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534297 Los(e)/Seite
Los 200
Two chromium plated metal table lamps, for RoR Ltd., circa early 1970s; both of cylindrical form, the smaller example formed of seven bowed vertical louvres, opening to shed light; each cylindrical base with an inset wheel switch; 41 and 34cm high respectivelyRoR (Ringo or Robin) Ltd was founded in 1969 by ex-Beatle Ringo Starr and Robin Cruickshank, whose design company had worked for Apple Records. The two had originally collaborated on furniture and fittings designs for Ringo's Hampstead house
Los 304
An afrormosia bedroom suite, circa 1960s; the dressing table with electric light fitment above an angled rectangular mirror; the moulded edges above three drawers with turned knob handles; above straight, splayed legs, 124cm high, 115cm wide, 52cm deep overall; a conforming three drawer chest, 86cm high, 79cm wide, 49cm deep; a conforming low table, possibly the dressing table stool, 44cm high, 59cm long, 42cm wide; and an associated afrormosia coffee table, circa 1960s, similar; 34cm high, 138cm long, 40cm wide
![* David Birtwhistle [b.1947] Window's Light, nude in an interior signed bottom left watercolour and pastel drawing, 24 x 39cm](https://cdn.globalauctionplatform.com/cad85508-c194-44a5-8983-b01f00ec2fbc/a94f114d-5416-4c02-9e7f-b06900d165dd/468x382.jpg)
Los 1003
Black slate mantel clock with moonphase and perpetual calendar, the clock with visible brocot type escapement, roman numerals marked Le Roy and Fils, Monpensior, Paris, calendar dial signed Brevet with day, month and date indication, 41cm Condition Report Light surface scratches, small chips to case. Chip to glass cover of clock dial, some cracks to the enamel clock dial around winding key hole. Part of the handle for back door is missing. Clock is running but unable to say whether in full working order. General wear and tear.We do not provide in house shipping. Would recommend either Mailboxes.com or mjmpost458@gmail.com
Los 106
Mid-century Scandinavian yellow-tinted glass cocktail shaker and stopper, of baluster form, on wrythen stem and spreading foot, 23.5cm high and a studio glass pineapple-shaped light shade by Tim Shaw, with metal frond top, tinted in yellow and green, etched signature, 22cm high (2) Condition Report Cocktail shaker with surface scratches, accretions, stopper has a small chip to the underside.Light shade with surface scratches, accretions, wear to the paint, nibbles to the edges of the incised decoration.General wear and tear
Los 1229
Victorian mahogany shaving stand, the circular vanity mirror over shelf and a lower circular drum-shaped toilet accessory box, having two lift-up covers, the gun barrel pedestal raised on tripod supports with scroll feetCondition ReportLight surface scratches, scuffs and knocks to the wood. Areas of loss to the veneer. Repair to base. General wear and tear.
Los 125
Two Chinese Qing Dynasty vases and covers, the first of inverted baluster form with dog of Fo finial, painted with birds, flowering and fruiting trees in blue, on a crackle-glazed ground within bronzed incised borders, impressed and incised seal mark to base, 21.2cm high, the other of ginger jar form, decorated with flowering prunus, four-character mark to base (2) Condition Report Vase with light surface marks, accretions, cover has schips to the edge, chip and repair to the dog finial, small chip near the base.Ginger jar with light surface marks and accretions. Good overall condition. Both with general wear and tear.
Los 132
Late 19th/early 20th century Chinese cloisonne panel, decorated with pheasants and other birds amongst flowering prunus within scroll border, 13cm x 16cm and a carved soapstone figure of a man holding a pot and cover, wearing long robes, incised with flowers and clouds and gilt tunic, decorated with cold colours, 21cm high (2) Condition ReportFigure has surface scratches, scuffs, chips and cracks. Substantial damage to body which is in in two parts and repaired with dowels. Cloisonne panel has light surface scratches, minor crazing. General wear and tear on both.
Los 2
Pair Chinese Late Qing Dynasty crackle glaze oviform vases, moulded and enamelled with warriors on horseback, within moulded bronzed foliate bands, reserved on a brown crackle glaze, with four-character marks to base, 35.6cm high (2) Condition Report Light surface marks, accretions. Some minor crazing to the enamel decoration. General wear and tear.
Los 25
Coalport two-handled botanical footed comport, circa 1820, painted in the manner of Thomas Baxter with a basket of luxuriant flowers, within a broad band gilt with flowering convolvulus, 35cm wide Condition Reportlight surface scratches, two small chips to base edge. Wear to gilt and general wear and tear.
