producer Rick McCallum, each of whom has autographed their photo in either black or gold-coloured marker. The lot also includes eight tickets for various screenings of The Phantom Menace, Attack of the Clones and Revenge of the Sith, all featuring the locations, dates and times for each event. Completing the lot is a Revenge of the Sith wrap party invitation and a black tag featuring the name of the production's prop master. The photographs exhibit light surface scratches and the tickets display minor edge wear. Dimensions (larger photographs): 30 cm x 20.5 cm (11 3/4" x 8"); (largest ticket): 19 cm x 12.5 cm (7 1/2" x 5"); (invitation): 26.5 cm x 21 cm (10 1/2" x 8 1/4")Estimate: £400 - 600 †Δ
A set of three ILM propaganda posters from the production of George Lucas' Star Wars: The Phantom Menace. Posters made in homage to the propaganda posters used by the United States during World War II were placed around sets and production offices to discourage crew members from accidentally leaking information about the film.Designed by Industrial Light & Magic (ILM) artist Mark Malabuyo, these three posters are colour-printed on semi-gloss poster paper with three distinctive designs: "SHHHH! The Empire is Listening!" with images of Darth Vader (David Prowse) and Snow Troopers; "Loose Lips Sink Starships!" with an image of the Millenium Falcon; and "The Empire is Watching!" with an image of the Emperor (Ian McDiarmid) and one of his personal guards. The posters are in excellent overall condition with minimal wear from use and age. Dimensions (each): 49 cm x 38.25 cm x 2.5 (19 1/4" x 15 1/2" x 1")Sold without copyright; see notice in the Buyer's Guide.Estimate: £1,000 - 1,500 Ω
Detective Mike Lowrey's (Will Smith) dog tags from Michael Bay's action-comedy sequel Bad Boys II. Mike wore his dog tags in multiple scenes in the film, notably during Marcus Burnett's (Martin Lawrence) family barbeque. He also wore them when he and Marcus inadvertently became involved in a car-chase shootout with Haitian hitmen and Marcus' sister Syd (Gabrielle Union), who was working undercover for the Drug Enforcement Agency. The two metal tags are decorated with an inner border of faux-diamond stones and are suspended on a long ball chain. The lot exhibits minor wear and light scratches on the back of the tags from production use. Dimensions: 44 cm x 4 cm x 0.5 cm (17 1/4" x 1 1/2" x 1/4")Estimate: £800 - 1,200 M
Qui-Gon Jinn's (Liam Neeson) fighting lightsaber from George Lucas' Star Wars: The Phantom Menace. The Jedi Master wielded his lightsaber as he battled against the Trade Federation's droids and duelled with Sith apprentice Darth Maul (Ray Park) on Tatooine and in Naboo's Theed Palace. Qui-Gon's lightsaber was subsequently used by Obi-Wan Kenobi (Ewan McGregor) to avenge his master.Many variations of lightsabers were designed for The Phantom Menace by design director Doug Chiang, with each Jedi having a uniquely crafted lightsaber designed to reflect their personality. Liam Neeson personally picked this hilt design for his character.Produced for stunt purposes, the lightsaber hilt is constructed from resin and features ribbed detailing running from the blade emitter down to the base, creating a grip. The hilt is finished in a combination of black and faux-silver paint, and a red static activator switch adorns one side. A thin protruding metal rod has been cast into the projection plate, added to allow the weapon's blade to be easily affixed. The threaded rod would have been rotoscoped and replaced with a beam of light in post-production. There are minor signs of production use, including paint wear, light scratches and notable scuff marks down one side. Bubble marks from the casting process are still present and the metal rod has become discoloured over time. Dimensions: 44.5 cm x 4 cm x 5 cm (17 1/2" x 1 1/2" x 2")Estimate: £10,000 - 15,000 â€
A cast-and-crew-autographed sheet from the production of George Lucas' Star Wars: Attack of the Clones. The white paper sheet features the production title artwork printed at the centre. The lot is autographed in gold and black pen by several of the film's cast and crew, including Ewan McGregor, Hayden Christensen, Christopher Lee, Temuera Morrison, Ahmed Best, Jay Laga'aia, Anthony Daniels, Joel Edgerton, Daniel Logan, Matt Sloan (lead animatronics foreman/Plo Koon), Steven Boyle (creature technician/Senator Ask Aak/Passel Argente), Zachariah Jensen (Kit Fisto), producer Rick McCallum and sound designer Ben Burtt. The lot displays minor marks and light wear to the corners, and red ink splatters are present along the bottom edge. Dimensions: 42 cm x 29.5 cm (16 1/2" x 11 1/2")Estimate: £400 - 600 †Δ
