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534325 Los(e)/Seite
Los 36
Dinky 29b Streamlined Buses: six with open rear windows - two light green with mid-green roof-bands and spats and ribbed tyres on smooth hubs, two blue with dark blue roof-bands and spats and ribbed tyres on snooth hubs, two light green with green spats and smooth tyres on ridged hubs, with a half-dozen 29B Trade Box containing dividers, retailers graphite '1/4' inscription, four E, two G-VG, box F
Los 43
Dinky early 1950's commericals: grey Guy Flat Truck with Tailboards, light blue Foden 1st Type Flat Truck, red Bedford Articulated Lorry, Streamlined Fire Engine, red 30e Breakdown Car, AA Motorcycle combination, Post Van with open rear windows and black roof, red 280 Delivery Van, orange 25r Forward Control Lorry with black hubs, grey Trailer and Reconnaissance Car, generally F, some parts F-G (12)
Los 401
Claude Francis Barry RBA (1883-1970), "Henry VIII's Gate Windsor Castle -" Evening Light, etching, signed in pencil bottom right and dated 1911, inscribed in pencil bottom left, 9.75 x 6.5in (25 x 16.5cm). * The Wintle Collection: Irene Carr, daughter of the early St. Ives School artist & photographer Sydney Herbert Carr (1864- 1917), married Francis Edward Wintle at the parish church, St. Ives in June 1912. The wedding was a major local social event with a reception at the Porthminster Hotel, and was attended by a number of local and other artists, many of whom presented paintings to the couple as wedding presents. The Wintle Collection includes a number of these presents, which are being offered on the open market for the first time. A full list of guests and presents was published in The St. Ives Times on June 21st 1912, listing a "framed etching" as being given by Mr. and Mrs. Claude Barry. A facsimile copy of the article from The St. Ives Times accompanies the lot. Please contact us for further details of this unusual provenance. Early Claude Barry etchings are rare, as it is reputed that his wife burnt all of his work when he went off with a mistress in 1914.
Los 1254
John Woodhouse (fl.1810?-1839), Blackett Street, Newcastle-on-Tyne: A Reverse Half Length Profile Portrait on Glass, circa 1830, of a young woman wearing muslin bonnet and puff sleeve black dress, on a light pink background, image 22cm by 17.5cm, in a period rosewood veneered moulded frame; and A Cut Silhouette Full Length Portrait of a Lady, circa 1850, wearing a bonnet and holding a day bag on her right arm, 26.5cm by 16cm, a label on the reverse inscribed Mrs Hibbert Sale, and with the Marples & Hibbert, 78 Fargate, Sheffield label (2)
Los 1262
Peter Rouw: Wax Profile Bust Portrait of James Woolley Esq of Birmingham, 1807, finely modelled in light salmon pink wax, sinister, wearing jabot and broad lapelled jacket, signed P Rouw sculpt London 1807 on the truncation, against a black slightly mirrored background, circular, 10.2cm, beneath a glazed dome within a black papier mâché square frame, inscribed on the reverse in ink A portrait of James Woolley Esq, Birmingham, Peter Rouw sculptor, Portland Road, London 1807 See illustration
Los 1263
Peter Rouw: Wax Profile Bust Portrait of His Grace the Duke of Bridgewater, 1803, finely modelled in light salmon pink wax, dexter, wearing a jacket, against a black slightly mirrored background, circular, 10.2cm, beneath a glazed dome within a black papier mâché square frame, inscribed on the reverse in ink Portrait of His Grace the late Duke of Bridgewater, Peter Rouw sculptor, Portland Road, London 1803, 18.5cm by 18cm See illustration
Los 1265
Peter Rouw: Wax Profile Bust Portrait of a Young Woman, 1810, finely modelled in light salmon pink wax, turning to dexter, her hair upswept and held by a band in Grecian style, wearing a ruffled lace collar to her pearl embellished dress, signed on the truncation P Rouw sculpt London 1810, against a black polished glass background and beneath domed glazing, within a gilt metal outer frame and in green leather protective case (front cover lacking), the image 11cm diameter See illustration
Los 1269
Follower of Isabella Beetham: Profile Portrait of a Lady Painted on Glass, circa 1790, sinister, with a light veil on her long curling hair and lace fichu, against white plaster of paris background, oval, on convex glass with verre eglomise border, 10cm overall, in pressed and gilded brass frame; and Another Somewhat Similar, 8.7cm (2) See illustration
Los 1280
French School, circa 1780: Profile Bust Portrait of a Gentleman, painted black, his hair en queue, against a gilded glass ground with foliate engraved broad border, the reverse with gilt metal fretted insert with central monogram JSP(?) and around the edge il m'aime tout son coeur, against a light blue silk panel, oval 7.2cm See illustration
Los 1281