Los 26
Wedgwood bone china Florentine Turquoise pattern part tea and coffee service, printed black and brown marks, cancellation marks, each printed with a broad band of scrolling grotesques, on a turquoise border, comprising an oviform coffee pot and domed cover, a teapot and cover, two-handled sugar bowl and cover, a footed sugar bowl and cover, a footed cream jug, a footed milk jug, two coffee cans and saucers, six coffee cups, six teacups, 12 saucersCondition ReportOverall good condition. Light surface scratches and general wear and tear. Two coffee cans, two cups and two saucers are 2nd's with cancellation marks
Los 27
Paris porcelain (La Reine) footed bowl and a breakfast cup and saucer, circa 1790-1800, stencilled iron red crowned A marks, each painted with a vignette of a bird in landscape within gilt rims, bowl 20cm diameter and a late 19th century continental porcelain cabinet cup and saucer with blue arrow marks, painted with vignettes of a girl in landscape with a tambourine, within Meissen Marcolini-style cartouches, with ovolo borders, on ebonised wooden display stand Condition Report We do not provide in house shipping. Would recommend either Mailboxes.com or mjmpost458@gmail.comBreakfast cup & saucer - surface scratches, wear to gilt, repair to saucer, cup without handle.Footed bowl - overall good with minor wear to gilt and light surface scratches.Cab cup & saucer - surface marks, wear to giltGeneral wear and tear
Los 28
19th century Staffordshire pottery slipware conical bowl, decorated in cream slip with band of foliage, with loop handle, on spreading foot, 20cm diameter x 14.5cm high Condition ReportLight surface marks and accretions. Small chip to the glaze on the rim, areas of crazing, no obvious signs of damage under UV. General wear and tear.
Los 29
Pair of Copeland majolica two-handled oviform vases, late 19th century, impressed marks, with pierced square handles and moulded with bearded Bacchic masks interlocking strapwork and flowers, reserved on a cream, dark brown and blue ground, 27.5cm high (2) Condition ReportLight surface marks and accretions. Overpainting and repairs to both, mainly to the neck, rim and handles. One with hairline to body. General wear and tear.
Los 296
19th century French walnut 'Cranologie de Docteur Gal' snuffbox, relief decorated with skulls and relief inscribed to the base with a list of 27 items, Dr Gal (d.1828) considered the father of phrenology, tortoiseshell lining, 8cm diameter Condition Report Overall good condition. Light surface marks, general wear and tear, see photos.
Los 32
19th century English porcelain cabinet plate painted by J Rouse, the centre painted with two children beside a hound in landscape, signed, within gilt seeded cartouche, reserved against a turquoise border decorated with bouquets of fruit, flowers and musical trophies, within gilt scroll-shaped seeded cartouches, 23.7cm diameter Condition ReportLight surface marks, some crazing, minor wear to the gilt. No obvious signs of damage or restoration under UV. General wear and tear.
Los 33
Group of early 19th century English pottery and porcelain, including an oval porcelain plaque painted in the manner of Thomas Steele with a bouquet of strawberries, grapes and other fruit reserved against a dark ground, 18.9cm wide, a Rockingham cylindrical inkwell moulded with gilt lion masks and painted with iron red, purple and gilt acanthus, red Rockingham/Brameld griffin mark, a Rockingham botanical small circular plate, painted with yellow flowers, a butterfly and insect, within gilt chain-pattern fluted border, similarly marked, a Brameld ironstone chinoiserie-pattern side plate and another ironstone plate similar, printed and impressed marks Condition Reportlight surface scratches and marks, accretions, wear to gilt. Rockingham inkwell with repairs, the other inkwell with hairline cracks to top and repair to one foot. General wear and tear.
Los 38
ASL Studio squat globular vase by Tony Laverick, glazed with blue and lustrous streaked glazes, moulded mark, 11cm high, various items of pottery and stoneware including a Crown Ducal ribbed blue glazed jug, a two-handled turquoise glazed vase, a Redwood pottery baluster jug and a Lladro tea light holder of globular form incised with spirals, boxed
Los 410
George V three piece silver tea set, of bulbous form, the teapot with turned wooden knob and handle, comprising teapot, sugar bowl and milk jug, hallmarked London 1924 by Charles & Richard Comyns, gross weight approximately 683.1g/21.9oztCondition ReportLight surface scratches to all pieces, accretions, dents to all. General wear and tear.