An unfinished version of Count Dooku's (Christopher Lee) lightsaber from George Lucas' Star Wars: Revenge of the Sith. In the Star Wars canon, Dooku studied the Jedi archives, creating his personalised curved lightsaber hilt to best fit his uniquely precise and controlled combat style. This production-made lightsaber is missing some of the components seen on the final version, including the brass-coloured screws, the red resin activator switch and the diamond-like texture on the black grip sections.Crafted in resin and vacuum-metalised, it features a mirror-chrome-plated finish, with four separate black rubber accents and a brass-coloured trigger. At the tip of the guard is a curved protruding detail, which runs down the length of the handle's inner curve to provide counterbalance. The weapon exhibits minimal wear, with light surface scratching to the mirror-chrome finish. Dimensions: 33 cm x 9.5 cm x 4.5 cm (13" x 3 3/4" x 1 3/4")Estimate: £4,000 - 6,000 Ω
Darth Vader's (Hayden Christensen) hero lightsaber from George Lucas' Star Wars: Revenge of the Sith. Anakin Skywalker was renamed Darth Vader when he turned to the dark side, and took his iconic armoured form after sustaining mortal injuries during a duel with Obi-Wan Kenobi (Ewan McGregor) on the fiery planet of Mustafar. Kenobi ultimately took his weapon, forcing Vader to create a new lightsaber hilt design, which he would use throughout his remaining days as a Sith Lord.This particular lightsaber did not appear on-screen in the final cut of the film, as it was clipped too far around on Vader's belt, and therefore hidden beneath parts of his costume. However, it was seen in numerous publicity stills and promotional photos. The lightsaber was gifted by the film's producers to celebrated stunt coordinator and sword master Nick Gillard on completion of the prequel trilogy. The main body of the lightsaber is constructed from turned aluminium and is decorated with several detailed components made from resin, rubber and metal. Some sections of the hilt display a mirror-silver chrome finish. Seven black rubber strips form the handgrip and a round power indicator is situated on one side. Located at the centre of the hilt is a Sith crystal chamber, which features a silver-coloured strip decorated with a black geometric design and a protruding activator switch. The two blade power adjusters are painted in shades of metallic faux bronze and the top of the hilt features a bevelled emitter shroud. Minor signs of wear from production use are present on the lightsaber, including light surface scratching on the chrome finish, light paint wear on the power adjusters and visible remnants of glue around the edges of some of the rubber strips. It is accompanied by a letter of authenticity from Gillard and a copy of Star Wars Revenge of the Sith: The Visual Dictionary. Dimensions: 28.5 cm x 5.5 cm x 5 cm (11 1/4" x 2 1/4" x 2")LiteratureAn image of Darth Vader's lightsaber can be seen on page 63 of Star Wars Revenge of the Sith: The Visual Dictionary, published by Dorling Kindersley.Estimate: £40,000 - 80,000 M
Obi-Wan Kenobi's (Ewan McGregor) hero lightsaber from George Lucas' Star Wars: Revenge of the Sith. Obi-Wan carried and used his lightsaber in various scenes throughout the saga, notably during a duel on the fiery planet of Mustafar with his former apprentice Anakin Skywalker (Hayden Christensen), by then known as Darth Vader.This hero lightsaber was gifted by the film's producers to celebrated stunt coordinator and sword master Nick Gillard on completion of the prequel trilogy. In the Star Wars canon, Obi-Wan constructed his third and final lightsaber after earning the title of Jedi Master, and continued to use this weapon until he sacrificed himself during his confrontation with Vader aboard the Death Star in A New Hope. The lightsaber's hilt design inspired Obi-Wan's apprentice Luke Skywalker (Mark Hamill) when he created his second, green-bladed lightsaber, which featured in Return on the Jedi. The lightsaber is made of a combination of machined aluminium and cast resin detailing, with a metal core running through the body of the weapon. Some parts of the weapon are vacuum-metallised, with sections of the pommel, controls section and blade projection plate displaying a mirror-silver chrome finish. The handgrip is finished in black, and the power cell reserve cap is painted in