19th Century English School - Pair of oils on canvas - Portraits of two gentlemen, possibly father and son. Each depicted bust-length, the younger man wearing a yellow jacket with gold buttons and white cravat under dark overcoat, the older man in dark attire with a white shirt, his hand on a book, both with Frost & Reed labels verso, 74cm x 62cm and 74.5cm x 61.5cm, in identical gilt gesso frames.Condition report: Both with overall cracking and crazing, especially noticeable on older getleman.This portrait has some light coloured residue marks and wear to varnish on left hand side of canvas. Rear of canvas with tacked on board and Frost & Reed labels - not inspected
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19th Century School - Oil on canvas - Gibraltar, seen from the Spanish shore, unsigned, 51cm x 64cm, in gilt frameCondition report: Canvas relined. Under UV light, sky glows purple and west face of rocks glows white, though this overpainting is not immediately deteactable to the naked eye. Small horizontal crack to upper edge. Moulding losses to lwoer left edge of frame, a little to upper right corner.PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.We endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. We do not automatically mention standard occurrences which are by-products of manufacture as opposed to signs of damage.Further information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Attributed to James Loder of Bath, (1784-1860) - Oil on canvas - a saddled grey hackney horse and two dogs in a stable, label of F. J. Harris of Bath verso, 59cm x 90cm, in gilt frameCondition report: Canvas relined (probably by Harris of Bath). Tape covering join where canvas meets frame. U der UV light, small area of retouching to back of larger dog glows purple, and area to extreme right beside small dog glows green. To reverse, brownish stain to right side of canvas. Corner losses to frame.PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms
Hubert Henri de Vries, (Belgian, 1899-1979) - Oil on canvas - Seascape with sailing boats, signed lower right and to the canvas verso, 75cm x 108.5cm, framedCondition report: May benefit from a light clean, but otherwise sound.PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Opal necklace, stamped '585', the frontispiece of forty oval cabochons to a back piece of plain oval links, approx 42.5cm long and 30g grossCondition report: General condition consistent with age and use. The opals approx 4mm x 5.5mm, all with flashes of green and orange. Light surface wear to the polished links.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Verner Panton (1926-98) for Herman Miller, Series 2 stacking chair, designed 1960, manufactured by Vitra, 1968-1975, moulded polyester and fibreglass shell, sprayed white, moulded marks verso, 49cm wide x 48cm x 83cm high.Footnote: Ken Stradling was formerly Managing Director and Chairman of the Bristol Guild of Applied Art. Stradling joined “The Guild” in 1948 and over the next 50 years developed it as a major centre for the sale and appreciation of contemporary British and European design.Condition report: Some light marks and surface scratches around edges sides and top, horizontal surface crack running approximately three quarters of the width of the chair just below seat. Further marks and scuffs near base at front.
J.P. Hully for P.E. Gane & Co., cantilever bentwood framed armchair, 1935, bears label with registration mark for 1935. 60cm wide x 68cm deep x 82cm high.Footnote: J.P. Hully was in-house designer at P.E. Gane & Co.. He had previously worked at Bath Cabinet Makers before joining Gane's in 1933.This piece of furniture was previously in the collection of Ken Stradling, formerly Managing Director and Chairman of the Bristol Guild of Applied Art. Stradling joined “The Guild” in 1948 and over the next 50 years developed it as a major centre for the sale and appreciation of contemporary British and European design. At the same time, he began his own personal collection of design pieces, which now contains over 1,500 items and is considered of national importance.Condition report: Some light scratches and marks. Discolouration and wear to varnish to arms along with a few nibbles to edges. Darkening to rear of base. Upholstery replaced.
Hans Wegner for Getama, oak framed armchair and ottoman, designed circa 1955, slatted wooden back, sprung seat, with original dark green wool upholstery, braised marks to the underside GETAMA / GEDSTED / DENMARK / DESIGN HANS WEGNER, 76cm wide x 73cm deep x 96cm highQty: 2Footnote: This piece of furniture was previously in the collection of Ken Stradling, formerly Managing Director and Chairman of the Bristol Guild of Applied Art. Stradling joined “The Guild” in 1948 and over the next 50 years developed it as a major centre for the sale and appreciation of contemporary British and European design. At the same time, he began his own personal collection of design pieces, which now contains over 1,500 items and is considered of national importance. Condition report: Light scratches and some water spots and marks to arms and sides of seat frames. Water marking to edges of uprights on ottoman. Staining to seat cushion. Ottoman cushion missing.