Los 440
Victorian green cased engraved glass scent bottle, with embossed white metal mount and original glass stopper, 10.5cm highCondition ReportLight surface scratches, tiny chips to stopper. Silver coloured mount is misshapen, small pinhole to top of lid and slight play to hinge. General wear and tear
Los 48
Collection of studio pottery and other items including a continental Riva striped vase of impressed form in bright colours, a studio pottery stoneware small globular spill vase incised 'BAA' speckled in blue, various stoneware brown glazed models of cattle, a 1960's small shaped dish printed with stylised fish, a shallow bowl decorated with a sailing ship incised 'D Beckley' reserved on a green ground, an Irish Priory Ceramics Youghal ochre glazed pottery tankard, a green glazed vase and other items Condition Report D. Beckley bowl - good condition, light surface marks. 4cm high, 18.5cm diameterBird/animal model - Light surface marks, accretions. Overall good. 14cm high, 23cm long
Los 528
Antique gold-coloured metal, pearl and ruby set serpent brooch, the serpent entwined to form shaped oval, with large baroque-shaped pearl pendant drop Condition Report Weight approx 7 gramsLength 3cmSurface marks, light scratches and wear visible in places, commensurate with age and previous use. Overall condition appears to be good considering age.
Los 559
Karl Svendsen, Valberget Norwegian hardstone and white metal pendant and chain of abstract form and holding a single purple stone, a Scottish silver openwork brooch by Orla Gorie in the form of interlinked hearts and a silver and hardstone Art Nouveau-style brooch, shaped oval and with iridescent striped stone inset, marked to reverse ‘NIC’ (3) Condition ReportOverall good condition. Light surface marks, accretions. The hinge on the Orla Gorie brooch is held with a piece of wire. General wear and tear.
Los 582
David Andersen, Norway sterling and enamel butterfly brooch and 830 metal and green stone brooch, scroll design with central pendant drop (2) Condition Report Butterfly brooch in overall good condition with light surface marks, accretions. Antennae appear very slightly mishappen.Scroll booch with light surface marks, accretions, small dent to centre section. Both with general wear and tear.
Los 588
Pair 18ct white gold, pearl and grey stone drop earrings with foliate decoration and a pair of 18ct yellow gold, green and white stone drop earrings having white stone set lozenge with green stone dropper (2 pairs) Condition Report Both in good condition. Light surface marks. General wear and tear.Pearl earings - weight approx. 4.7g, length 3.5cmGreen stone earings - weight approx 3.7g, length 2.5cm
Los 62
Pair of Crown Derby imari pattern two-handled squat formed vases and domed covers, late 19th century, printed crowned D marks, indistinct painter's marks, each painted with lappet-shaped panels of Oriental flower sprays within blue and gilt borders, with gilt mask handle terminals (one cover cracked and restuck, one foot with hairline cracking), 14cm high (2) Condition ReportLight surface marks, accretions, wear to the gilt on both. One has extensive damage and repair to body and repair to lid. General wear and tear.
Los 66
Royal Crown Derby bone china imari pattern assembled garniture, printed iron red marks, pattern no.1128, various painter's marks, comprising: two oviform two-handled vases and one cover flanking a central two-handled oval vase with pierced domed cover, decorated with the Old Imari pattern, on gilt scroll moulded base, tallest vase 20cm high (3) Condition ReportGood condition. One vase missing the cover. Very light surfavce marks. General wear and tear.
Los 67
Royal Crown Derby bone china Old Imari pattern two-handled quatrefoil tray, decorated with radiating lappets of Oriental flower sprays reserved against a dark blue ground, gilt with leafy tendrils, 40.5cm wide and a ginger jar and cover, painted with pattern no.1128, both with cancelled iron red factory marks, various painter's marks (2) Condition ReportOverall good condition. Some light surface marks to both. The vase is a 2nd
Los 90
Whitefriars glass knobbly bowl, streaky green and clear colourway, designed by William Wilson and Harry Dyer, pattern number 9613, diam 22cm, a Whitefriars glass vase with controlled bubble decoration and lobed base, in clear and amethyst colourway, height 19cm, an early 20th century Thomas Webb "Old English Bull's Eye" pattern glass footed bowl, from their "Gay Glass" range, amber colourway, acid etched mark to base and a blue glass vase (4)Condition ReportLight surface scratches and accretions to all. Whitefriars bowl with two chips to the rim, wear and scratches to the interior. Amethyst vase with scratches and light clouding. General wear and tear to all.
Los 92
Whitefriars knobbly glass vase with green streaks, designed by William Wilson and Harry Dyer, height 12.5cm, an art glass vase with double lobed base, decorated with pink swirls and green rim, a cased glass bowl with black swirl decoration on white ground, diam.26.5cm (3)Condition ReportThere are some very small scratches and light scuffing to some of the items, but no apparent damage. There is a white mark from a label on one of the items, but this should wash off.
Los 1
Bernard Joseph Artigue, French 1859-1936 - Portrait of a girl in profile; oil on canvas, signed lower left 'B. Artique', 48.5 x 40 cm (unframed)Note:Artigue was a pupil of Jean-Paul Laurens (1838-1921), one of the last French Academic artists. Unlike like his teacher, Artigue turned to pointillism like his friend Henri-Jean Guillaume "Henri" Martin (1860-1943). His mastery of light was inspired by the colours of his home in the South of France.
