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Preisdatenbank abonnierenA pair of French gilt-bronze six-light figural candelabra, late 19th / early 20th century, each modelled as winged putto holding aloft a cornucopia issuing flowering candle arms and raised on a fluted column hung with fruiting garlands above a concave-sided square base, 73cm (2)Provenance: Christie's, London, Gloria: Property from the late Dowager Countess Bathurst, lot 58.Photographs: © Christie's Images
Dunmore (Earl of), Charles Adolphus Murray, Scenes in Many Lands, from Sketches by the Earl of Dunmore: Eastern & Western Hemispheres, oblong quarto, 3-page preface, 96 collotypes (four double-page, photographic & after original artwork), London: The Autotype Company, c.1897 Provenance: Dominic Winter Auctioneers, 15 December 2021, lot 5.Footnotes: Note: This is a scarce copy of a sequel to the volume titled 'Scenes in Many Lands: Arctic to the Equator', currently no other copies have been traced at auction or held institutionally. Examples of 'Scenes in Many Lands: Arctic to the Equator', have been sold at auction (Sotheby's: Travel, Atlases, Maps and Natural History, 15 May 2018, lot 176, and 24 May 2022, lot 13). The work includes landscapes and genre photographs from numerous countries including Hong Kong, Shanghai, Chinese coastal areas, Japan, South Africa, Zimbabwe, Canada, Lebanon, Sri Lanka & the South Pacific. Charles Adolphus Murray (1841-1907) was the 7th Earl of Dunmore, he was appointed Lord-in-waiting to Benjamin Disraeli's government from 1874-80, and also served as Lord Lieutenant of Stirlingshire (1875-85) and Lieutenant-Colonel of the 1st Inverness-shire Rifle Volunteers (1882-96). In recognition of his generous support, the Canadian Pacific Railway named the hamlet of Dunmore, Alberta in Earl Dunmore's honour. Condition Report: One plate with marginal pen annotations, a couple of plates with marginal closed tears, one plate with marginal loss & closed tear affecting image (repaired with tape to verso), occasional light soiling & spotting (mostly marginal), original blue cloth, worn & stained in places
A large Louis-Philippe gilt and patinated bronze six-light candelabrum, second quarter 19th century, converted to a table lamp, the leaf-wrapped tapering shaft issuing acanthus-clad candle branches, the tripod base with scroll feet, on a concave rouge griotte marble base with moulded edge, with paper shade and reflector, 100cm high overallIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A French gilt-bronze mounted breche violette marble pedestal column, late 19th century, with a Corinthian capital and stepped, square base, losses to foot of shaft, 136.5cm highCondition Report: The top plateau is missing and there are two protruding brass dowels where the top would have originally been secured into place. The gilt capital and other mounts to the base of the shaft and plinth have light wear and tarnishing consistent with age and use. The top of the shaft with some nibbled to the edge where it joins the capital. There is a small area to the middle of the column shaft with a small amount of in-fill. There is a section of loss to the foot of the shaft and two further chips also to the foot. The plinth base with nicks and losses to the leading edges and corners. Some of these losses have been infilled. The top dimensions are: diagonal across the top - 33.3cm; wide left-->right - 26.5cm.
A French gilt-bronze mounted inlaid rosewood centre table, in the manner of Paul Sormani, last quarter 19th century, the shaped top above frieze drawer, on square tapering legs to ball feet, joined by scrolling stretchers with large central finial, 79cm high, 156cm wide, 109cm deepCondition Report: light scratches and knocks throughout, stains to top, structurally sound.