Early 20th Century stained hardwood table by Fischel, Austria, rectangular top on brass capped square tapered supports, Fischel paper label to underside, 105cm wide x 70cm deep x 79cm high.Footnote: This piece of furniture was previously in the collection of Ken Stradling, formerly Managing Director and Chairman of the Bristol Guild of Applied Art. Stradling joined “The Guild” in 1948 and over the next 50 years developed it as a major centre for the sale and appreciation of contemporary British and European design. At the same time, he began his own personal collection of design pieces, which now contains over 1,500 items and is considered of national importance. Condition report: Top with scratches and indentations, Some light scratches and nibbling to legs.
Gordon Russell of Broadway, teak two door side cabinet raised on angular supports, circa 1960, 122cm wide x 43cm deep x 114cm high.Condition report: Marks and light scratches to top comensurate with age and use, also some household paint spotting. A few dings and nibbles to edge of top. Fading to left side panel. Some scratches to doors. Further marks and scratches to legs.
E Gomme G-Plan "Brandon" Mid-Century light oak part bedroom suite, circa 1955, comprising chest of three drawers; bedside table with single drawer; and bedside cupboard with single drawer, chest of drawers, 76cm wide x 45cm deep x 84cm high.Condition report: Basically sound. Some ring marks and three small discoloured scratches to table top. Ring mark to top of locker. Minor wear to varnish on chest of drawers.
Kai Kristiansen for Korup Stolefabrik, six model 121 'Paper Knife' open armchairs, upholstered in black leatherette, stamped "K.S. Made in Denmark" under seats; together with a mid-century teak extending table with single leaf on twin shaped supports, 170cm long (225cm extended), 109cm wide, 72.5cm high.Condition report: One chair with dark stains to wooden uprights. Numerous light marks and some scratches, scuffs to legs. comensurate with age and use. A few depression marks to upholstery. Split to corner of upholstery on one seat back along seam. Signs of areas of loose stitching. Otherwise, all appear sound.
Large 'Loomah' wool carpet, for Park Interiors, 100% New Zealand wool hand-tufted, with cream ground and geometric yellow and blue block border, 510cm x 310cmCondition report: Would benefit from a clean due to areas of light/medium staining, plus a brush to veen out depressions caused by stood furniture - however these are not permanent issues. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
19th Century inlaid mahogany-cased 8-day painted dial longcase clock, Thomas Rickards, Wootton-under-Edge, circa 1830, signed 13-inch break-arched Roman dial with convex centre, subsidiary seconds and terrestrial calendar dials, floral spandrels, the arch with rolling moon phase and lunar calendar, knopped four-pillar movement rack-striking on a bell, case with wavy cresting and inner hood door edge between spirally-reeded columns over conforming quadrants flanking inlaid short trunk door on matching base and bracket feet, 227cm highCondition report: Dial wirth crazing, light staining and edge flaking. Movement has been cleaned and reovated, now with copper wire instead iof catgut. Later seatbloard. Case missing two corners finials, cracking to wavy hood door veneer, minor blistering obver trunk door, a few veneer chips to base. Sold with two weights, pendulum and key.Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Sapphire and diamond bracelet, stamped '14c', the thirty-one oval cut blue sapphires, punctuated in five places with pairs of small diamonds, approx 17.5cm long, 16g grossCondition report: General condition consistent with age and use. The light blue sapphires graduating in size from 4mm x 5mm to 5mm x 7mm approx. Mostly in good condition, one or two with a few nibbles to the edges. Safety chain attached. 19cm long approxDue to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
19th Century French brass, enamel and porcelain mantel clock, Samuel Marti & Cie, having 3-inch cellular Roman porcelain dial between enamel masks and side ornaments, two-train movement outside countwheel-striking on a bell, with exposition stamp and numbered 1123, the canted oblong case on paw feet, 35cm wide x 17cm highCondition report: Light wear to dial gildking, minor age-related wear to metal but overall sound.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.Further category-specific notesClocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.