dark shades of metallic faux bronze. One side of the hilt features a protruding activation switch which displays a gold-coloured strip decorated with a black circuitry design. Twelve small circles are engraved into the top of the aluminium round projection plate. Minor signs of wear from production use are present on the lightsaber, including light surface scratching on the chrome finish and slight bubbling from the casting process on the reserve cap. A notable scratch is present near the bronze-coloured static button situated to the side of the activation switch. A letter of authenticity from Gillard accompanies the lightsaber. Dimensions: 28 cm x 5 cm x 5.5 cm (11" x 2" x 2 1/4")Estimate: £80,000 - 120,000 M
Two crew T-shirts from the production of George Lucas' Star Wars: A New Hope. T-shirts were gifted to members of the crew.The lot consists of one light yellow cotton T-shirt (size M) and one yellow polyester T-shirt (size L). Both garments feature a triangular logo designed by Ralph McQuarrie, showing an early image of Luke Skywalker (Mark Hamill) holding a red lightsaber, with the text "Star Wars" printed beneath. The T-shirts exhibit minor wear, including small bobbles on the fabric.Estimate: £600 - 800 M
Adam Gibson's (Arnold Schwarzenegger) leather jacket from Roger Spottiswoode's sci-fi action film The 6th Day. Charter pilot Adam wore his leather jacket throughout the film as he attempted to reclaim his identity, after discovering he had been illegally cloned.The Cooper bomber jacket is made of dark brown goatskin leather lined with a khaki synthetic blend fabric, with two pockets adorning the front. Five custom-made embroidered patches decorate the garment and a metal brass-coloured zip runs down the front. The jacket features a faux-fur collar and a knitted stretch waistband and cuffs. The lot exhibits signs of wear from production use, including marks on the leather, light plucks on some of the patches, minor wear on the fur collar and a hole on the left cuff.Estimate: £2,000 - 3,000 M
A miniature model Death Star surface section from George Lucas' Star Wars: A New Hope. This piece was part of a large-scale miniature set of the Death Star's immense surface, and was used for medium altitude shots, in which fighters flew over the Imperial station during the Rebel assault.Designed and built by Industrial Light & Magic's miniature model department, the construction of the Death Star miniatures was a massive undertaking, as the sequence called for a vast battlefield consisting of unique surface panels. Decorated with cast greeblies, the section is constructed from biscuit foam and finished in industrial grey paint. The lot displays light paint wear in places, and minor damage to one corner. Dimensions: 8 cm x 7.5 cm x 2.5 cm (3 1/4" x 3" x 1")Estimate: £1,000 - 1,500 â€
A cast and crew photo book from the production of George Lucas' Star Wars: A New Hope. Photo books featuring behind-the-scenes images were gifted to the cast and crew for their efforts on the production. The photo book is bound in a black card cover, which features the pre-release Ralph McQuarrie-designed sticker showing a rough concept of Luke Skywalker wielding a lightsaber above the working title "The Star Wars". The book contains 25 black-and-white photos, one of which depicts Obi-Wan Kenobi (Alec Guinness) and Darth Vader (Dave Prowse) in battle without visual effects applied to their lightsabers. On the back of the last photo is a message dedicated to prop man Joe Dipple, autographed by George Lucas and producer Gary Kurtz. The photo book exhibits relatively minor wear, with light edge wear, creasing and minor marks on the card cover. Dimensions: 20.5 cm x 26 cm x 1 cm (8" x 10 1/4" x 1/2")Estimate: £2,000 - 3,000 M
A pair of acrylic star crew gifts and bags from the production of George Lucas' Star Wars: A New Hope. Engraved stars were given to cast and crew in commemoration of their work on the movie, as well as to select attendees of exclusive screenings.This lot consists of two clear acrylic stars, meant originally to be used as paperweights, with the words "Star Wars" engraved in one and "May The Force Be With You" in the other. Each star includes the rare original blue velvet draw-string bag it was initially gifted in. The lot is in excellent overall condition with minor wear from handling and age, including some light scuffing throughout. Dimensions (each): 14 cm x 14 cm x 3 cm (5 1/2'' x 5 1/2'' x 1 1/4)Estimate: £2,500 - 3,500 Ω