A gilt-brass and glass eight-light basket chandelier, second half 20th century, hung overall with chains of faceted drops, the circlet with a continuous floral motif, 102cm high, 65cm diameterIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A French ormolu mounted parquetry and kingwood circular occasional table, in the manner of François Linke, first quarter 20th century, with frieze drawer, on curved legs to paw feet, joined by stretchers and basket form lower shelf, 75cm high, 73cm diameterCondition Report: light scratches and knocks throughout, water damage to top, structurally sound
A Victorian brass-mounted coromandel ladies' scent box, by Asser & Sherwin of London, c.1880, the case of rectangular form, the brass top and sides fitted with bevelled mirror plates with brass rope-twist mounts, the top mirror of rectangular shape with chamfered corners, the front and reverse mirrors of oval shape, the side mirrors of circular shape and attached to hinges, the spring-release lid opening to reveal a blue velvet lined interior with four glass scent bottles each with faceted stoppers and paper labels, the brass lid hinge stamped ASSER & SHERWIN / 81 STRAND & 69 OXFORD ST LONDON, the case - 15cm high, 23.5cm wide, 11cm deep; together with a mahogany desktop letter box with glass inkwell, the box with fruitwood line and fan inlay, with three letter compartments and a recessed glass inkwell slot and pen groove, the box - 18.4cm high, 23.2cm wide, 22.5cm deep (2)Condition Report: The scent box: good overall condition. The mirrors are intact, original and with out damage. The gilt frames to the mirrors and the escutcheon with some tarnish. The back edge of the box with some surface flaking to varnish. The interior with light wear consistent with age and use. The bottles are original, with stoppers and are in good condition. The spring release works but is stiff. Key present. The letter rack: good overall condition with very minor wear and knocks to be expected with age and use.
A pair of Louis XVI ormolu three-light wall appliques, late 18th / early 19th century, each with fluted tapering backplate surmounted by a flambeau urn finial with stiff leaf decoration above three scrolling foliate branches draped with swags, drilled for electricity, 42cm high exc. fitments, 39cm wide (2)Provenance: The Carmen Thyssen Collection.It is the buyer's responsibility to ensure electrical items are professionally rewired for use.
The Dinner Service of Anton Mosimann: A modern Wedgwood porcelain 'Astbury Black' pattern dinner service, printed marks, comprising: ten dinner plates, ten soup bowls, ten salad plates, a teapot and cover, a two-handled sugar bowl and cover, a creamer, ten tea cups with matching saucers, and ten side plates (lot)Provenance: The property of Anton Mosimann OBE DL.Footnotes: Note: Anton Mosimann OBE DL (b.1947) is a Swiss chef and restaurateur. He is perhaps best known as a former Maitre Chef de Cuisines at the Dorchester Hotel in London, an appointment he held from 1975 (aged 28) until 1988, during which time the restaurant at the Dorchester became the first outside France to achieve a two star rating in the Michelin Guide. In 2000 Mosimann received the Royal Warrant of Appointment to HRH Prince of Wales (now HM Charles III) for catering. Mosimann has cooked for five British Prime Ministers and four presidents of the U.S.A., as well as four generations of the British royal family, and notably at the evening reception of the wedding of HRH Prince William to Catherine Middleton in 2011. He was awarded an OBE for services to the Tourist and Food Industries in 2004, and also holds chevalier status of the French Ordre National du Mérite Agricole. Condition Report: This service is in overall very good condition with few signs of wear or use, amounting to the occasional light scratch to the porcelain and minor wear to footrims. Three dinner plates, one side plate, one tea cup and one saucer have an incised X to the underside, probably indicating these are factory seconds - these plates do not show any signs of defects. Nine side plates and five tea cups have green dots to the underside, indicating these are factory seconds - these plates do not show any signs of defects. Images of examples of the incised X and green dot can be downloaded here: https://we.tl/t-yzn6YIyW9T
A French brass and mother-of-pearl inlaid ebonised salon suite, of Napoleon III style, first half 20th century, comprising a canape and pair of fauteuil, gilt-metal mounted, with button back blue velour upholstery, on cabriole legs, (3)Condition Report: one leg on each of the fauteuil have cat scratches on the inside, light scratches and knocks throughout on all three, all structurally sound