19th Century Biedermeier mahogany and parcel gilt console mirror, with original plain rectangular plate, gilt eagle surmount over egg and dart cornice and sunken columns, 86cm wide x 166cm highCondition report: Mirror plate has pleasing light greyting/tarnishing most noticeable to upper half and vertical line down centre (air gap where where backing planks join). Eagle is detached and loose at wings. Otherwise general signs of age as per images.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms
Victorian mahogany 'apprentice piece' or tradesman's advertising sample pedestal cabinet, with moulded arched pediment over conforming panelled door enclosing two short drawers, one longer, and a pair of cupboards, with bone knob handles on plinth base, 27cm x 18cm x 48cm highCondition report: Minor chip to top of outer door edge. Crack above upper hinge to other side. Internal lock missing, one knon handle replaced. Otherwise general light wear.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Pair of late 19th Century oak Wainscot chairs, of 17th Century style, both with solid backs with inset figural carved panels “Beheading of Charles” and “Wounding of William” over pairs of portrait roundels surmounted by the Duke of Devonshire’s crest and motto “Cavendo Tutus”, open arms on turned supports, solid seat with scroll-carved front rail, and conforming supports united by plain stretcher, 60cm wide x 60cm deep x 157cm high.Footnote: Presumably part of a larger set made to commemorate the role of the Cavendish family in the Glorious Revolution in 1688.Condition report: Some light staining, fading and scratches to arms and seat panels. Minor losses to edges of front stretchers. Otherwise sound.
19th Century French inlaid armoire or marriage cupboard, La Rochelle (Poitou Charente) region, South West France, with moulded cornice and inlaid plant motif over a pair of burr-veneered doors with decorative steel escutcheons, enclosing shelves, on characteristic turned supports, 160cm x 74cm x 238.5cm highCondition report: Has probably been cleaned some time ago, timber appears quite fresh in places. The veneer strips are irregulat to some panels with some patches and dark joins, and there are typical minor flaws here and there. Knocks and light wear commensurate with age and use.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Sheraton Revival inlaid mahogany bijouterie or vitrine table, the hinged top with bevelled glass inset, raised on tapering square section supports, circa 1900, 65.5cm wide x 40.5cm deep x 78cm high.Condition report: Top glass panel with significant crack, marks, lights scatches and indentations, the sides with minor veneer loss and veneer split. The supports with further light marks and scratches and minor losses. Sold as seen.
Near pair of Georgian mahogany linen presses, each having two oval cross banded panel doors, beneath fluted and inlaid paterae frieze and dentil moulded cornice, enclosing five sliding shelves over an arrangement of two short and three long drawers, one press with oval gilt metal handles the other drop handles, raised on bracket feet, 126cm wide x 58cm deep x 198cm high (oval handles); 126cm wide x 58cm deep x 199.5cm high (drop handles)Condition report: Overall very good appearance. Mahogany is noticeably darker on oval handled press than the other. Both with overall signs of wear (nibbles along edges, light scratches, etc. comensurate with age and use.Oval handles press with small chip and crack to left corner of cornice, and larger to top of right corner. Further nibbles and slither chips on right side. Patches of fading to oval panels, two vertical cracks in middle of left panel. Upper moulding of drawer base with losses to top edge on left side and large chip (11cm x 2cm) on right side. Fading to drawer fronts.Drop handle press with small loss to left front corner of cornice, vertical cracks following line of grain on both oval panels, including one 260mm long and 2mm wide. 12cm length of moulding missing from right door edge. Half of the upper moulding of the drawer base on the left side has become detached but is complete.
19th Century style cast iron and marble garden table, the foliate scroll base united by shaped pierced stretcher cast with heart motifs, supporting later Carrara marble top with bevelled edge, 100cm high, 70cm diameter.Condition report: Overall good. Light weathering and pitting to scroll uprights, some surface rust to stretcher, top fixed to base by plywood layer. Some chips and fritting to edge and areas of liquid drop staining and light marks to top.