A Cantina band member's creature hands from George Lucas' Star Wars: A New Hope. The seven-piece band - known as Figrin D'an and the Modal Nodes - performed in the Mos Eisley Cantina, where Luke Skywalker (Mark Hamill) and Obi-Wan Kenobi (Alec Guinness) met with the smuggler Han Solo (Harrison Ford) to arrange transportation from of Tatooine to Alderaan. Made from cast latex, the large one-piece gloves feature indented knuckles, raised vein detailing, curled, pointed nails, and overlapping sections running down the wrists. The hands are finished in varying shades of brown, and both display intentional splits up the back of the wrist to allow easy fitting and removal. Yellow pieces of mesh are adhered inside the intentional cuts. The hands exhibit some signs of wear due to age and production use, including light paint wear and some very minor cracks. Dimensions (each): 38 cm x 22 cm x 7 cm (15" x 8 3/4" x 2 3/4")Estimate: £8,000 - 10,000 M
Seven on-set and candid stills from the production of Steve Binder's television spin-off The Star Wars Holiday Special. The three on-set stills show Luke Skywalker (Mark Hamill) in his Rebel flight suit with R2-D2; Princess Leia (Carrie Fisher) with C-3PO (Anthony Daniels); and a line up of the main cast members, with Chewbacca (Peter Mayhew) sporting a red "Life Day" robe. The remaining four photographs include a headshot of Fisher and Harrison Ford; Hamill holding an autographed Star Wars poster; and two black-and-white candid shots of Hamill, Fisher and Ford. The set displays light surface scratches and minor edge wear, while the edges of some images have curled over time. Dimensions (each still): 20.5 cm x 25.5 cm (8" x 10")Estimate: £200 - 300 M
A collection of ten R2-D2 drinking mats from the promotion of Irvin Kershner's Star Wars: The Empire Strikes Back. Drinking mats were gifted to members of the crew who worked on The Empire Strikes Back.Made of cardboard, the set of metallic-blue-and-matte white mats feature the words "Star Wars The Empire Strikes Back" surrounding an R2-D2 insignia. Some of the mats display light scratching, small areas of wear to the metallic blue finish and minor staining on the back. Dimensions (each mat): 9.5 cm x 9.5 cm x 0.1 cm (3 3/4" x 3 3/4" x 1/4")Estimate: £300 - 500 M
A set of door signs from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Signs adorned the door of each department, and were displayed in restricted areas on location at the Finse 1222 hotel in Norway, where the Hoth scenes were filmed.The lot consists of three white card signs, all featuring a screen-printed The Empire Strikes Back logo and hand-painted blue titles applied by the film's lettering artist. The titles include "Art Dept." and "Construction", with the third sign blank. The set displays slight discolouration from age, light edge wear and marks from use. Dimensions (each sign): 7.5 cm x 33 cm x 0.2 cm (3" x 13" x 1/4")Estimate: £400 - 600 M
A fan club poster collage from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. This poster was purportedly displayed on a wall in producer Gary Kurtz's office and has been consigned by the crew member who saved the piece from a skip, after being tasked with dismantling Kurtz's office after the production had finished. Adhered to a large sheet of blue-painted cardboard, the collage consists of a 1977 official fan club poster by Ralph McQuarrie showing Luke Skywalker (Mark Hamill) in his X-wing fighter; a promotional still of Luke, Princess Leia (Carrie Fisher), Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew); a smaller still of Luke; four Star Wars logo stickers, including a triangular McQuarrie design; a membership card; and the top section of a fan club introductory letter. The lot displays light marks, paint wear around the edges and minor creasing on some of the collage pieces. Dimensions: 101.5 cm x 66.5 cm x 0.2 cm (40" x 26 1/4" x 1/4")Estimate: £800 - 1,200 M
A George Lucas-signed check from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. During the production, Lucas wrote a check to modelmaker and camera assistant Paul Huston for four ILM shirts.This lot consists of a printed paper check for $22.00, made out to Paul Huston and signed by Lucas with an attachment detailing the shirt order, and set in a white and silver-colour paper Industrial Light & Magic (ILM) envelope marked "Lucas Check" handwritten in black ink. The lot is in excellent overall condition with minimal wear from age. Dimensions: 21.75 cm x 28 cm (8 1/2" x 11")Estimate: £1,200 - 1,600 ΩΔ

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