A modern Italian inlaid and parcel gilt mahogany breakfront commode, after a design by Jean Henri Riesener, the marble top above three short and two long drawers, on carved giltwood feet, 90cm high, 128cm wide, 52cm deepCondition Report: light scratches and knocks throughout, structurally sound
SALEROOM AMENDMENT: Please note this lot duplicated the image for lot 346. It was been corrected on all online platforms but buyers are requested to check they are bidding on the correct lot.A French ormolu-mounted parquetry and marquetry walnut circular occasional table, in the manner of François Linke, first quarter 20th century, with frieze drawer, on curved legs joined by stretchers and basket form lower shelf, 75cm high, 73cm diameterCondition Report: light scratches and knocks throughout, stains to top, structurally sound
A French kingwood and pietre dure games table, of Louis XV style, first quarter 20th century, the circular specimen marble top above drawer and brush slide, on curved legs to brass caps and castors, 72cm high, 67cm diameter Condition Report: light scratches and knocks to wood, marble with minor chips to rim, structurally sound
A large French gilt-bronze three-light hall lantern, of Louis XV style, late 19th century, of hexagonal serpentine form with curved glass panels surmounted by acorn finials and floral cresting, with later glass smoke shade and central stem and branches wired for electricity, 76cm high total, 39cm diameter Provenance: Catel Antiquitiés, Saint-Ouen, France. Château de Malesherbes, Loiret, France. It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A French ormolu and kingwood tray top low table, in the manner of François Linke, first quarter 20th century, the crossbanded top with detachable gilt-metal and glass tray, on figural legs to turned brass feet, joined by scrolling X-frame stretcher, 48cm high, 80cm wide, 44cm deep Condition Report: light scratches and knocks throughout, structurally sound
A Louis Vuitton monogrammed canvas wardrobe trunk, c.1925, painted with owner's initials E.H.R., with two leather handles and brass hardware, the interior with four drawers and small case, hanging rail with eight wood hangers, two flat hangers and one curtain frame, with Louis Vuitton label and stamped 775006, 113cm high, 56cm wide, 44cm deepProvenance: Eric Hamilton Rose (1872-1947) of Leweston Manor, Sherborne, Dorset, and by descent to the current owner. Footnotes: Note: A similar example with the same label sold at Christie's Paris, Legendary trunks : A European Private Collection, 19 June – 3 July 2024, lot 44. Condition Report: In very good condition overall. This trunk has not had heavy use however there are some inevitable knocks, scratches and marks to the exterior in areas overall. Notably the handles are fully intact and have a pleasing blonde lightly worn patina, which is rare for a trunk of this age. The interior in very good overall condition, with some inevitable minor marks and blemishes to the drawers. The hat/shoe case with minor bowing to lid. The hangers and curtain frame in very good condition. The fabric of the curtain however with discolouration. The mechanism for clothes rail is in good functional order. There is a vacant space beneath clothes rail which would have originally held a case, but the strap remains in very good condition. The back wall of the left side of the interior with minor white residue, in need of a light clean. No key.
A pair of French bronze six-light candelabra, in the manner of Barbedienne, late 19th century, each cast with fruiting vine nozzles on shaped branches on a central fluted column, supported by tri-form base with mythical beasts and palmettes, 64cm high (2)Provenance: The George Farrow Collection.
AMENDMENT - Please note that the case is marked Henry Dasson et Cie 1891 to right side.A French gilt-bronze mantel clock, late 19th century, the case with swing handle and scrolling folate decoration, the white enamel dial with Roman and Arabic numerals signed Gille L'aine A Paris, the twin train movement striking on a bell, the backplate with cachet for S Marti et Cie MEDAILLE DE BRONZE and stamped E.D., with pendulum and winder, 28cm high (including handle), 25cm high (excluding handle)Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Condition Report: Case - Please note that the case is marked Henry Dasson et Cie 1891 to right side. With some surface wear, scratching and rubbing to gilt throughout. Minor scratching to glass. Hinge to reverse door slightly loose. Front door with slight bends to rim and does not fully click shut. Dial - with some dirt and surface scratching, particularly around winding holes. Light red line between 4 and 5. Movement - Some scratching and tarnishing to backplate. Incised restorer's marks to backplate. Scratching to bell. Movement currently seized. Associated key.