Wines & Spirits - Bottle of The Balvenie Founder's Reserve 10 Year Old Single Malt Scotch Whisky in presentation tubeCondition report: Level and seal are good and no signs of leakage. Some light scuffs. Sticker to tube has pealed off a little. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Wines & Spirits - Bottle of The Famous Grouse Blended Vintage Malt Scotch Whisky 1989 in presentation tinCondition report: Level and seal appear good with no signs of leakage. Dent to tin lid. Some light scuffs.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Mesh bracelet, stamped 'TSE' in a lozenge, 'AKDIN', 'T57000' and '22', to an engraved clasp, 19cm long, 32g grossCondition report: General condition consistent with age and use. Light surface wear to the bracelet, 16mm at widest point.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
George V 9ct gold retractable pencil of bullet shaped design on swivel suspension loop, sponsors mark of Asprey & Co Ltd, London 1931, 21g approx gross, 9.5cm long excluding loopCondition report: Some signs of handling, light surface scratches etc. Mechanism appears to work but no lead present.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Breitling - Gentleman's 'Aerospace' titanium cased quartz wristwatch, Ref: E560**, grey dial with two digital subsidiary dials, on a titanium and yellow metal coloured bracelet with deployant clasp, 37mm diameter excluding crown. With case and instruction booklet.Condition report: Service manual and instruction book present, time subsidiary appear to be functioning currently (bottom dial), light scratches present to watch and bracelet in places. Movement not tested.Whilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.
Ruskin Interest - Vintage Ruskin style large oval pewter pendant on long metal chain, 27" length, with blue glass stone to centre; Vintage Ruskin pot vase, made in England 1927, 12 cms tall, marks to base; and 'Ruskin Thoughts' antiquarian book 1909, suede cover, wear to spine, miniature book with light study marks.
Lemon Quartz and Russian Diopside Statement Ring with an unusual design feature; an 11ct oval, double rose cut, lemon quartz is set with seven bright green Russian diopsides to the underside, creating a kaleidascope effect through the facets of the large, main stone; the whole in a fine, openwork, yellow gold vermeil and silver setting which only enhances the light effects of the stones; total gem weight 12.5cts; size R
Green and Blue Jade Statement Ring, an oval cut green jade cabochon of 22cts, framed with alternate D cut cabochons of green and light blue jade, set vertically above a closed gallery of pave set, small, natural white zircons, mined in Cambodia, totalling 1.5cts, set in rhodium vermeil and silver; the halo of D stones with the sparkling zircons below make for a particularly attractive ring from any angle; size N
Turquoise Howlite 'Tribal' Statement Necklace, large, graduated, decorated plaques set with oval and square cabochons of turquoise howlite with the typical tracery of light brown matrix; the plaques articulate, finish on a curb chain and fasten with a lobster claw clasp; 19 inches(17.5cms) long with a 2.5 inch (6.25cm) extender chain
An oil lamp, with a pink glass well, 70 cm, another with a green glass well, 71 cm, and another with a clear glass well, 61 cm (3)Pink glass well, various chips to shade, metal work tarnished and dented, light scratches to well and stem, no visible damage, green glass well - various small losses to shade, light scratches to well, no visible chips or cracks, base - various losses to the silver plate and small losses to the marble stem, clear glass well - small chips to shade and small chips to the well, brass foot dented, creased and slight corrosion
An oil lamp, with a cranberry glass shade, 63 cm high, another with a cranberry glass shade, 50 cm high and an oil lamp base (3)One with green glass shade, shade doesn't quite fit mount, some small losses to shade, some light scratches to the well, base tarnished, slight corrosion, one with acid etched glass shade and cranberry glass well, small losses to the shade, light scratches to the well, various dents and scratches the metal work, the base various chips the exposed edges, base very tarnished and dented
An oil lamp, with an acid etched glass shade, a pink glass well painted flowers, on a silver plated base in the form of a Corinthian column, 81 cm highSome rough areas to the rim of the shade, some small losses, the glass well light surface wear, no visible damage, base silver plated worn off in places, most notable to round and square bases
Nancy Fouts (American, 1945-2019) 'Madonna with Safeways Bags', 2011, digital C-type photographic print on archive paper, signed and numbered artist's proof A/P1 in pencil. The full sheet 87cm x 46cm, unframed.Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationLiterature: The original sculpture illustrated as #61, in the 'Nancy Fouts' (2018) monograph catalogue raisonné, with essay by James Putnam.Condition report: few light scuffs, small blemish at bottom of image, otherwise no major defects. (Additional photos now online)

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