Los 181
Margaret Mellis, Scottish 1914-2009 - Small White Relief, 1970; painted wooden relief, signed, titled and dated on the reverse 'Margaret Mellis White Relief Nov 1970' and with hand-numbered artist's stamp 'M Mellis 7.0762', 37.8 x 37.7 cm (ARR) Provenance: with Austin Desmond Gallery, London; private collection Exhibited: Piers Art Centre, Orkney, 'Margaret Mellis: Constructions, Paintings, Reliefs', 8th May - 10th June 1982 (according to the label attached to the reverse, which states the date of the work as 1971) Note: Margaret Mellis was a pioneer of abstraction from the 1940s in Britain, creating a highly innovative body of work that pushed the boundaries between painting and sculpture, always utilising a unique approach to colour. In the present work from the 1970s, the artist plays with light and shadow, in her use of relief and brilliant white. While artists as diverse as Mary Martin and Ben Nicholson were exploring similar techniques during the same period, through her distinct curved forms Mellis managed create a distinctly sensitive response to abstraction. Mellis played an important role in the history of Modernism in St. Ives during the Second World War, her home with first husband Adrian Stokes providing a focal point for artists including Naum Gabo, Barbara Hepworth and Wilhelmina Barns-Graham. Mellis has been subject to major museum shows across the UK, including at City Art Centre, Edinburgh in 1997, the Sainsbury Centre for Visual Arts, Norwich in 2008 and more recently at Towner Art Gallery, Eastbourne in 2022.
Los 185
Sandra Blow, British 1925-2006 - Blue and White Stripes, 1998; acrylic on canvas, signed, titled and dated to the overflap 'Blow Blue and White Stripes March 1998', 121.8 x 121.5 cm (ARR) Provenance: Bonhams, London, Modern Pictures and Sculpture, 22 March 2011, lot 188; private collection, purchased from the above Note: Blow is considered to be one of the pioneering abstract artists of the 1950s who introduced a new form of expressive painting to Britain, often using everyday discarded materials such as sawdust, sackcloth and plaster. This practice was developed in tandem with her then-partner, the great Italian artist, Alberto Burri, with whom she travelled and worked in Italy during the late 1940s. Although considerably younger than many of her contemporaries of this early period, she was at the forefront of the abstract movement in Britain. The present work is an exemplary piece of her later period, following her move to St. Ives in 1994 and shows her brilliant synthesis of form, light, space, texture and rhythm.
Los 233
Leonard Rosoman OBE RA, British 1913-2012 - A Winter Landscape; oil on canvas, signed lower right 'Leonard Rosoman', 61 x 50.7 cm (ARR) Provenance: Lady Ransthdowne; Duncan R. Miller Fine Arts, London; private collection, purchased from the above in 2010; Roseberys, Modern British, 15 February 2022, lot 29; private collection, purchased from the above Note: this artwork is a striking study in the representation of winter light, contrasting cooler tones with that of the landscape and snow. Leonard Rosoman OBE RA worked as a war artist, a printmaker, a painter and an illustrator. He is particularly well-known for his murals, completing commissions most notably for the 1951 Festival of Britain at the Southbank Centre, the Royal Museum of Scotland, the Royal Academy, and the ceiling of Lambeth Palace Chapel. Over his career Rosoman also taught at a number of noteworthy art schools, including Camberwell College of Art, Edinburgh College of Art, the Chelsea School of Art and the Royal College of Art, where his students included a young David Hockney.
Los 264
Norman Adams RA, British 1927-2005 - Faint Light Shining Through Rain - Hebridean Study, 1978; watercolour on paper, signed with initials, titled and dated lower left, 20.5 x 26.2 cm: together with 'Rocks and Wild Sea - Scarp, 1978', 26.5 x 28.5 cm and 3 other works on paper by the same artist of a similar size and same medium (unframed) (5) (ARR)
Los 180
A selection of manufactured and collectors teddy bears, including two Alresford Crafts Ltd, white plush unjointed seated bears, with labels to base, the larger-- 25in. (63.5cm.) high; two R.Dakin bears with black collars, Chesley, a Real Soft Toys light brown plush bear, Hero, a Lefray unjointed bear with yellow plush muzzle and tummy and 13 others
Los 201
Seven manufactured teddy bears with interesting and original tags, including a Happy Child Toys, with light brown plush, orange and black plastic eyes, black stitched nose and mouth, swivel head jointed limbs and darker brown pads-- 14in. (35.5cm.) high; A Real Soft Toy Panda with large black tag, a Koala night case and four others (slight wear)
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534297 Los(e)/Seite