A Japanese Imari bottle vase lamp, 19th century, with vignettes of buildings in a landscape and vases of flowers, amongst flowerheads and scrolling foliage, on a stepped circular giltwood base, with pleated shade, 43.5cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: The bottle vase appears to be in good overall condition with no signs of damage. The giltwood base and cap are in good condition with light general wear including scratches, the brass electrical fittings are moderately tarnished. the lamp has wiring and a European plug socket but has not been tested for working capability, we do not guarantee the working condition of any electrical item offered for auction, it is the buyer's responsibility to ensure electrical items are professionally rewired for use. The shade is in good overall condition with some light staining. The shade is adjustable but the screw to fasten it is lacking, the total height of the lamp inclusive of the shade at the tallest point is approx. 80cm.
A slice of fruit cake from the wedding reception at Buckingham Palace to celebrate the marriage of Princess Elizabeth (Queen Elizabeth II) and Philip Mountbatten, (Duke of Edinburgh), 1947, the cake in a white cardboard presentation box with silvered crown lettering to the top: EP / BUCKINGHAM PALACE / 20TH NOVEMBER 1947, not sealed, the box 3cm high, 6.8cm wide, 10.5cm deepProvenance: By repute, presented to Gianna Maidment while living at 6 Wilton Place, thence by descent to the present owner. Footnotes: Note: Designed by a Mr Schur, chief confectioner at McVitie and Price Ltd, and intricately decorated, the lavish four-tier wedding cake of Princess Elizabeth and Philip Mountbatten stood at 9ft-tall. As rationing was still underway, the ingredients for the 500lb fruitcake were flown to the UK from South Africa and Australia, where they had been donated, earning it the nickname 'the 10,000 mile cake'. It was cut by Prince Philip with his ceremonial sword and produced 2000 slices for guests, with hundreds further sent with hand-written notes to various charities and organisations across the globe.Condition Report: The exterior of the box has a brown stain to the top of the cover which continues down the top edge. Wear to the leading edges and corners of the box and slight lifting to the applied paper on the top short edge. The interior of the cover is discoloured brown overall with some dark stains where there has been contact with the cake. The cover generally with light surface dirt to expected with age and handling. The main body of the box holding the cake: the front edge is not attached on the left and right side. There is discolouration and staining to all sides and underneath. The paper doily is quite perished and discoloured overall. It is extremely fragile. The cake is wrapped in a plastic wrapper which is partially perished. The cake itself is intact but with broken and loose areas.
A French ormolu-mounted mahogany and walnut centre table, by François Linke, of Louis XVI style, first quarter 20th century, with marble top above part parquetry frieze, on curved legs, signed Linke to one mount, 75cm high, 90cm wide, 90cm deepCondition Report: light scratches throughout, scratches and tarnishing to mounts, structurally sound
An English ebonised and parcel gilt breakfront sideboard, of Regency style, second half 20th century, with marble top above four drawer and four doors with brass grills and pleated silk, enclosing adjustable shelves, flanked by fluted pilasters, on toupie feet, 84cm high, 200cm wide, 50cm deepCondition Report: light scratches and knocks throughout, piece of moulding repaired to top of left side and front left side, structurally sound
An extensive Copeland Spode stone china dinner service, early 19th century, printed marks, decorated in enamels in the 'Indian Tree' or 'Willis' pattern, comprising: two large octagonal meat platters, one with a draining plate, two large octagonal footed two-handled tureens with covers, each with polychrome decorated zoomorphic dragon handles and gilded flowerbud finials, a large two-handled footed oval dish, two deep elongated octagonal dishes, four shallow elongated octagonal dishes, a deep square dish with cover, the cover with gilded flowerbud finial, two sauce boats with covers and stands, each with two polychrome zoomorphic dragon handles and gilded flowerbud finials, four small octagonal footed tureens, each with two polychrome zoomorphic dragon handles, two with covers with gilded flowerbud finials and two without, four elongated octagonal dishes, four oval dishes, three square deep dishes, two small elongated octagonal deep dishes, four rounded rectangular dishes, four rounded square dishes, four shallow elongated octagonal dishes, four small elongated octagonal plates, two medium soup bowls, nineteen large soup bowls, sixty-two dinner plates, and twenty-seven side plates (one A/F) (lot)Condition Report: Considering the age of this dinner service it presents well, although many pieces have accrued damage. Overall there is a general consistency of surface dirt and light wear including scratches, the colours of the enamels have faded or been worn away on a few pieces, and some others have perceptible firing flaws. Specific damages are listed as follows: One of the two large octagonal meat platters has a dirt-filled crack running through the middle. The large two handled footed dish has an old dirt-filled chip to one handle. The rectangular cover for one tureen has an old-repaired finial with several visible dirt-filled cracks. One sauce boat and stand have cracks through the middle. Of the nineteen large soup bowls, nine have hairline cracks or flat chips to the rims. Of the sixty-two dinner plates, twenty-three have hairline cracks or chips to the rims. Of the twenty-seven side plates, one is broken in half and ten have hairline cracks or flat chips to the rim.