English School, circa 1740: Miniature Portrait of a Young Gentleman, with long powdered curly hair, brown eyes, wearing a lace jabot and light blue velvet jacket, oval, 6cm, on copper, in later papier mâché frame; and English School, early 19th century: Portrait of a Robert Durham and Mrs Durham, he wears a black jacket, she wears an embroidered mob cap and ruff, oval, 7cm and 6cm respectively, in black papier mâché frames (3). A label on the reverse of the Robert Durham miniature states He was a Unitarian, Robert Durham (Yorkshireman) Builder & Undertaker, buried on the kings .... near to ... Symans Church, London. Married a Miss Ovens and afterward a Miss Stamp. Died rich = born in 1747. He was my great grandfather G G W Gordon. On the reverse of the Mrs Durham miniature My great grandmother Mrs Durham formerly a Miss Ovens & I think the writing is my aunt Elizabeth Durham (Sprinter) but I don't know my great grandmother's christian name. G G W Gordon
Los 1326
An Ormolu and White Marble Striking Mantel Clock with Garniture, circa 1880, the case finely decorated throughout with winged bronze cherubs, mask and floral mounts, D-ended rectangular base rasied upon turned feet, 6-1/2-inch white enamel dial with Arabic numerals, swag floral decoration, twin barrel movement with platform cylinder escapement, outside countwheel striking on a bell, 46cm high, together with a pair of six-light candelabra, decorated with winged cherubs and white marble bases with floral mounts, 54cm high See illustration
Los 1331
A Gilt Metal and White Marble Striking Mantel Clock with Garniture, circa 1890, the case surmounted by an urn finial, four columns supported on a D-shaped base with floral decorated borders and raised upon turned feet, white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Vincenti and numbered 6119, sunburst pendulum, 43cm high, together with a pair of two-light candelabra, 23cm high See illustration
Los 144
A Japanese Cloisonné Enamel Squat Baluster Vase, circa 1950-60, attributed to Ando Company, Nagoya, the rims applied with chrome plated mounts, the light green enamel ground worked with four stylised lotus blossoms punctuated by scroll linked fleur-de-lys in tones of blue and white, the foot rim with indistinct stamped mark, 31cm high, in the original wood case
Los 192
A Chinese Carved and Pierced Ivory Wrist Rest, circa 1900, as a half tusk section, pierced with a cash coin motif with a fruiting peach and pomegranates in flat relief, incised with vases and a shou symbol, the underside applied with small ivory temple carvings, 25.5cm long; and Three Other Items, comprising a carved ivory netsuke as a smiling fisherman, circa 1930, 4.8cm high, a mutton fat jade carving of a kylin, 3.9cm, on wood stand, and a jadeite snuff bottle, of light green colour with russet inclusion, 5.3cm (lacking stopper) (4)
Los 393
A Fancy Light Pink Coloured Diamond Pendant on Chain, the light pink marquise cut diamond in a yellow rubover setting to a border of white round brilliant cut diamonds on a bale set with white brilliant cut diamonds in white claw settings, on a trace link chain, pendant measures 0.8cm by 1.9cm, chain length 40.5cm, in a fitted case by Garrard & Co Ltd. See illustration-plate 7a. Accompanied by GIA report 15278865, 16th October 2006, stating the diamond to be 0.91 carat, and a very light pink colour, of natural origin.
Los 113
H. M. S. Glorious - An early 20th Century photograph album, documenting the collision with S. S. Florida April 1st 1931, including several photographs of the interlocked ships by an unknown officer, also including many photographs of both vessels post accident and numerous photographs of unsuccessful landings etc. * Built by Holland & Wolff, Belfast in 1916 as a 'large light cruiser' she saw little action in WWI before her conversion to an aircraft carrier over the period 1924 - 30. After the collision with S. S. Florida in which 30 lives were lost, she saw action in Norway at the beginning of WWII before being sank by the German battlecruiser Shornhort. Admiralty paper relating to the sinking are still currently held under the 100 year embargo on their release.
Los 134
A 12 bolt divers helmet by Siebe Gorman & Co Ltd, number 16771, Circa 1930's, the bonnet with numbered face plate, cross banded oval side ports, left fitted spit cock valve, adjustable exhaust valve and lashing eyes, the corselet with makers plate, stamped and numbered bands with flat wing nuts and front weight pins, 49cm high, later fitted electric light fitting through top of bonnet.
Los 301
A small Islamic thick-walled cupping vessel made in light yellow glass, the domed body with a cut off and ground rim, surface pitting containing iridescence to the exterior and patchy brown and silvery iridescent weathering on the interior, possibly Iran, 10th-12th century AD, rim diameter 4.5 cm, 3cm high.
Los 324
A Roman Eastern Sigillata Ware pottery single-handled jug in light orange clay with a red gloss, the funnel mouth on a cylindrical neck and spherical body on a low base, applied angular handle from the top of the neck to the shoulder, Syro-Palestine, second half 1st to early 2nd century AD, 26 cm high.
Los 348
Beckford (Peter) - Thoughts upon Hare and Fox Hunting, London for Vernor and Hood 1796, 20 engraved plates by Cook and Howitt, some light foxing throughout, quarter calf, rubbed and scuffed; Stonehenge, Manual of British Rural Sports, London 1859, b/w plates, quarter calf, rubbed, spine defective. (2)
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534325 Los(e)/Seite