A Swedish brass and glass six-light chandelier, 19th century, the circlet with lion and lioness masks, hung overall with chains of beads and facetted glass drops, converted to electricity, 90cm high, 64cm diameterIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A French gilt-bronze mounted kingwood and marquetry bureau a cylindre, in the manner of Jean-Henri Riesener, late 19th / early 20th century, the galleried marble top above roll top, with fitted interior, and four drawers, with a brushing slide to each side, on cabriole legs, 119cm high, 145cm wide, 73cm deepCondition Report: light scratches and knocks throughout, structurally sound, overall excellent condition
A pair of Continental gilt-bronze mounted glass urns, early 20th century, each with lanceolate leaf cast rim above Campana bodies with hobnail design, with twin scrolling foliate handles issuing from female masks, on fluted socle with laurel leaf rim, on square verde antico plinths mounted with wreaths, winged figures and stiff leaf border, on toupie feet, 48.5cm high (2) Condition Report: One urn has a large chip to the side of the top of the pedestal. There is another chip to the bottom corner of the base. Further nibbles to the leading edges. The mounts with light rubbing and tarnishing. One handle is slightly loose. The second urn has several restored areas including the vertical edge of the central block of the pedestal, all corners of the base and two corners of the top beneath the urn base. This top marble section also has a crack to two sides which might run through the section but is not possible to ascertain without removing the urn. At present it is stable. The mounts with light tarnishing and rubbing to be expected with age and use. One handle is a little loose.
An English mahogany armchair, of Regency style, last quarter 20th century, with sloped arms and green zigzag upholstery, on tapering feet and castors, with label for Kingcome sofas Ltd, 84cm high, 67cm wide, 74cm deepCondition Report: light scratches to feet, upholstery is good, structurally sound
A pair of gilt-bronze mounted Chinese Canton porcelain vase lamps, 19th century, of baluster form with twin dragon handles to the neck and painted with Chinese figures, floral sprigs, and decorative motifs, with scrolling foliate rim and base mounts and floral swags to the neck, 43cm high (exc. fitment) (2)It is the buyer’s responsibility to ensure electrical items are professionally rewired for use.Condition Report: Both vases are in good overall condition. They have been examined under a UV light and there are no apparent cracks or repairs to the bodies. There is some surface dirt in small patches which is only really visible under a UV light. One or two small nicks to the enamel decoration. The wing of one dragon is missing and the other wings have some repairs and overpainting. The necks also with repairs and nicks to the tails. The gilt-bronze mounts have not been removed but the rims of the vases beneath the mounts appear to have been repainted and possibly repaired. The mounts generally in good condition. The undersides drilled to accommodate an electric wire. The underside to one vase is visible, the other is covered by a metal disc.
A Meissen porcelain cabinet plate, late 19th / early 20th century, blue underglaze crossed swords, painted to the centre with a bouquet of flowers, the border of mazarine blue ground and heightened with gilded raised flowers and scrollwork and shell borders, 32cm diameterCondition Report: Some light wear to the footrim and general surface dirt to the exterior, otherwise in good overall condition.
A French gilt-bronze mounted marquetry and parquetry walnut crossbanded mahogany centre table, in the manner of Paul Sormani, first half 20th century, the shaped top above frieze drawer, on fluted legs joined by scrolling X-frame stretcher, 72cm high, 150cm wide, 101cm deepCondition Report: light scratches and knocks throughout, some stains to top, structurally slightly wobbly
A French gilt-bronze three-light hall lantern, of Louis XV style, late 19th century, of hexagonal serpentine form with curved glass panels surmounted by cast scrolling foliage and berried finials, with later central stem and branches wired for electricity, 87cm high total, 43cm diameter Provenance: Catel Antiquitiés, Saint-Ouen, France. Château de Malesherbes, Loiret, France. It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A George III amboyna cylinder bureau, last quarter 18th century, with mahogany crossbanding, the pierced brass gallery top above three drawers and fitted compartment, on square tapering legs to brass caps and castors, with plastic label to reverse for Norman Adams, 110cm high, 85cm wide, 47cm deepCondition Report: light scratches and knocks throughout, crazing to veneer, some minor veneer missing on legs, structurally slightly wobbly
A French ormolu-mounted parquetry and marquetry walnut circular occasional table, in the manner of François Linke, first quarter 20th century, with frieze drawer, on curved legs joined by stretchers and basket form lower shelf, 75cm high, 61cm diameterCondition Report: light scratches and knocks throughout, repairs to stretchers, mounts on the stretchers are slightly loose, structurally sound
A set of four English gilt-bronze twin-light wall appliques, early 20th century, each surmounted with flambeau urn above tapering stem with central lion mask flanked by scrolling foliate branches, 43cm high, 28cm wide (4)Provenance: Christie’s, Linton Park, Kent, The Property of the Late R. Olaf Hambro, 2 October 1961, lot 39.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A pair of large gilt-bronze-mounted Sèvres style porcelain vases and covers, late 19th / early 20th century, pseudo-Sèvres interlaced Ls mark to covers, of cobalt blue ground, each of baluster form with long tapering bodies, the covers with pineapple finials and gilt laurel band, with waisted necks enriched with gilding, the bodies with elaborate scrolling handles surmounted with nymph heads and leafy branches, each body painted with a continuous scene of French aristocrats at leisure with chateaux to the reverse, signed Lucot, with socle and square base with four paw feet, each vase and cover 135cm high (2) Footnotes: Note: A pair of similar Sèvres style vases and covers with decoration signed Lucot sold at Christie's New York, 18 April 2013, lot 77 ($75,000). Condition Report: These large and impressive vases have some condition issues, including cracks to the porcelain, extensive crazing, and some evidence of restorative glaze revealed under UV light. The gilt-bronze mounts appear to be in good overall condition, with a couple of minor spots of verdigris. Images for reference, including of the vases disassembled, are available to download here: https://we.tl/t-5JJvAbTdrT
An English needlework panel, early 18th century, depicting Christ and the woman from Samaria at the well, in a wooded landscape with buildings beyond, the foreground with a butterfly, caterpillar and a rabbit, later framed, 62.5 x 52.5cm Provenance: The George Farrow Collection.Condition Report: Restoration to the faces. Light damage to the arms.
A 9ct gold cased gents swiss watch, hallmarked London 1928, a silver cased John Forrest (af) a vintage Excalibur gents watch in original box, a Junghans quartz, and a Kered automatic wristwatch. Condition Report:9ct Swiss; Winds and is ticking, light dents to the back of the case.John Forrest af. no hands no glass cracks to the dial, case medium general wear, no dents. Excalibur; winds and is ticking. Junghans quartz movement not running at present. Kered doesnt keep going
A collection of military cap badges, to include the 96th Regiment of Foot, Black Watch (Royal Highlanders), Royal Tank Regiment, Highland Light Infantry, King's Own Scottish Borderers, Scottish Horse, Highland Regiment, Jewish Brigade etc.; together with a further quantity of rank pips, a German Third Reich uniform button marked "Assmann & Sohne, Ges. Gesch" verso; WW2 service documents etc. Condition Report:Available upon request
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